I Can See You - by Paddy Summerfield c. 1986

Wednesday, March 11, 2026

Country Joe And The Fish: Discography 1967 - 1970 ("Country Joe" McDonald (January 1, 1942 – March 7, 2026) | URBANASPIRINES: A KOSTAS SPECIAL

 Country Joe And The Fish: Discography 1967 - 1970 

("Country Joe" McDonald (January 1, 1942 – March 7, 2026)


Didn’t think it would take Kostas long . . . . here with his usual exceptional standard of profiles one for Country Joe MacDonald who passed away this week and after his health complications took him at a youthful 84 we shall not see his like again. At once a polemicist and romantic his FISH cheer may have resonated with the crowd at Woodstock but he and The Fish were so much more the that. Electric Music for the Mind and Body you might  say! I loved that band and thank a neighbour Alan Bateman who introduced me when but a mere school boy as he did so much other SF and counter culture musics!


Kostas reminds us
Joseph Allen "Country Joe" McDonald (January 1, 1942 – March 7, 2026) was an American singer, songwriter, musician and film composer, who was the lead singer and co-founder of the 1960s psychedelic folk-rock group Country Joe and the Fish. He wrote some of the group's most well-known songs, including "Not So Sweet Martha Lorraine" and "I-Feel-Like-I'm-Fixin'-to-Die Rag", the latter a protest song against US involvement in the Vietnam War.  One of the original and most popular of the San Francisco Bay Area psychedelic bands, they were also probably the most enigmatic. Joe McDonald may have written the most in-your-face anti-war, anti-military song to come out of the '60s, but he was also one of the very few musicians on the San Francisco scene who'd served in uniform. 
                                          
 The band's name, Country Joe & the Fish, was a compromise proposed by ED Denson, an early member and the group's manager. He quoted Chinese communist leader Mao Zedong's metaphor about a revolutionary who resembled "the fish who swim in the sea of the people." There was also some thought given to the name "Country Mao & the Fish." Instead, they used "Country Joe" as a reference to McDonald, who was their singer and, as much as there was any organization to it at all, the organizer of the group, and also a reference to Joseph Stalin -- "Country Joe" was a nickname for the Soviet dictator. 








For Kostas . . . .


Still relevant; despite buying the first two Fish albums when they came out, I stuck with his solo stuff too and this alongside Quiet Days In Clichy I mentioned t’other day which we showed at college (it WAS an Art school?!) this was my pride and joy from the race vinyl sections and this little ditty still rings true today

Ain’t that the Daymned TROOTH MERKINS?

Country Joe And The Fish - Eagles Auditorium Seattle, Washington, USA Saturday, 1 Nov 1969 | Voodoo Wagon from XRay

 

Country Joe And The Fish - Eagles Auditorium Seattle, Washington, USA Saturday, 1 Nov 1969

 Country Joe McDonald - Born: January 1, 1942  

Died:  March 7, 2026

VOODOO WAGON

An Xray Special


Country Joe And The Fish

Eagles Auditorium

Seattle, Washington, USA

Saturday, 1 Nov 1969

01.  Love (02:38)
02. Sing Sing Sing  02:34
03. Silver & Gold 07:03
04.  Not So Sweet Martha Lorraine 04:06
05. Babylon 03:42
06. The Return Of Sweet Lorraine 06:16
07.  The Baby Song 04:48
08. Rockin' Round The World 07:23
09. I-Feel-Like-I'm-Fixin'-To-Die Rag 02:31
10. Ever Since You Told Me That You Love Me (I'm A Nut) 01:26
11. Gas Man 01:57
12. Crystal Blues 06:49
13. The Love Machine 23:18

Adam Faith - Cowman Milk Your Cow (sic!) | Guess I’m Dumb

 

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Adam Faith - Cowman Milk Your Cow (1967)

"Another song for my Teen Idols Go Psych series. Adam Faith was a British teen idol in the early 60s but had next to no success in the U.S. Here he tries his hand with something “psychedelic” written by Robin and Barry Gibb, who also add backing vocals. It’s actually really quite superb, and apparently that’s Peter Green on guitar.” ?! Thanks Guess I’m! Awesome note!


