Cowboy Junkies - Live at The Royal Festival Hall [27th Nov 2022] :: fight this sickness find a cure

         I don’t post enough from fight this sickness find a Cure . . . . . . . . . .and this morning they have posted a favourite band we don’t cover enough either - Cowboy Junkies - Live at The Royal Festival Hall on the South Bank of the River Thames in the capitol from winter last year

cowboy junkies - royal albert hall 27th nov 2022 - fightthissicknessfindacure

flac version

setlist :

set 1 :

Five Years (David Bowie cover)

Sweet Jane (the Velvet Underground cover)

No Expectations (the Rolling Stones cover)

Seventeen Seconds (the Cure cover)

A Common Disaster

Shining Moon (Lightnin’ Hopkins cover)

Don't Let It Bring You Down (Neil Young cover)

set 2 :

All That Reckoning (Part 1)

Missing Children

Sun Comes Up, It's Tuesday Morning

Blue Guitar

acoustic set :

Black Eyed Man

Rake (Townes van Zandt cover)

Powderfinger (Neil Young and Crazy Horse cover)

full band :

'Cause Cheap Is How I Feel

3rd Crusade

Good Friday

Blue Moon Revisited

encore :

Misguided Angel

Murder, Tonight In The Trailer Park 

band are:

margo timmins, michael timmins, alan anton,peter timmins & jeff bird

The band – guitarist Michael Timmins, vocalist Margo Timmins, drummer Peter Timmins and bassist Alan Anton – proved with their million-selling 1998 album The Trinity Session that there was an audience waiting for something quiet, beautiful and reflective.

Combining folk, blues and rock in a way never heard before, its release was like a whisper that cut through the noise, especially the iconic version of Velvet Underground’s ‘Sweet Jane’.

With Songs of the Recollection, Cowboy Junkies turn once again to covers, this time from artists like David Bowie, the Rolling Stones and Neil Young.

Of the new release, Michael Timmins says: ‘Long before we were musicians, we were music fans. This was the passion and experience that we shared. These are some of the songs and some of the artists that have found their way into our lives and repertoire over the past 50 years.’