I Can See You - by Paddy Summerfield c. 1986

Sunday, August 09, 2026

Leo Kottke and Mike Gordon - Live St. Louis 2002 | Voodoo Wagon

 Leo Kottke and Mike Gordon - Live St. Louis 2002

 Leo Kottke & Mike Gordon - St. Louis MO.
aka - Mississippi Nights
November 15, 2002
Soundboard 
a Silent Way re-up from 2014

Silent Way says: A pristine digital soundboard of our buddy Leo joined by Phish 
bassist Mike Gordon.

Set List:
1. Tuning
2. Disco
3. Living In the Country
4. I'm Going Back To the Old Home
5. The Collins Missile
6. William Powell
7. Talk about Leo's manager
8. Rings
9. Talk about Frizz Fuller
10. From Pizza Towers To Defeat
11. I Can't Hang
12. Standing In My Shoes
13. Last Steam Engine Train
14. Talk about the album's early working title
15. Te Veo
 

1. Tuning
2. Cripple Creek
3. Talk about Clone
4. Clone
5. Middle of the Road
6. Corrina Corrina
7. Car Carrier Blues
8. Ya Mar
9. Deep River Blues
10. Eight Miles High

Check out the link to download and the Wagon for a beautiful video track posted by SW of Leo playing ‘Little Martha in Feb 2012 

For Silent Way (and the boys!)
Leo Kottke - Live at The Lensic - 7/31/2019 - Last Steam Engine Train
Leo makes his claim for a John Fahey? classic.  If you're a Leo fan, you've heard several versions of this rap.  This is his latest.

Squeeze - 1992-08-09 - Joliet, IL (FM) | so many roads RE-UP!

 Squeeze - 1992-08-09 - Joliet, IL (FM)


 
a SPEEDY SPECIAL
I think I would always try and post a Squeeze set and like Speedy I have seen them a few times and the best gig I ever saw was around the time of  Some Fantastic Place which I forever associate with the loss of a friend

Squeeze
1992-08-09
Rialto Theatre Joliet IL
WRXT-FM Broadcast

01. Pulling Mussels From A Shell
02. Labelled With Love
03. Is This Love?
04. Footpronts
05. Another Nail In My Heart
06. Up The Junction
07. The Day I Got Home
08. The Truth
09. Tempted
10. Hourglass
11. Take Me I'm Yours
12. Annie, Get Your Gun
13. Goodbye Girl
14. Black Coffee In Bed


Speedy says: I've seen Squeeze on 2 occasions - in August 1981 at the South Mountain "Music Festival" - in reality, the side of a hill - and in August 1985, at Pier 84 in New York. 

Today's post goes back to 1991 when Squeeze released their 9th studio album, entitled Play. The liner notes to the album are, appropriately, in the form of a play that incorporates the lyrics of the songs in a script that also references the plays Our Town by Thornton Wilder and Waiting for Godot by Samuel Beckett.  While the album did not have much commerical success, crtical reviews were strong, with AllMusic gving the disc 4 stars, calling it "Squeeze's best post-reunion album" and naming the tracks The Truth and Walk A Straight Line as "particular highlights".  This FM broadcast captures Squueze on tour in suppprt of Play about a year after its release, in Joliet on August 9, 1992, 34 years ago today.

for Speedy
Squeeze - Labelled with Love (Live at Liverpool Philharmonic, 2019)

two of the most underrated songwriters in the British pop canon and in Glen a fine fine guitarist

Neil Young With Crazy Horse - Driftin Back (excerpt) [Psychedelic Pill] | jt1674

 

https://www.tumblr.com/jt1674/824384913145036800/neil-young-with-crazy-horse-driftin-back

Blind Faith - Blind Faith (1969 UK 2001 double disc remaster) | Plain & Fancy

 Blind Faith - Blind Faith (1969 UK 2001 double disc remaster)

Can’t Find My Way Home 1969

I have said before I went to the Blind Faith gig in Hyde Park and thoroughly enjoyed it and of course we all went out and bought the album. Despite being so short-lived I loved a lot of the work the boys did here. So this extended version is a welcome addition to any fan of Clapton Stevie Winwood or Grch and Baker come to that. The rest of the day was memorable for introuducing us to Richie Havens and Donovans sets was cool as I recall . . . . . 

