TASTE OF THE [HAPPY NEW] YEAR
CHUCK PROPHET LIVE
for da Sealyman! and all new Prophet fans . . . there’s at least two of us!
KEXP.ORG presents Chuck Prophet performing live in the KEXP studio.
for da Sealyman! and all new Prophet fans . . . there’s at least two of us!
KEXP.ORG presents Chuck Prophet performing live in the KEXP studio.
Filmed at the psychedelic power trio's first public appearance with their new lineup at The Colony Woodstock NY on the coldest night of the year (Dec. 12th 2024), Gary Lucas & Gods and Monsters raised the temperature in the room and then some with an incendiary set featuring Calvin Weston drums (Ornette Coleman, James Blood Blood Ulner) and longtime G&M bassist Ernie Brooks (Modern Lovers, Arthur Russell). Here they perform a thunderous medley beginning with Gary's own "Poison Tree", followed by Miles Davis' Theme from "Jack Johnson" ("Right Off"), finishing with a heart-stopping version Suicide's "Ghost Rider". The crowd was ecstatic.
Beware the smile of the crocodile!
I guess the sense of foreboding after nearly two years wait should have been a clue but this two parter Christmas special seemed like a 12 part series over the festive season and December’s end with more of a whimper than a bang!
The snag with this trite and empty disaster is that we care not one single jot about any of these people ostentatiously all rich lawyers and why would you?
The characters are all smiles and stab you in the back lawyers bent on exploiting their skills that even at a family wedding they cannot shine their lip gloss fast enough to return to type.
Nicola Walker is lost and underused here and resorts to acting with her eyes and lips like a latter day S'wellen from Southpork! The always reliable Stephen Mangan’s character is written to give her the perennial male foil to The Split who curiously seems to be the only human amongst the crocodiles. At once now a male joke of the cuckold ex-husband with his new found enforced freedom, he gets an ear piercing for them all to laugh at and his gypsy locks got a little longer but he also is lost as this character mourns the ’split' from his cheating wife who we are given to understand has turned down the amorous advances of fellow lawyer Toby Stephens. Yeah right!?
These people go for a family wedding in a Spanish Villa so grand it makes the Corleone’s look cheap. We care not one jot for these shallow wealthy crocodiles and devious legal wranglers where the women put their seemingly natural talents for back stabbing bitchiness [Chauvinism anyone?] to task, then barely break gear when it comes to returning to type given half a chance.
The ‘token’ black vicar tries to understand why his white wife won’t marry him as she is finally revealed to be 6 weeks pregnant.
As for the youngsters due to get married abroad at his families own chapel (don’t you have your own chapel in YOUR grounds?) that they are rich enough to fly off the handle like toddlers at his parent's big reveal and vacuous affair. They storm off like four year old toddlers throwing a tantrum that something is not ALL about them. They decide (of course) once the son is ‘found’ by hilariously obvious navel gazing to finally go ahead with the wedding on the beach in 'their own way'! Of course that’s how we would have done it!
The darkly attractive younger sister gets shot of her current amor as she is so bored by now she is trying a purely gratuitous mixed race lesbianism fling with one of the drivers!
The matriarch gazes on her baby crocodiles with a pride bordering on Machiavellian drool. And the men are largely mere bovine stooges barely able to keep up. Risible stuff and if they were hit by a Spanish storm or sunami we would all be better off and care less!
But you knew that right?, the women here do not come over well, vacuous, glamorous, the plain but brilliant lawyer (Walker) stumbles through this emotional chaos with a level of eye and lip gloss over-acting she barely needs dialogue but is provided with none to speak of.
