I Can See You - by Paddy Summerfield c. 1986

Saturday, May 02, 2026

Lightnin' Hopkins - Ebbets Field, Denver, CO, USA 24-4-1974 | Albums That Should Exist

Lightnin' Hopkins - Ebbets Field, Denver, CO, 4-24-1974

Paul says: The range of musical acts who performed at the Ebbets Field venue, which held about 250 people, was impressive. For instance, I wouldn't have imagined a recording like this from Lightnin' Hopkins in 1974. But here it is.

I tend to think of Hopkins as someone from decades earlier. But he was still very musically active in 1974. He was about 61 years old, which isn't really old for a blues musician. For instance, B.B. King lived to be 89 years old, and was still performing right up until the end. 

Here's the Wikipedia entry intro about him: "[Hopkins] was an American country blues singer, songwriter, guitarist, and occasional pianist from Centerville, Texas. In 2010, Rolling Stone magazine ranked him No. 71 on its list of the 100 greatest guitarists of all time. The musicologist Robert 'Mack' McCormick opined that Hopkins is 'the embodiment of the jazz-and-poetry spirit, representing its ancient form in the single creator whose words and music are one act.' He influenced Townes Van Zandt, Hank Williams, Jr., and a generation of blues musicians such as Stevie Ray Vaughan... In his own lifetime, Hopkins was one of the initial inductees in 1980 to the Blues Hall of Fame." 

Here's the rest of the entry:

Lightnin' Hopkins - Wikipedia

I'll add a bit more to that. His recording career began in the 1940s, when he was already in his 30s. He grew popular with Black audiences in the 1940s and 50s. In the 1960s, his career got a boost when his music was discovered by the folk revival, mostly made up of White audiences. That started in 1960, when he performed at the prestigious Carnegie Hall in New York City with Joan Baez and Pete Seeger. From that point on, he often played at folk festivals and colleges, and even toured internationally. He died of cancer in 1982, at the age of 69.

This is a solo acoustic concert, with a lot of banter between songs. The music is unreleased, and the sound quality is excellent.

This album is 55 minutes long.

01 talk 
02 Nothing I Can Do 
03 talk 
04 Lord Have Mercy 
05 talk 
06 Lazy Woman Do 
07 talk 
08 I Got My Hook in Your Water 
09 talk
10 Can You Tell Who's Coming In 
11 talk 
12 Cook My Breakfast
13 talk 
14 Key to the Highway 
15 talk 
16 It's Time for You to Change Your Way 
17 talk
18 Instrumental 
19 talk 
20 Rock Me Baby 
21 talk
22 Ain't It Crazy [The Rub]
23 talk 
24 70 Miles from Nowhere 

all tracks Lightning Hopkins

Steve Winwood - Capitol Theatre, Port Chester, NY, 4-24-2015 | Albums That Should Exist (or not!?)

 

Steve Winwood - Capitol Theatre, Port Chester, NY, 4-24-2015

Pauls says :I posted about a week ago how there's been a recent leak of dozens of soundboard quality concerts at a Port Chester, New York venue. I'm still waiting on a lot of these. Every day, it seems someone or another is at least chopping up the single music files into songs. But since some are already converted, I can start posting those. I was feeling like listening to Steve Winwood, so I did this one.

Winwood hasn't released a new studio album since 2008. So he stuck to playing classics from earlier in his career. The only semi-recent song he played was "Dirty City," from 2008.

The sound quality is excellent (though in mono). The only tinkering I did was to boost the volume of the applause at the ends of songs, plus boosting the banter. Oh, and I boosted the volume of all the songs in general. For some reason, most of these Port Chester boots seem to have quite low volume settings.

This album is an hour and 15 minutes long.

01 I'm a Man (Steve Winwood)
02 Them Changes (Steve Winwood)
03 Pearly Queen (Steve Winwood)
04 Can't Find My Way Home (Steve Winwood)
05 talk (Steve Winwood)
06 Dirty City (Steve Winwood)
07 The Low Spark of High Heeled Boys (Steve Winwood)
08 Glad [Instrumental] (Steve Winwood)
09 Light Up or Leave Me Alone (Steve Winwood)
10 talk (Steve Winwood)
11 Higher Love (Steve Winwood)
12 talk (Steve Winwood)
13 Dear Mr. Fantasy (Steve Winwood)
14 Gimme Some Lovin' (Steve Winwood)


Curiously throwaway cursory performance of his ‘greatest hits’ (sic) short set on content and performance still guess he got paid eh? Stevie phoned it in here after the days long Traffic concerts turning the fine band into the UK’s Grateful Dead with interminable stoned jam sessions now we get this 10 songs and outa there!
Disappointing but hey whatcha gonna do? For completists I guess

Kelly Boesch - From My Mouth To Yours

Kelly Boesch

Kelly says: 

