portrait of this blog's author - by Stephen Blackman 2008

Monday, April 29, 2024

Albums That Should Exist | Donovan Live in New York 1976 | resolving download issues notes!

 

Donovan - The Bottom Line, New York City, 4-10-1976

Paul says : "This is one of my favorite Donovan concert recordings, if not the favorite. It's unreleased, but the sound quality is excellent, due to the fact that it was professionally recorded for live broadcast on the radio at the time. It's a solo acoustic concert, which allows one to hear many of his songs in a different way. And it came at an interesting point in his career, resulting in some lessen known but still very good songs to get played.

Donovan is very closely associated with the 1960s. As a cultural phenomenon, the 60's actually started a few years into the 1960s, maybe around 1963 or 1964, and ended a few years into the 1970s. By 1976, Donovan's hippie image seemed increasingly out of step with cultural trends at the time. Then 1977 came along, with punk and disco, and his popular declined even more. So 1976 was the tail end of his most popular and creative era. For instance, note the archival retrospective album for him, "Troubadour," deals with that whole period, 1964 to 1976. After 1976, Donovan found it hard to even get record contracts to make new albums. But he was still going pretty strong up through 1976. I think a lot of his 1970s output is underappreciated.

So this turns out to be a really good time for a concert recording. He was still writing and performing excellent new songs, such as "Dark Eyed Blue Jean Angel," while also doing his older hits.

There were a few problems with the bootleg recording though. One of them was that the DJ for the radio station broadcasting the concert often cut in for station identification between songs. With some audio editing, I was able to remove all of that DJ talk while still keeping the appropriate amount of cheering after each song. The songs with "[Edit]" in their names are all cases where I had to make significant edits to get rid of the DJ chatter. Also, on a few songs, but only a few, the lead vocals were low in the mix. So I used the UVR5 audio editing program to fix that.

After those changes, this is a really top notch recording. If you're a Donovan fan at all, you should give it a listen."

This album is an hour and 16 minutes long.


01 Sunshine Superman
02 There Is a Mountain
03 talk
04 Dark Eyed Blue Jean Angel [Edit]
05 talk
06 Laughing River
07 talk 
08 Take Your Time
09 talk 
10 Friends 
11 Woman's Work [Edit] 
12 talk
13 Catch the Wind 
14 talk 
15 My My They Sigh
16 Season of the Witch [Edit]
17 Black Widow [Edit] 
18 Happiness Runs 
19 talk
20 Lalena [Edit]
21 talk
22 Atlantis
23 I Love My Shirt 
24 Mellow Yellow 
25 Saturday Night
26 Hurdy Gurdy Man 


Now regular and old friend & blogging pal Sealy dropped by and reminded me that I had been meaning to address a workaround for those of us trying to download from ATSE as I had been struggling and he asked for any tips!

All I can say applies to Mac users I guess but if you have any difficulty and keep getting sent to other pages that you don’t want and it doesn’t download try this workaround

1. Copy the address for the volume you want but stopping at the zip. That is not featuring the html bit of the link.

2. when arrived at the UploadEE page click on the download button 

https://www.upload.ee

3. if ( I say IF- it always has done this for yours truly but) if the clicking of the button leads to the opening of another page, click it off and try again

4. Now it usually does the same thing again but just persevere and click off the unwelcome page again and click the download button a third time and it SHOULD start downloading immediately (it has only once down this a fourth time but again persistence is key)

I have tried to contact Paul at ATSE to discuss this and even having mentioned it before wondered if anyone else was having similar problems but his page does not accept my enquiry and I cannot ‘comment’ or contact him. 

A final note is that I use Safari by preference but have Firefox and others too and Opera is my last port of call if all else fails for browser applications I would recommend trying others 


The Doors with Scott Weiland - Break On Through (LIVE) The Year Grunge Broke!

 Well Ray n John n Robbie (obvs - ED 🙄)


I have never been entirely happy with others singing the Jim Morrison parts but Scott here is highly listenable and does a great job . . . . looks like th guys had fun . . . . . . . 

The Doors with Scott Weiland 
Break On Through 
VH1 Storytellers - 2000

Kate Pierson (B52s) birthday this week (76th!)

 

Pictured: Pierson captured by Lynn Goldsmith in the early 1980s.

