CAT POWER - CARDIFF 2022 BBC RADIO 6 MUSIC FESTIVAL - Big O

 

Love some Cat Power (Chan Marshall) and the Festival continues to inpisre what a selection of artists. . . . . check the notes of Cat's appearance as it contains  info about her performance here where she is singing double-micked with herself and one voice through a "heavy layer of auto-tune"! I know some express dilate as to the use of these machinery but here Cat is using it as another instrument if you will. Either way it is a staggering performance and well worth the download . . . . . . 

Cat Power - BBC Radio 6 Festival Cardiff 2022 - Big O

Track 01. He Was a Friend of Mine/Oh! Sweet Nuthin’/Never Tear Us Apart/Shivers 5:44
Track 02. Manhattan 3:47
Track 03. Song to Bobby 3:01
Track 04. Metal Heart 4:07
Track 05. I Want to Be the Boy to Warm Your Mother’s Heart 4:23
Track 06. Good Woman 2:32
Track 07. I’ll Be Seeing You [Sammy Fain]/Wild Is the Wind [Dimitri Tiomkin & Ned Washington] 6:28
Track 08. Here Comes a Regular [The Replacements] 4:33
Track 09. Hate 3:22
Track 10. The Greatest 3:16
Track 11. It Wasn’t God who made Honky Tonk Angels [JD Miller] 3:25

The Greatest - Cat Power - live in Cardiff 2002 (Radio 6 Festival)

CAT POWER - LOS ANGELES 2018 (Big O)

 CAT POWER

RADIO KCRW LOS ANGELES 2018

Big O

Nice set at broadcast quality from Chan Marshall as ever the highly distinctive and attractive voice and power of her singing and writing remains ever fascinating

Cat Power Live in KCRW LA 2018

From the time of the release of Wanderer

Big O says:

“Wanderer”… contains, in the abstract poetic fragments of any Cat Power album, the reasons Marshall could not just pack it all in. For one, she is still too vibrant a songwriter, with too extraordinary a voice and too many feelings, to stop now. An eternally exposed nerve who refuses to present as fully healed or whole, even in the era of self-care and commodified feminism, Marshall has always sounded as if she’d seen some things. Now, at 46, she truly has the life experience to back up her songs, steeped as they are in the soul and blues traditions, a rarity in indie rock. In 11 spare tracks, Marshall seems confident, at last, in her identity as a rootless seeker and storyteller, firm in the instability of her atypical existence.

But [her ex-label] Matador rejected the album.

“They said, do it again, do it over,” Marshall explained. (Her former manager, Andy Slater, confirmed that Matador told him “Wanderer” was “not good enough, not strong enough to put out.” The album was eventually released by Domino.)

“[Slater’s] taught me that I have a lot to be proud of,” Marshall said, noting that in the past she was just thankful to be working, more concerned with getting from point A to point B than her legacy. “It’s not pretentious that I’m an artist. It’s not corny to sing songs that maybe other people think are depressing. It’s not embarrassing.”

Marshall said she’d received the same mandate from Matador during recording as she had for “Sun,” her previous album from 2012. “It was like, ‘We need hits!’” she said. “And I did it - I got Top 10. I did the best I could to give them hits” on “Sun,” using bright synths and more modern sounds.

But to Marshall, the label had always represented artistic freedom. “Looking back, I know they were using me,” she said, recalling a Matador executive playing her an album by Adele and telling her that that was how a record was supposed to sound. “I understood that I was a product,” she said, “and I always thought I was a person.”

Marshall said she did not alter the music after the label change, but did add a track: “Woman,” featuring Lana Del Rey (whom Marshall opened for on the European leg of her LA to the Moon Tour), which in many ways became the defiant, upbeat centerpiece of an understated album. Asked if the track, which has received more than a million YouTube views in a month, was a middle finger to her ex-label, Marshall demurred: “Thank you for asking, but no comment.”

 

CAT POWER

There were a couple of nice sets from Big O since yesterday and I feel badly I forgot to mention Chan Marshall's set so I'll make up for that now. 'Cat Power' as her stage name would have her is a true creative force of nature and this is worth checking out from Paris late last year. She is always worth catching up with IMHO and is currently celebrating supporting her tenth album!

It's worth reading the liner notes as it were
Big O says:

CAT POWERParis 2018 [no label, 1CD]Live at Studio 105 de La Maison de la Radio, Paris, France; October 24, 2018. Very good FM broadcast.
In October 2018, Cat Power (Chan Marshall) released her 10th studio album, Wanderer.
Joe Coscarelli, nytimes.com:
“Wanderer”… contains, in the abstract poetic fragments of any Cat Power album, the reasons Marshall could not just pack it all in. For one, she is still too vibrant a songwriter, with too extraordinary a voice and too many feelings, to stop now. An eternally exposed nerve who refuses to present as fully healed or whole, even in the era of self-care and commodified feminism, Marshall has always sounded as if she’d seen some things. Now, at 46, she truly has the life experience to back up her songs, steeped as they are in the soul and blues traditions, a rarity in indie rock. In 11 spare tracks, Marshall seems confident, at last, in her identity as a rootless seeker and storyteller, firm in the instability of her atypical existence.
But [her ex-label] Matador rejected the album.
“They said, do it again, do it over,” Marshall explained. (Her former manager, Andy Slater, confirmed that Matador told him “Wanderer” was “not good enough, not strong enough to put out.” The album was eventually released by Domino.)
“[Slater’s] taught me that I have a lot to be proud of,” Marshall said, noting that in the past she was just thankful to be working, more concerned with getting from point A to point B than her legacy. “It’s not pretentious that I’m an artist. It’s not corny to sing songs that maybe other people think are depressing. It’s not embarrassing.”
Marshall said she’d received the same mandate from Matador during recording as she had for “Sun,” her previous album from 2012. “It was like, ‘We need hits!’” she said. “And I did it - I got Top 10. I did the best I could to give them hits” on “Sun,” using bright synths and more modern sounds.
But to Marshall, the label had always represented artistic freedom. “Looking back, I know they were using me,” she said, recalling a Matador executive playing her an album by Adele and telling her that that was how a record was supposed to sound. “I understood that I was a product,” she said, “and I always thought I was a person.”
Marshall said she did not alter the music after the label change, but did add a track: “Woman,” featuring Lana Del Rey (whom Marshall opened for on the European leg of her LA to the Moon Tour), which in many ways became the defiant, upbeat centerpiece of an understated album. Asked if the track, which has received more than a million YouTube views in a month, was a middle finger to her ex-label, Marshall demurred: “Thank you for asking, but no comment.”

Cat Power Big O 2018

Buy Cat Power stuff here . . . . .