We loved Adam and he just sort of preceded my earliest pop taste but then he had a hit acting role in Budgie and we all fell in love all over again. We first caught him from What Do You Want (If You Don’t Want Money) 

Covered: Neil Young, Volume 3: 1995-1999 | Albums That Should Exist

 Covered: Neil Young, Volume 3: 1995-1999

Paul reports: I had a rough start getting to Peru*, but I’m finishing my second full day here and I’m having a good time. Since Fabio from Rio wrote the notes as well as doing most of the work putting these albums together, once again, here’s Fabio:

By the mid-to-late 1990s, Neil Young was enjoying one of the most respected phases of his long career. After the grunge generation had embraced him earlier in the decade, Young reinforced that connection with the raw "Mirror Ball" album collaboration with Pearl Jam in 1995 and continued releasing strong albums that balanced electric noise with acoustic reflection. At the same time, a new wave of alternative, indie and Americana artists began rediscovering older corners of his catalog — not only the famous songs, but also deep cuts from albums like "Zuma," "Tonight's the Night," and "On the Beach." The covers collected in this volume reflect that moment: a mixture of roots musicians, indie rock artists and cult performers exploring both the best-known and the more obscure sides of Young's songwriting.

--- 

Note that Fabio wrote individual paragraphs about all the songs in this volume. To see that, please look at the Word file added to the download zip file. Thanks again to Fabio for his help putting these albums together. 


This album is an hour and three minutes long.  

01 After the Gold Rush (Dolly Parton, Linda Ronstadt & Emmylou Harris)
02 Words [Between the Lines of Age] (Lifter & Campfire Girls)
03 Wrecking Ball (Emmylou Harris)
04 Don't Cry (Kristen Barry)
05 Grey Riders (Sand Rubies)
06 Campaigner (Snares & Kites)
07 This Note's for You (Colourful Dreams)
08 Down to the Wire (Grip Weeds)
09 When You Dance I Can Really Love (Continental Drifters)
10 Expecting to Fly (Sonya Hunter)
11 Danger Bird (27)
12 Tonight's the Night (Chris Cacavas)
13 Harvest Moon (Elliott Smith)
14 Midnight on the Bay (Red House Painters)


*Check out Pauls travelogue here!

Sir Douglas Quintet - Time Changes Everything [The Prime of Sir Douglas Quintet] Augie Myers R.I.P.

 

https://www.tumblr.com/jt1674/810696915304005633/sir-douglas-quintet-time-changes-everything

Amy MacDonald : Forward [live in her hotel room!]

  . . . .and speaking of impromptu performances . . . . . Amy (MacDonald ha been sharing her video diary of her last tour and the gigs and behind the scenes when this one popped up of just her in her hotel room to say thanks for the support . . . . . . play it


Thank you so much for all the love for my new song Forward! 💓 Here's an acoustic version I recorded for you. !!

I just like its really positivemessage and send this out to my very Amy (my daughter] sometimes she needs to hear this too

Street busker takes on Chris Martin’s Fix You when this happens . . . . .

Allie Sherlock take on 'Fix You' when a guitarist from the crowd steps up to accompany her! 


Not the biggest Chris Martin fan but heck this works

George Harrison - Absolutely Sweet Marie [Bob Dylan Anniversary Concert]

 . . . . . .well just because it’s George innit! 

Joyous version to start your day! stay with it at lest 'til you have seen Steve (Cropper) and G.E. (Smith) trade licks and make George Dance with joy!

Someone posted on Flickkenabok so . . . . . watcha gonna doo! 


George Harrison Absolutely Sweet Marie Dylan Anniversary

Tuesday, March 10, 2026

Riders on the Storm ft. The Doors' John and Robbie - (Jim features on backing track ) | Song Around The World | Playing For Change

  . . . it’s been a kind of Playing For Change day today so what way to bring it to a close  . . .  ?


 . . . . . night all and sweet dreams







John always worth following still . . . . . 



Jim posthumous contribution





Anton Corbijn on Dan Van Vliet


Don Van Vliet photographed in the Mojave desert in 1980 by photographer and filmmaker Anton Corbijn, who said this a few years ago about the shoot: 

'I loved Don and he was a force to be reckoned with. I was proud to be called a friend of his. Many stories to tell but let’s just focus on one: without me having met him there would not have been a record title ’The Joshua Tree’. The photo here was taken in 1980 and i loved the shape so much that . . . thank you Don!'