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Saturday, May 18, 2019

B ★ O ★ W  I  E  
Well not least because of the Eno connection and the Berlin Trilogy but also the art connection with Derek Boshier contemporary of Hockney's at the RCA and yet the experimental nature was receding into pop (or back into pop0 for these ears and I left him for a while again after this . . . . . .

On this day in music history: May 18, 1979 - “Lodger”, the thirteenth studio album by David Bowie is released. Produced by David Bowie and Tony Visconti, it is recorded at Mountain Studios in Montreaux, Switzerland and The Record Plant in New York City in September 1978 and March 1979 . The album is the third and final release in David Bowie’s “Berlin Trilogy”, his collaborative efforts with producer/musician Brian Eno, named as such since the songs are composed while the two are living in East Germany (though recorded elsewhere). More pop oriented than its predecessors “Low” and “Heroes”, but with Bowie still maintaining an experimental edge. The albums two sides feature songs that follow specific themes. The first side include songs representing travel, while the second side feature songs commenting on Western society. The albums cover art (designed by Bowie and British pop artist Derek Boshier) features a photo (taken with a Polaroid SX-70 camera) of the singer posed as an accident victim with a broken nose sprawled out on his back. It spins off two singles including “DJ” (#7 UK) and “Boys Keep Swinging” (#29 UK). To help promote the album, Bowie makes a now famous appearance on Saturday Night Live on December 15, 1979, with performance artists Klaus Nomi and Joey Arias, where he performs “TVC 15” and “Boys Keep Swinging”, wearing a dress and as an anthropomorphic puppet respectively. Reissued numerous times since making its CD debut in 1984, it is most recently remastered and reissued in September of 2017. The album is reissued on CD and as a 180 gram vinyl LP, individually and as part of the box set “David Bowie: A New Career In A New Town”. “Lodger” peaks at number four on the UK album chart and number twenty on the Billboard Top 200.
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