THE DOORS

and of course we have had this before as a post but 'Strange Days'  and the inexpressible excitement I experienced when this album came out I have mentioned before . I was shocked, transported and finally felt someone was singing to me! But this post from the wonderful Behind The Grooves is a track rarely featured so worth it just for that and to underline how much Jeff over at Behind The Grooves would appreciate our support (see below) 

On this day in music history: September 25, 1967 - “Strange Days”, the second album by The Doors is released. Produced by Paul A. Rothchild, it is recorded at Sunset Sound Recorders in Hollywood, CA from May - August 1967. With their debut album finally taking off with the release of “Light My Fire” the same month, The Doors begin recording the follow up.This time, the band have more advanced technology at the their disposal, recording on an eight track multi-track tape machine. They also have one of the first Moog synthesizers built to experiment with. Having previously covered Bertolt Brecht and Kurt Weill’s “Alabama Song (Whisky Bar)”, many of the songs on “Strange Days” have a darker and moodier feel like that German cabaret song. That feel is most apparent in the first single “People Are Strange” (#12 Pop), though many of the songs were written at the same time as their debut and represents what they have in reserve. Those songs include “Moonlight Drive”, based on a poem written by Jim Morrison and “My Eyes Have Seen You”. The cover photos are taken by photographer Joel Brodsky, though do not feature The Doors themselves. Instead it uses a group of street performers including a strong man, a musician, a juggler, acrobats and twin dwarfs (seen individually on the front and back), in an alley way. With these type of performers hard to come by even in New York, a cab driver is paid $5 to participate in the photo shoot, with Brodsky’s assistant standing in as the juggler. The Doors themselves are represented on the cover in the form of a poster on the alley wall. In spite of this, Elektra Records affixes a sticker to the shrink wrap to make it more easily identifiable as a Doors album. Released only nine and a half months after their debut, “Strange Days” starts off strong but quickly loses momentum and sells considerably less. It spins off two singles including “Love Me Two Times” (#25 Pop), with “When The Music’s Over” also becoming an airplay favorite. Issued with both dedicated mono and stereo mixes, part of the original press run of mono LP jackets are printed in error with the stereo LP prefix “EKS” on the sleeve spine instead of “EKL” as indicated on the front and back. Originally issued on CD in 1985, it is remastered and reissued in 1999, and is reissued again for its fortieth anniversary in 2007 with new remixes. The album is also reissued as a 180 gram vinyl LP by Rhino Records in 2009. “Strange Days” is also issued with 5.1 surround remixes (and the original stereo mixes) as a hybrid SACD by Analogue Productions in 2013. The mono mix of the album, out of print since 1968, is reissued as 180 gram vinyl LP on Record Store Day in April of 2015, individually numbered and limited to 12,500 copies. “Strange Days” peaks at number three on the Billboard Top 200, and is certified Platinum in the US by the RIAA.

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