I Can See You - by Paddy Summerfield c. 1986

Monday, March 02, 2026

Arlo Guthrie - Hesterly Armory, Tampa, FL USA 1971 | Albums That Should Exist


 Arlo Guthrie - Hesterly Armory, Tampa, FL, 11-11-1971

Arlo Guthrie was a prominent folk singer in the early 1970s, yet there are very few live recordings from that time with worthy sound quality. I've posted live recordings from him from 1969 and 1974, but there's basically nothing in between. So I decided to try to make something worthy. I found the best sounding audience bootleg from that era and used audio editing to bring it up close to soundboard-level sound quality.

I checked out a handful of audience boots from the era, and this one easily had the best sound quality. I wouldn't have given this a try if I didn't find this one with potential. The biggest problem was a lot of echo on the vocals. So I used the MVSEP program to split the vocals from the instruments. While I was at it, I boosted the vocals to a good level in the mix. Then I took the vocals track and ran it through the Reverb Removal option in MVSEP. But even that wasn't enough. I further ran those results through Adobe's vocal enhancer. I also ran all the banter between songs through that.

Between all these things, the very echo-y vocals sound almost normal now. Not quite, but close. So, while the sound quality still isn't ideal, I'm confident this is very listenable, and the best sounding live recording of him between 1969 and 1974.

In 1972, Guthrie would have the biggest hit of his career, with "City of New Orleans." But this is some months away from that, so that song wasn't performed here. According to the original notes I found, there was at least one more song played at the end of the concert, "Hobo's Lullaby." It's quite possible there were other missing songs, since this is relatively short compared to most concerts from that time period. Also, it seems the beginning of the first song, "Anytime," is cut off. So there could have been one or more missing songs there too. The way "Anytime" started sounded okay to me, even with the cut off, so I left it that way. Plus, I didn't have any other good live recordings of that song from that time period to use to fix it.

By the way, I find it interesting that although this concert is only two years after the 1969 concert I posted by him, only two songs are the same between those concerts: "Coming into Los Angeles" (his other hit) and "Stealin'." 

This album is an hour and two minutes long

01 Anytime 
02 talk 
03 I Could Be Singing 
04 talk 
05 1913 Massacre 
06 Don't Think Twice, It's All Right 
07 talk 
08 Mapleview (20%) Rag [Instrumental]
09 talk
10 Coming into Los Angeles 
11 talk 
12 Waiting for a Train 
13 talk
14 Days Are Short 
15 Stealin' 
16 talk 
17 Gabriel's Mother's Hiway Ballad No. 16 Blues 
18 talk 
19 Lay Down Little Doggies 
20 talk
21 Ring-Around-A-Rosy Rag 

Arlo At Cambridge Folk Festival interviewed by OGWT’s Bob Harris (1974) 

I think we have mentioned ’Stealin’ t’other day and Arlo was my source for a favourite song. Arlo would be my generation’s Woody figure I guess whilst acknowledging his dad and Bob Dylan's great hero it was Arlo and his sojourn at Alice’s Restaurant that hit me and struck more chords somehow . . not to mentioned coming into Los Angeles! I bought my first Arlo Album ‘Running Down The Road' in 1969

 "Put your arms around me like a circle round the sun . . . . . .
you know I love ya baby when my easy ridin’s done
You don’t believe I love ya look at the fool I’ve Been
You don’t don’t believe I love ya look at the hole I’m in!

Arlo Guthrie - Steakin’  - Running Down The Road (Remastered)

‘GLORIA’ - Van Morrison and Them (1965), The Doors (2014 - 2007 remixes remastered) Patti Smith (various and album)

 GLORIA - THEM

Them - Gloria  (Live in Paris, France 1965)


somebody at Top Hat said once you had heard Patti Smith’s version there is NO other!
I replied once you had heard The Doors Version there were many another and just to spread that I really like all of these! 😏

The official music video for The Doors - "Gloria" from 'R-Evolution' (2014) 



Patti Smith - Gloria

"Patricia Lee Smith was born in Chicago. Her mother, Beverly, was a waitress, and her father, Grant, worked at the Honeywell plant. The family was of Irish heritage.[citation needed] She spent her early childhood in the Germantown neighborhood of Philadelphia,before her family moved to Woodbury, New Jersey. Her mother was a Jehovah's Witness. Patti had a strong religious upbringing and a Bible education, but left organized religion as a teenager because she felt it was too confining; much later, she wrote the line "Jesus died for somebody's sins, but not mine" in her cover version of Them's "Gloria" in response to this experience."


The Doors - Gloria (Full uncensored)

Guess which I prefer?
Well actually it depends on my mood . . . . 

