portrait of this blog's author - by Stephen Blackman 2008

Saturday, September 28, 2024

The Weekend’s ARTIST, SONG AND SESSION OF THE WEEK | TEDDY THOMPSON

BBC Four last night showed the superb Scottish program back to back 'til the early hours introduced by Julie Fowlis and others and included Aly Bain and ensemble players courtesy of the Transatlantic Sessions (originally from BBC ALBA whose high point (for me at least) was this . . . . . from Teddy Thompson “Don’t Know What I Was Thinking’  (with Mary Chapin Carpenter) et al ensemble | BBC 4 2013 recorded and performed on the banks of Loch Lomond no less. Turn it up! 



Teddy Thompson, Tim O'Brien & Mary Chapin Carpenter le ‘Don't Know What I Was thinking' program Transatlantic Sessions Dlùth An Dàimh BBC ALBA. 


Echo sings the Black Sessions! | A Silent Way Special at The Voodoo Wagon plus some gals of Rock Music (For SW and brother Jobe and the boys!)

Ian McCullough - Black Sessions Paris, France 1992

Ian McCullough - Black Sessions
Studio 105, Maison de la Radio
Paris, France
 1992


Track List:
01. Honeydrip
02. Vibor Blue
03. Lover Lover Lover
04. Interview
05. Goldmine
06. Heaven's Gate
07. The Killing Moon
08. Candleland
09. Do It Clean


Recorded live at studio 105 June 25, 1997 Paris, France 
Only released on a CD format for mostly local radio DJ's in Europe 

by Sangatte Records . 

The releases are marked as "promotional" and are in limited series of 2500. 



Some rock lasses for the ‘boys’ over at HQ contd.!


Billie E

Susanna H


funny how this in B & W looks less recognisable
 but if I post a colour version you will get it in a nano-second?
the glorious Annie

Wow! 

Avril!
Taylor never disappoints!
Shakira!



and of course we’ve always had a soft spot for our favourite Mum
the disco kitchen diva Queen Sophie E-B

and my favourite picture of gals of rock of the week is 
Hope Sandoval of Mazzy Star
Yowzers!

COUNTRY SONG OF THE WEEK! | The Grubing Stooves - tribute to Bob Wills (2005)

 THE ROLLING STONES - Bob Wills Is Still The King!



YEEEEEEE- HAWWWW!


- A brand new studio album from The Rolling Stones… Hackney Diamonds 💥 Out October 20th & available to pre-order now: https://therollingstones.lnk.to/Hackn... Watch the band introduce the album LIVE in conversation with Jimmy Fallon: https://therollingstones.lnk.to/Hackn... // New album, new music, new era // Listen to first single ANGRY: https://therollingstones.lnk.to/AngryYT Shop exclusive & limited Hackney Diamonds products on Stones Official Store: https://therollingstones.lnk.to/Hackn... Join Stones world // YouTube: https://RollingStones.lnk.to/YouTube Instagram: https://RollingStones.lnk.to/Instagram Tik Tok: https://RollingStones.lnk.to/TikTok_ Facebook: https://RollingStones.lnk.to/Facebook Join Stones mailing list for exclusives: https://RollingStones.lnk.to/SignUp

Rahu Ketu : Oroborous : Abraxas | Carl Jung and Seven Sermons from The Red Book



Carl Jung said : 


"This is a god whom ye knew not, for mankind forgot it. We name it by its name Abraxas. It is more indefinite still than god and devil.” 

- C.G. Jung

Here is an excerpt from Jung's Seven Sermons to the Dead from the Red Book  - why here I hear you ask? Well in my professional practice as a psychotherapist and counsellor I was taught and indeed my professional supervisor for over ten years was a Jungian and he does continue to fascinate but it must be said he was completely bonkers! I think, (sic) it’s why I like him but seriously?         Not so much! 


"Hard to know is the deity of Abraxas. Its power is the greatest, because man perceiveth it not. From the sun he draweth the summum bonum [highest good]; from the devil the infimum malum [lowest evil]; but from Abraxas life, altogether indefinite, the mother of good and evil.

