I Can See You - by Paddy Summerfield c. 1986

Thursday, April 30, 2026

Love - Fillmore West, San Francisco, CA, 11-23-1970 | ALBUMS THAT SHOULD EXIST

 Love - Fillmore West, San Francisco, CA, 11-23-1970

Paul says: Here's a concert of Arthur Lee and Love in 1970. It's actually two concerts, and early and late show. Track 10, with an emcee talking, is the start of the late show.

In my opinion, "Forever Changes" by Love is easily one of the top 100 albums of all time. Many music critics have said the same. Unfortunately though, Love didn't play live much when the concert came out in 1967, actually never leaving the Los Angeles area, and when the did, it seems nobody was there to record it. As far as I can tell, it's not until 1970 that there are concert bootlegs. So I tried to find the best one from that year in order to post it here.

In 2015, an official live box set was released, called "Coming Through to You: The Live Recordings 1970-2004." But three out of the four CDs are from the 1990s or 2000s. The first CD is all from 1970, but it's two or three songs each from five different concerts. I wanted to hear a single concert all the way through. This Fillmore West concert was the best sounding one I could find. There's no overlap with the official box set, although it includes three songs recorded at that venue a couple of days prior to this concert. 

This is a soundboard recording, but not the greatest in terms of sound quality. The main issue is the vocals were very low in the mix. That probably explains why this hasn't gotten around much on bootleg trading sites. But that's something that can be easily fixed these days, so I fixed it (using the UVR5 audio editing program). I also cleaned things up, like extra low volume of banter, and song titles being wrong. It's a much better listen now, in my opinion.

One song, "Find Somebody," has "[Edit]" in its title. It was split into two files, with a gap in between. However, I managed to patch it back together in a way that hopefully should make the split totally unnoticeable. 

I assume the people who made the live box set mentioned above looked for live material prior to 1970, and didn't find any. So this is probably as close as we're going to get, chronologically, to hearing Love in 1967. (Along with the 1970 disc of the official box set.) Mostly, the band was playing different songs. In fact, there are only two "Forever Changes" songs here ("Andmoreagain" and "Bummer in the Summer"). But Love was still making very good music at least through 1970. All the songs here are solid.

By the way, three of the songs repeat between the early and late shows: "Product of the Times," "Stand Out," and "Singing Cowboy." I decided to keep both versions in each case.

This album is an hour and seven minutes long. 

01 Product of the Times 
02 talk
03 Stand Out 
04 Keep On Shining
05 talk
06 Andmoreagain 
07 Singing Cowboy 
08 talk
09 Good Times
10 talk by emcee 
11 Stand Out
12 Product of the Times 
13 Bummer in the Summer 
14 Find Somebody [Edit] 
15 Signed D.C. 
16 Slick Dick 
17 Always See Your Face 
18 talk
19 Singing Cowboy


Decent live Love in their prime is rare as . . . so this . . . .  

earlier that same year . . . . . 
Arthur Lee & Love: Love is more than words - Live 1970
Love Live in Copenhagen March 1970. 
Arthur Lee, Gary Rowles, Frank Fayad & George Suranovich



Arthur Lee & Love - Old Man (Live) Glastonbury 2003
[with Baby Lemonade]


Arthur Lee & Love - Bummer in the Summer
 2004 Glastonbury Festival in the U.K.

Muses, Spouses, Girfriends and Influencers | Iggy The Eskimo

 


Not an Eskimo, nor christened Iggy.


She used to spend a week with Syd Barrett, a week at Chipstead Street, a week with s'omebody secret' and then start the cycle again.


New Iggy picture found: https://atagong.com/iggy/archives/2026/04/middle-earth-beauty.html


From Ray Stevenson's book "Not Just Punk", p. 38.

Picture: © Chris Lanaway, 2010.

