I Can See You - by Paddy Summerfield c. 1986
Showing posts with label Paul McCartney & Wings. Show all posts
Showing posts with label Paul McCartney & Wings. Show all posts

Friday, August 01, 2025

LEARNING TO FLY (again!) WINGS first gigs | Albums That Should Exist

Paul McCartney - Portland Building Ballroom, Nottingham University, Nottingham, Britain, 2-9-1972

Paul says? (no not THAT Paul!): Here's a timely post, if you're into bootleg collecting, like I am. Just a few days ago (as I write this on the last day of July 2025), a bootleg emerged on the Internet for the first time. Actually, this recording of this concert had been well known by Paul McCartney fans for a long time, because this was McCartney's very first concert with his new band Wings, since he'd been a member of the Beatles in the 1960s. But the audience recording had poor quality. The news is that a much, much better version has emerged, and that's the version I'm posting here.

Unfortunately, some people privately hoard interesting music recordings for whatever reason. (If you're one of those people, please share, before most of the interested people pass on!) In this case, somebody had a reel-to-reel recording of this concert, and didn't share it for decades. A reel-to-reel recording is still an audience recording, of lesser sound quality than most soundboard or FM radio bootlegs. But it also indicates a recording device of significantly better recording ability than the typical tape recorders people were sneaking into concerts at the time.

Earlier in July 2025, Beatles fans AdamBound and Juan Cena noticed this reel-to-reel recording was on sale. They bought it, then they improved it. For instance, they corrected the speed, as it ran a bit slow. Then they posted it at the Beatlegs forum, which is where I got it. In addition to sounding better than all previously known versions, it was seven minutes longer, including a second version of the song "Give Ireland Back to the Irish."

I made some additional changes to further improve the sound. One problem was that two songs were cut off right at the beginning, "Blue Moon of Kentucky" and "Bip Bop." Only a few seconds were lost in each case, as the recording person was a few seconds slow hitting the "record" button. I found another bootleg from just two days later, in Hull, Britain, and used that to patch in the missing seconds for each song. That's why those two have "[Edit]" in their titles. "Lucille" and "Long Tall Sally" each had drop outs that lasted a couple of seconds in the middle of the songs. I patched those up using music from elsewhere in the song. That's why those two are edited too.

Furthermore, I made three big changes to all the songs. One was that the voices on stage were quite low during all the banter between songs. I boosted those considerably, so now it's easy to hear what McCartney and his band mates had to say. Secondly, I used MVSEP to remove all the crowd noise during the songs while keeping them at the ends of songs. Third, I boosted the lead vocals relative to the instrumental parts when I thought that helped, which was for most songs. Thus, this album should sound even better. Still not a soundboard, but getting there.

The band performed two short sets. Clearly, the first part of the first set wasn't included in this recording. We know other songs were played, since McCartney made reference to playing "Lucille" for the second time, when there's only one version here. (There are two versions of "Give Ireland Back to the Irish" though. Since the band had just formed, they didn't know that many songs yet.) Aside from the first "Lucille," we don't know how many other songs were missed. But judging by other set lists from the days just after this concert, probably only a couple others, maybe a little more.

McCartney wanted his new band to get better performing some concerts before they dig really big concerts and faced the scrutiny of the press. So they came up with the idea of just spontaneously showing up at universities and giving concerts before any media hoopla could catch up with them. They chose universities because there was guaranteed to be an audience of interested young people gathered together there. This concert was performed during lunch time to a packed room of only about 700 to 800 people. That was a far cry from the huge stadiums McCartney performed when the Beatles went on tour!

There are a lot of very interesting stories connected to this concert. But I don't have to write about them here, because there's a lovely webpage all about this concert, which you can find here:

Wings concert at Nottingham University in Nottingham on Feb 9, 1972 (Lunchtime) 

It has lots of quotes from band members and audience members, photos, and much more. I strongly recommend checking it out. That same website has another interesting page about the events that led up to the concert:

Wings departs for their University Tour • The Paul McCartney Project 

This album is 54 minutes long. 

