My heart is reeling,
This is that fresh, that fresh feeling.
HERBERG DE KELDER
Friday, March 20, 2026
Thursday, March 19, 2026
Kelly Boesch: Float And Watch The Stars
Another beaut from Kelly Boesch
Kelly says:
"I originally wrote this song in 2024. It was released as a slow song. I always loved this melody and wanted to try something completely different with it. This song makes me feel so good when listening in my car and driving for some reason. It’s way different than my usual music. The video took a while to create. I animated all of the images in VEO3 then created transitions using Pika keyframes. They aren’t perfect but it mostly worked. Hope you enjoy it.
Float And Watch The StarsVerse 1:The night whispers secrets, soft and slowWe drift like shadows, where dreams goStars above are more than lightThey hold our hearts in quiet flight
Chorus:Why don’t we just float and watch the stars?Why don’t we just float and watch the stars?
Verse 2:We move through silence, calm and clearTime fades away, no need to steerThe world below feels far and smallIn this stillness, we have it all
Chorus:Why don’t we just float and watch the stars?Why don’t we just float and watch the stars?
Bridge:The sky unfolds, a quiet sighWe float in peace, you and INo weight to hold, no need to runWe watch the stars until we’re one
Chorus (outro):Why don’t we just float and watch the stars?Why don’t we just float and watch the stars?We’ll float forever, watching the stars.Lyrics written by me, Kelly Boesch.
Music created under my creative direction with assistance from Suno"
Damien Hirst vs Cartrain - DACS fights copyright infringement for artists everywhere!
CARTRAIN vs DAMIEN HIRST!
Interview of London Artist Cartrain about Damien Hirst.
Stolen Pencils for the Tate Modern Gallery.
For the Love of God Diamond Skull, image copyright.
100Artworks.com
Urban Art Association
The truth Hirst [sic]: how Damien Hirst got trolled so hard he had a 16 year old arrested (sic?)
"Like clockwork, it seemingly happens to everyone, and if you look with your empathetic hat on, you can see where it comes from. When starting out as an artist, rejection and ridicule become part of everyday life, especially as a creative who operates out of the ordinary. You will put yourself out there, with your unusual style, and a whole lot of people will laugh in your face or, possibly even more hurtfully, shrug their shoulders and never think about it again for as long as they live.
If you can’t get through that, you probably won’t ever be an artist again. However, something seems to happen when an artist successfully breaks through into the mainstream, where they stop actually engaging with anyone who doesn’t believe in their work.
Hirst became the very picture of this phenomenon for both good and ill after his imperial phase in the mid-1990s. Only a true hater would say that Hirst wasn’t a genuinely interesting artistic voice in his prime, but the moment the millennium came and went, something seemed to snap. Suddenly, he had all the ego of an artist of his reputation… with none of the work to show for it.
Thus, when a 16-year-old boy started messing with his work, Hirst went on the warpath". Will Howard
Afraid I don’t agree with Will Howard here
Check the amounts of money if you think Damien is doing anything less than standing up for his own artwork which has been purloined and misused just like so many musicians do with sampling these days - you pays for these ya know! Ask permission!
£192?!
No mention of his stealing the pencils you willl note!!!
You GET the point right?
I side with the artist here and aways will!
It’s called a principle no matter your religious beliefs!
Cartrain states he is not really in favour of the anti-religion post of the piece
thus making the 16 year old "anti-anti-religion”!! . . .and the THEFT?
And another of the Neil Young covers from ALBUMS THAT SHOULD EXIST
Covered: Neil Young, Volume 7: 2012-2016
By the early 2010s, Neil Young's influence had spread even further across musical generations. Indie folk, alt-country, and singer-songwriter circles were openly embracing the emotional directness and melodic simplicity that had always defined Young's songwriting. At the same time, the digital era had changed how tribute recordings appeared: covers increasingly emerged from online projects, independent releases, and small tribute compilations rather than traditional label-driven albums. Young himself remained highly visible during this period, releasing politically engaged records and increasingly speaking out on environmental issues, while continuing to inspire younger artists discovering his catalog for the first time. The recordings in this volume reflect that diverse ecosystem: indie reinterpretations, roots-oriented performances, and the occasional stylistic surprise.
---
Note that Fabio wrote individual paragraphs about all the songs in this volume. To see that, please look at the Word file added to the download zip file. Thanks again to Fabio for his help putting these albums together.
This album is an hour and five minutes long.
01 Goin' Back (Beth Orton)
02 Southern Pacific (Jeff Monkman)
03 Thrasher (Andy Hill & Renee Safier)
04 Prime of Life (Gov't Mule)
05 On the Beach [CFCF Remix] (Joakim)
06 Stringman (Stevie Pling)
07 On the Way Home (Ocean Colour Scene)
08 Out on the Weekend (Lee Ann Womack)
09 Revolution Blues (Gov't Mule)
10 Sea of Madness (Ida Sand)
11 Everybody Knows This Is Nowhere (Bluebeaters)
12 Motion Pictures (Robyn Hitchcock & Emma Swift)
13 Silver and Gold (Frank Fischer & Lavina Williams)
14 Bandit (Melanie Age)
15 Who's Gonna Stand Up (Anne Rynne)
The Venopian Solitude | International Times
Well we’ll start the day with this joyous sound thanks to the ever challenging and clever guys over at International Times. . . . . . . . .
The Venopian Solitude | Tenangkan Bontot Anda (Live on The Wknd Sessions, #80)
Subscribe to:
Comments (Atom)