Blind Faith were the band that introduced the world to the notion of a rock "supergroup," a combo featuring several musicians who had already achieved popularity and critical acclaim before joining forces to make music. Blind Faith also unwittingly established one of the most common features of supergroups -- most featured enough performers with strong resumes and egos to match that internal conflicts were all but inevitable, and as a consequence, they usually fell apart rather quickly. Despite a hit album and a financially successful international concert tour, Blind Faith managed to rise and fall in the space of less than a year, and ultimately proved to be a large but curious footnote in the careers of four giants of British rock: Eric Clapton, Steve Winwood, Ginger Baker, and Rick Grech.

Blind Faith were born of discord within two noted British acts of the late '60s. Cream were at the peak of their fame when the band broke up in 1969, in part because guitarist Eric Clapton was uncertain about the group's creative direction, but mainly because bassist Jack Bruce and drummer Ginger Baker found it all but impossible to see eye to eye. Meanwhile, vocalist and keyboard player Steve Winwood had founded Traffic after leaving the Spencer Davis Group to explore an adventurous brand of rootsy but instrumentally adept psychedelia informed by jazz and blues. After initial success, however, they had trouble negotiating egos as well as working out the balance of songwriting and instrumental work within the band, and in 1969, Traffic shut down.

Clapton and Winwood were friends and mutual admirers who had jammed together on several occasions, so when both found themselves at liberty following the breakup of their respective groups, they investigated the idea of forming a band together. One day, Ginger Baker stopped by while Clapton and Winwood were working out material, and he sat in on drums. Musically, Clapton and Winwood were happy with the way Baker's ambitious percussion melded with their new songs, which explored a more subtle blend of blues and R&B than Cream. While Clapton was wary of reuniting with Baker so soon after closing the book on Cream, Winwood's enthusiasm won out, and Baker joined the band. The group became a quartet with the addition of bassist Rick Grech, who had been playing with the celebrated U.K. band Family.

By May 1969, the quartet was recording an album with Jimmy Miller serving as producer. Given the massive commercial success of Cream and widespread curiosity about Clapton's next project, the new band -- dubbed Blind Faith by the tongue-in-cheek Clapton -- signed a lucrative record deal with Atlantic in the United States as well as Polydor in the U.K. Promoters were clamoring for a tour, and the band scheduled dates in Europe, the United States, and Canada. Blind Faith made their public debut with a show at London's Hyde Park on June 7, 1969. An estimated 100,000 people were on hand for the show, and while most in attendance seemed thrilled with the concert, Clapton in particular was not pleased with how loose and informal Blind Faith sounded on-stage. 

By the end of the month, Blind Faith had set out on a club tour of Europe, and the smaller shows allowed them better control of their sound and performances. When they hit America in July, however, they were booked into large arenas often saddled with dubious acoustics and poor sound systems. Fans eager to see the new band that was the talk of the rock press often battled with police and security as they rushed the stage, and the musicians were displeased with the chaotic atmosphere. It didn't help that Blind Faith had less than an hour's worth of new music to perform before they set out on tour; the band played North America for seven weeks, and by most reports they were rarely happy with their performances or the circumstances of the tour.

In August 1969, the Blind Faith album finally hit the streets, and while "Presence of the Lord" and "Can't Find My Way Home" quickly became FM rock staples and the album topped the charts in Britain and the United States, reaction to the project was less enthusiastic than many had expected. The band received negative press for the LP's cover, which featured a topless schoolgirl playing with a silver airplane model. (The sleeve was rejected in America in favor of a cover featuring a portrait of the band.) After Blind Faith returned home from the North American tour at the end of August, the members went their separate ways. Clapton joined Delaney & Bonnie & Friends on tour as a sideman, and next formed Derek & the Dominos, while Winwood re-formed Traffic, who became ore successful than ever. Baker formed his own group, Ginger Baker's Air Force, which would feature Grech in the lineup. Grech also played briefly with Traffic, and in 1976 became involved with another ill-fated supergroup, KGB, featuring Michael Bloomfield, Carmine Appice, and Barry Goldberg.