01 Blue Moon of Kentucky [Edit]
02 talk
03 Give Ireland Back to the Irish
04 talk 
05 Help Me 
06 talk
07 Thank You Darling 
08 talk
09 Wild Life 
10 talk 
11 Bip Bop [Edit] 
12 talk 
13 Shuffle Blues 
14 talk 
15 The Mess 
16 talk
17 My Love
18 talk 
19 Give Ireland Back to the Irish [Second Version] 
20 talk 
21 Lucille [Edit] 
22 talk 
23 Long Tall Sally [Edit] 

Dual sources offered Pixeldrain or Bestfile



Paul & Mary (by Linda)

Linda & Mary (by Paul)




Tuesday, August 13, 2024

Macca going Solo | #beachboysbeatles101 Facebook

See how many star can YOU spot!?



Paul McCartney Definitely Didn’t Coast Into A Solo Career After He Left The Beatles : 


"To this day it’s still mind boggling how Paul McCartney began his musical career after he left The Beatles. When the band broke up in 1970 he was one of the five or ten most popular and revered musicians on the planet and would’ve had people lining up to play or record music with him. 


But that wasn’t how Paul was wired. He definitely was going to do things his way and that’s exactly what he did. He didn’t form a supergroup and didn’t get the most popular musicians of the time to back him. He made a “one man band” album then one with his wife Linda. 


When he formed what became known as the band Wings he basically started over from scratch. And endured all of the growing pains that come with the formation of a brand new band, even if your name is Paul McCartney. 


Paul didn’t coast off his Beatles’ past. He refused to play any of his already legendary Beatles’ material when the band first hit the road. Even the way he traveled wasn’t like a multimillion dollar musician with a bunch of roadies or in an extravagant way. Paul loaded up a bus with the band’s equipment, the band themselves, with Linda and the kids. 


Even showing up at University and College campuses to play impromptu shows. Imagine what it was like to hear that Paul McCartney (the Beatle Paul McCartney) was outside with his new band asking if he could come in to play some songs. Most people thought it was a joke, that is until they saw Paul himself walk in. 


All are examples of Paul and his amazing work ethic. Even after he gained and most importantly EARNED every bit of his success and accolades up to that point he still was willing to start over and do it all from scratch again. 


Just one of many things that continue to make Paul such an inspirational example to his fans all over the world." 


#beachboysbeatles101

Paul and Linda McCartney - Coming Up





Paul McCartney & Wings - Wild Life (Live from "The Bruce McMouse Show", 1972)
Paul McCartney & Wings - Big Bop (Live from "The Bruce McMouse Show", 1972)

Wings - Hi Hi Hi


Wednesday, December 06, 2023

Denny Laine (29th October, 1944 – 5th December, 2023.)

 WINGS - GO NOW* :  featuring Denny Laine


So sad to hear of the passing of Denny Laine [79] who died peacefully yesterday surrendered by his loving family. An extraordinary musical life, surrounded by chaos and including founder membership of The Moody Blues and Paul and Linda McCartney with Wings!

His widow’s announcement was truly moving and heartfelt and beautifully written. Our thoughts go out to her and his friends and family at this time

*Go Now was written by Larry and Bessie Banks

and Guess I’m Dumb shares this too this morning . . . . 


  • Track Name

    Say You Don't Mind

  • Artist

    Denny Laine

guessimdumb:

Denny Laine - Say You Don’t Mind (1967)

After leaving the Moody Blues in late 1966, Denny Laine recorded this single with his Electric String Band (years before ELO - fellow Brummies).  Of course Denny went on to other things, and later Colin Blunstone had a hit with this same song. [Note that Denny wrote it! Andy]

R.I.P. Denny Laine

Sunday, September 24, 2023

Sunday Sounds (contd.) WINGS : BAND ON THE RUN

 PAUL MCCARTNEY & THE WINGS - BAND ON THE RUN (1978)

go on click on it anyway! it does work I promise . . . . . 


Facebook sourced  . . . . . I LOVE this film and the era of Paul and Linda and Wings bandmates down (up?) on the farm!


Saturday, January 29, 2022

SONG OF THE DAY - WINGS - 'JET'

 


 . . . . just because it cheered me up. From happier times when Paul and Linda were enjoying their  young family in the midst of performing with WINGS!

