. . . . .one of our very greatest artists of all time
Thursday, July 11, 2024
this week’s birthdays . . . . DAVID HOCKNEY
Monday, July 11, 2022
RUN PAINT RUN RUN::Don Van Vliet as a serious Artist - a Facebook discussion
CAPTAIN BEEFHEART AS ARTIST
Don Van Vliet the Painter
'Van Vliet’s visual arts practice proved to be more financially secure than his music had ever been, and it was when Julian Schnabel purchased one of his paintings and he received his first solo exhibition at Mary Boone Gallery in New York in 1985 that his visual arts career really took off. Although many people initially saw him as just another rock musician trying his hand at art as a form of creative indulgence, his unique paintings soon received more serious attention. His works have been described as Expressionistic and Primitivistic, both descriptions are anathema to me and as “outsider art”, and have been compared to the work of Franz Kline, Mark Rothko, and Jackson Pollock.' Comparisons are odious indeed and Don Van Vliet has a unique voice that has little to do with Pollock of Rothko or indeed any of the American Abstract Expressionist circle. The work is neither 'outsider' art nor 'primitivistic' is to misunderstanding the reading of Van Vliet's poetic meaning and link to his lyric poetry.
Of course Don had always made art even as a child . . . . . . .
'Left to Right: Diego Cortez, Don Van Vliet, Bradford Morrow, David Fricke, David Hockney, Henry Geldzahler. 33 West 9th Street, NYC, 1982.
'THE HOST, THE MOST, THE HOLY GHOST:
Wednesday, September 16, 2020
DAVID HOCKNEY
David Hockney, Paper pools, 1980.
“In the late 1970s, David Hockney began experimenting with the unconventional paper pulp medium in an attempt to capture the subtle hues of shimmering light on water.
Paper Pools is a book chronicling a very specific moment in Hockney’s creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting.”