There is this thing that happens in meetings where a woman will say something and it goes unnoticed. Then a man at the table will take that idea and use it as his own and everyone loves it. I have heard so many of my women friends tell me this same thing. I overheard a conversation again recently where two women were talking about this happening. So I decided to do some research. There is a great article in Forbes about this and actually many others as well. And it doesn’t only happen to women....but mostly. So I wrote this song about it a few weeks back but was having a really hard time trying to figure out what kind of video I could make to go with it. It’s so much harder when the song comes first. I move toward the abstract. I actually don’t like when the scene matches the lyrics too much as then people try to work out the story without just using their imagination. I like people to write their own story lines with the visuals. It’s more fun that way.
Additional production by Marshall Altman.
From My Mouth To Yours
[Verse 1] I let it fall between us both A line I didn’t try to keep It slipped out gently from my mouth And landed somewhere at your feet
It lingered there, untouched, unseen A passing thought, a minor thing The kind that doesn’t make a sound Unless it finds a voice to bring
[Pre-Chorus] I’ve watched this kind of moment Disappear, then reappear
[Chorus] It moved from my mouth to yours So quietly I missed And when you said it back again It landed with a twist
You held it like it started there Like it was always planned And suddenly the room leaned in And listened to the man
[Verse 2] No change in shape, no added weight No brilliance newly found Just something I had offered up Returning louder, crowned
They nod along, they mark the point As if it just arrived I sit beside its origin And watch it come alive
[Pre-Chorus] I almost say, that was mine But swallow it instead
[Chorus] It moved from my mouth to yours So seamless it was clean And when you gave it back to them It turned to something seen
You wear it like it grew from you Like I was never there And suddenly it carries weight Just breathing different air
[Bridge] But somewhere down the table line A glance that doesn’t stray She heard it when it left my lips And looked at me that way
No need to break the fragile spell No need to disagree Some things are known without a word She knows, and so do I
[Chorus] It moved from my mouth to yours So seamless it was clean And when you gave it back to them It turned to something seen
You wear it like it grew from you Like I was never there And suddenly it carried weight Just breathing different air

Birthdays: Lily Allen . . . .

 Happy birthday to Lily Allen, born in Hammersmith, London on this day in 1985. 

With a little help from her friends she found the light in the tunnel at the end.


Lily Allen - Smile - Live Leno

We worry about Lily and what she’s been going through post split from her Stage Thing of a fellah!
Hope she is okay!

Friday, May 01, 2026

Paolo Conte - Sparring Partner

 Gary [Lucas that is!] does it again and posting this introduces me to yet more music that delights and again I have never come across before . . . might sign off this Friday night and wish you well wherever you are


*scenes from "Gänsehaut" di László Kish - Kurt Reinhard 1993 music : "Sparring Partner" di Paolo Conte


"Climb the Highest Mountain” - - Gary Lucas & Gods and Monsters

Oh, not enough Gary hisself? ‘Ere ‘ave it! 


New video directed by Jill A. Black, from the forthcoming studio album from "The Thinking Man's Guitar Hero" Gary Lucas and his all-star NYC-based band Gods and Monsters--
featuring Ernie Brooks (Modern Lovers) bass, Billy Ficca (Television) drums, Jason Candler (Hungry March Band) alto sax, and Joe Hendel (Faddy Acids) keyboards and trombone. Produced by Jerry Harrison (Talking Heads).

John Cale - Ship Of Fools [Fear] Gary Lucas' selection

  . . . . again another star choice from Gary Lucas

John Cale - Ship Of Fools

Hold on won’t be long  . . . . . 

Bob Dylan - The Man In Long Black Coat [Oh Mercy]

  . . . . .Oh Mercy really made me sit and pin back my ears after a period where I had thought Dylan had gone a bit cold (or maybe I had . . you can go years and then hurtle back as staunch a fan as ever . . . . ) and then . . . everying is broken and the man in the long black coat is paying a call. . . . . 

https://www.tumblr.com/jt1674/815407874619686912/bob-dylan-man-in-the-long-black-coat

Go Ask Alice [Alice Ormsby Gore] | Profile from LITTLE QUEENIES


Alice Ormsby Gore


In Alice's case we are not sure when we knew about her for the first time. Probably we read her name in Pattie Boyd's book. She dated and later was the fiancée of Eric Clapton after he and Charlotte Martin broke up, and before he and Paula Boyd (Pattie's younger sister) dated.


[The typical Alice and Eric picture from 1969]
Alice was just a teenager when she got engaged to marry to Eric Clapton, and was the daughter of a Lord who had been the UK's ambassador in the US at the time John Kennedy was the president. 

[Alice modelling for Vogue UK in 1969]
She lived in this big manor in the English countryside bordering the Welsh border, the family house where all her ancestors lived. Sadly her mother died on a car crash in 1967 when Alice was just 15. It was the psychedelic/hippy 1960s and the young naif Alice fell in love with the wrong man...

[Alice and Eric in 1969. He was an alcoholic and addict, much older than her, and dragged teenage Alice to the darkness...]
But Alice, luckily, was more than that. She was a very beautiful and successful model, posing for Vogue magazine in the late 1960s and early 1970s very often, she also acted and sang in the Jewish version of the musical "Hair", and also helped the poor and addicts along with her sisters holding music festivals and working with local charities.
[Alice in 1970 by Clive Arrowsmith]
What we love about Alice is her natural beauty, very different from everybody else. Her sense of style was also very 1960s, very hippy. She believed in love and peace, and although she struggled with her addicition, we want to think she was happy in her life...

[Beautiful Alice, with Eric, in 1970. After he dragged her into the darkness he got clean... and then dragged Paula Boyd into the same abyss]

As with many of the others muses,there were always the same photos of her on the net, and while she was not as famous or popular as other models from the 1960s like Twiggy, Pattie Boyd, Jean Shrimpton or Marsha Hunt, we thought she deserved recognition on her own, not only linked to her family or friends. And while maybe there is not enough content to have a website just for herself, we thought it would be lovely to include her here, with all the other muses we love.

[Another classical Alice, from January 1970 British Vogue]
She was gone far too soon and we hope she found peace in the end. We also hope that more pictures and information about her surface on the net, and we will be here sharing it with all of you!
Today, for what would have been her birthday, we wanted to share with all of you, dear followers, how we knew about Alice and what made us love her.

Here we share:





John & Beverley Martyn - Stormbringer | HERBERG DE KELDER

 

Stormbringer


From the eponymous album 1970

John Martyn - vocals, acoustic guitar, guitar
Beverley Martyn - vocals, acoustic guitar
Harvey Brooks - bass
Paul Harris - piano, organ, musical direction, arrangements
Herbie Lovell - drums 
John Wood - engineer