I Can See You - by Paddy Summerfield c. 1986

Tuesday, June 02, 2026

Covered: George Harrison, Volume 5: 2010-2014 | Albums That Should Exist (feat. Norah Jones and Flaming Lips)

 Covered: George Harrison, Volume 5: 2010-2014

Paul says: Here's the fifth "Covered" album out of six for ex-Beatle George Harrison.

As I mentioned in my write-up to the previous album, since Harrison tragically died in 2001, the volumes that come after that are playing catch up, with covers from all points in his music career. In fact, most of the songs here are from his Beatles years or from his great "All Things Must Pass" album, making this a particularly strong volume of familiar songs.

However, there's one song here that very few people will recognize, probably not even die-hard fans: "Silence Is Its Own Reply." Admittedly, including it here is a bit of a stretch, but I decided to do so anyway because it's a good song, and it's unlikely you'll find it elsewhere.

There's an interesting story behind this song. Around 1967 or 1968, Harrison wrote about ten lines of song lyrics on a piece of paper, and gave it the title "Silence Is Its Own Reply." At the time, author Hunter Davies was writing an authorized biography about the Beatles. While writing that, he asked for writing samples from each of the Beatles. These lyrics were given to him to show Harrison's writing. Davies published his book, simply called "The Beatles," in 1968, but the lyrics weren't included or mentioned. Then, decades later, around 2009, Davies rediscovered the lyrics while combing through his archives of papers as he prepared to write an updated version of his Beatles book. He mentioned the lyrics in a BBC interview. The BBC DJ was intrigued, and got a copy of the lyrics. That DJ then passed the lyrics on to a singer-songwriter named Dean Johnson, and gave him the opportunity to finish the song. 

Johnson did, and I think the result is very good. Keep in mind that only the title and the first verse were written by Harrison. Johnson came up with the melody and the lyrics for a second verse and bridge. But I think that still counts as a legitimate co-write. Unfortunately though, it seems that the song was never officially released, probably due to legal complications arising from Harrison's contribution. But I found a version Johnson performed for the BBC, cleaned up the sound some, and I'm including it here.

Adding to the interest, at first glance, the lyrics appear to be about romance. But when Johnson was asked about the meaning of the song, he had this to say: "The lyrics are of a personal nature and were first thought to be a song of unrequited love but, in hindsight, they seem to allude to George's uneasy relationship with John Lennon. This is substantiated by first-hand observations by Hunter Davies and by people close to Harrison." He said he did his best to follow through with the original meaning Harrison gave to the song.

In case you're curious, here's the portion of the lyrics written by Harrison:

I'm happy to say that it's only a dream
When I come across people like you
It's only a dream and you make it obscene
With the things that you think and you do
You're so unaware of the pain that I bear
And jealous for what you can't do
There's times when I feel that you haven't a hope
But I also know that isn't true

And every time I ask you why
Silence is its own reply 

Here's a newspaper article about the song: 

https://www.wirralglobe.co.uk/news/4687467.wirrals-dean-finishes-lost-george-harrison-song/

The only other comment I have to make about this album is that two other songs here are also officially unreleased, "Any Road" by Phil Lesh and Friends, and "Heading for the Light" by Susan Cowsill. Both had sound quality issues. I think I was able to fix those problems for "Any Road." But "Heading for the Light" still sounds pretty rough. However, it's one of my favorite Harrison songs from later in his career, so I had to at least include a version. If anyone finds a better version that it's a virtual carbon copy of the original, please let me know and I'll use that instead. (And it definitely is mostly written by Harrison, despite being credited to all of the Traveling Wilburys.) 

This album is one hour long. 

01 All Those Years Ago (Emmy the Great)
02 Apple Scruffs (Billie Amit)
03 Think for Yourself (Christine Collester)
04 Your Love Is Forever (Trevor Moss & Hannah Lou)
05 I Need You (Webb Sisters)
06 Silence Is Its Own Reply (Dean Johnson)
07 Awaiting on You All (Michael Carpenter)
08 Ding Dong, Ding Dong (Popdudes)
09 Art of Dying (Black Rebel Motorcycle Club)
10 Any Road (Phil Lesh & Friends)
11 Beware of Darkness (Ann Wilson)
12 Heading for the Light (Susan Cowsill)
13 Ballad of Sir Frankie Crisp [Let It Roll] (Jonathan Bates & Dhani Harrison)
14 Behind That Locked Door (Norah Jones)
15 It's All Too Much (Flaming Lips)


Behind That Locked Door (George Harrison) -  Norah Jones Live on Conan


The Flaming Lips - It's All Too Much Live at George Fest George Harrison

Fairport Convention - Ebbets Field, Denver, CO, 5-24-1974, Late Show | Albums That Should Exist

 Fairport Convention - Ebbets Field, Denver, CO, 5-24-1974, Late Show

Paul says: Here's another album from the Ebbets Field radio broadcasts. Yesterday, I posted the Fairport Convention early show from a 1974 concert. This is the late show.

I already explained in the write-up for the early show how Sandy Denny rejoined Fairport Convention in early 1974, in time for this concert. Unfortunately, that wouldn't last. She would leave the band for a second time in 1975, as her marriage with Trevor Lucas, another member of the band, was falling apart. She would die two years later, in 1977, after falling down a staircase.

