I Can See You - by Paddy Summerfield c. 1986

Saturday, August 29, 2026

Echo and the Bunnymen Facebook page: IAN McCULLOCH and RODDY FRAME perform THE KILLING MOON

Now I have gone banging on about Roddy Frame (Aztec Camera and his solo work especially) but also Ian McCulloch and Echo and The Bunyment too


IAN McCULLOCH and RODDY FRAME perform THE KILLING MOON on Spanish TV.

"It was a lovely thing, that week of touring; I was to play four dates in Spain and Roddy was doing photographs for his single 'Spanish Horses'," said Ian McCulloch in 1994.

"It was 1993; he phoned me up about a week before and said: "Hey, I'm in Barcelona at the same time you're playing - any chance of opening for you, just me and a guitar?" I said, "You can do all four dates, just fix it with your manager." It was the perfect week, beautiful."

"We had to perform on a TV programme in Barcelona and hadn't slept the night before. We drank a lot of bevvy - everyone's mini bar. We were jumping into the crew's rooms to get their mini bottles of champagne. It's not that we're champagne drinkers but... well, it was Barcelona. We were just bladdered but we were up at 8 o'clock in the morning to do the show.




The Ting Tings - of course we remember . . .

The algorithms threw this one up and followed it with their great bit one hit wonder but this suggest they are still going strong and still worth falling!

Hey, we’re the Ting Tings. Remember us?

Dolly Parton - Train Train (again!) - Austin City Limits

Oh you wanted more?

Gal was authentic Bluegrass country and could sing and PLAY!

Dolly Parton - Hollywood Bowl, Los Angeles, CA, 7-23-2011 | ALBUMS THAT SHOULD EXIST

 

Dolly Parton - Hollywood Bowl, Los Angeles, CA, 7-23-2011

Paul says: A couple of days ago as I write this, another musical great passed away. Dolly Parton died on August 25, 2026, at the age of 80. She was more than just a great country singer and songwriter; by all accounts she was a nice person who gave many millions to charitable causes. She will be missed.

After hearing she had died, I looked around to see what music I could post of hers that would be interesting. I found an ALD recording of this concert that apparently hasn't been shared much until now. ALD stands for "assistive learning device." By U.S. law, big concert venues must provide these devices for concert-goers who are hard of hearing. Sometimes, clever people manage to record the live signal going to these devices. This is one of those cases.

Typically, ALD recordings are excellent, very similar to soundboard recordings. However, one flaw is that they often don't have much of the audience cheering. That was very much the case for this one. In addition, when Parton spoke between songs, sometimes her voice was quite faint. So I ran every song through the MVSEP audio editing program. I separated out the crowd noise, and then drastically boosted it at the ends of songs. I also simply boosted the vocals of her banter, sometimes making adjustments line by line. I boosted those so much that it often resulted in a lot of hiss. So I then made more audio edits to get rid of the hiss.  

I had extra trouble with the last song. For some reason, bursts of static came through repeatedly. I used both the MVSEP and UVR5 programs to use different noise-cleaning tools. I'm glad to say that got rid of nearly all of the problem. But that's why that one song has "[Edit]" in its title.

This fixing of the songs took a lot of work, but it was my way of paying tribute to the great Dolly Parton. Hopefully, this now will be considered one of her best, and best sounding, concert bootlegs. The concert took place during her tour for her 2011 album "Better Day." A New York Times newspaper review of that album praised her "almost ageless" vocals, and you can hear that vocal quality in this concert too. That album was well received by critics, but only sold moderately in the U.S. However, it Britain, it became her highest charting album, reaching Number One on the country chart there, and in the Top Ten in the main pop chart.

This album is two hours and 17 minutes long. 

