I Can See You - by Paddy Summerfield c. 1986

Saturday, April 04, 2026

VA - King R&B Box Set [1996] (4 x CDs) | Butterboy

 VA - King R&B Box Set [1996] (4 x CDs)



R&B


Collectors usually encounter The King R&B Box Set the same way they would an old archive drawer, opening it out of curiosity and then realizing how much history sits inside. Issued across four discs and drawing from the catalogue of King Records, the set gathers recordings made between 1945 and 1966, years when rhythm and blues was still defining its shape. The label’s Cincinnati operation recorded, pressed, and shipped its own records under one roof, and that practical spirit carries through the entire box.

The early stretch places the listener right inside the late-forties rhythm and blues circuit. Wynonie Harris and Roy Brown arrive with the kind of punch that once drove jukeboxes and Saturday night dances. Horns push hard, pianos roll underneath, and the recordings feel immediate rather than polished.

As the sequence settles into the mid-fifties, the character of the label broadens. Groups like The Royals bring tight vocal interplay and guitar driven arrangements, while Hank Ballard adds a tougher rhythmic edge that hints at the rock and soul currents forming around the time. The emotional tone deepens through singers such as Little Willie John, whose recordings show how King’s catalogue moved naturally toward early soul.

Instrumental blues arrives through Freddie King, his guitar lines cutting cleanly through the arrangements. Toward the end, early recordings by James Brown appear not as a grand finale but as a continuation of the sound that had been building across the discs.

CD4 closes in an unusual way. After the final music tracks, the box includes three short interview excerpts featuring King founder Syd Nathan. They are brief, almost offhand conversations, yet they place a human voice behind the label that shaped everything heard before.

Played from beginning to end, the set feels less like a retrospective and more like a long stack of original singles turning on the spindle, each one revealing another corner of the King sound. (B)

My favorite R&B Box set of the last few months... Enjoy

Well heck thats good enough for me  . . . and hey it’s got Fess on it!


Professor Longhair - Topic Rockin' with Fess

Versions, and versions and versions Bob Dylan and The Dead - John Brown [live]

 one chord wonder song

Bob Dylan and The Dead - John Brown

Versions and versions . . . . Bob Dylan Drifter’s Escape [Masked and Anonymous]

 


Bob Dylan Drifter's Escape Masked and Anonymous
"Drifter's Escape" is a song written by Bob Dylan that he recorded for his 1967 album John Wesley Harding. Columbia Records released it as a single in the US and the UK in 1969 as the B-side to "I Threw It All Away". The song was recorded in four takes on October 17, 1967. CBS Records International also issued the song paired with "John Wesley Harding" in some markets. Dylan wrote "Drifter's Escape" on a train in New York while traveling to the first session for the John Wesley Harding album. The lyrics provide a Kafka-esque narrative in which an outsider is oppressed by society, but not defeated. The protagonist is put on trial without knowing what the charges against him are. The judge is sympathetic, but powerless. The jury finds the protagonist guilty, but he is saved through divine intervention when the courthouse is struck by lightning. The protagonist is able to escape as his persecutors fall to their knees in prayer. Dylan leaves the orientation of the protagonist and the deus ex machina ambiguous. The protagonist could be a prophet freed by God, or he could be a false prophet freed by the devil. Several commentators have pointed to parallels between the song's story and Dylan's own experiences around the time he wrote the song. The drifter does not understand the charges against him, just as Dylan did not understand the criticism he received for moving from folk music to rock music. The jury "cried for more", just as Dylan's fans who followed his path to rock music became more oppressive. And the lightning bolt that allows the drifter to escape could be a metaphor for the "motorcycle accident" Dylan suffered in 1966. Another theme that comes through in the song is Dylan's hatred for mob violence. Biographer Clinton Heylin has noted that in writing "Drifter's Escape", Dylan found a new, economical style that allowed him to tell a five-act story in just three verses. He then went on to write more songs in a similar manner, which formed the bulk of the John Wesley Harding album. John Spoor


 

Versions: Bob Dylan Tangled Up in Blue (Take 3, Remake 2)

 love this version it sounds so  . . .well sad!