  • "Jet" was the name of a black pony that Paul McCartney and his wife Linda owned; the pony provided the title for the song. The McCartneys owned a variety of animals, and at the time their brood included a golden lab named Poppy, a Dalmatian named Lucky, and the old sheepdog Martha (from the Beatles song "Martha My Dear"). "Jet" was chosen because the name makes a very stadium-ready title, perfect for throwing your fist in the air when it's performed in an arena. The song is really about freedom; McCartney did something similar when he used an amusement park ride as the title for a song about madness in "Helter Skelter."

    Paul's wife Linda gave some clues to the thought process behind "Jet" when she said in 1976: "He wanted that one to be totally mad. Paul's had a lot of practice in the studio. He's done some very trippy things. Every now and then he remembers how much he loves it."
    Speaking with GQ in 2018, Paul McCartney told the story behind this song: "I was in a songwriting mood and I was up in Scotland. I just thought, OK, I just gotta go somewhere and try and write a song. We happened to have a little pony that was called Jet on the farm. I took my guitar and hiked up this great big hill. I found myself a place which was in the middle of nature, and just sat there and started making up a song.
    I don't know where all the words came from. Well I know where 'Jet' came from - I liked the name. The words are probably about me and my father-in-law. The early days of getting married and when your father-in-law is kind of a nuisance. He's probably the 'Major' in it but it's only a song so you kind of work your things out.


Tuesday, December 07, 2021

Paul McCartney & Wings: Last Flight ... The Complete Glasgow Concert [1979.12.17]

 The great weblog Fresh & Alive has posted a cracker of a Macca! 

The legendary last Wings gig signing off in Glasgow of 1979. This is great quality and F&A cites that McCartney recorded it himself for the possibility of release as a record of the last tours of Wings. What I do know is that it is really great quality and highly listenable

Fresh and Alive






Paul McCartney and Wings - LAST FLIGHT - Live in Glasgow 1979 - Fresh & Alive

Tuesday, April 13, 2021

WINGS LIVE IN L.A. 1976 - HEAR ROCK CITY

 WINGS OVER AMERICA II

So we had a lovely George tribute we should have some more Macca I feel and whoops whadya know Hear Rock City turned up trumps t'other day



Wings live in L.A. 1976

Who Didn't Love Wings Over America?

(I Still Have the 3 Record Set Around Somewhere...) me too!

This Is a Great Sounding Soundboard From 
Los Angeles, 
Mostly,
(A Few From the Seattle Show Mixed In)
From The Wings Over... Tour back in 1976!

Paul McCartney and Wings At Their Best!

My wife and I were still members of the Fanclub by this time (the year we got married and still living in Leicester after my sojourn at Art College) and we bought the triple live album when it came out of course and loved that album despite people accusing it of being 'touched up ' and remixed if not 'over produced' but being a triple we forgave Paulie anything! This is a peach and breathtaking quality!

WINGS OVER AMERICA II - Hear Rock City



With a selection of cover artwork no less!


Thursday, November 19, 2020

 ONE HAND CLAPPING!

WINGS LIVE!

ALBUMS THAT NEVER WERE



SonicLoveNoize has turned up trumps this morning (when doesn't he ever?) and those of you visiting here could do worse than drop over and avail yourselves of this excellent Wings Live set he has compiled. I have said before I came across the page 'Albums That Never Were' when looking for a Captain Beefheart - It Comes To You in a Plain Brown Wrapper and his projects are true labours of love recreating classic, sometimes mythical, missing legendary albums and projects of love they are too. Plain Brown Wrapper is uniformly excellent as they usually are. It is also worth mentioning in these days of sound bites and little bitty short attention spans his notes on these projects are superb and always insightful and enlightening. This is a great one and worth a read and enjoy the superb quality throughout. 
My wife and I were card carrying members of the Wings fan club through the seventies and love this period of C -Moon, Little Woman Love, Hi Hi Hi etc but this covers his classics too with Blackbird, Maybe I'm Amazed, Let Me Roll It to Band on The Run etc. Superb!

