The Kids Are Alright... In May 1966, Bob Dylan was in Liverpool, during his world tour, performing his incendiary electric guitar set at the city’s Odeon Theatre. On Saturday 14 May 1966 with some time to kill before the performance, he was exploring the streets with Barry Feinstein, the official photographer on the European leg of the tour. Dylan, as lean as a string bean, and resplendent in corduroy jacket and diamond patterned shirt, looked every inch the pied piper. So when Bob and Barry came across a bunch of kids playing on the street, it made complete sense to get a picture. The resulting photograph of Bob on the steps with the children is an enduring classic, and one of Barry’s most important and best loved photographs.
“It reflects the enthusiasm of our members and our shared commitment to uncovering and sharing Liverpool’s remarkable history.”
To mark the occasion, the Society will host a special anniversary event, “Do Look Back!”, on 16 June 2026 at the Adelphi Hotel. The event will celebrate both the Society’s history and key moments from 1966, exploring Liverpool’s cultural, sporting, and media heritage.
Highlights include talks on Bob Dylan’s 1966 Liverpool visit, Everton’s FA Cup victory and
World Cup connections, the pioneering female band The Liverbirds, and Liverpool’s
presence on 1960s television. Speakers include historians, writers, broadcasters, and special guests with first-hand connections to the period.
Gary Notes: "The unison instrumental intro here with the Magic Band utilizing Don’s Exploding Note Theory was retro-fitted as the musical bed of “Golden Birdies”, which appeared two albums as the last track on “Clear Spot”.
Captain Beefheart - The Clouds Are Full of Wine (not Whiskey or Rye)
Track #14 from the album Lick My Decals Off Baby (1970)
just a really interesting note about the composition of Golden Birdies and The Clouds Are Full of Wine (not Whiskey or Rye)
So not entirely sure why but TWILIGHTZONE has posted an entire blast of OGWT special from Pete Roberts . . . . . and nothing wrong with that - over an hour of music check it out
Pete says : Featuring Freddie King to ZZ Top.. with Little Feat, John Martyn, New York Dolls, Ozark Mountain Daredevils, Tom Petty and The Heartbreakers, Queen , R.E.M. , Steely Dan, Talking Heads, UFO, Suzanne Vega , Johnny Winter, XTC, John Otway, ZZ Top .
The remainder of my alphabetic post of OGWT . My 'Y' post of Neil Young singing Old Man got blocked .. Apologies from another old man . I replaced it with a performance from John Otway and Wild Willy Barrett ..at request.(sic!) No copyright infringement intended.. All shared from You Tube with very many thanks.. Ps My You Tube channel is not monetized.. and never will be.
Somebody posted this on Tumblr and I thought it worth posting again here . . . .two reasons; it moved me and it features a hero, the much missed Alan Rickman
He came into the world in Warsaw in 1935 as Robert Andrzej Krauthammer, the son of a Jewish family. He showed musical ability from early childhood, taught piano by his mother from the age of four.
In 1940 the Nazis arrived, and the family were moved into the Warsaw Ghetto. In 1942, when he was seven years old, he was smuggled out. The people who got him out gave him a new identity on forged papers. The papers said his name was Andrzej Czajkowski.
He was sent into hiding with his grandmother. They stayed hidden until 1944, when the Warsaw Uprising swept them up and deposited them in a transit camp, from which they were eventually released.
Robert Krauthammer did not survive the war. Andrzej Czajkowski did.
He went on to study piano, first in Lodz, then Paris, then Warsaw. He won prizes.
He was obsessed with Shakespeare. When he died of colon cancer in Oxford in 1982 at the age of 46, he left his body to medical research and his skull to the Royal Shakespeare Company, requesting in his will that it be offered for use in theatrical performance.
He never got to see it happen.
The RSC received the skull, dried it on a rooftop for two years, and then placed it in a tissue-lined box in the props department, where it stayed for 26 years. Directors took it out for rehearsals and then put it back. It was too much, they said. Too distracting.
Too real.
In 2008, director Gregory Doran retrieved it for his production of Hamlet starring David Tennant. For months, eight times a week, Tennant stood on stage at the Courtyard Theatre in Stratford-upon-Avon and held the skull aloft during the gravedigger scene. Audiences had no idea whose skull it was.
The image became one of the most reproduced photographs of the production. It ended up on a British postage stamp.
The skull belongs to a boy who was handed a false identity in a ghetto in 1942 and kept it for the rest of his life and beyond it. Robert Krauthammer wanted to survive.
[despite what fans of photojournalist Martin Parr who passed away this past year may say)
Steele-Perkins had a more gentle and affectionate feel for his subjects not unlike someone who prolly introduced me to Chris’ work, contemporary photographer ‘Photieman’ and fellow alum from what was Leicester Polytechnic Fine Art Dept, my old friend artist/photographer Tom Wood
This is Lady Pink, one of the only female graffiti artists active in the ’80s. Jenny Holzer, famous for her feminist postmodern “Truisms,” designed this shirt and Lady Pink wore it around NYC