I Can See You - by Paddy Summerfield c. 1986

Thursday, September 17, 2026

Robyn Hitchcock: 6 Albums 1981 - 2017 | Urbanaspirines

 Robyn Hitchcock: 6 Albums 1981 - 2017

[Black Snake Diamond Moan, Gotta Let This Hen Out! , Element of Light, Jewels for Sophia, Propellor Time, Robyn Hitchcock 2017 ]

Kostas is off on his holibobs so he has left us this collection of Robyn Hitchcock!
We love Robyn don’t we? So this is timely and bound sure to be FUN!

Kostas says:

"Robyn Hitchcock is a rock ’n’ roll surrealist. Born in London in 1953, he describes his songs as “paintings you can listen to”. As much a child of Dalí, de Chirico and J. G. Ballard as of his 1960s musical heroes, he is a master of the absurd, reveling in the beauty of the unexpected. His first band, the Soft Boys (1976–81), has remained an influential art-rock touchstone for generations of musicians. Hitchcock has floated at a tangent to the mainstream for five decades, and his songs have been performed by R.E.M., the Replacements, Uncle Tupelo, Vic Chesnutt, Sparklehorse and Suzanne Vega with the Grateful Dead, among others. He came of age in the 1960s while he attended Winchester College, an eccentric hothouse boarding school in the south of England. Hitchcock lives in Nashville with his wife Emma Swift and their two cats, Ringo and Tubby.

Robyn Hitchcock is one of England's most enduring and prolific singer/songwriters. Heavily influenced by Syd Barrett, John Lennon, and Bob Dylan, Hitchcock first made his name as a member of the Soft Boys, who pioneered a fusion of punk and psychedelia on 1980's Underwater Moonlight. He stepped out as a solo artist with 1981's Black Snake Diamond Role, introduced his backing band the Egyptians on 1985's Fegmania!, and made his major-label debut on 1988's Globe of Frogs. Hitchcock delivered a steady stream of fine albums through the 1990s, 2000s, and 2010s, including 1998's Storefront Hitchcock, 2006's Olé! Tarantula, and 2010's Propellor Time, while 2017's Robyn Hitchcock, 2022's Shufflemania, and 2026's The Confuser saw him delivering strong, stylish work in his sixth decade as a recording artist.  "

 

read on here . . . . .

Crowded House - 1987-09-17 - Mansfield MA (SBD) | so many roads (to ease my soul)

 Crowded House - 1987-09-17 - Mansfield MA (SBD)

Crowded House

1987-09-17
Great Woods Performing Arts Center
Mansfield, MA. 
Soundboard Recording
01. Recurring Dream
02. That's What I Call Love
03. World Where You Live
04. Never Be The Same
05. Hole In The River
06. Love You 'Till The Day I Die
07. Don't Dream It's Over
08. Tombstone
09. When You Come (missing very end)
10. This Is Massive
11. Something So Strong
12. Now We're Getting Somewhere
13. Walking On The Spot
14. Throw Your Arms Around Me*
15. Mean To Me
16. Better Be Home Soon

*with Paul Kelly & The Messengers
Speedy says:
1987: In August 1986, Crowded House released their self titled debut album, which garnered only limited attention initially. In December 1986, however, the 4th single from the album, Don't Dream It's Over, became a huge hit, climbing to #2 on the Billboard charts and carrying the album up to #12. The follow up single, Something So Strong, also became a top 10 hit in the US, reaching #7 on the Billboard charts. This soundboard recording captures the band on tour in support of that first album, in Mansfield, on September 17, 1987, 39 years ago today.

Crowded House on The Joan Rivers Show - 1st Appearance, 1987
A&R on Joan's show was working wonders and the boys perform "Don't Dream It's Over" and "Something So Strong" (and the director cuts off their last note!)  

Blondie - Look Good In Blue | jt1674

 

https://www.tumblr.com/jt1674/827999787259478016/blondie-look-good-in-blue

10,000 Maniacs - My Mother The War [Secrets of the I Ching] | jt1674

https://www.tumblr.com/jt1674/827927170817081344/10000-maniacs-my-mother-the-war

ADVERT BREAK : Bob Dylan : ROLLING THUNDER REVIEWED the 1976 Live Recordings | sheesh Bobby 39 CDs of ‘em!?