Grech died in 1990, and Baker passed in 2019. While Clapton and Winwood would occasionally perform together, there has been no effort to revive Blind Faith; presumably their brief run in 1969 was enough for all involved. 
by Mark Deming



Tracks
Disc 1
1. Had To Cry Today (Steve Winwood) - 8:48
2. Can't Find My Way Home (Steve Winwood) - 3:16
3. Well All Right (Buddy Holly, Jerry Allison, Joe Mauldin, Norman Petty) - 4:27
4. Presence Of The Lord (Eric Clapton) - 4:50
5. Sea Of Joy (Steve Winwood) - 5:22
6. Do What You Like (Ginger Baker) - 15:18
7. Sleeping In The Ground (Sam Myers) - 2:49
8. Can't Find My Way Home (Steve Winwood) - 5:4
9. Acoustic Jam (Eric Clapton, Ginger Baker, Rick Grech, Steve Winwood) - 15:50
10.Time Winds (Steve Winwood) - 3:15
11.Sleeping In The Ground (Sam Myers) - 4:44


Disc 2
1.Jam No.1: Very Long And Good Jam - 14:01
2.Jam No.2: Slow Jam #1 - 15:06
3.Jam No.3: Change Of Address Jam - 12:06
4.Jam No.4: Slow Jam #2 - 16:06
All compositions by Eric Clapton, Ginger Baker, Rick Grech, Steve Winwood

Blind Faith
*Steve Winwood - Organ, Keyboards, Piano, Guitar, Bass, Lead Vocals
*Eric Clapton - Guitar, Vocals
*Rick Grech - Bass Guitar, Violin, Vocals
*Ginger Baker - Drums, Percussion
Blind Faith in Hyde Park, 1969

Sam Carter - Ten Thousand Miles (Nic Jones cover)

 Sam Carter - Ten Thousand Miles



Sam Carter Sings Nic Jones (guests in the audience)

 Thursday night Sam Carter lets us know there were some interesting folks in the audience for his evening of Sam Carter sings Nic Jones (see below) . . . . . . 


A new version of Nic's classic track to celebrate the announcement of my new album and tour: Sam Carter Sings Nic Jones. Tour tickets: https://samcartermusic.co.uk/gigs Album link: https://samcarter.bandcamp.com/album/... Thanks to everyone for their kind comments on my Nic Jones videos over the years, it's nice to know there are so many fellow Nic fans out there! FAQs: What tuning is that? Bb, F, Bb, F, Bb, C


Martin Carthy and Nic Jones

Sam said:
About Thursday night: part two. I chatted with folks in the foyer after the Sam Carter Sings Nic Jones gig, and when I wandered back into the venue, I found these two gentlemen having a catch-up. My heart! 💙
If I may get on my high horse for a second, the word 'legend' gets applied to any old muppet thesedays. These two are the absolute real deal

Sunday you say? . . . . .

Being as it’s Sunday!



It is it’s TROO! It’s scientific!



 

Saturday, August 08, 2026

Glen Hansard - Her Mercy [Didn’t He Ramble]

 Glen Hansard - Her Mercy


OtherVoices

Glen Hansard returned to St. James' Church on the #WildAtlanticWay to play some tunes from his Grammy-nominated album 'Didn't He Ramble'. His second I think . . . . amongst his finest

Might sign off this Saturday night with this lovely song






Is this the best ending for a film EVER?

so this has been doing the social media meme world rounds again
love this ending
Jojo Rabbit 2019 - Winner Oscar Best Adapted Screenplay

PLAY IT LOUD!

Keb Mo LIVE in Melide Switzerland 1997 | FLOPPY BOOT STOMP | An Enoch choice

Keb Mo LIVE in Melide Switzerland 1997


An ENOCH Special!

 Keb Mo  

Estival Jazz 
La Romantica Nightclub 
Melide Switzerland 
1997-07-03  
Soundboard @320 


01. I'm On Your Side
02. The Action 
03. That's Not Love
04. Angelina
05. Every Morning
06. Am I Wrong
07. Tell Everybody I Know 
08. Dirty Lowdown And Bad 
09. Just Like You
10. Dangerous Mood
11. Standin' At The Station 
12. More Than One Way
13. She Just Wants To Dance 


Keb' M0 - Guitar, Vocals 
Joellyn Friedkin - Keyboards, Accordion 
Reggie McBride - Bass 
Laval Belle - Drums

We love Keb Mo don’t we? I think so!
'Am I wrong’ Keb' Mo' (Kevin Moore) live 1997 Blues-Abend der Stuttgarter Jazz Open

He’s not wrong you know!