01 Light of a Clear Blue Morning 
02 Walking on Sunshine 
03 Better Get to Livin' 
04 talk 
05 Jolene 
06 talk
07 Rocky Top 
08 Mule Skinner Blues [Instrumental] 
09 talk 
10 Help 
11 Shine 
12 Stairway to Heaven 
13 talk
14 My Tennessee Mountain Home 
15 talk 
16 Precious Memories 
17 talk 
18 Coat of Many Colors 
19 talk
20 Smoky Mountain Memories 
21 talk 
22 Son of a Preacher Man 
23 talk 
24 Better Day
25 talk 
26 Together You and I 
27 talk 
28 Holding Everything 
29 talk
30 Rappin' Dolly 
31 talk 
32 He Will Take You Higher
33 talk 
34 He's Everything 
35 talk 
36 White Limozeen
37 talk
38 Best of Both Worlds 
39 talk
40 The Sacrifice 
41 talk
42 In the Meantime 
43 talk 
44 Little Sparrow 
45 River Deep, Mountain High 
46 talk 
47 Here You Come Again 
48 Islands in the Stream 
49 9 to 5 
50 talk 
51 I Will Always Love You 
52 Light of a Clear Blue Morning [Reprise] [Edit] 

(all tracks Dolly Parton) 

DOLLY PARTON - from little acorns . . . . . . . DOLLY PARTON - TRAIN TRAIN Jay Leno 1999

 

From the humblest of beginnings Dolly soon learned she could sing and spread her message in the streets and stages around the world . . . . . . 
 . . . . . until superstardom beckoned
Dolly Parton photographed by Annie Leibovitz for her “Rainbow” album, 1987.

but lest we forget it was ALWAYS about the music!


posted his clip and if anyone doubted her musicianship check this with a country band!

From The Tonight Show with Jay Leno, November 1999…" I fell in love with her and her music when I was 10 yrs old, watching the early morning TV shows out of Nashville. Never dreaming then, that I would have the tremendous fortune of picking and singing and playing music on records and TV shows someday with the one and only Dolly Parton. She was a genuine genius, a true visionary, and as shrewd in business as she was in music. She knew what she wanted and how she wanted it and surrounded herself with talented people who could make her dreams happen. And she was FUNNY! A quick wit who found humor and goodness and kindness wherever she could. We laughed as much as we picked and sang. Thank you, Dolly. I am filled with grace and gratitude for your life and all you brought to us"

Whilst well said from Sam thewhole clip is a necessity IMHO

DOLLY ROCKS


The full clip Dolly Parton Train Train - Jay Leno 1999
now THAT’S BLUE GRASS!

David Byrne/Brian Eno - Help Me Somebody [My Life in The Bush of Ghosts] | jt1674

  . . . . . . have we had this before? just the other day? . . . . . ..you know what? It’s worth it just to hear that guitar work!

https://www.tumblr.com/jt1674/826203745397489664/brian-eno-david-byrne-help-me-somebody

Cili Marsall - Jimmy Dorsey’s Boogie Woogie

We have featured this wonderment Cili Marsall before but holy moly and buckets of blood this is amazing . . . I so wanted to play the piano like this but sadly it was not to be . . .check Cili’s left hand


After so many requests — here it is: the full version of "Jimmy Dorsey's Boogie" from the International Boogie Nights in Uster. 🎹
A little story to go with it: Winifred Atwell, who made this boogie famous, was the first Black artist ever to reach #1 in the UK charts — in 1954, at a piano. Songs like this deserve to keep living on stage, and bringing it back with these two was pure joy: 🥁 Mario von Holten on drums 🎻 Arno Schulz on double bass

Ear worms, one hit wonders and this one with a twist! Songs of therapy and addiction! | DANGEROUS MINDS : Andrea True Connection - More, More, More

From the sublime to , , , , ,well you get ma drift! but bear with me this is a fascinating account from Will

 'More, More, More'- the 1976 disco smash sung by a porn star

‘More, More, More’: The 1976 disco smash sung by a porn star

Pop quiz, hotshot, y’know the song that goes “More, more, more! How do ya like me? How do ya like me?” Yeah, of course you know it. It’s only one of the most enduring disco songs ever. For a million bucks, could you tell me who sang it? And if I told you they were an internationally known porn star as well, would you believe me?

Because I certainly couldn’t on either account. This is despite the fact that it’s more or less become one of the platonic ideals of a disco song. It’s got the strut, the bass, the brass section and one of the most maddeningly catchy hooks ever put to vinyl. Yet it also sums up the downside of the movement as well. It’s a good hook, yes, but it’s a bastardised, sanitised version of the disco’s edgy, sexy prime. It feels like a corporate vision of disco that’s about as authentic as a clapped-out Ford Focus with “FeRR@reEe” scrawled on it in crayon.

