Now you all know I like the early blues players and keep finding artists like the wonderful Nat Myers, youngsters who are covering blues standards and making them their own. I thought we featured young Muireann Bradly before singing Libba Cotton ‘ Shake Sugaree’ so named checked her. Gonna follow her more closely after this great classic blues number
Sunday, March 23, 2025
Wednesday, October 23, 2024
We love Libba! Elizabeth Cotten LIVE in 1975 | FLOPPY BOOT STOMP
Elizabeth Cotten LIVE in Portland OR 1975
Saturday, April 27, 2024
Muireann Bradley - "Shake Sugaree" - McNally Guitars Session |
So I will bid you Good Night with this . . . I know we have posted two version of Elizabeth ‘Libba’ Cotton's Shake Sugaree and noted it has been covered by loads of folk (including the last version shared with her very own granddaughter, Brenda Evans) to Bob Dylan and The Grateful Dead but here’s an absolute cracker of a version by this youngster which restores my faith in humanity . . . . . . . . . . . . . . . . enjoy and Night all!
"Shake Sugaree" by Muireann Bradleyplaying her new custom McNally Guitars S model
Tuesday, August 29, 2023
Elizabeth Cotten - Freight Train And Other North Carolina Folk Songs And Tunes (1958) | ZERO G SOUNDS
Mo’ Libba
Recorded in 1957 and early 1958 by Mike Seeger, "Freight Train and Other North Carolina Folk Songs and Tunes" collects the influential debut sides cut by a then-62-year-old Elizabeth Cotten; even decades after their first release, they remain a veritable primer in the art of finger-picked style guitar playing. The quaint, homespun quality of the material - much of it recorded at Cotten's home with her grandchildren looking on in silence - adds immensely to its intimacy and warmth; the sound quality varies wildly from track to track, but the amazing instrumental work shines through regardless on tracks like the opening "Wilson Rag" and the now-standard "Freight Train.”
Tracklist:
1 | Wilson Rag | 1:35 |
2 | Freight Train | 2:42 |
3 | Going Down The Road Feeling Bad | 2:09 |
4 | I Don't Love Nobody | 1:10 |
5 | Ain't Got No Honey Baby Now | 0:53 |
6 | Graduation March | 2:29 |
7 | Honey Babe Your Papa Cares For You | 2:11 |
8 | Vastopol | 2:08 |
9 | Here Old Rattler Here / Sent For My Fiddle Sent For My Bow / George Buck | 3:45 |
10 | Run…Run / Mama Your Son Done Gone | 2:15 |
11 | Sweet Bye And Bye / What A Friend We Have In Jesus | 3:00 |
12 | Oh Babe It Ain't No Lie | 4:40 |
13 | Spanish Flang Dang | 2:49 |
14 | When I Get Home | 2:21 |
Saturday, July 01, 2023
Elizabeth ‘Libba’ Cotten - Shake Sugaree | ZEROSOUNDS
‘LIBBA' COTTEN
Elizabeth Cotten - Shake Sugaree | Zero Sounds
Elizabeth Cotten was a national treasure. She didn't begin recording until she was 66 years old (in 1958), but a simple song she had written when she was 11, "Freight Train," became a staple of the folk revival in the 1960s, and her frequent concerts and appearances on the folk circuit were legendary for their unassuming grace and wisdom, not to mention her unique guitar skills.
Left-handed, Cotten played her guitars and banjos upside down and backward, and her picking style gave the bass strings a clear sound while working muted harmonics on the treble strings, all of which resulted in an idiosyncratic guitar style that, coupled with her frequent open tunings, gave her playing a special singularity. Her vocals were often fragile-sounding and shaky, but so full of a natural clarity and joy that it's hard to imagine her singing any other way, and what might have been a weakness only added to her ability to connect with audiences.
This collection from Smithsonian Folkways is a revised reissue of her second LP, which originally appeared in 1965, with ten previously unreleased tracks added. The title cut, "Shake Sugaree," has had almost as long a life as "Freight Train," and has been covered by the likes of the Grateful Dead and Bob Dylan in concert. Cotten's version is sung in a lovely, seemingly effortless fashion by her great grandchild, Brenda Evans (then only 12 years old), with Cotten providing the guitar lines, and the song itself is a whimsical set of half-riddles intended as a lullaby. Many of these tracks are brief guitar instrumentals, what Mike Seeger calls "parlor ragtime" in his liner notes, and the pair of instrumental church pieces that close the disc, "Till We Meet Again" and "When the Train Comes Along," are particularly striking. Other highlights include "Untitled/Georgie Buck," which begins with an improvised bit of banjo-style guitar picking before morphing into "Georgie Buck," a well-known Appalachian banjo and fiddle tune. The goofy "Shoot That Buffalo," which Cotten plays on banjo, accelerates as it unwinds, and it is easy to imagine children being delighted by its kinetic energy and playful lyrics. The haunting banjo song "Reuben," here played on guitar in open D tuning, is another highlight. Libba Cotten's fans are loyal and enduring and will be delighted with this expanded edition of "Shake Sugaree". Listeners new to Cotten may want to start with her first Smithsonian Folkways album, "Freight Train and Other North Carolina Folk Songs and Tunes", or even 1984's "Live!" (which earned Cotten a Grammy Award in 1985, when she was 90 years old), or better yet, pick up all three, making a sort of collected works. She's that special.
Monday, November 23, 2020
Elizabeth 'Libba' Cotton
Not much new so far around t'interwebbiewatchamacallit . . . . . .so
What do you notice about this picture? Maybe printed the wrong way round as she appears to be playing the guitar left handed? The strings are round the wrong way? ! Nope . . . . . . . . .
Libba played it like that!
Legendary folk singer/songwriter, Elizabeth 'Libba' Cotten pictured at home playing her guitar. Unlike most left handed guitarists, Elizabeth didn’t restring the guitar and so she developed a unique playing style of picking the three bass strings with her fingers and the three treble strings with her thumb. This is the opposite of the typical way of playing and was later coined as Cotten Pickin’. She wrote 'Freight Train' you know that song dontcha?!
She is a delight . . . here she plays 'Vastapol' . . . . .
I think I first came across her as Bobby did 'Oh babe it ain't no lie' and I thought 'Gosh I wonder who wrote that lovely song?'
It was Libba . . . . .
Monday, June 08, 2020
Elizabeth 'Libba' Cotton
Emily Barker and fine fine coffee . . . . . .
The wonderful Emily Barker mentioned 'Libba' Cotton this morning on her Facebook page in relation to maybe having a daily post of things important to her and the album of Cotton gave me cause to remember the people who have covered her songs from The Grateful Dead to Bob Dylan and folk like Rhiannon Giddens. Emily also mentioned coffee and certain brands which of course we have both done on our respective facebook pages . . . . . . . . . Cotton was a worker for the Seeger family a domestic and recalls doing the washing up and clearing dishes and also teaching Peggy and Michael some songs which she recounts on Pete Seeger's TV programme with no hint of irony or chagrin from Seeger (see below)Rhiannon Giddons
Here's Libba with a song she wrote. . . . . .yup she wrote 'Freight Train'!