Nowadays A Woman's Gotta Hit A Man (Merseytrout Live In Liverpool 1980)

 I think I got this from Gary Lucas’ Facebook page and it is better than I remember . . . a favourite song and better quality than the I thought my copy was . . . . 

Nowadays A Woman's Gotta Hit A Man (Live In Liverpool 1980)

Gonna Move up to the Country, (Paint My Mailbox Blue) Taj Mahal & The Hula Blues Band LIVE from Kauai | HERBERG DE KELDER

Taj Mahal

Gonna Move up to the Country, (Paint My Mailbox Blue)Taj Mahal & The Hula Blues BandLive From Kauai

Gonna Move up to the Country (Paint My Mailbox Blue) taj mahal & the hula band live from kauai

HERBERG DE KELDER

Canned Heat - Going Up TheCountry live (ish!?) 1969 Beat Club

Canned Heat

Going Up TheCountry live (ish!?) 1969

Beat Club

I always though Beat Club was live but the looning around from the band here trying to make Al laugh (and winning!) is such fun . . .Bob ’The Bear’ hamming it up something chronic!

(Beat Club 1969, colorized 720 50fps)

Patti Smith - Masonic Hall, Detroit, MI 1976 | soundaboard

 Patti Smith - Masonic Hall, Detroit, MI 1976

Patti Smith at the Masonic Hall, Detroit, MI on December 12, 1976.

A set with eight tracks from Radio Ethiopia, an album released less than two months earlier.

The right city for a special guest like Rob Tyner of the MC5 who was celebrating his 36th birthday and sang on My Generation.

The opening acts for this show were The Sparks and Budgie.

Sound Quality: 9-

Source: Audience

Track List:

01. Intro

02. We're Gonna Have A Real Good Time Together

03. Kimberly

04. Redondo Beach

05. Free Money

06. Poppies

07. Ask The Angels

08. Pissing In A River

09. Pumping (My Heart)

10. Ain't It Strange

11. Band Of Gold

12. Radio Ethiopia

13. Rock N' Roll Nigger

14. Gloria

15. My Generation

AtticRock 

Also from 1976!

Patti Smith 'Let's Twist Again' 1976 

Patti Smith never recorded 'Let's Twist Again' and rarely played it live, so this is possibly the ONLY existing version! The Chubby Checker cover was filmed live in Belgium at the Cirque Royal for a TV feature on December 10 1976. The full feature with an interview and 2 more songs is here:    • Patti Smith: 3 live songs & interview, 197...   'Gloria' from the same 1976 gig is here:    • Patti Smith 'Gloria' 1976, Belgium  

The LEGENDARY LOST SOUNDBOARD LED ZEPPELIN SOUTHAMPTON 1973 | VOODOO WAGON | A Silent Way Special

A Silent Way Special!

Led Zeppelin - Southampton University 1973

Led Zeppelin - Any Port In A Storm 
Old Refectory, Southampton University

Southampton, UK
January 22, 1973

aka (The Lost Soundboard Show)
Soundboard recording @flac
The Godfatherecords G.R.223~224

NOTE: THE BOSS says: 

this torrent is differents from: 

http://www.dimeadozen.org/torrents-details.php?id=415866 /Liquid Led/
http://www.dimeadozen.org/torrents-details.php?id=355436 /EVSD remaster acopulcogold/
http://www.dimeadozen.org/torrents-details.php?id=245400 /EVSD remaster TomP CMI/
http://www.dimeadozen.org/torrents-details.php?id=321787 /Tarantura release Valkyrie's Vigil/
http://www.dimeadozen.org/torrents-details.php?id=413695 /part of Godfatherecords BOX (2012)/ 

this bootleg is an earlier version from label "Godfatherecords" (2007)

All thanks go to Mr. 'Ready.zp' from Russian tracker for sharing this boot...!
--------------------------------------------------------------------------------------------
argenteumastrum.com says:

ANY PORT IN A STORM - THE LOST SOUNDBOARD SHOW
GODFATHER RECORDS GR 223/224

Recording: Superb stereo soundboard.
Source: Garden Court, West Refectory, Southampton University, Southampton, England Jan. 22 '73.
Comments: Italian bootleg. Deluxe trifold cardboard sleeve.
--------------------------------------------------------------------------------------------


Artwork included /full scans/

CD 1
1. Rock And Roll
2. Over The Hills And Far Away
3. Black Dog
4. Misty Mountain Hop
5. Since I've Been Loving You
6. Dancing Days
7. The Songs Remains The Same
8. The Rain Song
9. Dazed And Confused

CD 2
1. Stairway To Heaven
2. Whole Lotta Love
3. Heartbreaker
4. Thank You
5. How Many More Times
6. Communication Breakdown

Nick Drake - Know [Pink Moon] | jt1674

 

https://www.tumblr.com/jt1674/832093716886044672/nick-drake-know

Ry on todays’ music . . . . | Don’s Tunes

 

Blimey Ry you’re getting grumpier than me!

