I Can See You - by Paddy Summerfield c. 1986

Friday, January 16, 2026

Rising Appalachia Music - Come Be A Catalyst

 Might just sign off the day with this one as after the Simpson piece 'She Slips Away' I am feeling sad . . . . I really like these guys and we have had them before and I always love their sound . . . . . . Appalachia here we come . . . . . . 


Come, come be a catalyst
Come come be an alchemist
Come, come change the system
Come stir up some wisdom
Swell, its a tide of the people calling
Moving mountains moving waters
Protection for our sons and daughters
Swell, it's a tide of the people calling
Moving mountains moving waters
Protection for our sons and daughters

Martin Simpson, Michael Chapman & Steve Tilston - Songwriters' Circle, Bush Hall, London, Britain, 3-18-2012

 Martin Simpson, Michael Chapman & Steve Tilston - Songwriters' Circle, Bush Hall, London, Britain, 3-18-2012

Paul says: Here's another episode of the "Songwriters' Circle" BBC TV show. Just like other episodes, this one features three singer-songwriters taking turns performing their songs. In this case, the songwriters are Martin Simpson, Michael Chapman, and Steve Tilston. The episode has a theme, because all three of them are famous figures in British folk music.

Martin Simpson's career started in the 1970s. He didn't have any hits or famous albums. But he's steadily built up a following by releasing dozens of albums and touring frequently. He's mostly performed cover songs, especially of traditional music. He's still alive, and 76 years old, as I write this in 2026.

Here's his Wikipedia entry:

Martin Simpson - Wikipedia 

Michael Chapman's music is hard to describe, so I'll just quote the lead paragraph of his Wikipedia entry, which says he was a "British singer-songwriter and guitarist who released 58 albums, displaying a 'fusion of jazz, rock, Indian and ragtime styles [that] made him a cult hero.' He began playing with jazz bands, mainly in his home town of Leeds, and became well known in the folk clubs of the late 1960s, as well as on the progressive music scene." Note the use of the past tense, because he died in 2021 at the age of 80. He's probably best known for his 1970 album "Fully Qualified Survivor," which contains his most famous song, "Postcards of Scarborough."

Here's his Wikipedia page:

Michael Chapman (singer) - Wikipedia 

That just leaves Steve Tilston. Like the other two, his music career began roughly around 1970. Also like the other two, he's had a long career with British folk music, releasing dozens of albums. 

Here's his Wikipedia entry:

Steve Tilston - Wikipedia 

To be honest, I wasn't familiar with the music of any of these three musicians. But this was a nice listen, with the three of them all playing good songs and making interesting comments. It's a bit curious and disappointing that it didn't end with all three of them performing a classic song together, like all the other episodes I can remember of this TV series. But all three of them were/are talented guitarists, and often helped out with songs when it wasn't their turn to sing.

By the way, sadly, this appears to be the last episode of the TV series, in terms of broadcast order. I still have two more that I plan on posting. And there are another three or so that I haven't found, at least not yet. 

This album is 58 minutes long.

01 An Englishman Abroad (Martin Simpson)
02 talk (Martin Simpson)
03 Postcards of Scarborough (Michael Chapman)
04 talk (Michael Chapman & Steve Tilston)
05 Weeping Willow Replanted (Steve Tilston)
06 talk (Martin Simpson)
07 Never Any Good (Martin Simpson)
08 talk (Michael Chapman)
09 In the Valley (Michael Chapman)
10 talk (Steve Tilston)
11 The Road When I Was Young (Steve Tilston)
12 talk (Martin Simpson)
13 Will Atkinson (Martin Simpson)
14 talk (Michael Chapman)
15 Just Another Story (Michael Chapman)
16 talk (Steve Tilston)
17 The Reckoning (Steve Tilston)
18 talk (Martin Simpson)
19 Home Again (Martin Simpson)
20 talk (Michael Chapman)
21 A Cowboy Phase (Michael Chapman)
22 talk (Steve Tilston)
23 The Slip Jigs and Reels (Steve Tilston)

This is almost solely because of my admiration of the wonderful guitarist and folk singer/artist Martin Simpson. I like Michael Chapman a great deal and Tilston is somewhat  lesser known to me but as a legendary line up for this show series these three are together a powerhouse of folk roots!
 I once got so carried away I had thought that Simpson was possibly our greatest guitarist and said so to anyone who would listen. Now I should perhaps say I have tempered that view largely because of his concentration on folk roots and his singing. Let’s be fair his singing is nowhere near as exciting ( or good! there I’ve said it) and whilst his guitar playing is frankly peerless his tying his coat to the tails of folk he remains a limited quantity as long as he continues to sing! Chapman is enigmatic and a unique creative force and voice in singer/songwriter originality and a voice all his own but Simpson remains amongst our very finest guitarists and I will not be persuaded otherwise.
I should say here that at my Mum’s funeral I had a solo work by Martin Simpson played as she tolerated her sons making all kinds of noise on both piano (me) and guitars (me and my beloved brother) rang out around the house for years so ‘She Slips Away' by Simpson about the death of his own beloved mother was my chosen work to reflect upon her in otherwise silent contemplation. It never fails to move me and I will post it here and see what you all think . . . . . . . 

in memorium to my mother Joan Swapp (nee Latham)

Martin Simpson - "She Slips Away"
Museum of Making Music
Carlsbad, California on November 19, 2008

Ronnie Hawkins and The Hawks - Mary Lou |

 

Mary Lou


HERBERG DE KELDER

Sir Ken Robinson - When One Test Decides a Child’s Future

 A favourite educationalist from the same background as yours truly but he passed away too early at 70 from cancer - we miss him and could do with him now . . . we can’t afford to lose any? 



