Cold Cold Heart - Toni Lindgren & Elle Cordova
.................................the blog nobody reads
Monday, July 27, 2026
Sunday, July 26, 2026
Steven Wright surprised by Sunny And The Black Pack covering his song ‘Maybe Why'
Speaking of a message on a Sunday!
JOHN ARMSTRONG- Down By The River | Alan Dearing | INTERNATIONAL TIMES
John Armstrong & friends: ‘Down by the River’


Alan Dearling adds:
“This is a rather lovely and quirky round-up, a sample of John’s worldwide music. I particularly loved the ethereal, floaty, gentle and lilting composition, ‘Flow like Water’ with Beana on vocals… And, ‘Valle del Reay’ is an extremely atmospheric, Spanish flamenco-styled piece, with a nice plaintive female vocal edge, plus exquisite guitar playing from Vernon Bigsby… ‘Faded’ explores Alan Walker’s melody, which is often a crowd favourite with John’s audiences. Nice piano opening, well-paced. Romantic and sympathetic – a lovely, cleverly balanced recording with Lindsay’s vocals kept at just the right level in the mix.”
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https://northzone.bandcamp.com
https://northzone.bandcamp.com/album/down-by-the-river

Love - You Set The Scene | sonic and visual surprises
Perhaps from my top greatest album of all time ( frequently) I loved Arthur Lee's writing and the arrangements seem to have been collaborative but heck this does exactly what it says and sets the scene
Stump Johnson, "The Duck Yas Yas Yas" 1929
Someone posted a clip of this on Flackenahook so here ’tis!
For a Sunday . . . just a jammin' . . . .
Found this clip of Cory Henry just playin’ around on a Hammond -XK5 I guess at a trade fair . . . note the master Dr Lonnie Smith in the background . . . . .
Gary Lucas’ profile of Earl Hooker
Mississippi-born blues guitarist Earl Hooker (born January 15, 1930, in Quitman County near Clarksdale) delivered a standout performance on the 1969 American Folk Blues Festival tour of Europe and the UK. Already ailing from the tuberculosis that would claim his life the following year, Hooker still showcased the fluid slide technique and pioneering wah-wah pedal work that earned him peerless respect among fellow musicians.Accompanied by Carey Bell on harmonica, Mack Thompson on bass, and Robert St. Julien on drums, he tore through instrumentals and vocals including “Earl’s Boogie,” “Off the Hook,” and “Going Up and Down.” His clean, bell-like tone and inventive phrasing—sometimes biting the strings for extra bite—electrified audiences at venues such as London’s Royal Albert Hall. Film and audio from the tour capture Hooker at a late peak: economical yet dazzling, bridging Delta roots with modern Chicago blues fire. The performances remain essential documents of one of the genre’s most underrated masters.
LAST KNOCKINGS . . . . . gently gently posting the BLUES
RORY GALLAGHER - TORE DOWN (1972)
"The high-octane, foot-stomping moment an Irish roots-rock champion stood before a West German television camera, dug into a relentless, driving boogie-woogie groove, and supercharged a classic Texas shuffle with pure working-class lightning. Rory Gallagher delivers an absolute masterclass in rapid-fire electric precision and raw, engine-room vocal grit fully live on the set of the legendary television program Beat Club. Recorded in 1972 and later unearthed for the definitive Ghost Blues: The Story of Rory Gallagher archival compilation, this spectacular broadcast captures the ultimate guitar hero leading his definitive early power trio through a scorching, previously unreleased performance of the blues standard, "Tore Down."This 1972 studio session stands as a monumental showcase of raw technical endurance and telepathic performance chemistry. Completely ditching the polished production values of mainstream rock television, Gallagher anchors the room alongside his powerhouse rhythm section—featuring the driving, ultra-reliable bass pocket of Gerry McAvoy and the crisp, swinging snare work of drummer Wilgar Campbell. Wielding his heavily weathered, battle-scarred Fender Stratocaster, Rory treats the composition to a ferocious, guitar-driven assault, firing off a barrage of stinging pentatonic turnarounds and aggressive string bends while simultaneously shouting the lyrics with a full-throated, soulful growl.Originally written by Sonny Thompson and immortalized as a career-defining 1961 single for the legendary "Texas Cannonball" Freddie King, the track was completely retrofitted by Gallagher into a high-voltage blues-rock tour de force. Do you think the loose, unvarnished spontaneity and live television sweat of this 1972 German Beat Club broadcast inject a more thrilling, dangerous rock-and-roll fire into the shuffle than the highly structured, horn-heavy studio templates recorded during the golden age of early electric blues?"
Sneakin’ in a last few sounds before a complete hardware overhaul . . . maybe tomorrow now . . . .
AFK : Update!
Aww crap people, the Mac at Swappers Mansions HQ here has fallen over three times in the past twelve hours so may have to be away from keyboard and posting for a while until I get new hardware!!🖥️🖨️🖱️⌨️🕹️💿
Nightmare! Will try n post using iPhone and iPad but it won’t be the same somehow!
Apologies in advance . . .bear with
Bear with . . . . . . .
Conspiracy theories notwithstanding (it is over ten years old, I thought they worked forever!) I sense a gremlin in the works
Update on the update can’t post pictures or video clips and am wrestling with my usual reviews link to other sites with the iPad
Sorry people!😟😳😡🤬🤯
