I don’t think anyone expected to get a new album from Pulp in 2025, let alone a Tiny Desk. But the much-beloved group, fronted by the singular voice of Jarvis Cocker, returned this spring with More, its first full-length in nearly a quarter century. A couple of months later, the group celebrated with a visit to our D.C. offices for a career-spanning set.
Just before making the short walk from our makeshift green room (a converted office) to the Tiny Desk down the hall, the band members held hands and sang, “This will be the very best Tiny Desk.” It’s the kind of deadpan humor long found in the band’s music, but also in their performance, as Cocker crooned, cooed and danced his way through four tracks.
The oldest they played, “Acrylic Afternoons,” dates back to the 1994 album His 'n' Hers. But they also performed the jangly “Something Changed,” from 1995’s Different Class, along with one of Pulp’s career-defining and fan-favorite songs, “This Is Hardcore,” originally released in 1998. They rounded out the set with the bittersweet “A Sunset” from More.
SET LIST
“This Is Hardcore”
“Something Changed”
“A Sunset”
“Acrylic Afternoons”
MUSICIANS
Jarvis Cocker: vocals, guitar
Candida Doyle: keys
Mark Webber: guitar, piano
Nick Banks: cajón
Emma Smith: violin, background vocals
Richard Jones: viola, background vocals
Andrew McKinney: bass
Adam Betts: percussion, background vocals
Jason Buckle: guitar
"My interest in Joe Ely stemmed from his association with the Clash, particularly his friendship with Joe Strummer. Then I saw him open up for the KInks in early 80s, though I wasn’t really receptive to country music. Later my ears opened to country, and I discovered the Flatlanders. This song, written by Jimmie Dale Gilmore, is from his first solo LP.” Guess
I’m going out where the lights don’t shine so bright
Heck being this age really sucks! I really hate reporting the deaths in recent years as my generation gets into their seventies, eighties and beyond but the loss of Ely is big time . I think it was hearing Butch Hancock and Jimmy Dale Gilmore in the Flatliners that I found Joe Ely’s work and always thoroughly enjoyed it . . .a particular unique voice and creative master of songwriting is lost to us
The highly influential American singer, songwriter and guitarist Joe Ely, known for his distinctive blend of country, rock, Americana, alternative country, and roots rock, has died.
“Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum. “His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto.” While hailing Ely’s long catalog of recordings, Young said that “his true measure came through in the dynamic intensity of his powerhouse live performances, where he could stand his ground aside fellow zealots Bruce Springsteen, who recorded duets with Ely, and the Stones and the Clash, who took Ely on tour as an opening act.”
Ely was recognized as one of the more poetic souls of the Texas-rooted country-rock scene to rise up in the late ’70s and ’80s, but his shows often turned into sweaty rave-ups, as if Willie Nelson were overtaken by the spirit of rockabilly.
In 1999, Modern Twang writer David Goodman called the Lubbock-bred Ely “the consummate alternative country artist of the last 25 years,” and the passage of another quarter-century and change since that remark was made has not dimmed the accuracy of the description, in the minds of many roots-rock aficionados.