Richard Thompson - Rytmeposten, Denmark May 14, 2000 | Floppy Boot Stomp

Richard Thompson - Live Denmark 2000

Richard Thompson - Rytmeposten, Denmark
May 14, 2000
FM Source @flac


Visit Floppy Boot Stomp to download and check out a full concert Providence 2004

Richard Thompson | Cooksferry Queen | Jools Holland Sept 2000

Fairport Convention - Banks of The Sweet Primroses [Angel Delight] | jt1674

 

https://www.tumblr.com/jt1674/812869264365256704/fairport-convention-banks-of-the-sweet-primroses

George Harrison - In The Studio - The Best Of Dark Horse 1976-1989 | Voodoo Wagon | a V-Chile re-boot!

 Speaking of Voodoo Chile!!!

George Harrison - In The Studio - The Best Of Dark Horse 1976-1989



George Harrison
In The Studio
Featured Album:
 The Best Of Dark Horse 1976-1989


US radio show with Redbeard hosts. Music and unique interviews for George Harrison's CD retrospective release. Aired on December 20, 1993 
*NOW BACK FROM THE DEAD REQUESTED BY Ex_mixer 
320kbit/s

Thanks to the original source!

Enjoy!
First published 12-28-12
"I hate doing re-post (but I don't know why) However when one of our loyal followers like Ex_mixer, whom always finds the time to leave a comment request something I'll do what I can to make that request viable. So, Ex this is for you for always coming through for us “ v-chile said

So cool of V-Chile to post this fgoven his penchant fro not liking them! See it does [pay to be nice and leave a comment!

 I’m a voodoo chile, lord knows I’m a Voodoo Chile!

Everything But The Girl - Each And Every One (demo) [Eden] | jt1674

 

https://www.tumblr.com/jt1674/812807699226148864/everything-but-the-girl-each-and-every-one

The Wedding Present - It’s What You Want That Matters [The John Peel Sessions] | jt1674

 

https://www.tumblr.com/jt1674/812793816149065728/the-wedding-present-its-what-you-want-that

Earl King - Medieval Days (1972) | Guess I’m Dumb

image

Earl King - Medieval Days (1972)

This party is set in the Middle Ages but it’s still plenty funky. Recorded in the early 70s with the Meters and Allen Toussaint, but not released until 1981. 


Earl King was also the author of 'Come On' the R n B classic hit (1960) and basis for Hendrix’s version on Electric Ladyland

Come On Parts I & II

Robyn Hitchcock - Sayonara Judge (2017) | Guess I’m Dumb


Robyn Hitchcock - Sayonara Judge (2017)

Guess has his reasons for posting . . . .always go check him out!

Losing my mind, I can’t keep it together
But together is not all that it se
ems

Kelly Boesch - One With The Groove

 FUNK IT UP!                               IT’S EASTER SATURDAY

With Kelly Boesch!


I have been experimenting a bunch with the new Midjourney V8. I got early access and it is very cool and a little weird. I got these incredible costumes with so much texture and amazing I have been experimenting a bunch with the new Midjourney V8. I got early access and it is very cool and a little weird. I got these incredible costumes with so much texture and amazing shapes. I have a few costume designers that follow me that might appreciate these. They are so creative. Animated using VEO3. I really wanted to make a fun song to match the dancing so I came up with this one “One With The Groove”. Marshall Altman at the record label added all of the cool sounds you hear in the background. Having so much fun working with him. He’s so creative. Hope you like it. 🙂
One With The Groove


Kelly Boesch

check out the link to catch up on the lyrics and to hear more 

Friday, April 03, 2026

Coming To Town (THE HOT SPOT/Soundtrack Version) - John Lee Hooker at al

 


The Hot Spot

℗ 1990 The Verve Music Group, a Division of UMG Recordings, Inc.

Released on: 2014-01-01

Producer, Composer Lyricist: Jack Nitzsche
Producer: Michael Hoenig
Trumpet: Miles Davis
Drums: Earl Palmer
: Roy Rogers
Bass Guitar, Associated Performer: Tim Lee Drummond
Recording Engineer, Studio Personnel, Mix Engineer: Pamela Neal

might sign of for the day with this extraordinary piece - check the line up!

ONLY Jack could pull this off!

Tommy Emmanuel with Trey Hensley and Arthur Smith piece - 'Guitar Boogie' (on Arthur’s Birthday!)

While I have my Bluegrass pickin’ head on! Here’s some Tommy Emmanuel  with They Hensley(on Arthur Smith's birthday!) 