The Holy Church of Iggy the Inuit

Iggy

Beverley Martyn (24 March 1947 – 27 April 2026)

Beverley Martyn - GUARDIAN obituary

 «I’d already been singing in folk and jazz clubs in Coventry – and my sister was always volunteering me to take a floor spot in the local folk and jazz clubs. When I came to London, I already had a voice – but mostly it was just a way to meet people. I went to all of the pubs and clubs – like Les Cousins, Bunjies Coffee House, The Troubadour and so on. I started to play regularly with a 12 string guitarist called John Joyce, who lived in Putney. We met this guy called Matt McGann, who played the tiple and a six string guitar – and then we met our jug player, who we all called Henry because he looked like Henry VIII, I don’t think I ever knew his real name, but I did come up with the band’s name The Levee Breakers because I was singing When The Levee Breaks a lot at the time» – 

 


«There was love there with John. It was the drink and the bad drugs, the very heavy ones, that changed his disposition – and they made life unbearable for anyone around him. I wouldn’t stay with a man who was killing himself»

 


– Beverley Martyn (24 March 1947 – 27 April 2026) 


Beverley Martyn Band: When The Levee Breaks 

Photographers revealed

Now I knew the name for the longest time and was an early fan of the FSA and those working to document the project but had never seen images of Marion Post Walcott unlike a few of the other women photographers involved like Dorothea Lange. 



FSA photographer Marion Post Wolcott was one of several women hired by the Farm Security Administration Photo by Arthur Rothstein

Vincent Price plays Captain Beefheart! [Gary Lucas via Captain Beefheart and the Magic Band Facebook page]


No photo description available. 

 Legendary actor Vincent Price played "I'm Gonna Booglarize You Baby" by Captain Beefheart & The Magic Band when he was the guest host on a BBC Radio 1 show called 'Sounds of the 70s: Sequence', broadcast in July 1973. John Cavanagh heard the show at the time and he posted a comment about it on this page yesterday. Here is John's comment:

'Hearing Vincent Price play I'm Gonna Booglarize You Baby when he was depping a BBC Radio One show called The Sequence. For reference to readers who are familiar with John Peel's name (and it pops up quite a bit in this thread), The Sequence was in the same strand on a Friday that had Peel's shows on Tuesdays and Thursdays at the time.

I was 8, I already loved horror movies, especially ones involving Price, Cushing and Lee, so the combination of this strangely wonderful record and VP playing it on the radio hooked me straight away!'

In 1980 Don Van Vliet did a vocal impression of Vincent Price on the Doc At The Radar Station track "Sue Egypt", saying "Bring me my scissors and those hot waters!" - i wonder if he knew that Vincent had played one of his tracks on the radio 7 years before?

Click on the first link to hear a recording of Vincent's comment after playing the Beefheart track! 

Captain Beefheart & His Magic Band - I'm Gonna Booglarize You, Baby (1972) 
Beat Club LIVE!

John explains . . . . . . .

 




Well that clears that up . . . . . I loved John’s early written work and the two books are prized possesions!
I used to speak like John had written my dialogue and loved all that nonsense, Stanley Unwin type blather

Robert Crumb revisited . . . . . . . .

 Confessions of Robert Crumb (1987)


"In 1987, Robert Crumb presents himself: raised by a Marine father, educated in Catholic schools, married at 21 in Cleveland where he worked for a greeting card company, dropping acid in 1965, heading to San Francisco and getting in on the formation of Zap Comix, gaining celebrity, loving old time jazz, starting a band, living in a commune, meeting Aline Kominsky who became his second wife and his partner in art, having a daughter, and developing a more realistic drawing style. The confessions include his loneliness, his obsessions with women, his bewilderment by fame, his sense of the disintegration of Sixties' subculture, his nervous breakdown in 1973, and his peace now."

Dylan of the Day : Bobby's dad!

 

This is a rare photograph, thought to be of Abe Zimmerman in 1938 [University of Tulsa Archives BD1938.04.01.344c] taking a ride on his last motorcycle before giving it up. He told friends that he sold it to save money. His wife of four years, Beatty, was wanting him to forget his bachelor-style days. They were planning to start a family, war was coming to Europe, and times were hard. It was with reluctance that Abe gave up his biker lifestyle. 

