I Can See You - by Paddy Summerfield c. 1986

Sunday, January 18, 2026

Liz Jones & Broken Windows - Johnny Knows the Roads (Radio Edit)

Liz Jones & Broken Windows . . . . . . new finds and new voices . . .we DO find new artists on /facebook if the alogruthyms set right . . . . . I heard this and she said would you like to buy the album for the postage and seems like quite a few folk do this now . . . . and I get that it spreads the word but how does it/ can it actually work!? 

Liz Jones & Broken Windows - Johnny Knows the Roads (Radio Edit) 


So I bought it . . . . . and will let you know!  (you see THAT’S how it works . . . . .yeah but I sill only paid the postage and packing!?)

Ye Vagabonds - The Flood

 Ye Vagabonds - The Flood


Rory Gallagher ‘When I Was A Cowboy Out On The Western Plains’ acoustic version 1988

 Rory Gallagher ‘When I Was A Cowboy Out On The Western Plains’ - The Late Late Show with Gaye Byrne 12 February 1988


An old favourite blues number I had from earlier on (aged 13 on an EP by Leadbelly)


A favourite actor and human - Chief Dan George

 

This was written by Chief Dan George  in 1972.. . . . . . . . 

In the course of my lifetime I have lived in two distinct cultures. I was born into a culture that lived in communal houses. My grandfather’s house was eighty feet long. It was called a smoke house, and it stood down by the beach along the inlet. All my grandfather’s sons and their families lived in this dwelling. Their sleeping apartments were separated by blankets made of bull rush weeds, but one open fire in the middle served the cooking needs of all. In houses like these, throughout the tribe, people learned to live with one another; learned to respect the rights of one another. 

And children shared the thoughts of the adult world and found themselves surrounded by aunts and uncles and cousins who loved them and did not threaten them. My father was born in such a house and learned from infancy how to love people and be at home with them. 

And beyond this acceptance of one another there was a deep respect for everything in nature that surrounded them. My father loved the earth and all its creatures. The earth was his second mother. The earth and everything it contained was a gift from See-see-am…and the way to thank this great spirit was to use his gifts with respect.

I remember, as a little boy, fishing with him up Indian River and I can still see him as the sun rose above the mountain top in the early morning…I can see him standing by the water’s edge with his arms raised above his head while he softly moaned…”Thank you, thank you.” It left a deep impression on my young mind.

And I shall never forget his disappointment when once he caught me gaffing for fish “just for the fun of it.” “My son” he said, “The Great Spirit gave you those fish to be your brothers, to feed you when you are hungry. You must respect them. You must not kill them just for the fun of it.” 

This then was the culture I was born into and for some years the only one I really knew or tasted. This is why I find it hard to accept many of the things I see around me. 

I see people living in smoke houses hundreds of times bigger than the one I knew. But the people in one apartment do not even know the people in the next and care less about them. 

It is also difficult for me to understand the deep hate that exists among people. It is hard to understand a culture that justifies the killing of millions in past wars, and it at this very moment preparing bombs to kill even greater numbers. It is hard for me to understand a culture that spends more on wars and weapons to kill, than it does on education and welfare to help and develop. 

It is hard for me to understand a culture that not only hates and fights his brothers but even attacks nature and abuses her. 

I see my white brothers going about blotting out nature from his cities. I see him strip the hills bare, leaving ugly wounds on the face of mountains. I see him tearing things from the bosom of mother earth as though she were a monster, who refused to share her treasures with him. I see him throw poison in the waters, indifferent to the life he kills there; and he chokes the air with deadly fumes. 

My white brother does many things well for he is more clever than my people but I wonder if he has ever really learned to love at all. Perhaps he only loves the things that are outside and beyond him. And this is, of course, not love at all, for man must love all creation or he will love none of it. Man must love fully or he will become the lowest of the animals. It is the power to love that makes him the greatest of them all…for he alone of all animals is capable of love. 

Love is something you and I must have. We must have it because our spirit feeds upon it. We must have it because without it we become weak and faint. Without love our self esteem weakens. Without it our courage fails. Without love we can no longer look out confidently at the world. Instead we turn inwardly and begin to feed upon our own personalities and little by little we destroy ourselves. 

You and I need the strength and joy that comes from knowing that we are loved. With it we are creative. With it we march tirelessly. With it, and with it alone, we are able to sacrifice for others. 

There have been times when we all wanted so desperately to feel a reassuring hand upon us…there have been lonely times when we so wanted a strong arm around us…I cannot tell you how deeply I miss my wife’s presence when I return from a trip. Her love was my greatest joy, my strength, my greatest blessing. 

I am afraid my culture has little to offer yours. But my culture did prize friendship and companionship. It did not look on privacy as a thing to be clung to, for privacy builds walls and walls promote distrust. My culture lived in a big family community, and from infancy people learned to live with others. 