Smaller and weaker life seemeth to be than the summum bonum; wherefore is it also hard to conceive that Abraxas transcendeth even the sun in power, who is himself the radiant source of all the force of life.


Abraxas is the sun, and at the same time the eternally sucking gorge of the void, the belittling and dismembering devil.


The power of Abraxas is twofold; but ye see it not, because for your eyes the warring opposites of this power are extinguished.


"Abraxas is the god whom it is difficult to know. His power is the very greatest, because man does not perceive it at all. He is magnificent even as the lion at the very moment when he strikes his prey down. His beauty is like the beauty of a spring morn.

To see him means blindness; To know him is sickness; To worship him is death; To fear him is wisdom; Not to resist him means liberation … Such is the terrible Abraxas … He is both the radiance and the dark shadow of man. He is deceitful reality.”


Abraxas, sequence of Greek letters considered as a word and formerly inscribed on charms, amulets, and gems in the belief that it possessed magical qualities. In the 2nd century, some Gnostic and other dualistic sects, which viewed matter as evil and the spirit as good and held that salvation came through esoteric knowledge, or gnosis, personified Abraxas and initiated a cult sometimes related to worship of the sun god. 

Basilides of Egypt, an early 2nd-century Gnostic teacher, viewed Abraxas as the supreme deity and the source of divine emanations, the ruler of all the 365 heavens, or circles of creation—one for each day of the year. The number 365 corresponds to the numerical value of the seven Greek letters that form the word ‘abraxas’ C. Jung





File under Weird mystical tosh! 

TWILIGHTZONE | Prefab Sprout “Swoon” 1984

Prefab Sprout "Swoon" 1984

English pop band from Witton Gilbert, County Durham, who rose to fame during the 1980s. Seven of their albums reached the UK Top 30.

Perhaps like a lot of Prefab fans, I came to Swoon (Songs Written Out Of Necessity) some time after I’d bought and fallen in love with the later albums Steve McQueen, Protest Songs, From Langley Park to Memphis and Jordan The Comeback.
The dry, Thomas Dolby-less production came as a bit of a shock to me at the time but Swoon stands up pretty well today. In fact, I was once discussing this album with a friend who said the only way you can tell it’s an ’80s album is because it features a lot of major-seventh chords. This comment intrigued me but instinctively seemed on the money – it was a very ‘jazzy’ decade (think Sade, Hue and Cry, Danny Wilson, Swing Out Sister, even Madness, XTC, Squeeze etc).
Though some critics have compared the album to Steely Dan (also big fans of major-sevenths), my contemporary reference points would be Lloyd Cole, The Smiths, Aztec Camera and Songs To Remember-era Scritti, though it’s basically impossible to locate Prefab’s influences.
I’m tempted to say, listening to it 30 years after its release, that Swoon sounds like the epitome of an ‘indie’ record with its stripped-back production values and jagged edges. Prefab singer/songwriter Paddy McAloon recently told The Guardian that he thinks of it as more akin to Captain Beefheart, nicknaming the album ‘Sprout Mask Replica’!
Swoon definitely still sounds very much like a debut album; it’s perky, eager to please, naive, studenty, slightly pretentious. McAloon’s vocals occasionally resemble the ramblings of a slightly squiffy, randy teenager. But the album’s adolescent in a really good way with its literary flights of fancy, indulgent ruminations on romantic love and lots of audacious melodic flourishes.
It sounds almost like rock, with solid 4/4 drums, groovy but always inventive bass from Paddy’s brother Michael and ‘girlie’ backing vocals, and yet it resolutely refuses to ‘rock out’ with not a single power chord or jangly electric guitar in the mix. Instead, the intrepid layering of synths and acoustic guitars (utilised to far greater effect on Steve McQueen and Jordan) probes the songs’ pressure points. And Wendy Smith’s pristine vocals give the music an enigmatic, otherworldly flavour.
Listening again recently, lyrically Swoon reminded me of Joyce’s Ulysses; a survey of a young man’s hopes, dreams and romantic/professional disappointments. A quick survey of the lyrics in the CD inlay card suggests that at the songwriting stage the words came first, resembling stream-of-consciousness prose rather than traditional verse/chorus songcraft. Novelist/essayist Dave Eggers wrote a great piece about how much he was influenced by this golden generation of literate British songwriters.
As befitting a band from the North East, work (and the lack of it) is a recurring theme, particularly on ‘I Never Play Basketball Now’ and the extraordinary ‘Technique’. ‘Couldn’t Bear To Be Special’ is a classic Prefab ballad (though surely never the right choice for second single) and seems to offer a truly original take on the doomed love affair – the narrator simply doesn’t feel worthy to deserve the attentions of another. Very Nick Hornby-esque.
Future producer Thomas Dolby has talked about the shock of hearing ‘Don’t Sing’ when he was a guest reviewer on the Radio 1 Round Table show. It indeed remains a stunning introduction to this half-brilliant album and to Prefab’s glittering career.
And ‘Cruel’ is still a delicious (if a trifle fey) piece of pop/bossa nova, more than a decade before the likes of Belle and Sebastian mined similar ground.
Oh – and don’t forget to read the silly but funny mock liner notes penned by McAloon in the guise of an over-exuberant music scribe…which is where we came in.
- by Matt P (movingtheriver.com, soundsofsurprise.com)
trax:
01 Don't Sing 02 Cue Fanfare 03 Green Isaac 04 Here On the Erie 05 Cruel 06 Couldn't Bear To Be Special 07 I Never Play Basketball Now 08 Ghost Town Blues 09 Elegance 10 Technique 11 Green Isaac II








