Rick Danko - Bottom Line New York City December 20, 1977
KBFH-FM Broadcast
An Xray Special
Rick Danko, formerly of The Band, live at The Bottom Line in New York City on 12/20/1977. Danko was on tour to support his solo album, Rick Danko, released earlier that year.
Rick Danko - Bass & Vocals
Terry Danko - Guitar & Vocals
Michael DeTemple - Guitar
Walt Richmond - Keyboards
Marty Greb - Organ
Jerry Peterson - Saxophone
Danny Seiwell - Drums
01 Intro by Bill Minkin-KBFH 00:55
02 Lovin' You Is Sweeter Than Ever 04:13
03 Small Town Talk 02:52
04 The Weight 04:13
05 Tired of Waiting 03:37
06 Christmas Must Be Tonight 03:58
07 What a Town 03:34
08 Java Blues 05:16
09 Brainwashed 04:02
10 This Wheel's on Fire 04:08
XRay
For XRay and the boys at HQ FLOPPY BOOT STOMP & VOODOO WAGON
Rick Danko - New Mexico - 12/17/1977 - Capitol Theatre
Oh my, its some more Tom Petty and The Heartbreakers entitled after one of their most beloved songs
FREE FALLIN’!
AN XRay SPECIAL
Tom Petty & The Heartbreakers - Free Fallin'
Chapel, NC on September 13, 1989
Tom Petty & The Heartbreakers played the Dean E. Smith Student Activities Center in Chapel Hill, NC, as part of their Strange Behavior tour, sharing the bill with The Replacements.
Jackson Browne and David Lindley WPLJ Studios NYC, New York September 27, 1972
FLAC
A SILENT WAY SPECIAL
Track List: 1. Come All Ye Fair & Tender Ladies 2. Take It Easy 3. Jesus in 3/4 Time 4. dialogue 5. Our Lady of the Well 6. dialogue 7. Jamaica Say You Will 8. Rock Me On The Water 9. Out To Sea 10. Looking Into You 11. dialogue 12. Song For Adam 13. dialogue 14. My Opening Farewell 15. The Times You've Come 16. For Everyman 17. dialogue 18. Redneck Friend
El Rayo-X - David Lindley & Jackson Browne
Jackson Browne and David Lindley ~ These Days feat. Luz Casal
"....when you flip out on Thorazine and crystal smoke, you CHOKE like a son of a gun.....”
Silent Way notes: WARNING: this is probably the best Lou Reed live recording you will ever hear - play LOUD!(with some tracks from the Felt Forum, New York, 09 October 1974)
Disc 2 01 Animal Language 3.08 02 Waiting For The Man/Sally Can't Dance 9.38 D203 Bass Solo 3.46 04 Walk On The Wild Side* 4.26 05 White Light White Heat 5.40 06 NY Telephone Conversation/Goodnight Ladies 1.44 07 Rock And Roll 12.38
* Original Notes *
Tracks D101, D102, D103, D104 and D204 are MONO soundboard recordings from the
Felt Forum, New York, 09 October 1974 The remaining tracks are STEREO soundboard recordings from the Palace Theatre, Dayton, 27 October 1974
Lou Reed: vocals. amphetamines, foul language Danny Weiss: guitar Prakash John: bass
(definitely tracks D101, D102, D103, D104, D204 and possibly all the others) Peter Hodgeson (?): bass (possibly the tracks recorded at Dayton) Michael Fonfara: keyboards Peter "Mouse" Johnson: drums
The late 1974 US tour to promote "Sally Can't Dance" was Lou's amphetamine and alcohol - fueled assault on the unsuspecting youth of North America. The RCA publicity machine had moved into top gear, but Lou was speeding way, way ahead of them. While they were pushing him as a user-friendly glam-rock/white soul superstar, he was dying iron crosses in his hair, living with a half-Mexican transsexual called Rachel and (simulating) shooting up on stage. The new LP and 45 were being being heavily promoted via nationwide TV ads featuring our man in trademark leather jacket, blonde hair and shades (...follow the bouncing ball and sing along with Lou.....). Whatever RCA were doing, it worked, and "Sally" was in the US top 10 LP chart. Lou was later quoted as saying "....I slept through that LP - whatever they suggested I said yes....". It seemed that the further Lou descended into self-parody, the more records he sold, and the more pressure RCA put on him to produce even more "product". This would ultimately backfire in mid 1975, when he vomited up "Metal Machine Music" and then had a very public breakdown during the Australian leg of the '75 world tour. Lou wouldn't perform in public again until late 1976.