 

Dangerous Minds : Will Howard profiles ‘Outsider’ Artist (so called) musician Daniel Johnston

 MUSIC

The complicated truth of Daniel Johnston

A complicated legacy.


The complicated truth of Daniel Johnston

Credit: Dangerous Minds / Josh Head / Christian Kadluba




"The story of Daniel Johnston, arguably the patron saint of outsider music, shouldn’t make me this uncomfortable. 

It should be inspiring. An immensely talented musician who, despite his demons and severe problems with his mental health, managed to become an inspiration to millions through his (ugh) “child-like”, “innocent” and “pure” music. He’s hailed as the ultimate outsider. A genuine auteur who supposedly shows that music really is a safe space for everyone, regardless of what you’re going through. That everyone’s perspective is valuable and should be cherished.

Speaking as someone who’s struggled with their mental health their entire life, I should look up to Daniel Johnston. I should feel hope when people rhapsodise over his music. I should feel that people accept people like me, despite the fact that my mental health problems are nowhere near as severe as the ones that Johnston faced. Dear reader, I don’t. I never have. At best, I feel patronised. Something I may have given away earlier in the article.

At worst, the whole thing makes me feel sick to my stomach. My issue speaks to a broader disgust I have with the idea that neurodivergence and mental health issues are “super-powers” or merely “unique ways of seeing the world”. Nah, sorry. Some of us may be lucky enough to mask what we go through, but to most, they’re disabilities that we need help with. You might think you’re being kind when you talk like that, but you’re not. In fact, quite the opposite.

The story of Daniel Johnston is a perfect example of this. His music and his mental health go hand in hand in the eyes of the public. With people attributing his songwriting ability and musicianship to his mental state, and not the fact that he was a phenomenally talented man who basically never stopped writing songs. I use the word “man” there on purpose as well. His mental state often saw people reduce him to nothing more than a child, which Johnson himself famously hated.

I’m not the only person to spot this either. Even a friend of Johnston, Gretchen Phillips, told the music historian Irwin Chusid, “I wonder if people go see him hoping to witness a nervous breakdown. Do they perceive him as their equal, or as someone they need to coax along and feel safe? As much as the audience may genuinely love his songs, I sense a lot of condescension. That’s always bugged me.” Not only does this attitude mean that his achievements as a songwriter get overlooked, but also his flaws, too.

His mental health problems were so severe that they made it basically impossible for him to live independently. I hate the fact that the manic, schizophrenic episodes he endured (often brought on by his near-constant habit of throwing away his medication), are treated as kooky stories and not the signs that the attention he was getting for his music was having a profoundly negative impact on his mental state. People focus on the fact that he had a psychotic episode on a plane and became convinced he was Casper the Friendly Ghost, and not the fact that he then nearly killed himself and his father by crashing the plane.

The life of Johnston is filled with episodes like this, where he loses control and threatens the lives of those close to him. Which is to say nothing of the way that his manic episodes made him literally stalk the woman that inspired the majority of his music for years. I can’t stress enough that his experiences aren’t close to mine, but they’re not a million miles away from those of people that I’ve known and loved. Those people I know don’t get the help they need because people hate and fear the mentally ill.

The love that Daniel Johnston inspires with his music might seem to stand in opposition to that, but instead, it’s simply the other, more insidious side of the coin. He still didn’t get the help he needed, but out of a misguided sense that his demons were the reason his music was so good, and not an impenetrable barrier to his talents.

Daniel Johnston was a great musician despite his mental health, not because of it. Who knows what could have happened had he got the help he needed."


Daniel Johnston - True Love Will Find You in the End

Joel Meyerowitz - This Cultural Life [BBC Radio 4]

This Cultural Life - Joel Meyerowitz BBC Radio 4

This was on this morning and as a profile interview with an American Master Photographer hero I was pleased to note his direct influences from master Robert Frank (The America) and the Bit master of the decisive moment and social portrait Tony Ray Jones - interesting to note both influences of my old friend friend local phosphor artist Paddy Summerfield who introduced me to the work of both back in the seventies. Meyerwirz was/is master of colour work when colour was thought beneath the ‘arty’ B & W! He stuck to his guns and is a master of light and colour without equal

