Colt Clark and the Quarantine Kids @theclarkfamilycreative playing a #VinceGill tune “One More Last Chance” here at#NormansRareGuitars!!! 🔥🔥🔥 Norman's Rare Guitars
**MUST WATCH FULL VIDEO ON @YOUTUBE
https://youtu.be/HZu6sXeHlmw 🙄
again nice little clips but heck here’s the whole deal!
I LOVE THIS FAMILY
Whatch where he says how proud he is and his son on Telecaster plays a mean solo, they are all just SO good
Colt Clark and the Quarantine Kids - "One More Last Chance"
I come back to this theme a lot. Finding Joy in the little things in life. Sitting in silence together, walking alone in nature, being with someone you love. Just noticing the beautiful things around you. I made the song with this theme as well. Simple things that might go unnoticed to most but some people find the beauty in them. I personally find the beauty in the small things. It brings me joy. I also see the sadness and hatred. It’s a fine balance trying to keep from being filled with too much sadness over everything that is going on right now. These little videos help me feel good and I share them in hopes of others finding the same goodness for a few minutes. Sending peace to the world in hopes that it heals.
I had to cut the ending a few seconds so it would get pushed out. Only videos under 3 mins get pushed out. Sorry about that 😏
Images: #midjourney
Animation: #veo3
Song: @suno (Lyrics by Kelly Boesch)
Wow! and maybe even another single of the week? How about single of the DAY?
This is wondrous . . . and again thanks to Herberg (formerly Le Ramasseur De Mégots) for introducing me to yet another star and voice I had not heard . . . .
again a single (12”) that I bought when it came out largely thanks to my old friend Kevin Smith who sang and played with Matt from Matt Bianco . . . . .you out there Kevin?
"This song, ‘Waking From A Dream’ is about outgrowing a life that feels too small and the terrifying, beautiful push to break out of it. It captures the feeling of shedding an old skin and watching a muted world suddenly spill into color. At its core, it’s really just about the quiet vulnerability of letting yourself wake up and bloom.
These scenes are a reminder to pause and take in the beauty around us. They explore the tension between wanting to experience our emotions fully and the struggle of actually letting our guard down to feel them.
Waking From A Dream
[Verse 1]�
There came a day I couldn’t stay�Curled in the silence, tucked away�Where I felt small and hours would stall�Against the petals of it all
The tender ache I learned to keep�Had rooted far too dark, far too deep�Till something wild inside my chest�Said leaving might be kinder than the rest
[Chorus]�The air is thin, it cuts, it sings�It tastes like fear and fragile wings�But every step beyond the seam�Feels like waking from a dream
[Verse 2]�I feel the turning in my bones�A fragile break from what I’ve known�Like skin I wore now slipping loose�A sweet undoing I can’t refuse
Now everything is spilling into color�Where I once saw only one�Every shadow finds another�And the light has just begun
[Chorus]�The air is thin, it cuts, it sings�It tastes like fear and fragile wings�But every step beyond the seam�Feels like waking from a dream
[Outro]�There came a day I let it break�The quiet shape I used to take�And though it trembled, soft and raw�I bloomed and let the quiet fall
Lyrics written by me, Kelly Boesch. Music created under my creative direction with assistance from Suno.
Might sign off the day with this one from Kelly Boesch she is SO prolific! I struggle to keep up but this one hit me and struck me as so good . . . .again!
"I’ve always thought Magic Of The Sixties volumes one and two make the most sense when they’re treated as a single eight-disc run, even though they were released a few years apart, the first in 2012 and the second in 2015. Played together, they don’t lock the decade into one sound or storyline. Instead, they let it unfold naturally, full of overlaps, detours, and subtle shifts. Familiar hits sit right alongside less obvious choices, and that closeness does the explaining without needing to spell anything out.
The first set leans into movement and lift in a very deliberate way. Those opening discs draw heavily from the early and mid-sixties, when pop, beat, soul, and folk-rock were still sharing vocabulary rather than staking out territory. The sequencing isn’t locked to a strict timeline, and that choice matters. It keeps the set from feeling like a history lesson and lets the music behave the way it originally did, circulating through radios, jukeboxes, and charts at the same time. Tracks slide into one another easily, not because they’re similar, but because they belong to the same listening world.
Volume two doesn’t try to outdo that earlier energy, it works by adding weight instead. The selections lean further into the later sixties, where arrangements grow denser and performances carry more emotional and political awareness. Songs begin to stretch, not just musically but thematically, taking in psychedelia, deeper soul, and a more inward kind of pop writing. The sequencing avoids a clean break between eras. Instead, it lets the shift happen gradually, so the listener feels the decade pressing forward rather than turning a corner all at once.
Taken together, the eight discs reward time and repeat listening. Familiar songs settle back into proportion when they’re heard alongside lesser-known period material, and genre boundaries start to feel fluid rather than fixed. These sets don’t make a case for a definitive version of the 1960s. They behave more like a working listening map, shaped by sequencing and pacing rather than thesis. What lingers is the sense of motion, how quickly sounds changed, how much overlap there was, and how the decade’s real pull comes from that forward momentum rather than any single moment held up as final.” (Butterboy)