Glorious Paddy McAloon

Well, it IS Weekend! Time for Mo’ Tuba Skinny - Shake it Don’t Break it!

 Music is alive and well so long as there are youngsters like Tuba Skinny playing this stuff!


Tuba Skinny live Shake It and Break It on Royal St JF 2016 {New Orleans I take it!]

When was the last time you heard a Tuba solo!?

We Need MORE!

Thanks to The Twilight Zone as always . . . . .why the just posted some Prefab Sprout "Swoon” 1984 with an extensive essay to boot!

South African Tsonga - JOE SHIRAMANI ‘LIMPOPO’ (2008) | Guess I’m Dumb

imageJoe Shirimani - Limpopo (2008)

"Can’t tell you much about this record other than it’s South African Tsonga disco by Joe Shirimani, who has also produced many other artists in the genre. It’s catchy stuff with an intro that oddly reminds me of Katrina and the Waves’ hit Walking on Sunshine.” Guess I’m Dumb

START THE WEEKEND HERE! | Classic tracks revisited | The Kingsmen - Louie Louie

 I note that J Edgar Hoover opened a file on The Kingsmen to try to find out what ‘secret’ messages the song contained convinced it was subversive and no doubt revolutionary! I would love to see the file(s) on them! Ooh Baby!



Lyrics!?

Anybody!?




Does this version help!? . . . . . no? Thought not . . . . . . 

So here goes . . . . . over the single . . .about as close I got!
we gotta go now . . . . . 

Classic Songs revisited! | JOAN BAEZ - The Night They Drove Old Dixie Down

 Joan Baez - The Night They Drove Old Dixie Down


Pencil (the world’s oldest)

 


The oldest surviving pencil in the world was found during restoration work in the rafters of a Swabian peasant house, which was built in 1630. It is now part of the Faber-Castell archive. Source


Given that there is a theory amongst relatives and fellow Swapp’s that the name may have come from Schwabia (Schwaab Merkins look out for us!?) this amused the heck out of me . . . . . . the theory? Piffle!
The pencil? Perfick!

Friday, September 27, 2024

EMILY BARKER - NEW SINGLE - THE SMASHING PUMPKINS - Tonight, Tonight

Love this and we love Emily round our way!  She has released a Smashing Pumpkins cover! 

Emily Barker


Emily Barker’s newsletter today included this cover . . . . . . she says

"Hello

I'm taking a break from two-stepping at clubs in Austin, Texas to write to you and say that I've got a new song out today! It's not one of my own - it's a song from The Smashing Pumpkins' record Mellon Collie and the Infinite Sadness called Tonight Tonight - I'm sure you will have heard it.

