I Can See You - by Paddy Summerfield c. 1986

Sunday, May 10, 2026

BUMP! |The Blues : A film by Les Blank 1968 'The Blues Accordin’ To Lightning Hopkins' 1968

 The Blues  According to Lightning Hopkins . . . . . . 

UPDATED




The Blues A film by Les Blank 1968_ Lightning Hopkins _ Billy Bizor _ Mance Lipscomb 1968.
sombody posted this little clip - I’ll try n find the whole film . . . . . which I duly did

Features a generous helping of classic blues. The film includes performances at an outdoor barbeque and a black rodeo, and a visit to his boyhood town of Centerville, Texas. This powerful portrait is among Blank’s special masterworks.



The Blues According to Lightnin' Hopkins // doc // 1 of 2
The Blues According to Lightnin' Hopkins // doc // 2 of 2
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Big Mama Thornton with Tommy Bolin - Ebbets Field, Denver, CO, 1973, Early Show | Albums That Should Exist

 

Big Mama Thornton with Tommy Bolin - Ebbets Field, Denver, CO, 1973, Early Show

Paul says: The next installment of Ebbets Field radio broadcast concerts is something unexpected: blue legend Big Mama Thornton performing with Deep Purple lead guitarist Tommy Bolin! There are early and late shows, with the two of them quite different. Here's the early show.

Thorton is best known for the song "Hound Dog." She had a hit with it in 1952, before Elvis Presley's version. Her version sold half a million copies, which was a remarkable amount back at that time. She's also well known for a song she wrote, "Ball and Chain," after Janis Joplin did a great version of it in the late 1960s. Her time in the spotlight in the 1950s didn't last long, since she only had that one hit. But in the 1960s and into the 1970s she had a career revival playing in blues and/or folk clubs and festivals. At the time of this concert, she was about 46 years old.

Here's her Wikipedia page:

Big Mama Thornton - Wikipedia 

Tommy Bolin was born and raised in Iowa, but his family moved to Boulder, Colorado, in his late teens. He began playing in local bands. One of them, Zephyr, released a couple of albums, and toured nationally, though they didn't have any hits. After that band broke up around 1971, he joined a couple other short-lived bands, and wrote a lot of songs. In 1973, he joined the James Gang (after Joe Walsh left) and dominated it, writing nearly all the songs for two albums. By 1975, he'd left the James Gang and joined Deep Purple for about a year. He also released solo albums in 1975 and 1976. But he died of a drug overdose at the very end of 1976.

Tommy Bolin - Wikipedia

Anyway, the reason I mention all this about Bolin is because it's relevant in explaining how his involvement with Thornton came to be. In 1972 and 1973 especially, Bolin was at loose ends and living in Boulder, often without a band. During this time, he developed a good relationship with Chuck Morris, who owned the Ebbets Field venue (and a couple more in the area). Often, when blues musicians were passing through town and were lacking a backing band, Morris would get Bolin and/or some of Bolin's friends to provide the backing. (Bolin would make the drive from Boulder to Denver in less than an hour.) Or sometimes Bolin would just ask to sit in. In this way, he played with many musical greats, including Howlin' Wolf, Albert King, and Chuck Berry. Usually, these big names would be greatly impressed by Bolin, who was far from being just an inexperienced local musician. 

It seems none of these shows pairing Bolin with these blues legends were recorded... except for this one with Thornton, somehow. I don't know if this was broadcast on the radio at the time, like other Ebbets Field shows, or if just got luckily recorded by the venue anyway. Bobby Berge and Stan Shelton rounded out the backing band. 

Chances are there was little to no practice between Thornton and the backing band beforehand. You can hear at times where Thornton starts a song and just expects the other musicians to figure out what's going on and join in. But it's also clear that she respected Bolin's lead guitar playing, as can be seen by the space he was given to solo, especially with the two instrumentals at the beginning. (If anyone knows the names of those songs, if they have names, please let me know. I also had to figure out the names of the other songs. Please let me know if I got any of them wrong.)

Surprisingly, not only was Thornton a great blues vocalist, she could also play drums pretty well. That's her playing a short drum solo near the end of this recording.

This album is 46 minutes long. 

01 Instrumental Jam (Tommy Bolin)
02 Blues Shuffle [Instrumental] (Tommy Bolin)
03 Blues with Intro (Big Mama Thornton with Tommy Bolin)
04 Little Red Rooster [Early One Morning] (Big Mama Thornton with Tommy Bolin)
05 Rock Me Baby (Big Mama Thornton with Tommy Bolin)
06 talk (Big Mama Thornton with Tommy Bolin)
07 Shake, Rattle and Roll - Hi Ho Silver (Big Mama Thornton with Tommy Bolin)
08 talk (Big Mama Thornton with Tommy Bolin)
09 Ball and Chain (Big Mama Thornton with Tommy Bolin)
10 Hound Dog (Big Mama Thornton with Tommy Bolin)
11 talk (Big Mama Thornton with Tommy Bolin)
12 Swing It on Home - Drum Solo (Big Mama Thornton with Tommy Bolin)
13 talk (Big Mama Thornton with Tommy Bolin)

Dolly Parton - Lonely Comin’ Down (1972)

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Dolly Parton - Lonely Comin’ Down (1972)

As the title of the LP suggests, this was written by Porter Wagoner. Porter released his own version in 1971, but after favoring that rendition, I’ve come to conclusion that Dolly’s is the definitive recording.