Happy Guitar Boogie Day!! (It's Arthur Smith's birthday today) 🎂 🎉 Pay a little tribute to Arthur and watch this blazing performance of Guitar Boogie with Trey Hensley.

Billy Strings with Del McCoury - "Midnight On The Stormy Deep"


Someone posted this little clip so we better revisit the full song I reckon!

 

 Del & Billy throwback clip 🕛

Had the amazing opportunity to interview the legendary @delmccouryband yesterday for a @localspins spins article promoting his show in Grand Rapids tomorrow night.
In addition to several really cool stories, Del shared a bit about this performance of Bill Monroe’s “Midnight On The Stormy Deep” that he recorded with Billy a few years back and it inspired me want to share it again.
It features Del’s one of a kind voice and a rare appearance of Billy on the Mandolin. Which Del told me was actually @ronniemccoury ‘s backup!
Full video available on Billy’s YouTube page.
More from the interview soon, but if you are in the area there are still a few tickets left to show tomorrow night at @st.ceciliamusiccenter at 7:30 PM.
Don’t miss the chance to hear a living bluegrass legend and the 2024 IBMA Entertainer of the Yea

Billy Strings picks it with Andy Hall on dobro - Home of the Red Fox > Sweet Blue-Eyed Darlin’ - 5/18/24

 


Home of the Red Fox > Sweet Blue-Eyed Darlin’ - 5/18/24
with Andy Hall


oh you wanted more? Well here’s the full clip!
Can you dig it?
I think you CAN!

Jimi Hendrix - Voodoo Chile - (Electric Ladyland)

Jimi Hendrix - Voodoo Chile (Electric Ladyland [Steve Winwood organ, Jack Casady bass, Mitch Mitchell drums [and here featuring Linda McCartney’s picture of the band playing in New York’s Central Park and would have been Jimi’s choice for the cover as he didn’t think the nude models were respectful enough]

and then the world began! 

Well it IS Friday!


"Voodoo Chile" evolved from "Catfish Blues", a song that Jimi Hendrix performed regularly during 1967 and early 1968. "Catfish Blues" was a homage to Muddy Waters, made up of a medley of verses based on Waters' songs, including "Rollin' Stone", "Still a Fool", and "Rollin' and Tumblin'".

“Voodoo Chile” was first released as the fourth track on Hendrix’s 1968 album, Electric Ladyland. If you thought “Free Bird” and “All Too Well (10 Minute Version)” were extensively long, “Voodoo Chile” runs just one second short of 15 minutes. The lyrical sections are broken up by long instrumentals, putting Hendrix’s electric guitar skills on full display. It is the longest song Hendrix ever recorded.
Since “Voodoo Chile” ran so long, the last song on Electric Ladyland is a shortened version, titled “Voodoo Child (Slight Return).” They cut the song down by ten minutes, leaving it at just over five minutes long.
Jefferson Airplane bassist Jack Casady played bass on the original 15-minute studio jam of "Voodoo Chile". He recalled to Uncut magazine: "It wasn't as simple as a jam, there was a full structure to the song, so it was an extended song that you able to improvise in. We took directions through the language of playing. Jimi was able to experiment with his ability and with effects in order to create an atmosphere. 'Voodoo Chile' has a really eerie sound that kind of places you in a different world."
Don's Tunes

  

Peter Kay on Music . . . . . .

 

Ladies of The Blues - Etta Baker - Railroad Bill

 Etta Baker

Railroad Bill


we had our Elisabeth ‘Libba' Cotton (who penned Freight Freight Train) and we have featured Sister Rosetta Tharpe when the rains came down in Manchester now for some Etta Baker who standardised Railroad Bill and made it her own

Dali's Car — ya get me?


Dali's Car. at The Dalí Museum.

 

Happy birthday to Richard Thompson, born in Notting Hill, London on this day in 1949. | Route

Happy birthday to Richard Thompson, born in Notting Hill, London on this day in 1949. 

He sees angels on Ariels in leather and chrome, swoopin' down from heaven to carry him home. 

Richard Thompson - RT is an extraordinary guitar player, probably the best this country has produced, an utterly sui generis talent whose style is rooted not in standard blues clichés but in the wealth of influences coursing through the British Isles.” (★★★★ The Independent) http://bit.ly/2uMSoUR

Richard Thompson - 1952 Vincent Black Lightning

young young young