Mark Heggen - cover artwork

Sonic says:

This is a reconstruction of the proposed 1974 live in-the-Abbey Road studio album One Hand Clapping by Paul McCartney & Wings. Originally meant as the studio rehearsals for a 1974 Wings Over Australia tour that never happened, the proceedings were filmed for a possible film release, akin to The Beatles’ Get Back project eight years earlier. Despite the high quality of live studio performances—especially of the then-unreleased “Soily”--McCartney shelved the entire project, as was the fate of a number of other self-financed Wings film projects throughout the 70s and 80s. This reconstruction attempts to replicate what a double-LP release in 1974 could have been like, using the best possible sources, including official releases and painstakingly-remastered bootleg recordings. All tracks have been sequenced in the actual recording order, spread across four sides of a vinyl record.

Wings - 'One Hand Clapping' - Albums That Never Were











 


 

piccie

Thursday, January 31, 2019

Singles bought when they came out continues , . . . . . . . never entirely sure about this one and it is clearly over simplified and what do you do about the Northern Irish? Paul and I share Irish ancestors but not sure this said anything much . . . . . . . although I think the troops out point is fair enough best seen in the consent of an emotional response to the slaughters (13 dead from 26 unarmed civilians shot by troops) on 'Bloody Sunday', it was written the next couple of days recorded the day after and released four weeks later.

On this day in music history: January 30, 1972 - Paul McCartney writes and records “Give Ireland Back To The Irish” with Wings in response the “Bloody Sunday” massacre in Northern Ireland in which thirteen unarmed civil rights protesters are shot and killed by British Army soldiers. Being of Irish decent himself, McCartney feels moved to comment on the shocking and tragic incident. The track is recorded at Island Studios in London two days after it’s written on February 1, 1972. It is the first Wings track to feature new lead guitarist Henry McCullough, formerly of The Grease Band (singer Joe Cocker’s backing band). Initially, EMI Records refuses to release the song, feeling that is “too inflammatory”, but issues it at McCartney’s insistence. The single is released a month later on February 25, 1972 (US release date is on February 28, 1972) and is immediately banned from airplay by the BBC, Radio Luxembourg, and the Independent Television Authority. The original 45 is released with a custom label with five green shamrocks printed across the top, and packaged in a bright yellow die cut sleeve with the band name printed on the front and back. In spite of the ban, it hits #1 in Ireland, peaking at #16 on the UK singles chart, and #21 on the Billboard Hot 100. Originally released as a stand alone single only, “Give Ireland Back To The Irish” is included as a bonus track on the CD reissue of Wings’ first album “Wings Wild Life” in 1993.


Tuesday, December 11, 2018

MAYBE I'M AMAZED

"WINGS OVER AMERICA"



On this day music history: December 10, 1976 - “Wings Over America”, the sixth album by Wings is released. Produced by Paul McCartney, it is recorded in Various Locations from May - June 1976. The band’s only officially issued live album, the twenty-eight track triple LP set (issued in a gatefold sleeve with custom art labels and a double sided poster) is released in response to a three LP bootleg album titled “Wings From The Wings” taken from their performance at The Forum in Inglewood, CA on June 23, 1976. The set is originally conceived as a double album but is expanded to three to reflect the complete concert. The album is a critical and commercial success upon its release, but is the subject of some controversy among fans when it is later revealed that some post production overdubs were done to the otherwise fully live recordings. “Wings Over America” makes its CD debut in 1984 while McCartney is signed to Columbia Records. This edition only remains in print for a brief period before he re-signs with Capitol Records in 1985, taking his catalog with him. The Columbia CD pressing becomes a heavily sought after collector’s item among fans, due to its limited availability. In May of 2013, the album is reissued as a remastered two CD edition, three LP set, and three CD + DVD archival boxed edition (including an eight track CD featuring selections from a Wings concert recorded at The Cow Palace in San Francisco, CA). “Wings Over America” spends one week at number one on the Billboard Top 200, and is certified Platinum in the US by the RIAA.

thanks to Jeff Harris' wonderful blog

Tuesday, November 27, 2018

Still mad keen on Wings by now and Paul & Linda especially and bought 'Wings over America' when it came out and it was probably amongst the last albums I bought by Paul when it came it out . . . . . .. but boy we loved this! And remember even Paulie had a mullet!

