I Can See You - by Paddy Summerfield c. 1986

Friday, February 13, 2026

Haunting Ballads & Melancholic Masterpieces (A Butterboy Compilation) | BUTTERBOY

  A great track listing from this selection . . . . well actually my default position!? 

(Who’s isn’t? ED)

This is wonderful and one of the best selections from a Butterboy compilation

Haunting Ballads & Melancholic Masterpieces 

(A Butterboy Compilation) (4 x CDs)



HAUNTING AND MELANCHOLIC

VA - Haunting Ballads & Melancholic Masterpieces (A Butterboy Compilation) (4 x CDs)

When I call this box set Haunting Ballads & Melancholic Masterpieces, I’m not reaching for drama, I’m naming the feeling that threads through every track I’ve chosen. These songs linger. They move with us, shadow us, and refuse to fade once heard. The set exists because I wanted to capture that elusive quality, music that unsettles and comforts at the same time, that makes silence feel charged after the last note dies away.

Each track here was chosen not for popularity, but for resonance. Some are rare, tucked away on forgotten labels, others are more familiar but reframed in this context. Together they form a dialogue across decades and genres, proving that “haunting” is not confined to minor keys or ghostly atmospheres, it can be found in a fragile vocal, a drifting synth line, or a lyric that cuts deeper than expected.

The title Haunting Masterpieces elevates the idea beyond mood. These aren’t just songs that sound eerie, they are works that master the art of staying with us. They haunt because they move, through memory, through motion, through the spaces we carry inside. The compilation is more a journey, a moody, evocative selection spanning genres. Each CD flows into the next, building a landscape where melancholy and beauty coexist.

I wanted listeners to explore further, to hear how these tracks converse with one another. Notice how a spectral ambient piece can sit beside a stark ballad, how a pulsing rhythm can still ache with longing. This set is my attempt to map the terrain of haunting, not as a genre, but as an emotional state. If you let it, the music will follow you long after the box is closed.  

The set follows these themes:

CD1 - Ethereal Voices & Acoustic Shadows     Whispers and fragile tones drift through this opening disc. Voices dissolve into acoustic textures, creating presence and absence at once. These tracks haunt by intimacy, lingering in silence. Ethereal Voices & Acoustic Shadows begins the journey with music that feels near yet impossibly distant, setting the box set’s spectral tone.

CD2 - Gothic Echoes & Chamber Despair     Dark chords and solemn atmospheres define this disc. Gothic echoes reverberate like candlelight in stone halls, while chamber pieces embody confinement and sorrow. Each track was chosen for its shadowed beauty, revealing haunting as grandeur in decay. Gothic Echoes & Chamber Despair deepens the mood with elegance carved from loss.

CD3 - Melancholy in Motion     Explores haunting as movement. Ambient landscapes and pulsing rhythms drift forward yet remain tethered to sadness. Each track embodies journeys that ache, motion that never escapes memory. Melancholy in Motion reminds us haunting is not static, it follows, pursues, and moves with us through time and feeling.

CD4 - Soul Wounds & Lyrical Ghosts     Closing the set, these tracks reveal haunting as vulnerability. Lyrics echo like scars, voices carry wounds that never heal. Each song lingers because it speaks from pain and beauty intertwined. Soul Wounds & Lyrical Ghosts ends the journey with music that feels deeply human, leaving listeners changed by its resonance.

I hope this set is enjoyed and opens an avenue for further exploration. (Butterboy)


Check out the track listing and download here

Haunting Ballads and Meleancholic Masterpieces here . . . .

 


Nick Drake - Way To Blue [The Making of Fire Leaves Left] | jt1674

speaking of melancholy . . . . . .way too blue


https://www.tumblr.com/jt1674/808374901976236032/nick-drake-way-to-blue

David Gilmour - No Way | jt1674

 

https://www.tumblr.com/jt1674/808360465286791168/david-gilmour-no-way

Robert Fripp - Green Music For Libraries [Exposures] | jt1674

 . . . . I like to think Brian Eno had a strong influence upon Robert Fripp and know it went the other way too 

https://www.tumblr.com/jt1674/808375460059889664/robert-fripp-green-music-for-libraries-1

Blondie - Shayla | Herberg De Kelder

 

Shayla


Blondie | “Shayla”

“Suddenly, some subtle entity, some cosmic energy, brushed her like shadows.”

The Pogues - London You’re a Lady [Peace & Love] REMEMBERING THE DEAD OF HILLSBOROUGH | Herberg De Kelder

Released on the Peace And Love album in 1989, which is dedicated to the memory of the 95 people who died at Hillsborough Football Ground. This is easily some of Shane's best poetry.

 London You’re a Lady

The PoguesPeace and Loveimage

The Pogues - Billy’s Bones (Rum, Sodomy and the Lash] | HERBERG DE KELDER

 Billy’s Bones

The PoguesRum Sodomy & The Lashimage
Drums: Andrew Ranken
Bass Guitar: Cait O'Riordan
French Horn: Dick Cuthell
Producer: Elvis Costello
Fiddle: Henry Benagh
Accordion: James Fearnley
Banjo: Jem Finer
Engineer: Nick Robbins
Engineer: Paul Scully
Guitar: Philip Chevron
Vocals: Shane MacGowan
Tin Whistle: Spider Stacy
Uillean Pipe: Tommy Keane
Writer: Shane MacGowan

The Pogues - Transmetropolitan | HERBERG DE KELDER

 

Transmetropolitan

image

HERBERG DE KELDER


10 CC - Art For Art’s Sake [Live and Let Live] | jt1674

 

https://www.tumblr.com/jt1674/808434734989475840/10cc-art-for-arts-sake

XTC - Are You Receiving Me [Go2] | jt1674

  . . . . possibly a favourite XTC single of all time . . . . . . postpoppunk! Go 2

https://www.tumblr.com/jt1674/808361968293593088/xtc-are-you-receiving-me