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Friday, November 06, 2026

Smells Like Teen Spirit: The 100 Greatest Grunge Songs | BUTTERBOY & K

 VA - Smells Like Teen Spirit: The 100 Greatest Grunge Songs of All Time (40th Anniversary 1985-2025 Super Deluxe Edition) (6CD) (2025)

I think I finally knew I was getting old when I missed out (clearly!) on GRUNGE!

I mean I ended up like several bands from there but at the time just felt out of kilter with what the ‘message’ was! Smells Like Teen Spirit I got and then misunderstood what on earth was going on when Curt Cobain left us, Pearl Jam I ended up like when the Neil Young connection fell but many bands I continue to struggle with

This is a K collection and shared here by Butterboy of course


VA - Smells Like Teen Spirit: The 100 Greatest Grunge Songs of All Time (40th Anniversary 1985-2025 Super Deluxe Edition) (6CD) (2025)

90s Seattle grunge was a pivotal alternative rock movement merging punk and heavy metal, defining Generation X with angst-ridden lyrics, distorted guitars, and flannel fashion. Emerging from the Sub Pop label, the "Big Four" bands: Nirvana, Pearl Jam, Soundgarden, and Alice in Chains achieved massive commercial success, turning Seattle into a global music epicenter.


They go on to say:

Key Elements of the 90s Seattle Scene:

• The "Big Four" & Key Bands: Nirvana (led by Kurt Cobain), Pearl Jam (Eddie Vedder), Soundgarden (Chris Cornell), and Alice in Chains (Layne Staley) dominated. Other influential bands included Mudhoney, Screaming Trees, Mother Love Bone, and Tad.

• Origins & Sound: Emerging in the late 1980s, the "Seattle Sound" was a hybrid of 1970s heavy metal (Black Sabbath) and punk rock (Hüsker Dü), often featuring sludgy, murky guitar riffs and anguished, heartfelt vocals.

• Cultural Impact: Grunge became the anthem for Generation X, embodying counter-culture values, anti-establishment attitudes, and a DIY (do-it-yourself) ethos, often influenced by the economic, working-class realities of the Pacific Northwest.

• Fashion & Lifestyle: Characterized by a "non-fashion" aesthetic, including thrift-store finds, flannel shirts, ripped jeans, and combat boots, which grew out of necessity and a rejection of the mainstream 1980s glamour.

• The Sub Pop Scene: The independent label Sub Pop was crucial in marketing the "Seattle sound" globally, with bands like Mudhoney and Nirvana building the foundation before mainstream breakthroughs like Nevermind in 1991.

• Iconic Locations: Key spots included the Crocodile Cafe, The Central Saloon, and the Moore Theatre, where bands like Alice in Chains and Nirvana played early, defining gigs.

• The Decline: By the mid-to-late 1990s, the scene began to decline, with many bands breaking up, evolving, or losing visibility following the death of Kurt Cobain in 1994.

The movement was not just a musical style but a cultural shift that briefly made Seattle the epicenter of American rock music.

There isn't one single "first" grunge song, but Green River's "Swallow My Pride" (1985) or their entire Come on Down EP are often cited as pivotal early releases defining the sound. The term "grunge" itself emerged later to describe this Seattle scene's sludgy, punk-infused rock.

Several factors contributed to grunge's decline in prominence. During the mid-to-late 1990s, many grunge bands broke up or became less visible. Nirvana's Kurt Cobain, labeled by Time as "the John Lennon of the swinging Northwest", struggled with an addiction to heroin before his suicide in 1994. Although most grunge bands had disbanded or faded from view by the late 1990s, they influenced modern rock music, as their lyrics brought socially conscious issues into pop culture and added introspection and an exploration of what it means to be true to oneself. Grunge was also an influence on later genres, such as post-grunge.

The word "grunge" is American slang for "someone or something that is repugnant" and also for "dirt". The word was first recorded as being applied to Seattle musicians in a Sub Pop mail order catalog from 1988, when Bruce Pavitt described Green River's Dry as a Bone EP as "Gritty vocals, roaring Marshall amps. Ultra-loose GRUNGE that destroyed the morals of a generation". Although the word "grunge" has been used to describe bands since the 1960s, this was the first association of grunge with the grinding, sludgy sound of Seattle. It is expensive and time-consuming to get a recording to sound clean, so for those northwestern bands just starting out it was cheaper for them to leave the sound dirty and just turn up their volume. This dirty sound, due to low budgets, unfamiliarity with recording, and a lack of professionalism may be the origin of the term "grunge".

