I Can See You - by Paddy Summerfield c. 1986

Saturday, July 18, 2026

Crowded House - Live Philadelphia, PA. 1987 | Floppy Boot Stomp | A SILENT WAY re-up

 Somehow timely (Jungian synchronicity?) for friends of Sam Neill. Crowded House re-booted by the Boss at Floppy Boot Stomp. Enjoy! I did

Crowded House - Live Philadelphia, PA. 1987

Rebooted...
Originally posted November 30, 2016

Crowded House - Trocadero Theater
Philadelphia, PA. 
March 24, 1987
FM Source @320

This recording was originally broadcast on WIOQ-FM in Philadelphia, 
and marks the band's first U.S. radio concert as well as one of their 
earliest stateside appearances. 


Set List: 
01 This Is Massive
02 When You Come
03 Mean To Me
04 World Where You Live
05 That's What I Call Love
06 One Step Ahead
07 Jamaica Farewell
08 Recurring Dream
09 Something So Strong
10 Love You Til The Day I Die
11 Hole In The River
12 Don't Dream It's Over
13 Now We're Getting Somewhere
14 Throw Your Arms Around Me
15 Better Be Home Soon
16 Announcement
17 Happy Birthday Mitch
18 I Got You
19 Sister Madly
20 Not Fade Away
 

Thanks to Deviant Subculture {R.I.P.}

Don't Dream It's Over - Crowded House [ Live ! 1987 ]

For the download and a full concert YouTube set from early on go visit the link (in the title above)

The Everly Brothers - The Price of Love (1965) / Bryan Ferry - The Price of Love 1976


The Everly Brothers - The Price of Love (1965)

This thumping tune was a big hit in the UK and Ireland, but got no response in the U.S.. It was a shame, as it’s one of their best tunes from mid 60s. Bryan Ferry put his own imprint on the song on his solo LP Let’s Stick Together.

Kiss one girl, kiss another
Kiss them all, but you won’t recove
r

Bryan Ferry - The Price of Love

vid features his then girlfriend and soon to become Mrs Mick Jagger (They never actually married! - ED) Jerry Hall and this is arranged by guitar legend Chris Spedding

Al Bowlly - I'll Do My Best To Make You Happy (1932) / Richard Thompson Band - Al Bowlly's in Heaven [Two Letter Words - live in 1994]/Al Bowlly - The Very Thought Of You (1934)

 Secret (not so secret! - ED ) passion for Dance band music of the 30s-40s I inherited from my Mum and Dad (slightly less in Dad’s case he preferred his classical but you can only take so much Mahler before you gotta dance!!He did enjoy a comic monologue or ribald Vaudeville song too mind) 

Al Bowlly's in Heaven and I’m in limbo now . . . . 

Al Bowlly - I'll Do My Best To Make You Happy (1932)
[ . . . isn’t that Sir Laurence Olivier . . . dancing?]


There’s a story and it follows me through the history of music . . . . 



Richard Thompson Band - Al Bowlly's in Heaven [Two Letter Words - live in 1994]

Al Bowlly - The Very Thought Of You (1934)
Ray Noble And His Orchestra
Raymond Stanley "Ray" Noble (born 17 December 1903 – died 2 April 1978) was a popular English jazz and big band musician, who was a bandleader, songwriter, composer and arranger, as well as a radio host, television and film comedian and actor, he also performed in the United States.

Albert Allick Bowlly (born 7 January 1898 – died 17 April 1941) was a Mozambican-born South African–British vocalist and jazz guitarist, who was popular during the 1930's in Britain.

Born on 7 January 1899 in Mozambique, Albert first became interested in music when living in Johannesburg where he grew up. By his teens, he was 'music mad', running a barber's shop by day and spending his evenings singing and playing banjo and ukulele. In 1922, Bowlly joined Jimmy Clark's and Edgar Adeler's dance band organization and a year later went on tour with Adeler's band before joining the Jimmy Lequime Orchestra in India, firstly as banjoist and later as vocalist. It was in Germany, in 1927, that Bowlly made his first recordings and established his reputation as a singer.