”Later we [Culture Club] played with them a few times and they had the most unique, hypnotic sound. It’s trashy Americana, John Waters, Divine, the Shangri-La’s, high camp and bubblegum punk. The beat is everything. Fred always reminded me of Dr Zachary Smith from Lost in Space. I never thought about whether the B-52’s had a gay angle. They were just against rules in general – taking classic American kitsch and giving it a punk, space-age irreverence, like a beautiful car crash with pop surrealism. They were very camp but very funky: always on it, melodic but effortlessly free. It’s the sort of pop music that I want to hear.”  

/ Boy George reflecting on the B-52’s in The Guardian /


Born on this week: happy 76th birthday to the sublime Kate Pierson (née Catherine Elizabeth Pierson, 27 April 1948) - singer, multi-instrumentalist, bouffant wig enthusiast and one of the founding members of Athens, Georgia’s essential post-punk party band the B-52’s! For me, Pierson’s spine-tingling dissonant science fiction anti-harmonies with co-vocalist Cindy Wilson are one of the defining sounds of American New Wave music. 



Unknown photographer, polygonal stone and upright triangular stone, Cornwall, 3000 to 2001 BC

 




Large perforated stones standing upright; left one locally known as “Menetol”, polygonal in form, pierced by circular hole sculpted through center; right one known as “Tolven”, similarly pierced; b) drawing showing outlines of stones and perforations at “centers.Giedion observes that the perforations appear to have been shaped by sculpting from both sides as in countersinking so that the center of the hole is also the center of the stone. He writes that these megaliths are believed to have possessed magic properties of healing and rebirth. As ritual objects it is thought that they may have been early sacrificial stones or altars. According to Neumann, the feminine symbol of the dolmen and gate is always connected with rebirth through the woman’s womb, thus the act of passing through signifies a journey to renewal. Giedion states that within memory Menetol has been used for curing infirm children by passing them through the aperture and for healing lame people by lifting them sunward through Menetol’s ring. According to Levy the anointing and circumambulation of monolithic stones has been practiced until recent times. this leads to the belief that they were endowed with sacred meaning from earliest times, when the setting up of a stone for the habitation of a spirit, as a place kept sacred to him, to which be could be summoned by rites, was practiced. Layard Cn writes that the rough-worked stone, or the stone "cut out without hands” of Nebuchadnezzar’s dream, carries with it the meaning of the immanence of the spirit which fills the whole earth like a great mountain. Stones carry within them the spirit of the living men who erect them and their contact with the earth kept them within holy ground. [- - Levy.]

A long time fan of Julian Cope’s two volumes on the Standing Stones of Britain and Europe this caught my eye . . . down in Cornwall . . . . 



Sound of The Day | The Beatles - Roll Over Beethoven - VARA TV (The Netherlands, 1964) / One After 909 (rooftop edit)

 George sings . . . . . . ROLL OVER BEETHOVEN!


Love this and live it may not be but the vocals appear tp be miked and why plug the guitars in if it was backing track? Just me . . . . nitpicking!
Note the absence of Ringo . . . .
BeatleAlex notes
NOTE: This isn't actually live. The group mimmed over the original tracks. Their mics were on, so you do hear their live vocals. This was also the time when Ringo was being hospitalized for his tonsillitis, so he was out, and they had to get a fill-in drummer, which was Jimmy Nichol


Note from me to the younger audience the lovely and lively Dutch audience are doing the ’TWIST' . . . . it was a dance! Ask your grandparents !!


Meanwhile some time later back in Pepperland . . . . . 


what bus did she say she was on?

START THE WEEK! MORNING ALL! Dion & The Belmonts - I Wonder Why (1958) |1950s Music [Facebook]





Dion & The Belmonts - I Wonder Why (1958)