My version was recorded at The Wool Hall—where I made Fragile as Humans—with Luke Potashnick producing and the very same musicians performing on it. I love its mood - we leaned heavily into some Beck Sea Change vibes. I hope you enjoy it!

Also, I had a dream a couple of years ago and wrote this poem when I woke up...

#drummerdream

In a city of metal, glitter & stretched skin
behind a leathered band & thick black curtains
my heart beats double kick because
I’m the drummer of The Smashing Pumpkins
and we’re seconds away from walloping
into a sold-out stadium set.
The crowd are amped, keen to be teens again:
Tonight, Tonight smells of unrequited crushes,
Lynx Africa & the burn of firsts remembered.
Every song cradles place, past, peers, DNA.
Curtains rise & the roar is biblical. Billy turns
to me through the smoke, his scream starts the roll
of the Cherub Rock intro on snare. I raise sticks
above my head, count ONE! TWO! THR –

As with my album ‘Fragile as Humans’, this was recorded at The Wool Hall with Luke Potashnick. When Luke suggested we record a couple of covers, ‘Tonight, Tonight’ felt like an obvious choice. I hope you like what we did with it.

Tori Styles has made a great video using archival material. Watch that here.

Thanks for watching and listening!

Come see me play at one of my remaining USA shows or catch me on my Australia tour or my upcoming UK tour.  

Best wishes
Emily x"

It’s great! I love it but then I haven’t found anything by her that I haven’t  . . . . . if you like this go to her Bandcamp page and BUY EVERYTHING!



ALBUMS THAT SHOULD EXIST : THE DOORS AND FRIENDS 2000

The Doors and Friends - VH-1 Storytellers, Hollywood Center Studios, Los Angeles, CA, 11-22-2000

"This is possibly the strangest episode of the "VH-1 Storytellers" TV series, because it highlights the music of the band the Doors, despite the fact that that band's career effectively ended when its charismatic lead singer Jim Morrison died way back in 1971. 

The band's three surviving members Ray Manzarek, Robbie Krieger, and John Densmore continued for a year or two, but it wasn't the same without Morrison and they broke up. Every now and then, they reunited for some tribute or another. For instance, in 1993, the Doors were inducted into the Rock and Roll Hall of Fame, and the three of them played a few songs with Eddie Vedder of Pearl Jam serving as the lead singer. But these occasions were rare.

Then, in 2000, the tribute album "Stoned Immaculate: The Music of the Doors" was released. But this was different than almost all tribute albums, because members of the Doors played on the songs, with a variety of lead singers. There even were some songs incorporating unreleased recordings of Jim Morrison's voice before he died. Unfortunately, it wasn't well received by critics, and didn't sell well. 

There was no tour to support it... except for this one Storytellers episode. Again, the three surviving members of the Doors reunited to perform on all the songs, as well as do most of the talking and reminiscing between songs. Many (though not all) of the lead singers from the "Stoned Immaculate" album participated: Scott Weiland of the band Stone Temple Pilots, Ian Astbury of the band the Cult, Travis Meeks of the band Days of the New, Scott Stamp of the band Creed, and Perry Ferrell of the band Jane's Addiction.

I believe this was the last time the three surviving members of the Doors performed together in concert. Ray Manzarek died in 2013, so there could be no further reunions.

We have a lot more than the typical 45 minute long episode in this case because a DVD performance was released. However, even that wasn't the full show. And weirdly, a couple of songs were only included as "bonus tracks," so they were tacked on at the end instead of fitting into the concert with all the others. I moved one of those to fit with other songs sung by the same lead singer. But moving the other one wasn't so easy, so I left it at the end.

Unfortunately, for some bizarre reason, the DVD kept to the TV show's weird habit of including only part of the first song. This was frustrating because it appears that this concert was the one and only time the lead singer Perry Farrell sang this song, "L.A. Woman," with the surviving Doors members. He did do the some in concert some with his band Jane's Addiction, but that had been about a decade earlier, and the versions were fairly different. On the "Stoned Immaculate" album he sang one song, but it was a different song "Children of the Night" (which by the way wasn't an original Doors song, though it used some of Jim Morrison's poetry and his voice). So I had to leave this song incomplete. It's especially frustrating because it's only about a minute out of what is at least an eight minute long song.