Which is a shame because the story behind ‘More, More, More’ and its singer, Andrea True, is actually pretty incredible. True was a Nashville native, the child of two immigrants from Slovenia who took after her parents and showed an aptitude for music at an early age.

She channelled this into becoming a piano prodigy as a teenager who became something of a local celebrity in Nashville, developing an ease and charm in front of cameras that would go on to serve her well later in life.

True looked set to break into the upper echelon of classical piano after a highly rated audition secured her a place at the prestigious performing arts high school St. Cecilia Academy. However, her musical dreams stalled after meeting the academic David L. Wolfe, who she left college to marry when she was 19-years-old and accompanied him as he travelled the world for work.

True still had the need to perform, though, and since her passion for music had soured, she looked into acting while on the road with her husband.

This left her in dire straits by 1968. True’s marriage had soured, and after settling in New York City, they divorced, leaving a 25-year-old True to fend for herself without a degree or any work experience. She threw herself into acting and finally found work, but not in the part of the industry that she thought she’d break into.

She was offered roles in porn films, and was desperate enough to take them.

This may have started out as an act of desperation, but then True discovered she was in demand. Given the option of returning to the occasional extra job and waiting tables in the meantime, or joining the lucrative world of adult entertainment as a full-on porn star, she chose the latter.

For the late 1960s and early 1970s, there were few people in the industry as popular as she was, establishing herself as one of the most bankable stars in the industry. However, like with pretty much all porn stars, there did come a time when she wanted out.

This was in 1975, when she started looking for mainstream worked and secured a set of commercials for Jamaican TV. She decamped to Kingston, filmed the lucrative commercials and then the strangest thing happened. Jamaica’s Prime Minister, Michael Manley, started cosying up to Fidel Castro. This caused a dramatic reshuffling in the relationship shared by the US and Jamaica, so much so that the Jamaican government forbade any asset transfers to foreign countries. Meaning that True couldn’t return to the United States with the money she’d earned in Jamaica.

True was livid, however, it did also force her hand on an idea that had been brewing in the back of her mind. You see, despite the toxicity her previous music career ended with, True had wanted to get back into music for a while. In fact, she had been writing songs with a producer called Gregg Diamond for a music project called The Andrea True Connection. Rather than leave her cash in Jamaica, she decided to spend it. Recording their most promising demo, a catchy little disco number called ‘More, More, More’. The rest is history.

The song was an enormous hit on both sides of the Atlantic and for a while, it seemed that True had well and truly graduated from porn to become a genuine disco diva. However, music is a fickle industry and The Andrea True Connection were never able to replicate the monumental success of their debut hit, especially after the “Disco Sucks” backlash killed the genre more or less overnight.

Eventually, True had to give up singing entirely due to medical issues and retreated from the spotlight, working as a counsellor for people struggling with addiction issues and living off the considerable royalties that came in from the regular rotation that ‘More, More, More’ had on radio, TV and film.

She might not have been the megastar she dreamed of, but ‘More, More, More’ gave her something better than fame. It gave her independence. Andrea True spent the rest of her days doing precisely what she wanted to do and never had to go back to porn again.



Andrea True Connection - More, More, More (1976)

Chopin Complete | Butterboy

Wow well that threw me a curved ball and no mistake! If anyone out there doesn’t know their Chopin start here, a peerless and faultless superb quality 17 CDs of the maestro

Adore some Chopin



As Butterboy says?

"For anyone stepping into Chopin for the first time, this Complete Edition from Deutsche Grammophon is one of the clearest and most generous introductions you can choose. It gathers his entire published output across seventeen discs, arranged in a way that lets the listener move through his world without confusion. Each genre sits in its own space, allowing you to hear how Chopin shaped melody, rhythm and emotion across different forms."

VA - Chopin - Complete Edition [2009] (17 x CDs)

Ade Kelly on Later with Jools Holland (1994 Classic clip #44)

 Ade Kelly

Classic clip #44 Later with Jools Holland Show 1994 Sharon Shannon/accordion Mary Custy/fiddle Donogh Hennessy/guitar Trevor Hutchinson/upright bass