"I Wonder Why" by Dion & The Belmonts stands out as a defining track of the 1950s, capturing the essence of the doo-wop era with its infectious rhythm and harmonious vocals. The song's distinctive bass intro sets the stage for Dion's smooth lead vocals, which, combined with The Belmonts' impeccable harmony, create a resonant soundscape emblematic of doo-wop.
The lyrics, centered around the perplexities of young love, are encapsulated in the recurring line "I wonder why," reflecting the ponderings of a smitten heart. The song's catchy "dum-dum-dum-dumdy-doo-wah" chorus epitomizes doo-wop and lingers in the listener's mind.
Written by Melvin Anderson and Ricardo Weeks, "I Wonder Why" became Dion & The Belmonts' first single in 1958, showcasing their signature sound. The song climbed to number 22 on the Billboard Hot 100, marking their debut on the national pop chart and signaling their potential in the music industry.
The song's appeal extended beyond its chart success, resonating with the youth of the time and finding a place in popular culture. It featured in films like "A Bronx Tale" and "Christine," and in the TV series "The Sopranos," introducing it to new audiences and reaffirming its timeless appeal.
Cover versions like Showaddywaddy's 1978 rendition, which reached number 2 in the UK, and Australian band Ol' 55's cover on their album "Take It Greasy," demonstrate the song's wide appeal and adaptability.
"I Wonder Why" is more than a song; it's a testament to Dion & The Belmonts' talent and impact on American music. It remains a classic, celebrating the golden era of doo-wop and the universal themes of teenage love and wonder.


 

1950s MUSIC

Sunday, April 28, 2024

Sounds of The Day | JOHN MARTYN - Sunshine's Better (Talvin Singh Remix)

 From John Martyn 'May You Never' - The Very Best Of John Martyn

℗ 1996 Go Beat Ltd.


speaking of Martyn which we were and to make up for the link at AD being pay-per-view now . . .there is this . . . how incredibly beautiful a track is this?!

PETER & GORDON : ‘WORLD WITHOUT LOVE’ (Paul McCartney)

 BEATLES Writing  . . . . . . . from April 25 1965

Peter And Gordon reach #1 on the UK Pop chart with "A World without Love", a song given to them by Paul McCartney because he didn't think it was good enough for The Beatles to record. The song would also top the Cashbox Best Sellers list and the Billboard Hot 100 in June.

this is fun . . . . . . .clever too! Peter n Gordon? Meh? Peter was of course Peter Asher (Jane’;s older brother) and went on to be a serious producer of bands in his own write . . . . . . . (right?!) someone should write a book called that!?  For me a curiously depressing number, almost serially suicidal in theme, if I can’t have the love I seek then I don’t want to live in this world without it (her?) But that’s just me!
 It was quite the hit and poppy melody for sure . . . . . maybe see the name checks of covers of Beatles songs including World Without Love even done by Honor Blackman! (Pussy Galore!)

then these mentioned in order are The Rolling Stones, Ella Fitzgerald, Anthony Newley, Russ Conway, Pinky and Perky(!), Honor Blackman ( World Without Love!) finally Peter and Gordon themselves


More Bonnie! | This from Albums That Should Exist Vol Four (of her appearances at the BBC)

Bonnie Raitt - BBC Sessions, Volume 4: BBC 4 Sessions, Stoke Newington Town Hall, Stoke, UK, 6-17-2013

Paul says : I've posted three BBC albums by Bonnie Raitt, all of them unreleased concerts with a band. Here's a fourth one, also an unreleased concert with a band. This is also the last one that I know of, at least up until now (2024).

The previous BBC concert took place in 2003, so this is ten years later, with many different songs. She was touring to support her 2012 album "Slipstream." Naturally, there are a lot of songs from that.

I'm glad to say the sound quality is excellent. For once, I hardly had to make any edits, other than breaking the banter into separate tracks. 

The songs are mostly what you'd expect, but she finished with a cover of the Elvis Presley hit "A Big Hunk o' Love," which she's never put on an album.

This album is 57 minutes long.

01 talk
02 Used to Rule the World
03 talk
04 Right Down the Line
05 talk (Bonnie Raitt)
06 Thing Called Love 
07 talk 
08 Million Miles
09 talk
10 Love Has No Pride 
11 talk 
12 Nick of Time
13 talk
14 Marriage Made in Hollywood
15 talk
16 Love Me like a Man 
17 talk 
18 I Can't Make You Love Me 
19 talk 
20 A Big Hunk o' Love 
21 talk

EXTREME RECORD COLLECTING: CONFESSIONS OF AN ANALOG VINYL SNOB | DANGEROUS MINDS

 Now this is one of my favourite subjects from the always brilliant Richard Metzger at Dangerous Minds

Richard says : "Sorry, but this is not going to be one of those analog vs. digital rants that goofball audiophile types like to indulge in at the drop of a hat. In fact I probably should have just called it something like “Why you should never buy new vinyl versions of classic albums.” 

