O My Soul


HERBERG DE KELDER
strange weather indeed . . . . . we miss Marianne

For all at The Radar Station (obvs) and all the gang at Floppy Boot Stomp!
. . . . .from a favourite album from Ryland P . . . . .bought when it came out (obvs!)
Buddy Guy - Philadelphia Folk Festival, Old Pool Farm, Schwenksville, PA, 8-24-1968
If you look at the list of performers at this festival, this music seems out of place. Guy came to rock, with a full band, yet it was a folk festival. It must be one of the very few times songs like "I Got You (I Feel Good," originally by James Brown, were played at a folk festival! But hey, I'm not complaining. Since it seems most everything from these festivals were professionally recorded, this is one of the first live recording from Guy's long music career that has survived with excellent sound quality.
At least Guy started out in folky mode. The first three tracks here actually come from an afternoon performance at some kind of acoustic workshop. So the two songs there consisted of just Guy and an acoustic guitar. Later in his career, he performed many acoustic concerts, often with his frequently musical partner Junior Wells. But apparently this was very unusual for him at this point in his career.
The rest of the songs are from a concert that evening. That portion is 45 minutes long. In it, Guy and his band straddled the line between soul and blues. In addition to playing the James Brown song mentioned above, they also did a version of the soul classic "Knock on Wood."
This album is 51 minutes long.
01 talk
02 Good Morning, Little Schoolgirl
03 Rock Me Baby
04 Instrumental
05 talk
06 Crazy about You Baby
07 talk
08 Sweet Sixteen
09 talk
10 I Got You [I Feel Good]
11 Knock on Wood
12 Call It Stormy Monday
13 Mary Had a Little Lamb
01 talk
02 Uncle Pen
03 talk
04 Blue Ridge Mountain Blues
05 talk
06 Train 45
07 talk
08 Blue Grass Breakdown [Instrumental]
09 talk
10 Down in the Willow Garden
11 talk
12 Wayfaring Stranger
13 talk
14 Dusty Miller
15 talk
16 Orange Blossom Special [Instrumental]
Joni Mitchell - Philadelphia Folk Festival, Old Pool Farm, Schwenksville, PA, 8-23-1968
Note that while I'm posting all I have from this festival in a bunch, I'm not attempting to organize the albums into "Part 1," Part 2," and so on. That's because it was a three day festival, and I only have a couple of sets from each day. I also don't know the order of the performances.
Joni Mitchell wasn't a big name yet in 1968, at the time of this concert. She was getting a lot of acclaim for her songwriting, and some famous musicians were already covering her songs. But she'd only released one album at the time of this concert, and that one, "Song to a Seagull," didn't make the charts. So it looks like she was only allowed a pretty short set. She only played one song ("Cactus Tree") from the sole album she'd released so far. Instead, three songs would come from her album "Ladies of the Canyon," one from "Clouds," and one from "Blue."
This album is 26 minutes long.
01 That Song about the Midway (Joni Mitchell)
02 talk (Joni Mitchell)
03 Cactus Tree (Joni Mitchell)
04 Chelsea Morning (Joni Mitchell)
05 talk (Joni Mitchell)
06 Both Sides Now (Joni Mitchell)
07 talk (Joni Mitchell)
08 The Circle Game - Little Green (Joni Mitchell)
not really that bothered about posting Mitchell works anymore but this is early and pre-Morgellons and all that Fag-ash Lil routine that so gets my goat! Gone right off her to be fair apart from the earliest more innocent work . . .so this is short enough but haven’t listened to it its only here because of the company she was in from Country and Bluegrass masters to blues master Buddy Guy who may have seemed out of place at this “Folk” festival but is worth a check!
Doc Watson - Philadelphia Folk Festival, Old Pool Farm, Schwenksville, PA, 8-23-1968
The Philadelphia Folk Festival is one of the longest running folk festivals in the U.S., along with the Newport Folk Festival. It started in 1962, and it continues to this day (as I write this in January 2026). I've noticed that big portions, if not all, of these festivals have been professionally recorded. However, it seems only a few sets here and there leak out to the public, and almost none of it has been officially released. I noticed that there was an unusually big amount of recordings available to the public for the 1968 festival. I found enough material for six albums, all with soundboard quality, when most years I might find zero, one, or two. So I decided to focus on 1968, especially since I think it's important to try to save and share recordings of this quality that go all the way back to the 1960s. So here's the first album, a set by Doc Watson.
This album is 26 minutes long.
01 talk
02 When the Roses Bloom in Dixieland
03 talk
04 Anniversary Blue Yodel [Blue Yodel No. 7]
05 talk
06 Spikedriver Blues
07 talk
08 Otto Wood the Bandit
09 talk
10 Open Up Them Pearly Gates
11 talk
12 Southbound
13 talk
14 Bill Cheatham
15 talk
16 Blackberry Rag
HAPPY BIRTHDAY Mr Wyatt . . .from Tripping Mantras . . . . oh and me!

The legendary musician has donated access to his music to all residents of Greenland for one year to "ease some of the unwarranted stress and threats" from the United States government.
We have previously explored bass players (new gals esp) and featured guitarists who excels with shred techniques and you will know I am not such a fan of virtuosity for virtuosity's sake but heck these guys are having fun too!
A very happy birthday to Robert Wyatt, born as Robert Wyatt-Ellidge in Bristol on this day in 1945.
Diving for dear life when we could be diving for pearls. (Elvis Costello)
but what I really need to start the day is more Tuba Skinny . . . they’re from Nawleans (I think!)
From Bobby Charles & Clarence Frogman Henry to Fats Domino via Big Bill Broonzy . . . it a gumbo melting pot tha’ knows! Jamabalaya crawfish pie feelie gumbo yah yah!

