I Can See You - by Paddy Summerfield c. 1986

Thursday, May 21, 2026

Joy Division - Live Nashville Ballroom, London 1979 | FLOPPY BOOT STOMP

 Joy Division - Live Nashville Ballroom, London 1979

Rebooted...Again
Originally posted February 23, 2013 and January 10, 2021
 

Joy Division
Nashville Ballroom, London
September 22, 1979  
Vinyl rip  FLAC


Track List:
 Wilderness-02:43
 Shadowplay-03:45
 The Leaders Of Men-02:35
 Insight-03:52
 Colony-03:59
 Transmission-03:30
 Disorder-03:36
 She`s Lost Control-04:18
 Atrocity Exhibition-06:29
 Glass-03:47
 Exercise One-02:28



**Remastered** by thir13en

SILENT WAY says: Another request from another fine Zomb staff member, 

Watson387, as this was his original seed here.

Vinyl sourced as many Joy Division boots seems to be, with some slight surface 

noise as well as a serious low end thump, limited highs and an overall low digital imprint. 

SO I corrected each as much as possible; tweaking the low, adding some highs, 

slight de-noising of the surface and the final digital maximisation.

*The last song that was from the original seed appears to be an official release 

from "Short Circuit: Live At The Electric Circus (1977-10-02)". 

As this song was also mastered very differently and really didn't fit into the set 

all that well anyways, it has been omitted.

Very cool show from a seminal outfit. Enjoy!

One of the better J.D. bootlegs from the sound Quality, and a fantastic performance 

from the group. 

Highlights are the versions of "Insight" and "Atrocity Exhibition"  

It's from vinyl, but there is only one light click at the beginning of "Insight" and "Glass" 

- "virgin vinyl copy" played for the first time to digitalise it.


Band:

 I.Curtis        -    vocals, electric guitar
 S. Morris       -    drums, synthezizer
 P.Hook          -    bass, vocals
 B.A.Digham      -    guitar, synthezizer


SW: Thanks to thir13en and the original source!!!

Lou Salomé: She rejected Nietzsche . . twice . She seduced Rilke Then she became Freud’s colleague. All while “married.” To two men

Lou Salomé

She rejected Nietzsche twice and he had a breakdown. She seduced Rilke and made him a poet. Then she became Freud’s colleague. All while “married.”


Rome, 1882. Lou Salomé was 21 years old and already considered one of the most unconventional women in Europe. She wasn’t dangerous because of wealth or political power. She was dangerous because she was intelligent, independent, and completely unwilling to live according to society’s rules.


Friedrich Nietzsche fell in love with her almost immediately. So did his close friend, philosopher Paul Rée.


Lou’s response shocked both men. Instead of choosing either of them, she proposed that the three live together in what she called a “free community of minds.” No marriage. No ownership. Just intellectual companionship, conversation, books, and philosophy.


To make her point clear, she arranged a now-infamous photograph: Lou sitting in a cart holding a whip while Nietzsche and Rée stood harnessed like horses pulling her.

The image scandalised Europe.



But the arrangement collapsed because both men were deeply in love with her, and Nietzsche could not handle rejection. He proposed marriage once. Lou refused. He proposed again. She refused again.


His letters became increasingly desperate. Eventually he admitted he felt himself losing his sanity.


After Lou rejected him for the final time, Nietzsche withdrew into isolation and depression. Soon afterward, he wrote *Thus Spoke Zarathustra*, the work many later connected to the emotional collapse caused by losing her.


Years later, when Nietzsche’s mental state completely deteriorated, critics blamed Lou and accused her of destroying him.

She ignored them and continued with her life.


In 1887, Lou married Friedrich Carl Andreas, a scholar of Persian studies. But the marriage was highly unusual. She only agreed after Andreas threatened to k*ll himself, and even then she imposed strict conditions.

The marriage would never be physical.

They lived separately for decades while remaining legally husband and wife. Lou kept her independence completely intact.

At the same time, she continued writing novels, essays, and philosophical works in intellectual circles dominated almost entirely by men.


Then, in 1897, she met a young poet named Rainer Maria Rilke.

Lou was 36 years old. Rilke was 22 and still unknown.

Their relationship lasted years and transformed his life. Lou guided his writing, criticized his work, introduced him to Russian literature and spirituality, and even changed his name from René to Rainer because she believed it sounded stronger.

Rilke became emotionally devoted to her.

But Lou always kept control of the relationship. When he became too dependent on her emotionally, she ended the affair.

Rilke spent the rest of his life writing under her influence.

Then, at age 50, Lou entered another world controlled by men: psychoanalysis.

She attended Sigmund Freud’s lectures, and Freud quickly recognized her intellect. Unlike many women around him, Lou was treated as an equal rather than an assistant or patient.


She became Freud’s colleague.

Lou opened her own psychoanalytic practice and wrote openly about female sexuality, desire, and emotional independence at a time when society barely allowed women to discuss such subjects publicly.

Even Freud respected her enough to listen when she challenged his ideas.

Lou Andreas-Salomé spent her entire life refusing to become what society expected. She rejected traditional marriage, moved freely through philosophy and literature, and forced some of Europe’s greatest minds to accept her on equal terms.

People called her manipulative, cold, and dangerous.


But perhaps what truly frightened them was much simpler:

She lived exactly the way she wanted and never apologized for it.




ADVERT BREAK : for another favourite weblog ABECEDARIAN Strange Book Titles and Headlines

 


Newsworthy: a collection of weird headlines and book titles.

One Letter Words [Prof. Oddfellow - Craig Conley esq]

Art of The Day : Don Van Vliet "Ghost Red Wire", 1967

No photo description available.


 Don Van Vliet 


"Ghost Red Wire", 1967

Oil on masonite

61 x 61 cm / 24 x 24 inches


N.B. note the date

THE ROLLING STONES - DEAD FLOWERS [Totally Stripped] 1995

 THE ROLLING STONES - DEAD FLOWERS

 (live at The Paradiso Amsterdam)

Wednesday, May 20, 2026

Chuir M’Athair Mise dhan Taigh Charradeach - The Furrow Collective

 So might sign off for the day with this one from The Furrow Collective discovered as I mention through Butterboy's guest playlists . . . . . . 

Chuir M’Athair Mise dhan Taigh Charradeach -  The Furrow Collective

Mo’ Birthdays MARK MOTHERSBAUGH (76)

Devo - Uncontrollable Urge

May be an image of piano

ARE WE NOT MEN?

WE ARE DEVO!







Buffalo Springfield - Bluebird

 Gary (Lucas you know!) posted this fine track yesterday I think and it got me listening to Buffalo Springfield of course . . . . 

Buffalo Springfield - Bluebird (Buffalo Springfield Again)

Bob Dylan & The Band : All Along The Watchtower · Boston Gardens 1974

 Herberg De Kelder posted this but his wouldn’t play here at the mansion so . . . . . . . . . . . good ole YouTube

All Along The Watchtower · Bob Dylan & The Band Boston Gardens 1974

The Rising Sons - The Last Fair Deal (Gone Down) [Rising Song Sons featuring Taj Mahal & Ry Cooder] | jt1674

  . . .well while we are celebrating Taj Mahal . . . . 

https://www.tumblr.com/jt1674/817133316064018432/rising-sons-last-fair-deal-gone-down