Actually I like digital audio just fine. In fact, until four years ago, I’d have told you that I preferred it. SACDs, HDCDs, High Fidelity Pure Audio Blu-Rays, 24-bit HD master audio files, 5.1 surround sound, DSD files—I have a large amount of this kind of material, both on physical media and with another ten terabytes on a computer drive. I like streaming audio very much. Roon is the bomb! Let me be clear, I’ve got no problem with digital audio. Even if I did, 99.9% of all music made these days is produced on a computer, so there’s really no practical way to avoid it. Analog and digital audio are two very separate things and each has its own pluses and minuses. I like them both for different reasons.

Please allow me to state the obvious right here at the outset: Most people WILL NOT GIVE A SHIT about what follows. One out of a hundred maybe, no, make that one out of a thousand. Almost none of you who have read this far will care about this stuff. If you are that one in a thousand person, read on, this was written especially for you. 

Everyone else, I won’t blame you a bit if you want to bail". . . . . . .continues here

extreme vinyl collecting . . . .



Sunday Musics! | The Buffalo Springfield - For What It's Worth (Live At Monterey Pop Festival 1967)

Peter Tork (The Monkees) introduces his “favourite” band The Buffalo Springfield “Nobody’s right if everyone’s wrong . . . . . . “ at Monterey Pop  “ FOR WHAT IT’S WORTH’ 



we were right as someone on Facebook mentioned (Danny Calloway!) KENT STATE and every death from counter culture and wars everywhere . . . . . . 

Saturday, April 27, 2024

Muireann Bradley - "Shake Sugaree" - McNally Guitars Session |

 So I will bid you Good Night with this . . . I know we have posted two version of Elizabeth ‘Libba’ Cotton's Shake Sugaree and noted it has been covered by loads of folk (including the last version shared with her very own granddaughter, Brenda Evans) to Bob Dylan and The Grateful Dead but here’s an absolute cracker of a version by this youngster which restores my faith in humanity  . . . . . . . . . . . . . . . . enjoy and Night all!


and yes I know its an advert for the guitars but hey . . . . . . let’s all go buy one would be my best advice!

"Shake Sugaree" by Muireann Bradley
playing her new custom McNally Guitars S model

The Bevis Frond (Nick Salmon) - Maybe We Got It Wrong | Guess I’m Dumb


The Bevis Frond The Bevis Frond is guitarist and songwriter Nick Salmon, who has put out somewhere near to 30 LPs since the early 80s. While some people are drawn to his wild psych guitar playing, I’ve always been more partial to his jangly melodic tunes, like this one from his most recent LP Focus on Nature. Not miles away from Teenage Fanclub (who have covered a Bevis Frond song)


guessimdumb

Aquarium Drunkard | John Martyn | One World | AD now Pay per View!

John Martyn :: One World

It is perhaps at the peak of his unhinged behavior in the mid-70s that Martyn stumbled into his creative apex. Solid Air confirmed that the chops were there, but it was with One World that the artist cemented his potential for crafting masterworks that transcend the folk-singer moniker.


*Please note Aquarium Drunkard is now Membership of $10 per week or $100 a year to read on so note but I will be linking fewer articles as a result . . . .shame really but these are the times we live in!  

The Allman Brothers Band Hammersmith Odeon London, UK 1991| VOODOO WAGON

Allman Brothers Band - London, 1991



Allman Brothers Band 
Hammersmith Odeon
June 25, 1991
London, England

Soundboard  & FLAC


This from the Guvnor, Silent Way, over at HQ!


  Set List:


01. Don't Want You No More                       02:12
02. It's Not My Cross To Bear                    05:22
03. Statesboro Blues                             06:31
04. Blue Sky                                     06:34
05. Low Down Dirty Mean                          06:42
06. End Of The Line                              04:15
07. Loaded Dice                                  03:59
08. Southbound                                   07:53
09. Jessica                                      14:08
10. Good Clean Fun                               05:39
11. Gambler's Roll                               09:02
12. In Memory Of Elizabeth Reed                  13:46
13. One Way Out                                  13:54
14. Kind Of Bird                                 02:47
15. Whipping Post                                12:32

                                              ________
        Total                                      01:55:16
 

RIP ~ Dickey Betts

to make up for my wittering on about not enjoying the working of keyboardist Greg Allman and mourning the loss of Duane to the band and poor Dickey Betts who we lost earlier on (who made the band for me!)