Of course we bought everythinsince!


On this day in music history: November 26, 1980 - The live concert film “Rockshow” is released theatrically in the US. Making its world premiere at the Ziegfeld Theater in New York City, the film featuring Paul McCartney & Wings is filmed during the “Wings Over America” tour in the Spring and Summer of 1976. It is compiled from performances at Madison Square Garden in New York City (May 25, 1976), the Seattle Kingdome in Seattle, WA (June 10, 1976) and The Forum in Los Angeles, CA (June 22 - 23, 1976). The concert is first released in abridged form in October of 1981 on the Betamax video format, then in its entirety on VHS, Laserdisc and CED Videodisc in 1982. In 2007, a seven song excerpt from the film is released on DVD, when McCartney includes it on the video anthology “The McCartney Years”. The complete theatrically released version of the film is finally released on DVD and Blu-Ray disc in June of 2013, a month after the reissue of the “Wings Over America” album.

thanks to Jeff Harris' wonderful blog

Friday, July 20, 2018

Yeah, I did it, I bought it, you know I did . . . . 

 . . . . .whether it's uncool now or not I bought this one when it came out and it may have been one of last as I turned off the Wings sound round about Rockshow time and Magneto and Titanium man proved a step too far . . . but have returned to him since [last time I counted I had forty albums down in the vaults past the dungeon and over by the ha-ha! You know where . . . . . . . . ]

On this day in music history: July 19, 1975 - “Listen To What The Man Said” by Wings hits #1 on the Billboard Hot 100 for 1 week. Written and produced by Paul McCartney, it is the fourth US solo chart topper for the former Beatle. Following the huge critical and commercial success of “Band On The Run” during 1974, Paul McCartney once again looks for another change of locale to record the follow up. Prior to the sessions, guitarist Jimmy McCullough (formerly of Thunderclap Newman) and drummer Geoff Britton are added to Wings’ line up. The band begin recording the track at songwriter and producer Allen Toussaint’s Sea Saint Studios in New Orleans in early 1975. Unsatisfied with the initial results, they rework parts of the track at Wally Heider Studios in Los Angeles, CA. The single also features saxophonist Tom Scott and guitarist Dave Mason playing on the track. “Listen To What The Man Said” is the first single released from the bands fourth album “Venus And Mars” on May 16, 1975. Entering the Hot 100 at #65 on May 31, 1975, it climbs to the top of the chart seven weeks later. “Listen To What The Man Said” is certified Gold in the US by the RIAA.

Sunday, April 01, 2018

But I DID buy this one when it came out, the single not the album, and from the bargain bins it's true but if you ever needed a pop expression of having had precisely enough, this is it!
Turn it up!
On this day in music history: March 31, 1978 - “London Town”, the sixth album by Wings is released. Produced by Paul McCartney, it is recorded at Abbey Road Studios and Air Studios in London and the Virgin Islands from February 1977 - January 1978. The bands first studio album since “Wings At The Speed Of Sound” two years earlier, sessions for the album begins in London in early 1977. Deciding that a change of scenery is necessary, the locale shifts to the Virgin Islands where the band record on a yacht equipped with a 24-track tape machine. It is during the recording of the album that both drummer Joe English and lead guitarist Jimmy McCullough both quit Wings, leaving Paul, Linda and Denny Laine to finish the album on their own. Recording is further delayed when Linda discovers that she is pregnant with she and Paul’s son James (born on September 12, 1977). It spins off three singles including “With A Little Luck” (#1 Pop) and “I’ve Had Enough” (#25 Pop). The album track “Girlfriend” is covered by Michael Jackson on the album “Off The Wall” in 1979, also being released as a single in the UK. Original vinyl pressings of the album are packaged with a poster. “London Town” spends six weeks at number two on the Billboard Top 200, and is certified Platinum in the US by the RIAA.


thanks to the most excellent Jeff Harris' blog 'Behind The Grooves


Birthdays today . . . . 


Born on this day: April 1, 1948 - Reggae music icon Jimmy Cliff (born James Chambers in Somerton District, St. James, Jamaica). Happy 70th Birthday, Jimmy!!


