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Wednesday, April 15, 2026

Peter Green on roots of the blues from Martin Celmis’ book 'Peter Green: Founder of Fleetwood Mac' | Don’s Tunes

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Photo: Pictorial Press Ltd

 

 Chicken Shack’s Stan Webb emphasises Peter Green’s unique taste: ‘Peter always acknowledged where he came from, but what happened in the end is that Peter’s style came from himself. He’s the only white player I’ve ever heard that has come from himself. He first did everything and everyone, like we all did with Robert Johnson, Mississippi Fred McDowell, Big Mama Thornton, Buddy Guy, BB King and Freddie King; but then Peter developed into the only white player that ended up totally original. 

That’s not praise; it’s a fact. Eric Clapton’s another matter: back in the early days, Eric was far more selfish and self-centred. A few years ago, me and Eric bumped into each other at some cricket do and started talking about the old days. He said to me, “Do you know, I’m really selfish?” I said, “Yeah, Eric, I know. You never acknowledged Matt Murphy [Memphis Slim’s regular guitarist], did you?” And there was nothing Eric could say because he knew I was right. I’ve got old 1950s records in my collection of Matt Murphy which has stuff that is note for note what Eric played on John Mayall’s Bluesbreakers’ “Beano” album.’

This point illustrates well the hand-me-down nature of blues. One of Peter’s early inspirations for ‘Albatross’ was ‘a group of notes from an Eric Clapton solo played slower’. So who knows? perhaps Matt Murphy should get some remote credit for the hit instrumental.


Source: Peter Green: Founder of Fleetwood Mac by Martin Celmis

Don's Tunes



Original Albatross with Danny (Kirwan of course)

Still carried on (with Splinter)
Now I found this last shot quite sad until I remembered it was always a two hander for the guitar solo
R.I.P Greenie!

2 comments:

diamonddave said...

I always thought, upon his return, he was some kind of circus act (just my own opinion obviously), as he seemed to play so few solos and simply strum/keep it simple. In his prime, he was truly a master player. Those early Mac albums were brilliant. Thanks Andy DD

Andy Swapp said...

Very poorly and still heavily medicated to the end. Saddest clip ever is Carlos [Santana] bringing him on stage to Black Magic Woman where he can barely play at all. Friends saw his last band up the Cowley Road here and said he was clearly playing and enjoying himself. At the very least he was happy at the end. If you double check the Splinter track he is actually following every note but that is the key “following”; he is humble enough to let his lead take the main part but the stereo playing does echo him and Danny playing together. (another tragic loss - Danny homeless at the end sleeping on the streets of London) The Munich LSD party is a legendary event many could pay serious attention to. If you don’t know what you’re taking - DON’T TAKE IT! I lost too many folk down the rabbit hole!