Charley Patton – Screamin’ and Hollerin’ the Blues
+ Charley Patton by John Fahey Book (PDF)
CHARLEY PATTON
Before Charley Patton was recognised as the bedrock of Delta blues,
Paramount tried turning him into a mystery. In 1929 they issued one of his
78s under the name “The Masked Marvel,” inviting buyers to guess the
performer for a chance to win free records. Anyone familiar with the
Delta scene would have known that voice instantly, but the stunt became
part of Patton’s early mythology. Revenant Records leaned into that history
when they created Screamin’ and Hollerin’ the Blues, weaving the
“Masked Marvel” imagery into the artwork as a nod to the era’s eccentric
marketing and the folklore surrounding Patton’s recordings. It’s a small detail,
but it captures exactly what this set does so well, restoring the music,
the context, and the stories that shaped one of America’s most important artists.
Screamin’ and Hollerin’ the Blues isn’t just a box set; it’s one of the most ambitious
archival projects ever devoted to an American musician. Released in 2001 by Revenant
Records, the label co‑founded by John Fahey, it gathers Patton’s complete recorded
legacy and presents it with a level of care that feels almost devotional. His 78s were
scattered, fragile, and often worn beyond comfort, yet this set pulls them together
with a clarity and depth earlier transfers rarely achieved.
The music remains astonishing. Patton’s voice — raw, percussive, and full of lived
experience, cuts through the surface noise with a force that still feels modern.
His guitar work, all snap and drive, anchors everything from spirituals to breakdowns
to the narrative blues that shaped the Delta tradition. What emerges is the full range
of his world: dance tunes, laments, sermons, sly humour, and the sheer physicality of
his playing. Patton wasn’t just a bluesman; he was a complete entertainer and a
community figure.
Revenant’s presentation is legendary. Oversized packaging, deep essays, label scans,
photographs, and meticulous discographical notes turn the set into a museum piece
you can hold.
The remastering, sourced from the best surviving 78s, brings out detail that earlier
editions buried. You hear the room, the breath, the scrape of strings, the urgency
of a man performing for real people in real time.
Taken together, Screamin’ and Hollerin’ the Blues restores Patton’s work to its rightful
scale. I
t treats these recordings not as relics, but as living documents, vital, rhythmic,
and foundational.
This is the Delta blues at its source, presented with the respect and depth
it has always deserved. (Butterboy)
Butterboy looks at Charley Patton from Revenant Records Box Set
and shares John Fahey’s ebook on Patton (PDF)

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