I think this is a simply outstanding show. Lou may be out of it, but the band most certainly are not. I love the way you can hear Lou slapping the mic stand at the end of "Vicious". The vocals alternate between detached and manic throughout this set, but are particularly expressive during "Kill Your Sons" (surely the best EVER live version of this song). It's as if he's standing on the edge of a cliff and he's just about to jump off because he KNOWS he can fly. This tour was the only outing for "NY Stars" and "Animal Language" - these live renditions sound better than the studio versions to me. You can hear him sneering as he spits out the words to "NY Stars". It sounds as if someone broke a string during "Animal Language": the band start a loose jam while it's being replaced. Lou starts vamping the words to "Waiting" during the jam, and just continues singing it when the band move on to the "Sally Can't Dance" riff. The end result is a unique medley of "Waiting" and "Sally" (you have to wonder how long it took Lou to realise he was singing the wrong song - he did pretty much the same at the Chalmette show in November, singing "Vicious" while the band played "Sweet Jane"). "White Light White Heat" is a heavy metal prototype for every late 1970s punk band. "Goodnight Ladies" is a gas, with the whole band gathering round the microphone - you can (just) hear someone in the background asking where the "Jacks" (Jack Daniels) is.....they were having a good time. "Rock And Roll" is simply sublime.
The stereo recording made at Dayton was missing "Intro/Sweet Jane" and part of "Vicious" and there was a tape break during "Wild Side": mono soundboard recordings from the New York concert have been used to replace those songs.
Scans included with torrent files:
1: US Press Kit for "Sally Can't Dance" 2: US "Sally Can't Dance" 1974 tour itinerary 3: Ticket stubs - New York 09 October 1974 and Dayton 27 October 1974
Lou Reed - Paramount Theatre, Denver Colorado April 13th 1989
Liberated Bootleg
Now after we featured John Cale covering Nico’s Frozen Warnings t’other day it is only fair to revisit Uncle Lou!
This around the time as my favourite modern era Reed album 'New York' so the track selection is excellent and its from basecamp and XRay so you know it’ll cook!
XRay
John Cale and Lou Reed on Sunday Night (1989)
John Cale and Lou Reed perform two songs on Sunday Night (later called "Night Music") show #120 in 1989. From Songs For Drella for Andy Warhol their earliest mentor and pater familias
1. "You Got The Style It Takes" (00:00)
2. "Nobody But You" (03:17)
Lou Reed - Dirty Boulevard (Night Music with David Sanborn,1989)
Setlist: 1. Run, Shakers Life 2. With A Little Help From My Friends 3. Marjorine 4. Change In Louise 5. Can't Be So Bad 6. Let's Go Get Stoned 7. That's Your Business 8. Delta Lady 9. Hitchcock Railway
A Silent Way Special
its from the BEEB and The Boss so you know it’s gonna be good!
"The Jimi Hendrix Experience were booked to perform on April 26, 1969 with opening acts Chicago Transit Authority (soon-to-be renamed Chicago) and Cat Mother & The All Night Newsboys, the latter of whom shared management with the headliners. By the time The Jimi Hendrix Experience took the stage to blaze through a spirited set, live concert sound had drastically improved from the time of The Beatles baseball stadium tours, but crowd control was still a major concern. Between songs, Jimi pled with audience members to stop rushing the stage. A heavy police presence is felt; lyrics for their hit “Purple Haze” are altered (“’Scuse me while I kiss that policeman!”) and Jimi dedicates “Spanish Castle Magic” to “the plain clothes police out there and other goofballs.”
Originally posted at the original FBS and here December 1, 2018
The Stranglers - Live at the Hope & Anchor
Islington, North London
November 22, 1977 Soundboard @Flac Out of Print
Track List:
1.Tits 2.Choosey Suzie 3.Goodbye Toulouse 4.Bitching 5.Mean To Me 6.School Maam 7.Peasant in the Big Shitty 8.In the Shadows 9.Walk On By 10.Princess of the Streets 11.Go Buddy Go 12.No More Heroes 13.Straighten Out 14.Peaches 15.Hanging Around 16.Dagenham Dave 17.Sometimes 18.Bring on the Nubiles 19.London Lady
Witness a stunning live rendition of “Golden Brown” by legendary British band The Stranglers. This unforgettable performance brings new life to one of the most iconic tracks of the 1980s.
With its distinctive harpsichord riff, waltz-time rhythm, and enigmatic lyrics, “Golden Brown” remains a timeless classic. First released in 1981, it marked a stylistic shift for the band and became one of their biggest international hits.