My culture did not prize the hoarding of private possessions, in fact, to hoard was a shameful thing to do among my people. The Indian looked on all things in nature as belonging to him and he expected to share them with others and to take only what he needed. 

Everyone likes to give as well as receive. No one wishes only to receive all the time. We have taken something from your culture…I wish you had taken something from our culture…for there were some beautiful and good things in it. 

Soon it will be too late to know my culture, for integration is upon us and soon we will have no values but yours. Already many of our young people have forgotten the old ways. And many have been shamed of their Indian ways by scorn and ridicule. My culture is like a wounded deer that has crawled away into the forest to bleed and die alone. 

The only thing that can truly help us is genuine love. You must truly love, be patient with us and share with us. And we must love you—with a genuine love that forgives and forgets…a love that gives the terrible sufferings your culture brought ours when it swept over us like a wave crashing along a beach…with a love that forgets and lifts up its head and sees in your eyes an answering love of trust and acceptance.

This is brotherhood…anything less is not worthy of the name.

Sinead O'Connor Tribute - Jessie Buckley & the RTÉ Concert Orchestra | Troy Live - Culture Night

 The wonderment that is Jessie Buckley covers Sinead O’Connor’s ‘Troy’ someone posted after her appearance at  Golden Globes [for Hamlet with Paul Mescal] and someone posted just a clip but couldn’t find the whole thing so here t’is from the tribute culture night to Sinead!

Sinead O'Connor Tribute - Jessie Buckley & the RTÉ Concert Orchestra | ‘Troy' Live - Culture Night

Postmodern Jukebox - Pour Some Sugar on Me - Def Leppard cover

 

Pour Some Sugar on Me

 - Def Leppard cover


The Unsung Heroes of The Merseysound | TWILIGHTZONE

 This from Twilightzone . . . .this is at once brilliant and hilarious! Great find I loved it . . .about my home town!

…and now for something completely different! 

The unsung heroes of the Mersey Sound
Based upon the book "The Beat makers" by Anthony Hogan

Bob Dylan - Just Like a Woman - Take 1 (Official Audio) | from Route

Even while it was still technically being written Bobby recorded this version . . . note the differences and subtle changes . . .awesome love song

Bob Dylan - Just Like a Woman - Take 1 (Official Audio)


The Bootleg Series Vol. 18: Through The Open Window, 1956-1963 out now: https://bobdylan.lnk.to/Bootleg18YD

Buy The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12: http://smarturl.it/BD_LP?IQid=ytd.bd....

Listen to this Spotify Playlist inspired by The Cutting Edge 1965-1966: The Bootleg Series Vol. 12: http://smarturl.it/TCE_Sptfy?IQid=ytd...
Follow Bob Dylan on Spotify - http://smarturl.it/BobDylan_Spotify?I...

About the album:
The latest volume in the acclaimed Bob Dylan Bootleg Series features rare and previously unreleased studio recordings, including never-before-heard songs, outtakes, rehearsal tracks, and alternate versions from the Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde Sessions. 

Saturday, January 17, 2026

Kelly Eldridge Boesch : Leonardo!

 Check this latest from Kelly!


She says: "I revisited this old DaVinci prompt from a while back. It never gets old to me. I often try inspiration from the old masters. I studied art history in college and was fascinated with their ability to create new and spectacular art from their minds, things that had never been seen before. DaVinci crafted the most amazing ideas on paper. Just his drawings alone are spectacular works of art. His brain must have been moving at light speed all the time. I am trying to bring these inventions to light. These are all ai ideas of what he may have thought up. None of this is accurate to his work but concept art based on his ideas. Seeing how the ai brings it to life is so much fun. I feel like a kid in a candy store every day. I look forward to work being over so I can start playing each day and crafting a new idea. It has become such a huge part of my life and brings me so much joy. The entire process from the images to animation to the music to editing. Building stories from beginning to end, by myself, sitting on my couch. Unbelievable really. The song was made using Suno. I try to craft a soundtrack that suits the story. Sometimes writing lyrics, sometimes letting the music sit in the back the complete the story. I did write a song a while back called DaVinci for one of my pieces using him as the inspiration”

Kelly now going by just the two names and not sure how this affects her previous links but got to her Facebook page and check her out! Link here . . . . . 

Kelly Boesch

PULP : DIFFERENT CLASS


without wishing to wind him up but Kostas has posted a potted biog of one Pulp album (Different Class) whose 3oth anniversary edition and standard deluxe double CD is STILL readily available and as I don’t post info re: still in print artist’s albums there is this . . . go buy it it’s under a tenner! Help supp[ort your local artists!
Don’t bootleg!

Share ROIOs!

https://pulp.roughtraderecords.com


https://superdeluxeedition.com/news/pulp-different-class-30th-anniversary/





Pulp - Something Changed



Pulp - Common People - Glastonbury 2025