BURT BACHARACH R.I.P. 1928 - 2023

Raindrops Keep Falling On My Head - BJ Thomas [Bacharach/David] - Butch Cassady and The Sundance Kid

Burt Bacharach, the debonair pop composer, arranger, conductor, record producer and occasional singer whose hit songs in the 1960s distilled that decade’s mood of romantic optimism, died on February 8 at his home in Los Angeles. He was 94. His publicist Tina Brausam confirmed the death. No specific cause was given.

A die-hard romantic whose mature style might be described as Wagnerian lounge music, Bacharach fused the chromatic harmonies and long, angular melodies of late-19th-century symphonic music with modern, bubbly pop orchestration, and embellished the resulting mixture with a staccato rhythmic drive. His effervescent compositions epitomized sophisticated hedonism to a generation of young adults only a few years older than the Beatles.

Because of the high gloss and apolitical stance of the songs Bacharach wrote with his most frequent collaborator, the lyricist Hal David, during an era of confrontation and social upheaval, they were often dismissed as little more than background music by listeners who preferred the hard edge of rock or the intimacy of the singer-songwriter genre. But in hindsight, the Bacharach-David team ranks high in the pantheon of pop songwriting.

Bacharach-David songs like “The Look of Love” (Dusty Springfield’s sultry 1967 hit, featured in the movie “Casino Royale”), “This Guy’s in Love With You” (a No. 1 hit in 1968 for Herb Alpert), and “(They Long to Be) Close to You” (a No. 1 hit in 1970 for the Carpenters) evoked an upscale world of jet travel, sports cars and sleek bachelor pads. Acknowledging this mystique with a wink, Bacharach appeared as himself and performed his 1965 song “What the World Needs Now Is Love” in the 1997 movie “Austin Powers: International Man of Mystery,” which spoofed the swinging ’60s ambience of the early James Bond films. He also made cameo appearances in its two sequels.

The Bacharach-David team’s artistic chemistry solidified in 1962, beginning with the hits they wrote and produced for Dionne Warwick, a gifted young gospel-trained singer from East Orange, NJ. The artistic synergy of Bacharach, David and Warwick defined the voice of a young, passionate, on-the-go Everywoman bursting with romantic eagerness and vulnerability. Their urbane style was the immediate forerunner of the earthier Motown sound of the middle and late 1960s. - Stephen Holden, nytimes.com

“The shorthand version of him is that he’s something to do with easy listening,” Elvis Costello, who wrote the 1998 album “Painted from Memory” with Bacharach, said in a 2018 interview with The Associated Press. “It may be agreeable to listen to these songs, but there’s nothing easy about them. Try playing them. Try singing them.” A box set, “The Songs of Bacharach & Costello,” is due to come out March 3.

Brian Wilson twittered: “I’m so sad to hear about Burt Bacharach. Burt was a hero of mine and very influential on my work. He was a giant in the music business. His songs will live forever. Love & Mercy to Burt’s family.”

“Burt’s transition is like losing a family member. These words I’ve been asked to write are being written with sadness over the loss of my dear friend and my musical partner,” Dionne Warwick, 82, said in a statement. “On the lighter side we laughed a lot and had our run-ins, but always found a way to let each other know our family, like roots, were the most important part of our relationship. My heartfelt condolences go out to his family, letting them know he is now peacefully resting and I too will miss him.”

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Love - My Little Red Book [Bacharach/David]