His Facebook page fortunately is being maintained and regularly pops up in my feeds . . . .
Check him out if you can

Ramblin´ Jack Elliott - Jack Elliott (1964) | Zero G Sound

 Ramblin´ Jack Elliott - Jack Elliott (1964)

A re-post from 2015 at the G Sound Zero zero hat gesagt"Nobody I know—and I mean nobody—has covered more ground and made more friends and sung more songs than the fellow you're about to meet right now. He's got a song and a friend for every mile behind him. Say hello to my good buddy, Ramblin' Jack Elliott."- Johnny Cash, The Johnny Cash Television Show, 1969.
 
"Jack Elliott" was Ramblin' Jack's Vanguard debut, notable also for the appearance of Bob Dylan (credited as Tedham Porterhouse) on harmonica.

When Ramblin' Jack Elliott's name comes up in folk magazines, he's usually identified as a Guthrie copy who later passed on his skills of impersonation to Bob Dylan. This is true to a point, but a listener doesn't have to check out but three or four tracks on Jack Elliott to find out what an original oddball he is. 

It's true, he does cover Guthrie's "1913 Massacre" here, and he tends to prefer traditional material like "Will the Circle Be Unbroken" and "More Pretty Girls" over originals. But his extravagant vocals deliver this material in the strangest, most startling manner. The listener can never be sure whether he's sending up a song like "Roll on Buddy" or just determined to turn tradition on its head. The most fun and fascinating piece here is "Guabi Guabi," an African folk song that Elliott learned by copying the vocal inflections. Of course, in his typical fashion, he talks through part of song explaining that he couldn't understand a certain section of the original. In his off the cuff, just for the hell of it way, Elliott has more in common with the Holy Modal Rounders than traditionalists like Pete Seeger or the New Lost City Ramblers. "Jack Elliott" manages to pay its respects to public domain material while still being entertaining.    

Tracklist:

Roving Gambler
Will The Circle Be Unbroken
Diamond Joe
Guabi Guabi
Sowing On The Mountain
Roll On Buddy
1913 Massacre
House Of The Rising Sun
Shade Of The Old Apple Tree
Black Snake Moan
Portland Town
More Pretty Girls


I was never a Ramblin’ Jack fan I don’t know he just didn’t seem to follow over to the UK the folk circuit and I found him rather faux especially later on somehow but hey an associate of Woody and our Bobby will do fer me!

Birthdays : Sade

 Happy 67th birthday to Sade! 

Photo:  Jaime Martínez


"I wasn’t someone who had a lot of music around me when I was a child, really. I was quite deprived of music, because my mom wasn’t particularly into music. My father is totally into music and surrounds himself with music, but I didn’t grow up with him. When I got to be about 13, I started listening to pirate stations and that really did change my life, because I wasn’t that interested in the pop stations. There are more licensed stations now, but when I was growing up, there weren’t many options. When I was ten, I quite remember liking “Maggie May,” but that was it. I loved that song; I can’t remember liking anything else I heard on standard pop radio. I wasn’t really a Rod Stewart fan, but that one song…

Then, when I was 13 I discovered a pirate radio station that played all sorts of stuff: folk, rock, soul, everything. They played really good music, basically. So, that got me interested and I started collecting albums. At that time, not many girls bought records; they were just listening to the same records as their boyfriends. There was a station called Radio Caroline. The first time I listened to it I heard “The Revolution Will Not Be Televised,” and I was like, “Wow!” In fact, that’s when I also heard “Why Can’t We Live Together” for the first time. 

Did you start listening to jazz at that time?

I got into that later. Or, slightly later, when I was 14 or 15 I started listening to Billie Holiday and Miles Davis; Kind of Blue and Sketches of Spain. I didn’t like his more rocky stage; I wasn’t so keen on that.

Why? Because you’re a purist?

No, I wouldn’t say that, but I’m not a real jazz buff. There are just certain things that I really love and I can understand. What I could immediately grasp, I took in. I tended not to venture into the stuff that I didn’t understand. 

Would you consider your own music jazz?

No, not really, but we are influenced by it. You just try to make a record that you like, that you would buy yourself. We don’t consciously say I want this song to sound like that one, but it creeps in there. "

Michael A. Gonzales 1992 Interview

NYC tribute to Bob Weir!

 May be an image of skyscraper

The Empire State Building on the day of Bob Weir’s Death - how COOL is NYC?!

[from the Bob Dylan Fanclub Facebook page]

One of These Days - Billy Strings and ensemble

 To all my pals in recovery (Billy has I think been approaching what must be now ten years sober I think)

comes this a cappella version of his classic One of These Days . . . . . 


Carry on without the strife and have yourself a great weekend

Art of The Day (from Gary Lucas)

 



Don Van Vliet 
“Don’t Ruin Step On Thing”
1990
Oil on linen 



May be an image of one or more people
lovely picture of Don that Gary shared too on the date of his birthday yesterday

"Don Van Vliet aka "Captain Beefheart"(The Magic Band, Frank Zappa, Gary Lucas, Jack Nitzsche, the Mothers of Invention) was born on this day 15th January in 1941. 
He died on December 17, 2010 from complications from multiple sclerosis, aged 69.


Thursday, January 15, 2026

Captain Beefheart and His Magic Band - Same Old Blues (Bluejeans and Moonbeams) - mood

BEEF : Gonna find me a mountain gonna hide out Ain’t talking to you and I ain’t coming out. . . . . . . [J.J.Cale]


Beefheart mood . . . .Same Ole Blues - Bluejeans and Moonbeams