Kevin Coyne - The Dandelion Years (1969-1972 2007 re-issue three disc boxset)
Kevin Coyne - Siren Strange Locomotion 1971 Hot Potato
I first became acquainted with the utterly unique phenomenon that is Kevin Coyne with his second solo album, Marjory Razorblade, which is generally recognized by critics and fans as his best overall work.And what a work it is, nightmarishly combining blues, folk, Van Morrison-meets-Beefheart vocals and simultaneously humorous and disturbing lyrics and images across its sprawling 2 LPs worth of space. After digesting Marjory Razorblade, I had to hear more from Kevin Coyne.Since his mid-70's albums are considerably harder to find and since his solo debut, Case History, has nearly as strong a reputation as its sequel, I decided to pick up this 3 album compilation.The Siren material in this set doesn't hold up as well as Coyne's solo work. Their self-titled first album is the better of the two; it's a wide-ranging platter of British blues, ranging from hopping, dancy numbers ("Ze-Ze-Ze-Ze" and the raunchy "Gardener Man") to acoustic and electric slide-drenched ("Get Right Church" and "Wasting My Time") to piano-powered grinders like "Rock Me Baby" and "The War is Over").The band whips out about every instrument and style in the blues idiom, but there's not a ton of idiosyncrasy to the playing (or a lot of the lyrics, for that matter), which both makes for a slightly bland experience and mirrors the direction British blues was going--running out of fresh ideas and retreading old ground.There's some good energy on some tracks, and Coyne has a great blues voice--growling, howling, wailing and whispering.There's no doubt that most of the personality found on Siren is thanks to him--tracks like "And I Wonder," "Asylum" and "I Wonder Where" all stand out as breaking the mold with more interesting, off-kilter lyrics and quiet intensity that presages later work.Strange Locomotion doesn't succeed in building upon Siren's promise. For the most part, it's more of the same in style and quality. At its best, the bluesiest stuff ("Gigolo," "Sheke My Hand") approaches the quality of Led Zeppelin a la Hats off to (Roy) Harper or the less weird tracks on Safe as Milk.Again (but less often than on the debut) the best moments are when Coyne's fascinatingly weird personality shines through, as on the subtly twisted "Some Dark Day" and the sparkling "Soon."Case History. It's much more bare bones than Siren's albums, featuring mostly acoustic guitar and Coyne's distinct songwriting voice.All of the ideas that are later fleshed out with large band arrangements and varying styles and tempos on Marjory Razorblade are visited here with quiet intensity--"White Horse" is impenetrable and uneasy, "Uggy's Song" features Coyne's knack for jagged chord progressions and dissonance, "Need Somebody" is a perfect representation of his uncanny ability to project emotional isolation and loneliness, and "Evil Island Home" is an echoey creep-out.Themes of church oppression and eerily authentic accounts of madness appear on "My Message to the People" and "Mad Boy," respectively.Throughout, Coyne proves his style as uncompromising and unique, from his experimental and evocative vocal style to his recognizable acoustic guitar style to his utterly inimitable songs (which is more than can be said for the bulk of the Siren albums).This is often unsettling work on several levels, but once you connect with these songs you'll understand why so many people praise this man's work.This reissue is of top quality--it sounds great, each album has its own disc and sleeve with original artwork, and the liner notes are informative and illuminating (especially with regards to Coyne's work in the mental health sector).I'd recommend starting with Marjory Razorblade, which has more bang for the buck, but this is a perfect next step, as it's currently the easiest way to get ahold of Case History, plus the occasionally gripping Siren albums
by Elliot Knapp
MusiciansTracksDisc 1 (as Siren)1. Ze-Ze-Ze-Ze (Clague, Coyne, Cudworth) 3:042. Get Right Church (McDowell) 3:203. Rock Me Baby (Josea, King) 3:304. Wake Up My Children (Clague, Coyne, Cudworth) 3:375. Wasting My Time (Clague, Coyne, Cudworth) 2:496. Sixteen Women (Clague, Coyne, Cudworth) 2:467. First Time I Saw Your Face (Clague, Coyne, Cudworth) 2:528. Gardener Man (Clague, Coyne, Cudworth) 3:329. And I Wonder (Coyne, Cudworth) 2:4510.The War Is Over (Clague, Coyne) 4:4811.Asylum (Coyne, Cudworth) 3:4412.Bertha Lee (Petway) 3:1713.I Wonder There (Coyne, Cudworth) 5:0914.Mandy Lee (Clague, Coyne) 2:0115.Bottle Up and Go (Traditional) 3:1216.The Stride (Clague, Coyne) 2:36Disc 2 (as Siren)1. Relaxing with Bonnie Lou (Coyne, Cudworth) 3:242. Some Dark Day (Coyne, Cudworth) 3:313. Hot Potato (Clague, Coyne, Cudworth) 4:074. Soon (Coyne, Cudworth) 3:465. Gigolo (Coyne, Cudworth) 4:256. I'm All Aching (Coyne, Cudworth) 3:037. Strange Locomotion (Clague, Coyne, Cudworth) 2:568. Shake My Hand (Coyne) 3:179. Lonesome Ride (Coyne, Cudworth) 2:2010.Fetch Me My Woman (Clague, Coyne, Cudworth) 7:3811.Fat Moaning Minnie (Coyne, Cudworth) 2:5012.Squeeze Me (Clague, Coyne, Cudworth) 2:35Disc 3
1. God Bless the Bride (Coyne, Cudworth) 3:55
2. White Horse (Clague, Coyne, Cudworth, Ferguson) 4:13
3. Uggy's Song (Coyne) 2:58
4. Need Somebody (Coyne) 4:15
5. Evil Island Home (Coyne) 5:00
6. Araby (Coyne) 3:38
7. My Message to the People (Coyne) 5:23
8. Mad Boy (Coyne) 4:45
9. Sand All Yellow (Clague, Coyne, Cudworth) 5:44
10.Cheat Me (Clague, Coyne, Cudworth) 3:13
11.Flowering Cherry (Clague, Coyne, Cudworth) 2:41
*John Chichester - Guitar
*Dave Clague - Bass
*Kevin Coyne - Guitar, Vocals
*Nick Cudworth - Guitar, Piano
*Mick Gratton - Guitar
*Tat Meager - Drums
*Mick Sweeny - Guitar
Kevin Coyne - I’ll Go Too
Kevin Coyne (born 27 January 1944 in Derby, UK; died in his adopted home of Nuremberg, Germany, on 2 December 2004) was an English musician, singer, composer, film-maker, and a writer of lyrics, stories and poems. His uncompromising attitude towards showbiz fame and fortune always left him in a position of "outsider", a position he relished. The freedom to express himself without the chains of commercial considerations (although he would not have been adverse to a Number One album) helped keep his creativity alive
I miss him!
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