BBC's "Peaky Blinders"
- I was going to give this new series the benefit of a couple of more weeks
before reviewing and summarising my reactions and thoughts but once the
laughter clearly showed no signs of letting up I felt compelled to write while
I can still hold my hand steady. Where everything looks like a 80’s pop video,
why even the dirt looks choreographed, the puddles look staged and the scenery
like something from a local theatre production of Ali Baba. The leading man is
prettier than the women in it and the horses prettier than him! The men’s
hairdressing appears to have been done in the one & only barber who
laughably only has one style, some perverse kind of short back and back left
long on top. Pudding basins all round but be sure to leave something for
Cillian Murphy to flourish and flick out of those steelie blue mincers.
Speaking of pop videos the music is strangely disturbing if
not distracting here and doubtless some misguided attempt at a modern twist to
appeal to the younger audience by occasionally having The White Stripes
interspersed with Puccini behind the more laboured attempts at drama. It’s a
bit like having Red Hot Chilli Peppers do a D.H. Lawrence film soundtrack. Why
even Nick Cave has been used as the theme! No attempt at historical accuracy
here as indeed there doesn’t seem to be anywhere.
The chorus line . . . . . . |
The décor too are mainly laughable not least for their
studied grime that looks like it’s been applied with a make-up brush with a
colour range from varicose vein blue to tubercular brown to consumption grey
but the set is laughable too. The factory appears to do no actual work at all
as the steel drums that were there last week appear to be in exactly same
place. Aesthetically placed by the shooting sparks and bursts of flames that
shoot with no apparent purpose but at least in time with the soundtrack. ‘Make
sure the rust looks evenly painted for pities sake you lot!’ All very
theatrical and I was thoroughly expecting the ensemble to burst into ‘Mack The
Knife’ or ‘Whiskey Bar’ any second. Someone took their degree in set design by
watching ‘Once Upon a Time in America’ and nothing wrong with that except that
this is Birmingham England and the B.S.A factory not New York in the 20’s. The
only thing in come appears to be both feature opium dens – ooh, how exotic!
It is the acting that beggars belief though! The accents
alone are given to sliding around as if recorded weeks apart. Mind you the
combination of Brummie and Irish is somewhat of a challenge. Sam Neill’s accent
slides from scene to scene but is largely dreadful despite his protestations
that it is based upon that of his father, the clipped vowels and broad attempt
slips around like so much fish on a plate. Poor Mrs
Helen-Homeland-Lewis-McCrory has to struggle to maintain the broad Brum her character
requires but she is underused here in general so there would appear to have
been little time for her to master it.
It
would appear worth sticking with if only to see if the laughter level increases
but “tough epic gangster drama” this ain’t!
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