The "Seattle scene" refers to a regional Pacific Northwest alternative music movement that was linked to the University of Washington in Seattle, and the Evergreen State College in Olympia. Evergreen is a progressive college which does not use a conventional grading system and has its own radio station, KAOS. The music of these bands, many of which had recorded with Seattle's independent record label Sub Pop, became labeled as "grunge". Nirvana's frontman Kurt Cobain, in one of his final interviews, credited Jonathan Poneman, cofounder of Sub Pop, with coining the term "grunge" to describe the music.

 

look up the link and find the tracklisting here

100 Greatest Grunge - Butterboy and K


PEARL JAM and NEIL YOUNG "Rockin' In The Free World" live at MTV 1993

Nirvana - Smells Like Teen Spirit (Live At The Paramount, Seattle / 1991)
Posted by Andy Swapp at 3:39 pm No comments:
Labels: Butterboy, K (from BUTTERBOY), Smells Like Teen Spirit: The 100 Greatest Grunge Songs

Flagging Down the Double E’s : Listening Guide to Dylan's Rolling Thunder 1976 Box Set

 A Show-By-Show Listening Guide to Bob Dylan's Massive Rolling Thunder 1976 Box Set

I listened to all 39 discs and pulled out the highlights

RAY PADGETT
NOV 6

Today, Bob Dylan releases the biggest box set of his career, the whopping 39-disc The Rolling Thunder Revue: The 1976 Live Recordings (it tops the 36-disc 1966 box set for the honors). That’s a lot of music to get through. I’m here to help.

Just as I did for the 1974 box set two years ago (a measly 27 discs), I have put together a detailed guide to every single tape of every single show. I’ve had the set for months now, and have listened to every single song on every single CD. It’s a lot to wade through, but joyful wading indeed. It turns out, “Idiot Wind” doesn’t get old even on your 17th time through.

Note that this listening guide is different than the Rolling Thunder ’76 Day-By-Day zine I recently published (copies still available!). That tells the stories behind the shows: Offstage shenanigans (an alligator cookout in the bayou! pissing off Tom Waits! subpoenaing Willie Nelson!), contemporary newspaper reports, interviews with band and crew members, etc. Today’s guide focuses exclusively on the music you will hear on these tapes

 

read on here . . . .


Posted by Andy Swapp at 3:39 pm No comments:
Labels: Flaggin Down the Double Es: Ray Padgett, Flagging Down the Double E’s : Listening Guide to Dylan's Rolling Thunder 1976 Box Set

Emily Barker (feat. Frank Turner) - Going Home

 the algorithms popped this fine song by Emily Barker with Frank Turner into view . . .any excuse to revisit our Em!

Emily Barker ft. Frank Turner - Bound For Home (live)

Em said on her YouTube page
Filmed as part of the Barker-Turner Overdrive livestream show in March 2021 Emily Barker - guitar and vocals Frank Turner - guitar and vocals Lukas Drinkwater - bass The Carducci Strings (arranged by Joe Duddell) The single 'Bound For Home' (written by Emily Barker and Frank Turner) is available here: https://smarturl.it/eb-bound ========================================= The new album "A Dark Murmuration of Words" is out and is highly recommended - https://smarturl.it/eb-words ========================================= Stay in touch: Sign up to my newsletter: https://smarturl.it/eb-Newsletter https://emilybarker.com   / emilybarkerhalo  
Posted by Andy Swapp at 2:55 pm No comments:
Labels: Emily Barker (feat. Frank Turner) - Going Home

Art of The Day : King of Detail - JAN VAN EYCK

Visitors will know I am inextricably modern in my art knowledge and interest and the old masters so called appealed less with certain exceptions (Leonardo, Gentileschi, Carravagio, Rembrandt, Brueghel and Bosch to name but a few) but this made me sit up and caught my eye for master of the detail Van Eyck undoubtedly was. It was only like the poster visit to Belgium and here my own visit to the Rijksmuseum in Amsterdam seeing certain “Dutch” masters for real made me more aware


Hidden Stories in Art

Posted by Andy Swapp at 2:55 pm No comments:
Labels: Artist of the Day

Skylar Grey - Stand By Me (Official)

Skylar Grey

Skylar Grey - Stand By Me (Official)


more new voices and wasn’t too sure about this one but she is competent for sure awful easy on the eye but heck she CAN really sing . . . . 
Posted by Andy Swapp at 2:55 pm No comments:
Labels: Skylar Grey - Stand By Me

New Voices, new Tunes . . . .Ana Carolina - Se Essa Rua Fosse Minha

 New voices don’t have to sing in English hey?