The ‘family’ of harridans cannot wait to get back to lawyering up and the smiles of the crocodiles as fake as the tans, return soon after the drama is exposed and the tears are but momentary and fake as you like when returning to type they can argue the toss of a prenup drunkenly scribbled on a cafe napkin (as if!?) and the Spanish matriarch is admired as being savvy enough to expose her philandering husband and get shot of him just a mere week short of having to lose £5 million if she misses the divorcee deadline from the stunted little husband so enamoured of a seven foot leggy blonde he forgoes all the multimillion pound villa for a set of chest implants and a clothes horse so transparently parodied here, why he has even done ‘it’ before! Apparently a serial adulterer, the wife has stuck around for the money until the timing is pressing hard on her wallet. Of course
As I say risible and desperately shallow stuff this return after two years but Machiavelli and Chauvin eat your hearts out it’s the female of the species of crocodiles that is more deadly than the toothless male! Written by would be bodice ripper lite
Jilly Cooper or Jackie Collins on steroids more Mills & Boone on meth! But no gazpacho and rioja for this lot!
Avoid! Unless you fancy a really good unintentional laugh
We had The Waterboys hit recently as a blast from the past and I just stumbled across this . . . . . we like Fiona and we love Phoebe Bridgers too don’t we?
Fiona Apple covered The Waterboys’ The Whole of the Moon for the series finale of Showtime’s The Affair. She asked Tony Berg to produce the record. Tony called in Matt Chamberlain, Patrick Warren, Ethan Gruska, Wendy Melvoin, and Phoebe Bridgers.In a few hours they produced this beautiful rendition of a classic written by Mike Scott. After Mr. Scott (@ MickPuck) heard the performance he tweeted – “Prepare ye to receive goosebumps.”
Fiona practiced the first take in a small vocal closet but when it came time for the main event, Tony moved Fiona into the big room where she had a great expanse to sing into. I tagged along with my new camera which I could barely work because I had forgotten my glasses – couldn’t see the buttons, couldn’t focus. Despite the crappy camera work of a blind photographer, the magic that is Fiona shines through. I hope you enjoy this captivating version of a sublime song.
Background Vocals – Phoebe Bridgers
Fiona has worked often with Matt and Patrick and knew Ethan as the brother of her former bandmate, drummer, Barbara. This was the first time she had met Wendy and Phoebe and fell in love with both of them.Drums – Matt Chamberlain Chamberlin – Patrick Warren Bass – Wendy Melvoin Piano – Ethan Gruska
Paul says : I love David Bowie's music from the 1960s to the mid-1980s. I think his songwriting wasn't as strong after that. However, he still was an excellent performer. I have a bunch of his BBC albums still to post from the late 1990s and early 2000s. Generally speaking, most of the songs he did in these sessions are from earlier in his career anyway, so you should like these albums even if you're not such a big fan of his new material from those years.
This album is a case in point. It's a collection of BBC studio sessions for the most part, with just three songs that were relatively new at the time ("Survive," "Something in the Air," and "Repetition"). The first seven tracks are from an October 1999 session before a very small audience. Tracks 8 and 9 are from an appearance on the BBC TV show "Later... with Jools Holland."
Finally, the last four tracks are from the 2000 Glastonbury Festival, which was broadcast on the BBC. Normally, I would have posted the entire Glastonbury performance, but that has been officially released as the live album "Glastonbury 2000." Also, I have other very similar performances of most of the songs from that, since the next album in this series is a full BBC concert that took place just two days after Glastonbury. So I only included four songs that he didn't play in that concert.
I used the MVSEP audio editing program to remove the crowd noise from the first seven tracks plus the last four, so everything here would sound like it was recorded in a studio. There wasn't much clapping with the first seven anyway, since it sounds like the audience was quite small. Everything here is unreleased except for the four Glastonbury tracks.
This album is 50 minutes long.
01 Survive (David Bowie)
02 Drive-In Saturday (David Bowie)
03 Something in the Air (David Bowie)
04 Can't Help Thinking about Me (David Bowie)
05 talk (David Bowie)
06 Repetition (David Bowie)
07 China Girl (David Bowie)
08 Ashes to Ashes (David Bowie)
09 Cracked Actor (David Bowie)
10 Changes (David Bowie)
11 Station to Station (David Bowie)
12 talk (David Bowie)
13 Golden Years (David Bowie)
The first two songs are from a July 1972 studio session. The first song, "Virginia Plain," made it onto a super deluxe edition of the band's debut album, "Roxy Music." But the second song, "If There Is Something," remains unreleased. It's quite a long song, about 12 and a half minutes long.