There's some overlap in the song selection between the early shows and the late shows. Here are the songs that were performed in both: "Solo," "Dirty Linen," "Matty Groves," and "Down in the Flood (Crash on the Levee)." But the leaves room for a lot of unique songs in both shows.

This album is an hour and eight minutes long.

01 Rising for the Moon 
02 talk
03 Solo 
04 talk
05 Dirty Linen [Instrumental] 
06 talk 
07 One More Chance 
08 talk 
09 Sloth 
10 talk 
11 It'll Take a Long Time
12 talk
13 Matty Groves 
14 talk 
15 Hens March-Four Poster Bed-Brilliancy Medley-Cherokee Shuffle [Instrumental] 
16 talk 
17 Down in the Flood [Crash on the Levee]


Paul notes: The cover image is of Dave Swarbrick at a Fairport Convention concert in Denmark, some time in April 1974. It's from the exact same concert as the picture of Sandy Denny I used for the cover of early show. The original was in black and white, but I colorized it with the help of the Kolorize program. 


 Fairport Convention - Ebbets Field-1974Matty Groves (Live)

N.B. I think all the posts on YouTube are the Later show here . . .check the track listing . . .unless you can tell otherwise?!?

King Bruce & The Black Beats - Sroti Ye Mli! [Ghanian Hi-Life 50s] | Sonic & Visual Surprises!

 Srotoi Ye Mli

King Bruce & The Black Beatsimage

Srotoi Ye Mli - King Bruce & The Black Beats

image

50’s

Sonic & Visual Surprises!

Jefferson Airplane - Fat Angel [Bless It’s Pointed Little Head] | jt1674

  . . . .get’s you there on time?

https://www.tumblr.com/jt1674/818213775496953856/jefferson-airplane-fat-angel

Bob Dylan -Cocaine Blues [The Bootleg Series Vol 8 Tell Take Signs - Rare and Unreleased 1989-2006] | jt1674

 

https://www.tumblr.com/jt1674/818218869675180032/bob-dylan-cocaine-blues

Remembering Charlie Watts (2 June 1941 – 24 August 2021)

No photo description available.

Photo by Paul Natkin

Mick Jagger: "Charlie was an incredibly open-minded musician, and there was a real subtlety about his playing. He was so catholic in his taste, through jazz, boogie-woogie, blues, classical, African music, dance, reggae and dumb pop songs that just happened to be good. People always say he was a great jazz fan, but he wasn’t just that. It’s over-simplifying his musical tastes, and what he liked to play.
It’s a bit of a myth that Charlie didn’t go out. Of course he did. We used to go to watch sport, and to lots of fashionable places, to eat and to hear music. In the studio we would often play just on our own, every kind of music, after everyone had gone home or before people turned up. Sometimes he’d play these African beats, and some of the things he did were amazing. He wasn’t super-technical, but he was very adaptive, so when he got a new beat, he got very excited about it.
He was a classical music fan, too. He liked Dvořák, Debussy, Mozart, and he and I used to listen to Stockhausen and Mahler. We listened to modern composers and tried to figure out what the hell they were on about.
He was intelligent, and softly spoken, but he could be direct and say what he thought. He would keep his private life very private, but we understood each other’s thought processes. Charlie was a very quiet person, but he had a great sense of humour and we laughed all the time. I miss him in so many ways."

Don's Tunes 

Think it’s called love . . . .right there . . . . . . we all did too! Sharp dressed man ask his wife! Shirley

“Charlie’s good tonight, inne?" 

Charlie had a quite unique style of playing drums and I have heard it discussed elsewhere but simply he never let the two hands strike at the same time, it is simple and yet almost impossible to mimic

Frustrating and almost irritating to some it appear somewhat primitive but he could hold the back beat with it till the cows come home

Hit it, Charlie!

The Rolling Stones - Jumpin’ Jack Flash - Charlie Watts Drum Cam (Shine a Light / 2008)

Bands that played for Obama vs Bands that played for Trump!

 

Juss sayin'

Monday, June 01, 2026

Who Knows Where The Time Goes (Live) · Fairport Convention · Sandy Denny Ebbets Field 1974

  . . . .and might sign off the start of the week and end of the day here with a favourite Sandy Denny song from the Ebbets Fields recording we shared earlier. Again another post but the YouTube clips are all well and good enough but the download from our Paul at ATSE* is much better and had lots of hard work done on it so if you’re a fan go back and download the full set there . . . . . .see you on the morrow mes braves

Who Knows Where The Time Goes (Live) · Fairport Convention · Sandy Denny

Ebbets Field 1974


THE BEATLES - And I Love Her [simple but oh so lovely and not afraid to be so]

THE BEATLES - And I Love Her [4K colour] 


with thanks to TWILIGHTZONE for the reminder

Johnny Winter-Highway 61 Revisited | Voodoo Wagon - A Brother Jobe Special!

 

Johnny Winter-Highway 61 Revisited

A Brother Jobe Special!

 *THANKS TO THE ORIGINAL POSTER



Brother Jobe says: Just because I hadn't posted anything in a while


Just imagine you are at your first open air pop and rock festival 

(Bath and Shepton Mallet?) and it is still dark and the first time 

you hear Johnny is  THIS: 

Highway 61?!

I never quite recovered! Thanks brother!

TURN IT RIGHT UP!