Born on this day: April 1, 1949 - Poet, singer, songwriter and musician Gil Scott-Heron (born Gilbert Scott-Heron in Chicago, IL). Happy Birthday to this visionary artist on what would have been his 69th Birthday. After lifelong struggles with heroin Gil Scott-Heron passed away in 2011. He meant a great deal to me and made me realise poetry could be powerful and angry! The revolution will not be televised . . . . . . . 

Wednesday, January 31, 2018

Bought this and it's replacement as soon as it came out . . . . 

On this day in music history: January 30, 1972 - Paul McCartney writes and records “Give Ireland Back To The Irish” with Wings in response the “Bloody Sunday” massacre in Northern Ireland in which thirteen unarmed civil rights protesters are shot and killed by British Army soldiers. Being of Irish decent himself, McCartney feels moved to comment on the shocking and tragic incident. The track is recorded at Island Studios in London two days after it’s written on February 1, 1972. It is the first Wings track to feature new lead guitarist Henry McCullough, formerly of The Grease Band (singer Joe Cocker’s backing band). Initially, EMI Records refuses to release the song, feeling that is “too inflammatory”, but issues it at McCartney’s insistance. The single is released a month later on February 25, 1972 (US release date is on February 28, 1972) and is immediately banned from airplay by the BBC, Radio Luxembourg, and the Independent Television Authority. The original 45 is released with a custom label with five green shamrocks printed across the top, and packaged in a bright yellow die cut sleeve with the band name printed on the front and back. In spite of the ban, it hits #1 in Ireland, peaking at #16 on the UK singles chart, and #21 on the Billboard Hot 100. Originally released as a stand alone single only, “Give Ireland Back To The Irish” is included as a bonus track on the CD reissue of Wings’ first album “Wings Wild Life” in 1993.

and when it was banned over here in the UK McCartney released 'Mary Had a Little Lab' in response to the gutless Beeb not standing by him . . . . while hardly a polemic or politically thorough statement to ban it was silly it seemed to me then . . . . . .one man and his band showing solidarity with the civil rights movement of the slaughter of innocents and his family roots

Friday, December 08, 2017

As I have mentioned before I was an avid McCartney fan during and after the Beatles and bought pretty much everything, especially around the 70's and left following him around the time of  
Wings' demise, though I still have the greatest admiration for him and have probably about everything recorded now (over 45 albums! count 'em!). But this album meant a great deal to me and my wife and we were still members of the Fan Club at this point and we absolutely loved this album
esp. 'Bip Bop' and 'Wild Life' itself
Silly love songs? yessiree Bob! 
You had to be there . . . . . and in similar state of mind

On this day in music history: December 7, 1971 - “Wild Life”, the debut album by Wings is released. Produced by Paul McCartney, it is recorded at Rude Studio at High Park in Campbeltown, Kintyre, Scotland and Abbey Road Studios in London in August 1971. Coming very closely on the heels of “Ram”, released barely seven months before, Paul McCartney is joined by wife Linda and band members Denny Laine and Denny Seiwell, making up the first line up of the band Wings. Their first album is completed in under a weeks’ worth of studio time. McCartney records it wanting it to sound spontaneous like a live recording. Five of the albums eight songs are recorded in a single take. On the albums’ release day, it is launched with a party in London to both herald the new release and introduce the band. It takes a verbal pounding from critics upon its release, but still performs decently on the charts. The album is reissued on CD in 1993 with four additional bonus tracks, including the previously released stand alone singles “Give Ireland Back To The Irish” “Mary Had A Little Lamb” and “Little Woman Love”. “Wild Life” peaks at number eleven on the UK album chart, number ten on the Billboard Top 200, and is certified Gold in the US by the RIAA.

Friday, October 13, 2017

He wasn't . . . . . . . dead that is . . . . . . . merely on the run . . . . . . . . .  ha ha ha . . . . . . .

 . . . . . . . . . of course, bought on the day it came out . . . . . .with the best and funniest cover EVER . .




Paul McCartney & Wings - Band On The Run
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Band On The Run | Paul McCartney & Wings