All in all, this episode is a bit strange, but I think it works. The lead singers all sang well, and the banter between songs by the surviving members of the Doors was interesting. It seems this actually was much more successful than the "Stoned Immaculate" album, which had a lot of misguided efforts to use Morrison's voice and/or modern music styles that didn't fit the Doors. "

PAUL- ATSE

01 L.A. Woman [Incomplete] (Doors & Friends with Perry Farrell)
02 talk (Doors & Friends)
03 Love Me Two Times (Doors & Friends with Pat Monahan)
04 talk (Doors & Friends)
05 Alabama Song [Whisky Bar] - Backdoor Man (Doors & Friends with Ian Astbury)
06 talk (Doors & Friends)
07 The End (Doors & Friends with Travis Meeks)
08 talk (Doors & Friends)
09 Break on Through [To the Other Side] (Doors & Friends with Scott Weiland)
10 talk (Doors & Friends)
11 Five to One (Doors & Friends with Scott Weiland)
12 talk (Doors & Friends)
13 Light My Fire (Doors & Friends with Scott Stapp)
14 talk (Doors & Friends)
15 Roadhouse Blues (Doors & Friends with Scott Stapp)
16 talk (Doors & Friends)
17 Riders on the Storm (Doors & Friends with Scott Stapp)
18 talk (Doors & Friends)
19 Wild Child (Doors & Friends with Ian Astbury)
20 talk (Doors & Friends)


An odd one from the VH-1  Storytellers and probably I wouldn’t have posted here if not for my previous long term DOORS obsession and the days of the seperate page devoted to them here. But as Paul says here it is worth it from the curio value alone!!! 

ARTIST & SONG of the WEEK! LOLA YOUNG : MESSY

 WARNING contains STRONG LANGUAGE!

Messy out now! May 24? Listen and Download here: https://lolayoung.lnk.to/messyVD Pre-order my Album 'This wasn't meant for you Anyway': https://LolaYoung.lnk.to/twmfyaVD More of Lola Young here:    • Official Music Videos   Follow Lola Young: Instagram:   / lolayounggg   Tiktok:   / lolayounggg   Facebook:   / lolayoungmusic   Spotify: https://open.spotify.com/artist/67FB4... Apple Music:   / lola-young  
Lyrics: 
You know I’m impatient so why would you leave me waiting outside the station when it was like minus 4 degrees and I get what you’re saying I just really don’t wanna hear it right now can you shut up for like once in your life, listen to me I took your nice words of advice, about how you think I’m gonna die lucky if I turn 33, Ok so yeah I smoke like a chimney, I’m not skinny and I pull a Britney every other week, but cut me some slack who do you want me a to be 
Cause I’m too messy and then I’m too fucking clean You told me get a job then you ask where the hell I’ve been And I’m too perfect till I open my big mouth I want to be me, is that not allowed And I’m too clever and then I’m too fucking dumb You hate it when I cry unless it’s that time of the month And I’m too perfect till I show you that I’m not 
A thousand people I could be for you, and you hate the fucking lot It’s taking you ages still don’t get the hint I’m not asking for pages, but one text or two would be nice and please don’t pull those faces when I’ve been out working my ass off all day it’s just one bottle of wine or two but hey! you can’t even talk, you smoke weed just to help you sleep, then why you out getting stoned at 4 o‘clock, and then you come home to me and don’t say hello cause I got high again and forgot to fold my clothes Cause I’m too messy and then I’m too fucking clean 
You told me get a job then you ask where the hell I’ve been And I’m too perfect till I open my big mouth I want to be me, is that not allowed And I’m too clever and then I’m too fucking dumb 
You hate it when I cry unless it’s that time of the month And I’m too perfect till I show you that I’m not A thousand people I could be for you, and you hate the fucking lot And I’m too messy and then I’m too fucking clean You told me get a job then you ask where the hell I’ve been 
And I’m too perfect till I open my big mouth I want to be me, is that not allowed And I’m too clever and then I’m too fucking dumb You hate it when I cry unless it’s that time of the month And I’m too perfect till I show you that I’m not A thousand people I could be for you, and you hate the fucking lot