All the remaining songs are unreleased. "For Your Pleasure" is from the BBC TV show "Full House." The next three are from a March 1973 studio session. The final song, "In Every Dream Home a Heartache," was performed on the "Old Grey Whistle Test" BBC TV show.
Unfortunately, it seems Roxy Music stopped doing BBC studio sessions or TV appearances after this. However, they still did some BBC concerts much later, which I plan on posting here.
This album is 36 minutes long.
This album is 36 minutes long.
01 Virginia Plain
02 If There Is Something
03 For Your Pleasure
04 Editions of You
05 Do the Strand
06 Pyjamarama
07 In Every Dream Home a Heartache
By this time Brian Eno had left to go on to bigger and better things and Ferry was slotted into his fifties wobbly voiced crooner schtick that not everyone was taken with. The excellent musicians particularly Manzanera and Mackay were to do solo work but never appreciated to join forces so strongly ever after this. Shame but hey, watcha gonna do!
Anyone aware of Kathryn Williams will know she recently visited her folks (28/12) and they played this which she recommended! I can tell why! Let’s all go buy it . . . . I know I am!
Think I have been stuck in an Idiots Maze for a long time somehow . . . .
Lyrics: dress me up in an automobile drive me around like a car take me out to the barbecue pit smoke me like an old cigar I’ll take you out to the forest fire nail you to the moon with the beaks of doves lay you down with the Camptown Ladies do da do da Dance of Love hold me down with a paperweight lifter roll me over in the clover paint me black with an undertaker's suit play me flat on a tuba flute I’ll ride you high on a horse latitude pump you up with a breathing tube pick you up and remind you why I remind you of a bottlenecktie poke me a joke in the hole of my shoe give me a taste of the Jumpin’ Jack juice swat me a mosquito cause a rumble in the jungle when you turn him loose I’ll take you away like a Chinese pizza take you out to the old ball game bring you back with a roundhouse punch teach you how to say my name shake me like a microphone stand play me like a marching band pick me a rose from the left hand of Moses kick out the jokers and the jams I’ll dust your broom and cork you a river milk your cows with a bubble gum machine brush you down like a strawberry field decorate your face with cold ice cream deal me a stack of rubber band pancakes dig me a tunnel to the center of the brain take me back to when I started crying take me to the belly of the hurricane I’ll medicate you with a dose of clam chowder stun you with a paradoxical pun get you in line with the crossroad dream meditate you with a Dalai Lama hum hit me with your local anesthetic tie me down with your licorice whips spin me around on the tips of your fingers toss me a kiss from your corn chip lips I’ll turn you on with a shot of Burma Shave a sniff of Wildroot and a toke of tumbleweed I’ll wake you up when they rob the bank sneak you out the back before they start to bleed scratch my back with a stained-glass window teach me the art of the lullaby rhyme sing me to sleep with a drop of dragon rum yo ho ho and a bottle of wine I’ll drop you like a hot shot potato way down yonder in the purple haze lift you up until you touch the light deliver you from the idiot's maze
Gram Parsons and Emmylou Harris - The Angels Rejoiced Last Night
I found this online (not my words lost the quote ) apologies
"Former President Jimmy Carter, a man who redefined what a post-presidency could be, died Sunday. He was 100.
His son, Chip Carter confirmed that the former president died at his home in Plains about 3:45 p.m.
Carter, who lived longer than any other U.S. president, entered home hospice care in Plains, Georgia in February 2023 after a series of short hospital stays.
The only Georgian ever elected to the White House, Carter left office after a single term that was highlighted by forging peace between Israel and Egypt, but was overshadowed by the Iran hostage crisis. In the decades after, his reputation grew through his and wife Rosalynn Carter’s work at the Carter Center in Atlanta and his philanthropic causes such as Habitat for Humanity.
“People will be celebrating Jimmy Carter for hundreds of years. His reputation is only going to grow,” Rice University history professor Douglas Brinkley wrote in his book “The Unfinished Presidency of Jimmy Carter.”