 “Rock as it is known today just doesn’t interest me at all,” said Ry Cooder to The Guardian in 2011. “I hate commercial music. If I hear that money in it, all that winking and nodding… It kills me.”

You could say that this time thing is what gives music its quality. Depth, if you like. Now? The urge for immediate success – always with one eye on the bottom line – often removes something from music. A purity perhaps? Realism? An individuality? Cooder is of that opinion, “I think, maybe, because everything happens too fast, that you don’t build a craft, you don’t build artistry in yourself. And you don’t listen. If you don’t listen to music, all music, I don’t see how you know. It’s like a child learning to talk without having heard people speaking. What are you gonna do, start talking in abbreviations, like texting? And that’s exactly what’s happening. If you don’t read books and you don’t understand experience, how the hell can you write about it and sing about it? Or you’re just going to end up writing about yourself. Then it’s like everybody’s in a closet with themselves and it’s very limited.”

Source: The Audiophile Man

Photo: Abby Ross

BOOTLEG of the MONTH :Rolling Thunder Review Bob Dylan Fort Collins CO 1976 | Floppy Boot Stomp

 ROIO of THE MONTH

Bob Dylan - Rolling Thunder Review | FORT COLLINS 1976 FLOPPY BOOT STOMP

Mr Tambourine Man

Idiot Wind

Hard Rain

Bo Diddley - Who May Your Lover Be | HERBERG DE KELDER

 

Who May Your Lover Be

Bo Diddley - Who May Your Lover Be

HERBERG DE KELDER

John French - on New Film promoted by Reelin’ In The Years of CAPTAIN BEEFHEART and the MAGIC BAND 1971

 

John 'Drumbo' French at Oxford Zodiac - 📸Andy Swapp © 2005

 This footage has now emerged from 1971. Two guys, Larry Sechrist (camera) and John Fizzdale (sound) came on the road with us for a promotional tour. We also had two roadies. By the time we arrived home, there was no money -- at least for me. I remember going to Warner Brothers to pick up my earnings. I was directed to Carl Scott, who had been sent by Warner Brothers to act as tour manager after Grant Gibbs ( our actual manager ) decided to abandon ship. Carl Scott was down the hallway to the right. When I came in, he asked me to hand him a box of KimWipes that was on a shelf behind me. He carefully his dark sunglasses and put them on, afterwards explaining that there "was no money" as the expenses had eaten up all the profits. I guess this was easier to do while hiding behind shades. Can you imagine doing seven weeks on the road and then getting stiffed entirely? Anyway, I did get to see some of this footage from the tour when Larry and John brought a sample of it up to Felton ( near Santa Cruz ) and we watched it on a projector without sound. I notice here that Don is completely lost in "Woe is a Me Bop." This whole segmented performance was edited together by Elliot Ingber (Winged Eel Fingerling), who had this concept of "no breaks" and featuring the best bits of music all flowing together. Also, notice Elliot wasn't playing, because most of this stuff was beyond his grasp. We had six people in the group, one of whom barely played, two roadies ( I'm sure they were paid) and two guys in a film crew ( who probably ALSO were paid). No wonder there was no money for the band. Anyway, I find it really ironic that someone owns this footage ( which wouldn't exist without US) and is selling our image without any thought of the band actually getting paid. The same with the Record Companies! The only company that has paid us consistently has been Sony -- and this is for Safe as Milk. However, even this is a bit wonky, as when Safe as Milk was released on CD, they added several "bonus tracks" -- and those tracks are actually from "The Mirror Man Sessions," which was a separate, unfinished album. So, they're technically paying us for one album while selling two. I know, I bitch a lot about the non-compensation, but, this was some of the HARDEST work I've ever done, and was groundbreaking! Yet, the guys pictured ( aside from Don) really never received much, if any pay. Mark Boston recently had to have a fundraiser just to keep a roof over his head -- and now someone is selling our images -- yet again, without compensating us at all.

John Drumbo French