Gloria - Patti Smith ‘Horses’ 1975 Arista Records album, produced by John Cale, synced to video of 1976 performance in Belgium

Dylan of The Day | for John Hammond

 John Hammond, Jr (1942 – 2026)...

May be a black-and-white image of guitar

(Bob Siggins, John Hammond, Jr and Bob Dylan, Newport Folk Festival 1964 – photo by David Gahr)

Birthdays: LOU REED

 Lou Reed was born in New York City on this day in 1942 thanks for the reminder Route


Lou Reed - Strawman - live on TV 1990

Lightnin Hopkins & Billy Bizor - Mr. Charlie (1967) | Top Hat Crew's "Live Music Archives"

 LIGHTNING HOPKINS - Mr. CHARLIE

Lightnin Hopkins & Billy Bizor - Mr. Charlie (1967)



JOHN HAMMOND has died aged 83 | Don’s Tunes

May be a black-and-white image of guitar 

 John Hammond, the blues singer and guitarist who dedicated his life to the preservation and performance of traditional blues music, has died aged 83.

Across more than sixty years of recording and touring, Hammond built a reputation as one of the most authentic interpreters of acoustic blues outside its original Southern roots. Performing variously as John Hammond, John P. Hammond and John Hammond Jr., he remained committed to the raw, stripped-back traditions of Delta and Chicago blues while influencing generations of musicians who followed.
Born John Paul Hammond in New York City on November 13, 1942, he was the son of legendary Columbia Records producer and talent scout John Henry Hammond Jr., a towering industry figure credited with championing artists including Billie Holiday, Aretha Franklin, Bob Dylan and Bruce Springsteen. Despite that formidable musical lineage, Hammond largely forged his own artistic identity, growing up primarily with his mother following his parents’ separation.
Inspired as a teenager after hearing Jimmy Reed recordings, Hammond took up guitar in high school and quickly immersed himself in the blues canon. He briefly attended Antioch College in Ohio before leaving to pursue music full-time, relocating to New York’s Greenwich Village during the early 1960s folk and blues revival.
"When I first became aware of blues music was when my father brought me to hear Big Bill Broonzy in 1949. I was seven years old, and it made a big impression on me – and I always gravitated towards blues music for whatever reason. By the time I was in my early teens, I was a blues fanatic. I never thought that I would ever play an instrument or be a professional player but I mean I loved the music. When I got a guitar, that was it. Solo is, for me, where the art belongs. If you could pull it off solo, you were really doing it."
by Paul Cashmere
photo courtesy the Rosebud Agency

Muse of The Day : LIZZIE SIDDDAL

 


Artist and model Elizabeth Siddal (1829-1862). 

She became the muse of her husband Dante Gabriel Rossetti and other Pre-Raphaelite painters.


I wasnt entirely sure I had ever seen a photograph of Lizzie although I worked on picture research for a book on her sister in inspiration Jane Morris, William’s wife and also muse and fellow artist  (she was almost totally responsible for women casting off their constricting undergarments; the corset and bustle etc., for the free flowing dress and cheese underneath and thus unspoilt lines of the gown) but Lizzie always struck me as a tragic figure and yet also uncommonly beautiful


The Band : Life Is a Carnival 1976

 

The Band performing "Life Is A Carnival" on Saturday Night Live, October 30, 1976.
The Band appeared on SNL's second season, and the performance marked one of their last live appearances as The Last Waltz would happen roughly a month later.


The Band: A History

Tuba Skinny - When They Ring Those Golden Bells - Houston Oct. 2021

 we should start the week with some music as we mean to go on . . . . .can you diggit? I think you  can!

Tuba Skinny - When They Ring Those Golden Bells - Houston Oct. 2021
Tuba Skinny say:

"When They Ring Those Golden Bells is a beautiful gospel and bluegrass song written in 1887 by Daniel de Marbelle.  The copyright was acquired by the John Church Company, and the song was first recorded in 1915 by the Imperial Quartet. 

The song has been covered by many famous artists. I counted fifty official versions, including one from behind the "Iron Curtain," where the (then Czechoslovakian) country band, the Rangers, recorded their version in 1971, and the song was titled "Zlaté zvony.” 

This well-known theme, as performed by Tuba Skinny, is wonderfully arranged, which adds an amazing freshness to it."

Art : Photographer of the Day John Callaway - A Meditation (of sorts)

Ideas and Images From Portsmouth and Beyond

HORIZONS

from Johnnyc1959

Searching… [ Image © John Callaway 2026 ]

On the rocks… [ Image © John Callaway 2026 ]

(Mostly) salt water and sky…