GEORGE THOROGOOD (and The Destroyers) - History of the band PART TWO (6 albums worth!) | URBANASPIRINES

George Thorogood And The Destroyers: Blues To The Bone

 Part 2.

So Kostas over at Urbanaspirines cones his history of George Thorgood and The Destroyers with his second part and features  a further 6 albums (count’ em) so that’s 16 albums in toto . . . . . now there’s a couple of live albums and an Anthology but none the worse for that it includes studio albums Haircut, Rocking My Life away, Half a Boy/ And Half A Man too . . . . . enjoy and keep on a' rocking!







QUIZ = ANSWER!

 For all the people who responded to my quiz t’other day as to who’s on the drums (well it was TWO! - ED) well it’s for my REGULAR VISITORS Gman and SteVe so there!

the answer is


STANLEY KUBRICK!!

Once a fine stills photographer and later one of the worlds greatest ever Film Directors
quite what he was doing here with The George Lewis Ragtime Jazz Band of New Orleans in 1950 is anyone’s guess . . . . playing the  drums would be my best guess!?!

Photo by fellow LOOK Magazine staff photographer Janet Mevi. Stanley and Janet worked for Look magazine at this time and it seems they were down to do a profile piece on the Jazz musicians of New Orleans.





Morning Musics - NICK DRAKE : NORTHERN SKIES (1971)

BBC Radio 4 - ‘Soul Music’ Nick Drake:Northern Sky

 

so I walked down stairs to the kitchen to find my wife listening to the radio and this was playing . , . , . , . great programme and interviews with other singers and players as well as Joe Boyd the legendary producer . . . . . . . . . great account of playing it for John Cale and his getting excited to hear Nick for the first time . . . . . . . . may it get Bryter Layter



I never felt magic crazy as thisI never saw moons, knew the meaning of the seaI never held emotion in the palm of my handOr felt sweet breezes in the top of a treeBut now you're hereBrighten my northern sky
I've been a long time that I'm waitingBeen a long that I'm blownI've been a long time that I've wanderedThrough the people I have knownOh, if you would and you couldStraighten my new mind's eye
Would you love me for my money?Would you love me for my head?Would you love me through the winter?Would you love me 'til I'm dead?Oh, if you would and you couldCome blow your horn on high
I never felt magic crazy as thisI never saw moons, knew the meaning of the seaI never held emotion in the palm of my handOr felt sweet breezes in the top of a treeBut now you're hereBrighten my northern sky

 

Albums That Should Exist | Richard Thompson (feat Zara Phillips) Home Concerts the last one

Richard Thompson - The Fairport Convention Era - Home Concert, London, Britain, 9-27-2020

Paul says : In 2020, the worst year of the Covid pandemic, Richard Thompson performed a few home concerts that were broadcast over the Internet. I could be wrong, but I believe I've already posted all but one of them at this blog. Here, finally, is the last one. 

Richard Thompson was a member of Fairport Convention from 1967 to 1971, the most celebrated years of the band's long musical history. For this solo acoustic home concert, he decided to perform just songs from his Fairport Convention era. I'm not aware of any other concert where he had this exclusive focus, this this is a special treat for both Richard Thompson solo and Fairport Convention fans.

The reason I've never posted this before is because when the concert happened, it was one of those "pay to view" deals. I don't want to deny Thompson of a revenue stream, especially considering it's become increasingly hard for musicians to make a living. But I figure enough time has passed, and I checked the download page for this, and it's defunct. There's no way to pay for it. (By the way, if anyone has any more of these types of "pay to view" shows from artists that are also expired, please let me know so I can help share them.) 

Thompson performed the concert with just his acoustic guitar. Because it was in his home, there was no audience. However, his girlfriend Zara Phillips, who is a talented musician in her own right, joined him near the end of the concert to sing song harmony vocals. He largely played the songs in chronological order of the years the songs were recorded. However, he saved up some harmony one for the end with Phillips.

This concert is especially interesting because Thompson only sang on a minority of songs when he was in Fairport Convention, since the band had other sings, especially Sandy Denny. But in this concert, he sang some songs in public for the very first time that were sang by Denny and others, in order to show off a full picture of the band in that era. He also played a few songs from his first solo album, "Henry the Human Fly" from 1972, apparently since he linked that with the Fairport years in his mind.