Clarence Frogman Henry - The Jealous Kind (1962)
I"’ve been on a Bobby Charles kick lately - here’s tune he wrote -NOLA R&B. Clarence does not sing like a frog on this song.”
I am a huge Bobby Charles fan and Clarence Henry somewhat less but appreciate him none the less . . . . .
Two from Kelly today as what she says on her posts on Facebook rang true
Kelly said : "With all of the horrible scenes playing out on social media, I want to try to give people a few minutes away from these thoughts and feelings to try to think of a place filled with kindness and joy...and a bit of strange. I write about this over and over but I think it’s important to keep your hopes up and try to stay strong and stay together. This piece is called ‘Market of Impossible Things’. Another adult fairy tale storyI make videos about markets a lot. I love exploring flea markets and looking at the people and coming up with stories in my head about their lives. I made these images using a beautiful Midjourney style ref code. Animated with both VEO3 and #Pika. VEO will not animate kids so I used Pika for these. Their new release is really good. Lyrics written by me, Kelly Boesch. Music created under my creative direction with assistance from Suno"
Kelly Says: "I always struggle with meditation. My brain is like an internet browser with 2,847 tabs open. 400 are frozen and I don’t know where the music is coming from. But sometimes I find that calm in the madness. And it’s beautiful. And I try again the next day. I made this video as a visual for myself to fall back to when I am trying to calm my mind. Being an Aquarius and heading into the Age of Aquarius...hopefully sooner than later...has made this a crazy journey lately. So many wonderful things happening at the same time as so many horrific things happening for others. It creates quite the paradox in my brain. Hard to feel good when so many are going through difficulties. I want to feel it all and need to feel it all or life will be too dark. The song is called “Breathing in the Quiet”. Lyrics written by me, Kelly Boesch. Music created under my creative direction with assistance from Suno."
check her Facebook and follow her it’s really worth it . . . . Kelly Boesch
Neighbourhood Bully alternate take . . . for Sly too on drums . . . . . .
That’s A Touch I Like

Everywhere I Go

David Bowie and Stevie Ray Vaughan recorded live on April 27, 1983 at Las Colinas Soundstage, Dallas.It's the soundcheck from the rehearsals for the Serious Moonlight tour and the only known recording with Stevie Ray Vaughan before he left Bowie's band.Note that Stevie Ray Vaughan collaborated on Bowie's 1983 successful album Let's Dance.Total playing time: 132 minutes.
Source: Soundboard
Track List:Disc 101. Star02. Heroes03. What In The World04. Look Back In Anger05. Joe The Lion06. Wild Is The Wind07. Golden Years08. Fashion09. Lets Dance10. Red Sails11. Breaking Glass12. Life On Mars13. Sorrow14. Cat People (Putting Out Fire)15. China Girl16. Scary Monsters (Super Creeps)17. Rebel Rebel18. I Can't Explain19. White Light White HeatDisc 201. Station To Station02. Cracked Actor03. Ashes To Ashes04. Space Oddity05. Young Americans06. Soul Love07. Hang Onto Yourself08. Fame09. TVC1510. Stay11. Jean Genie12. Modern Love13. Life On Mars (Mess Up)
from AtticRock at soundaboard
. . . . I don’t believe I will ever not post Tripping Mantras posting Leo Kottke!
. . . we haven’t played any John Mayall for too long . . . I used to adore his work . . . .
Canned Heat - Marianhill, Arcen, Netherlands, 8-12-1971
Unfortunately, one of the band's two lead singers and leaders, Alan Wilson, died in 1970. So he's not on this recording. But on the plus side, two of the band's three hits are here: "Let's Work Together" and "Goin' Up the Country." The version of "Goin' Up the Country" is very different from the hit version, being much faster and more rocking. Personally, I don't like it as much, but I give them points for trying something different anyway.
On most of the songs, the lead vocals were rather low in the mix. I fixed that by using the MVSEP program.
This album is 54 minutes long.
01 Let's Work Together
02 talk
03 Hill's Stomp [Instrumental]
04 talk
05 That's All Right
06 talk
07 Goin' Up the Country
08 Long Way from L.A.
09 Pay My Rent Boogie
10 talk
11 Utah
12 Big City
As Paul notes the extraordinary Al Wilson was dead by this recording and his story is tragically sad. Struggling all his life with what we would now call ‘low self esteem’ and he suffered the ‘Blues’ all his life . . . .considered almost homeless at his end ( he was found dead 'camping out' in Bob 'The Bear’ Hite’s back garden)
Univerally acknowledged by many in the guitar blues genre, he suffered from his introverted personality and perhaps his somewhat plain looks meant he had little to no success with the opposite sex and seemed universally lonely, sometimes even on stage. His unique voice (check Going Up The Country and On The Road Again will be forever identified as being remade by him!) and his encyclopaedic knowledge of early blues platters were without equal
After seeing them at the festivals in Southern England I was hooked and bought the first three album but after Al died I kind of left them be