Ana Carolina -- Se Essa Rua Fosse Minha (Laboratório do Som, 2016)


Posted by Andy Swapp at 2:54 pm No comments:
Labels: Ana Carolina - Se Essa Rua Fosse Minha, new Tunes, New Voices

ADVERT BREAK: LEONARD COHEN The Official10th Anniversary Concert ‘EVERYBODY KNOWS' by Adam Cohen

 



EUROPEAN DATES

Fri 29 Jan – Dublin (IE), 3Arena

Mon 1 Feb – London (UK), The London Palladium

Tue 2 Feb – Manchester (UK) – The Bridgewater Hall

Fri 5 Feb – Amsterdam (NL) – Royal Theatre Carre

Sat 6 Feb – Paris (FR) – Salle Pleyel

Sun 7 Feb – Antwerp (BE) – Queen Elisabeth Hall

Tue 9 Feb – Berlin (DE) – Tempodrom

Thu 11 Feb – Copenhagen (DK) – Falkonersalen

Sat 13 Feb – Stockholm (SE) – Filadelfia Convention Center

Mon 15 Feb – Warsaw (PL) – COS Torwar



TICKETS AVAILABLE HERE


Ten years on, Leonard Cohen’s songs are returning to the stage in “Everybody Knows.” Sung by his son Adam Cohen, “Everybody Knows” is the first official, family-produced tribute tour since the 2017 memorial celebration at Montreal’s Bell Centre, where Lana Del Rey, Feist, Damien Rice, Courtney Love and The Lumineers gathered to honour him.


Conceived and led by his son, Adam Cohen, Everybody Knows celebrates the legacy of one of the greatest songwriters of our time through performances of his most iconic songs, accompanied by a carefully curated selection of archival photographs and film footage.


Following the Canadian dates, the tour continues across Europe in early 2027. The ten-show run will start in Dublin on Friday January 29, before making its way through Europe with stops in London, Amsterdam, Paris and more.


The show’s visual design has been created by Montreal-based multimedia studio Moment Factory, internationally renowned for its immersive live productions for artists including Billie Eilish, Olivia Rodrigo and Madonna.


Tickets go on sale Friday November 6, 10am local. All tickets available here.

Posted by Andy Swapp at 12:36 pm No comments:
Labels: Adam Cohen, advert break, Leonard Cohen, LEONARD COHEN The Official10th Anniversary Concert ‘EVERYBODY KNOWS' by Adam Cohen

Charli XCX & JOHN CALE - HOUSE!

https://www.tumblr.com/d-j/832392847370174464/the-uninimitable-john-cale-of-the-velvet

 





Charli xcx - House featuring John Cale (Official Video)
Posted by Andy Swapp at 12:36 pm No comments:
Labels: Charli xcx - House featuring John Cale

MEUTE - Molecular (from the forthcoming album KOSMOS)

 FRIDAY!

You dancin’?
“You askin’?”
I’m askin’!
“I’m DANCIN’!”


MEUTE - Molecular


Raving spontaneously on the streets of Perpignan with our new single 'Molecular' from our upcoming album KOSMOS 🪐
To the KOSMOS LIVE tour dates: https://www.meute.eu/live Pre-order KOSMOS now: https://www.meute.eu/

MEUTE

Posted by Andy Swapp at 12:22 pm No comments:

REGGAE HIT THE TOWN - THE ETHIOPIANS | sonicandvisualsurprises

 Reggae Hit The Town 

The Ethiopiansimage

REGGAE HIT THE TOWN - THE ETHIOPIANS

image

1968

A whole lot of early reggae goodness

A great rhythm, memorable vocals and that unmistakable Jamaican flavour.

The Ethiopians make it all sound wonderfully effortless.



  •  
    sonicandvisualsurprises
    Posted by Andy Swapp at 11:50 am No comments:
    Labels: REGGAE HIT THE TOWN - THE ETHIOPIANS, sonicandvisualsurprises
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    About Me

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    Andy Swapp
    These pages are where since 2006 I come to largely share some musical references to the blogosphere (other music bloggers). I search a large number of sources daily for ROIOs and what we used to call bootlegs, (not official albums faked by charlatans to sell but live recording and concerts that would not be published anywhere else) and I post links to an eclectic bunch of musicians so that I hope it has broad appeal. I do NOT feature sites that charge money for any of this and if these change ever please let me know and I will delete them. It is not my intention to do anything other than share links to sites featuring ROIOs and I do not house any files myself here, This is my idea of musical fun and to relieve the stresses of daily life I also share links to articles, pictures, art or photography as was my background and training and first degree (Fine Art). Those that I have enjoyed or mean something to me and interspersed with occasional general ramblings on the world around me!
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    • UPDATED: Check my review/photos of The Magic Band at Oxford's Zodiac
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    Portrait of this blogs author by Stephen Blackman 2008

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