Radio 4,17 Sep 2026,43 mins

Joel Meyerowitz

This Cultural Life

Available for over a year

American photographer Joel Meyerowitz talks to John Wilson about his cultural influences and formative experiences. A pioneer of the artform, he first began capturing life on the streets of his native New York in the early 1960s, and helped to establish colour photography as a fine-art medium. After travelling throughout Europe he made his name with a groundbreaking show at the Museum of Modern Art in 1968. Following the attacks on the World Trade Centre in 2001, Joel Meyerowitz became the only photographer to secure access to Ground Zero and, over several months, captured the scenes of devastation. His work has been the subject of more than 350 exhibitions in museums and galleries around the world, and he is the recipient of many awards, most recently the prestigious Outstanding Contribution prize at the Sony World Photography Awards 2026. Producer: Edwina Pitman

Programme Website

Joel Meyerowitz

Nat Myers - New Bandcamp releases 2nd Daddy & Young Mind, Old Soul

Nat checks in . . . .  
"Howdy y’all. I wanted to give an update bout my fight. Last week my scans gave me some bad luck news. I’m going off chemo and begin 15 treatments of radiation next week. Sarcoma is like kudzu, unrelenting & good at creeping in. You can’t be caught lackin. For a second i’s spiralin back to when I first got laid low. Wonderin again if I’m rehearsin my last days. But even though life can be a cool deck of cards, I still say you gotta play the hand. With cancer, and most of life, you ask for a lot, and take what you can get. I said when I first got sick that I live by my own terms. Sometimes I find it a difficult realization that while I’m fightin for every atom of me, others want to leave this barnburning world. But I get it. Just last week I been there. My loved ones have had to hide my pistol, too, friends. At one point I couldn’t tell myself from my own shadow. I too have woke up lost in the evening of my future, unable to tell the difference between a sunset and a sunrise. But today, I woke up rememberin death ain’t took me this time, he just winked at me again. All I know is I ain’t gon nowhere. I’ma keep course, and keeping fighting like hell. If the other shoe is bound to fall, it’ll get to fallin. This is a setback, not a throwback. This ain’t going backward, this is falling forward. If you like me, out the torrents of summer a cool autumn breeze can carry you thru months of bad rain.
I get asked all the time what y’all can do for me. Well, stream and listen to my music, buy a record, anyway you feel is worth throwing some pennies in the tip jar, tell your folks bout what I’m facing, and seize your day. My brother Jason Momoa said it best: I’ll take all the love I can get right now."


Young Mind, Old Soul snippet here go buy you knows ya wanna!



 2nd Daddy & Young Mind Old Soul Cover Art

Greetings swappers, 
Nat Myers just released 2nd Daddy & Young Mind Old Soul
check it out here

“Two hot takes, hot off the skillet” 

bandcamp logo

Keef on the Blues - Don’s Tunes

 May be an image of text that says "" I recognize power when I see it. And there's something incredibly powerful about the blues-the raw blues. But then, there isn't a piece of popular music probably that you've heard that hasn't in some weird way been influenced by the blues. Keith Richards"



SANTANA - Paris, L'Olympia 25 April 1971 | VOODOO WAGON

 Santana - Paris, L'Olympia 25 April 1971


SANTANA - Paris, L'Olympia
25 April 1971 

A SILENT WAY 
RE-UP

Format: MP3@320 Ripped from flacs
Source: Soundboard
Quality: 10/10


Santana live - 'Escaping From Destruction'

Track list:
01.Jungle Strut (fades in) (3:18)
02.Taboo (5:03)
03.Toussaint L'Overture / (6:43)
04.Evil Ways (4:33)
05.Soul Sacrifice (13:58)
06.Samba Pa Ti (4:05)
07.Black Magic Woman / Gypsy Queen (6:16)
08.Oye Como Va (4:14)
09.Jingo / Percussions solo / Jingo (reprise) (8:58)



TT: 56:58

The Band:
Carlos Santana - guitars, vocals, percussions
Coke Escovedo - percussions
David Brown - bass
Michael Carabello - percussions
Jose "Chepito" Areas - percussions
Neal Schon - guitars
Gregg Rolie - keyboards, vocals
Michael Shrieve - drums
Santana - Jungle Strut Europe 1971