Following an invitation to join Fred Elizalde's band at the Savoy Hotel as vocalist and guitarist, described as 'the most advanced group playing in Britain at the time', Al Bowlly arrived in London in July 1928. Bowlly toured and recorded with Elizalde's band, while adding to his rather meager income with freelance work. From late 1930, he became a regular vocalist with Ray Noble's New Mayfair Dance Orchestra, HMV's house band, and recorded more than 200 songs with the group by 1934, including 'Goodnight, Sweetheart' and 'The Very Thought of You', which helped him become increasingly recognized as a solo singer.

In January 1931, Bowlly met another bandleader, Roy Fox, Musical Director of the Decca Record Company. Over the next twenty months, Bowlly recorded more than 150 titles with Decca, and in spring 1931 became a member of Fox's new band, established at the Monseigneur Restaurant in the basement of 215-217 Piccadilly. With its popular house band, the Monseigneur soon became one of London's most fashionable attractions with shows broadcast on the BBC every Tuesday, and by the end of the year Bowlly had become one of Britain's top band singers. Known for his originality, Bowlly's good looks and charisma were admired by men and women alike.  Lew Stone's new Monseigneur Dance Orchestra, which replaced Fox's band, had a major influence on Bowlly's career, encouraging him to perfect his technique and relieving him of guitar playing duties so he could concentrate on his singing. Bowlly's first record with Stone, 'Nightfall'/'Rain, Rain Go Away' (October 1932), was the first in a series of over a hundred set down in 1932-38.  At the peak of his career in 1933 his signature tune was 'Some of These Days', though his rendition of 'Brother, Can You Spare a Dime?' became even more popular.

Between September 1934 and December 1936, Bowlly toured America with Ray Noble, and made a number of recordings, the best-known being 'My Melancholy Baby' (March 1935).  It was a busy time.  He was given his own NBC radio series, recorded (unused) footage for a film, The Big Broadcast of 1936 (1935), and met his idol, Bing Crosby.  Despite his popularity and high earnings, Bowlly was unhappy and disappointed; frustrated at his inability to strike out as a solo star and homesick for London.  During his stay in England,  Bowlly was struck by illness and he lost his voice, in August 1937 he left England to have a throat operation in New York.

By January 1938, Bowlly had returned to London with a renewed energy and made a number of recordings, including a series with Lew Stone which is seen to equal or even surpass those of 1932-34. In all, he recorded just over 600 78rpm records between 1927 and 1941. He also made broadcasts with Stone's band, continuing to do so until 1941, and in 1938-39 made a series of high-quality recordings with the bandleader Geraldo, including 'Never Break a Promise'.  However, times were changing - 'society' dance bands were becoming increasingly unfashionable and the outbreak of the Second World War meant there was less work around.

On the morning of 17 April 1941 - a night of very heavy bombing in London's West End - Bowlly was one of three residents of Dukes Court killed by the blast of a landmine which fell in nearby Jermyn Street and blew in the block's windows. He was found lying next to his bed, having refused to retreat to the building's shelter. Bowlly was buried in a communal grave at Westminster City Council cemetery, Hanwell.” Stu

More on Sam Neill - working on the Wilderpeople | Ande Schurr

"Every morning on Hunt for the Wilderpeople, my first job was wiring Sam Neill.

It’s an odd ritual, mic’ing someone up and being in their space before the day has properly started. Sam endured it in his stoic, calm way, and talking with him each morning became my grounding cue for the day ahead. 

That’s him in the middle of all of us on set. A genuine, quietly spoken star who mentored the newer actors and was charming to everyone around him.

I heard the news this week while travelling, and it’s sat with me since. 

The best people give so much to those around them without seeming to try. 

