portrait of this blog's author - by Stephen Blackman 2008

Sunday, September 23, 2018

I was late coming to an appreciation of The Band as anything other than Bob Dylan's backing band (sic) and only really 'got' them after seeing them at Wembley Stadium in 1974 (wow that is SO late! - ED >>sigh<<) where frankly they blew everyone else away despite a fine set from CSN&Y and the jazz influenced Joni Mitchell and the Tom Scott band which although we all professed to like it I didn't really, it all sounded a bit MOR to me! 
The Band meanwhile rocked upon Cripple Creek . . . . . . . 


On this day in music history: September 22, 1969 - “The Band”, the second album by The Band is released. Produced by John Simon, it is recorded at 8841 Evanview Drive in West Hollywood, CA and The Hit Factory in New York City from Early - Mid 1969. Issued as the follow up to their acclaimed debut “Music From Big Pink”, The Band decide on a dramatic change of scenery to work on their next release. The album is recorded in a rented home in the Hollywood Hills owned by entertainer Sammy Davis, Jr.. The home’s pool cabana is converted into a recording studio for the duration of the sessions. It yields a number of classic songs including “Up On Cripple Creek” (#25 Pop), “Rag Mama Rag” (#57 Pop), and “The Night They Drove Old Dixie Down”. The LP cover features a sepia toned photo of the band by photographer Elliot Landy, becomes known as “The Brown Album” by fans for the brown colored border around the front and back of the album jacket. The original US vinyl pressing of the album cut by mastering engineer Bob Ludwig (indicated by the initials “RL” in the run out groove), is made using the first generation master tapes, is regarded as the best sounding pressing of the LP. Subsequent cuts use 1:1 safety copies including later reissues due to the original masters either being lost or not being accessible. “The Band” is first remastered and reissued in 2000 on CD with seven additional bonus tracks including alternate versions of several songs, and the non-LP B-side “Get Up Jake” in true stereo for the first time (originally issued as the B-side of “Ain’t Got No Home” in 1973, erroneously listed on the single as being from their live album “Rock Of Ages”). It is also reissued as a hybrid SACD (Super Audio Compact Disc) and vinyl LP by Mobile Fidelity Sound Lab in 2013. The album is inducted into the Grammy Hall Of Fame in 1999, and is selected for preservation by The National Recording Registry of The Library Of Congress in 2009, for its ongoing historic and cultural significance. “The Band” peaks at number nine on the Billboard Top 200, and is certified Platinum in the US by the RIAA.


Superb closing shot from Wembley of CSNY's set - ©️Vin Miles
Check out more here and more of Vin Miles' amazing shots of the gig except for the Band unfortunately 

2 comments:

diamonddave said...

Hi Andy. I too was at this concert - along with 80k others or whatever! - I remember it was a really long day. The Band were really good, but I thought CSNY were awesome. One of the highlights was Stills playing Blackbird - I think I got up extra early in the morning, to try to crack it. To no avail! Still got the programme somewhere.Great memories. Keep up the good word. Yarnton Dave.

Andy Swapp said...

Thanks Yarnton Dave! I agree from what I recall and did enjoy CSNY very much but for some reason it was and is The Band that I remember still! I think we had seen CSNY before and knew what to expect somehow and whilst they were great, The Band totally shocked me as to how much I enjoyed them. I don't think I expected to end up dancing at this gig and we sure did! Happy days my friend! Thanks for the input. It's appreciated