There's a lot of interesting banter between songs. In recent years especially, Thompson has an annoying habit of coughing quite a lot when he's on stage. (I'm guessing this is related to a stuttering problem he's had his whole life.) So I edited out most of the coughs.

This album is an hour and 28 minutes long.

01 talk 
02 Jack O'Diamonds
03 talk 
04 One Sure Thing
05 talk (Richard Thompson)
06 She Moves through the Fair 
07 talk 
08 Who Knows Where the Time Goes 
09 talk 
10 Reynardine
11 talk 
12 Matty Groves
13 talk 
14 The Deserter
15 talk 
16 Crazy Man Michael
17 talk
18 Sir Patrick Spens
19 talk
20 Sloth 
21 talk
22 Now Be Thankful 
23 talk 
24 Roll Over Vaughan Williams
25 talk
26 The Poor Ditching Boy 
27 talk (Richard Thompson with Zara Phillips)
28 I Still Miss Someone (Richard Thompson with Zara Phillips)
29 talk (Richard Thompson with Zara Phillips)
30 Gone, Gone, Gone (Richard Thompson with Zara Phillips)
31 talk (Richard Thompson with Zara Phillips)
32 Poor Will and the Jolly Hangman (Richard Thompson with Zara Phillips)
33 talk (Richard Thompson with Zara Phillips)
34 Genesis Hall (Richard Thompson with Zara Phillips)
35 talk (Richard Thompson with Zara Phillips)
36 Meet on the Ledge (Richard Thompson with Zara Phillips)
37 talk (Richard Thompson with Zara Phillips)


I paid for mine but as Paul explains it is now unavailable so we figure it’s fair game 

 


Kiss (1963) by Andy Warhol

it’s a film . . . . . . of people . . . . . . . kissing . . . . . . . 




Playboy After Dark! [yes really!] | LINDA RONSTADT : Walkin’ Down The Line

 Think we’ve had this before but I don’t care it’s SATURDAY! 

I love what Linda does here and the gritty edge to her voice is a wonder . . . . . . . barefoot she blows them all away here . . . . .have a great weekekend everyone!


On the sixteenth of this month in 1970, LINDA RONSTADT was a guest on the late Hugh Hefner's 'Playboy After Dark' (Apr 16, 1970)
NOTE: The clip here is Linda performing Bob Dylan's WALKIN' DOWN THE LINE. The song was first recorded by Dylan in November 1962 for Broadside magazine. The lyrics recount the troubles of a hobo walking down the railroad tracks. 
From 1969-70, Hugh Hefner hosted a TV show called Playboy After Dark, which basically furnished a penthouse apartment with attractive young people while Hef hung out with various cultural luminaries, shooting the breeze with Sonny & Cher or James Brown. 
On one episode, a shy-looking 23-year-old Linda Ronstadt sang Bob Dylan’s “Walkin’ Down the Line,” and it’s a knockout performance — if you can stop yourself from rolling your eyes at Hef’s burgundy velvet tux and his pipe-smoking, anyway.

Friday, April 26, 2024

Song of The Day II | THE REPLACEMENTS - I WILL DARE [Let It Be] for Jobe n the Boys!

There’s something about the newly converted huh!?🙄 This one’s for Jobe over at the Motel in The Voodoo Wagon [and FBS] For The Son's of Nargo The Bort's Deviant Subculture . . . . . .you know who you are! 

I WILL DARE - THE REPLACEMENTS



I CAN’T HARDLY WAIT! . . . . . . for MORE!

Dylan of The Day : Bob Dylan - It’s Alright Ma (1965)

 People on the Bob Dylan Facebook Fan Club page were discussing this clip and wondering where it was from . . . . . . the Sixties would be my answer!


but my best guess was The Oval, Sheffield! April 65


FOUR from the Le Ramasseur De Mégots | Fairport Convention, Nick Drake, Rosanne Cash and Rick Wright (sic)

Decameron

Out flanking . . . .

Decameron // Fairport Convention


At The Chime Of A City Clock

flanking manoeuvres

Nick Drake - At The Chime Of A City Clock

 

Tell Heaven

“When you’re like a broken bird tell heaven. Battered wings against the dark and day. When your worries won’t let you sleep tell heaven. When the tears won’t ever go away.”

Tell who? . . . . . . . 


Holiday

Sail on sail on across the sea .  . . . . . 

Le Ramasseur De Mégots