Sam was one of the very best. "

My favourite Sam Neill film ‘Hunt For The Wilderpeople’


Flagging Down The Double Es : Two Shadow Kingdom Cast Members Recall Filming in Secret with Bob Dylan | RAY PADGETT


King Orba back right with cigarette. Craig Stark center with hand raised. Photo via IMDB

Five years ago today, Bob Dylan released his performance film Shadow Kingdom. Last year, I spoke to one of the onscreen musicians (plus one of the offscreen guitarists who recorded the music). Today, I speak to two of the cast members who appear in the film audience—smoking, drinking, dancing, and generally helping give the film its noir-roadhouse vibe: King Orba and Craig Stark.


King Orba

King Orba is an actor and musician from Oklahoma City. His extensive filmography includes The Cleaner and Stargirl. His latest album is 2025’s Soft Wax. You can find him on Instagram.


Craig Stark

Craig Stark is an actor from Louisiana. His filmography includes the Quentin Tarantino films Django UnchainedThe Hateful Eight, and Once Upon a Time in Hollywood. Find him on Instagram.

Still via @zusapictures. Craig Stark in hat up front.

read on here . . . .

"Froggie went a ‘courting and he did ride Crambone!"

 


"Froggie went a ‘courting and he did ride
Crambone!"

wot?

Current 93 - Earthmovers Covers Earth | jt1674

This is what I mean . . . . Tripping Mantras does it again and finds someone I have never heard of and I like . . . . this is quite weird and ethereal meditive even . . . I like it!
https://www.tumblr.com/jt1674/822383693295435776/current-93-earth-covers-earth

Flagging Down The Double Es - Last Night in Boston | RAY PADGETT

Last Night in Boston

2026-07-16, Leader Bank Pavilion, Boston, MA

Video still via @monalisaliveshere

The Long Hot Summer Tour has been a strange one to follow remotely, full of whiplash shifts in vibe, fan excitement, and, notably, the band lineup.

Opening night led to initial disappointment, as the first reports indicated a much less exciting setlist than the previous two (Outlaw) summer openers. But by morning, the vibe had shifted. It turned out no one recognized the most surprising song he’s perhaps busted out ever: the forgotten-by-everyone-but-Bob Basement Tapes outtake “Baby Won’t You Be My Baby.” The addition of “You Ain’t Going Nowhere” and “I Shall Be Released” soon had fans proclaiming it Basement Tapes Summer.

Alas, two of the three Basement Tapes almost immediately got dropped, and the much-discussed guitarist drama ensued. Again, vibe whiplash. Longtime guitarist Doug Lancio leaves under murky circumstances. Bad vibes! But wait—here’s jazz whiz kid Julian Lage swooping in to save the day. Good vibes! Even-longer-time guitarist Bob Britt quits, clearly after more unpleasantness. Bad vibes! But now we can all get excited about Chicago guitarist Joel Paterson and (briefly?) Memphis player Jad Tariq. Good vibes!

But what are these shows actually like? I was anxious to see myself, and last night I finally did. And I am sorry to report I found myself a bit underwhelmed. The energy that had jolted the Rough and Rowdy Ways Tour back to life in the spring (which I wrote about here) had sapped. Tempos were slow, Bob was mumbly, and—despite the guitarists now playing electric again—it doesn’t rock anymore. I liked the wild ramshackle Outlaw energy in these outdoor summer venues, but last night lacked that. I wrote the word “sleepy” more than once in my notebook.

Subscribe to read on here . . . . .
Shoutout to Olivia for this sick Eras Tour-style friendship bracelet.

The Bats - Smoking Her Wings (1990) | GUESS I’M DUMB

 

image

The Bats Smoking Her Wings (1990)

The fantastically mournful final track on the Bats’ second LP. Barbara Manning also did a great cover. 

Without truth it don’t mean nothing
Without hope you won’t get f
ar

Out of Traction, back in action!

 







form a queue ladies