The presence of you, still lingered, all around


I know I dont really post enough Dolly as artists go she isa unique voice and talent and rotes a mean tune too from playing with Emmylou and Doc Watson she needs no greater accolades but sometime the image overwhelms and you forget too easily she can sing and more importantly write a fair song also

Why sort of ‘comin’ down' is she talking about here? Don’t think its Sunday Morning Coming Down a la Kris

The Rolling Stones - Rocks Off - Robert Frank clip 1971

 Shot by Robert Frank (Super 8) in LA and NY, 1971. Rephotographed by Frank for the cover of 'Exile On Main Street.

Rolling Stones - Rocks Off (1972)

“Dance The Night Away” in London Town! THE MAVERICKS! because!

 ✨🎶 Check out this old gem of The Mavericks performing "Dance the Night Away" in London!


Dog Bites Man | Van Morrison and his worst album to date! MOR Bland Balderdash!

 

Not Seeking Approval 



Which is of course the very central nature of your ego-led profession is doing? You make music and expect applause otherwise you wouldn’t tour now would you?!. Awful brow beating dangerous mis-informed ignorant rambling bile . . . . . .I brought to mind the old adage better to keep your mouth shut and be thought a idiot than to open your mouth and remove all doubt! Wonder if like your old chum and fellow ignoramus Eric Clapptout you took your shots anyway!?[Eric was back in the traces three weeks after having his vaccines which he claimed were horrific!)😂


Wiki about covers it:


While the musicianship and sound of the album was generally well-received by critics, the lyrical subject matter of COVID-19 denialism was widely criticised. In The Arts Desk, Nick Hasted scored it two out of five stars, accused the artist of "monomania", and called the album "egocentric, pernicious, and already outdated". 
However, he noted that select tracks were of a high quality.[2] AllMusic Guide awarded it two and a half out of five stars, with Stephen Thomas Erlewine finding Morrison "doubling down on all of his gripes", and concluding that the resultant "blend of anodyne R&B and anger makes for one of the odder albums" in his catalogue.[1]  
In his Pop Medicine column on MedPage Today, Dr. Arthur Lazarus praised the "first-rate" music, but ultimately dismissed the album as a "self-absorbed descent into COVID lunacy". He condemned Morrison for ignoring scientific facts, seeing the pandemic in an egocentric manner, and speaking out against the media while benefiting from its attentions.[3]

Tell  it to Fiona Whelan-Prine, tell it to the families of the 7.11 MILLION people who died from the disease!!

 What’s it Gonna take? YOU to wake up from your brainwashing and do your job and entertain the masses with love songs and a pretty ditty and keep your homegrown political ignorant ill informed claptrap to yourself. Read a book! 

Total and complete drivel -5 ⭐️

I’m With Her “Hundred Miles” with Gillian Welch and Dave Rawlings at NightGrass

 


“Hundred Miles” with Gillian Welch and Dave Rawlings at NightGrass
A huge life moment and enormous honour. The only cover we’ve recorded for either of our albums with the person who wrote it over 20 years ago. Thank you Gillian and David and to Telluride Bluegrass - where we first played together 11 years ago

again someone posted a clip and here is the complete thing done proper on YouTube

Saturday, May 09, 2026

Brian Eno - Through Hollow Lands [Before and After Science] | jt1674

  . . . a favourite . . .an album that frequently appears in my top twenty and always thirty but had been in my Top 3 for the longest time [years] after it came out . . .a Desert Island Discs choice for sure . . . . . .the begins of ‘Ambient'?

https://www.tumblr.com/jt1674/816072548587634688/brian-eno-through-hollow-lands

Fairport Convention - Night In The City (David Crosby - Joni Mitchell covered it first I think) | jt1674

  . . . . I think I prefer this version but have fallen out with Mitchell for the longest time!

https://www.tumblr.com/jt1674/816132325509349376/fairport-convention-night-in-the-city

Flea (feat. Nick Cave) - Wichita Lineman

 


"Wichita Lineman" by Flea feat. Nick Cave, from Flea's album 'Honora,' out now on Nonesuch Records: https://flea.lnk.to/Honora

Flea — Flumpet
Nick Cave — Vocal 
Anna Butterss — Upright Bass 
Deantoni Parks — Drums 
Jeff Parker — Guitar 
Mauro Refosco — Percussion