We can see on the bike the initials F.C. carved on the battery box. This stood for ‘Flying Cuyunas’ - a Motorcycle Club originally started by Duluth-based former miners from the (now inactive) Cuyuna Range, just Southwest of the Mesabi Range. 

The pennant on the handlebar says ‘Bay M.C.’ with a small beaver tail logo beneath. It is thought to be the colours from the ‘Beaver Bay Motorcycle Club’, as the Flying Cuyunas would often take weekend rides down the highway through Beaver Bay and on to places such as Two Harbors.

Well blow me down with a feather, it sure as heck looks like Bobby so guess it was his dad ?!

Linda Ronstadt - I’m Leaving It All Up To You [Silk Purse] | jt1674

 

https://www.tumblr.com/jt1674/815258887947190272/linda-ronstadt-im-leavin-it-all-up-to-you

David Byrne, Natalia Lafourcade & Mexican Institute Of Sound - "¿Cuál Es La Razón?”

 Someone posted this version . . . . . .so I thought I would too!


David Byrne, Natalia Lafourcade & Mexican Institute Of Sound - "¿Cuál Es La Razón?


David Byrne

GUITAR Tech - Dweezil Zappa

 Perhaps only his father’s son could find himself wondering what happens if you were to remove half your frets!??!

For Guitar techie-techies everywhere!

😳

The History Channel - Kevin Turvey Investigates : Redditch History

Battle of Redditch

Kevin Turvey

Our Raving Roving reporter




History, Journalism and profile of Redditch by Rik Mayall’s dear old friend Kevin Turvey

Wednesday, April 29, 2026

Raoul Malo Sings 'For The Good Times’ For Kris Kristofferson | Skyville Live

 Raoul Malo Sings 

'For The Good Times


For Kris Kristofferson



🎸 The Story Behind the Song

"For the Good Times" was written by Kris Kristofferson in 1968 and remains one of the most covered songs in the American songbook.


The Ray Price Connection: While Kristofferson wrote it, it was Ray Price who made it a massive #1 hit in 1970. Raul Malo, a lifelong fan of the "Nashville Sound," has often cited Price as a major influence on his own singing style, making this performance a tribute to both the writer and the singer who popularized it.


A Song of Parting: The lyrics deal with the quiet, dignified end of a relationship. Kristofferson wrote it while traveling between Nashville and the Gulf of Mexico, capturing a sense of melancholy that helped redefine country music songwriting in the late 60s.


Grammy Recognition: The song won the Grammy for Best Country Song and propelled Kristofferson from a Nashville songwriter to a global superstar.


✨ Musical Highlights

Vocal Precision: Raul Malo is widely considered one of the finest vocalists of his generation. In this performance, his control is masterful—moving from a hushed, intimate whisper in the verses to a soaring, effortless climax that fills the Skyville studio.


The "Mavericks" Soul: As the frontman of The Mavericks, Malo is known for blending country, rock, and Latin influences. Here, he strips away the "Tex-Mex" flair to focus on a pure, traditional country-ballad delivery, supported by a world-class house band featuring some of Nashville's elite session players.

A Night of Icons: The Skyville Live atmosphere is known for its "stripped-back" elegance. Watch for the genuine reverence in the room as Kristofferson himself watches his disciples breathe new life into his legendary catalog.


🏛️ About Skyville Live: Kris Kristofferson & Friends

Skyville Live is an Emmy-winning online music series filmed in front of a studio audience in Nashville. The 2016 Kristofferson tribute was a landmark event, celebrating the "Rhodes Scholar" of country music. This rendition of "For the Good Times" stands as a testament to the enduring power of Kristofferson’s melodies and Raul Malo’s status as a "singer's singer"—an artist who can take a timeless classic and make it feel brand new.

Subscribe for more legendary live performances and deep dives into the history of Raul Malo, Kris Kristofferson, and the icons of country and Americana music!



Raoul Malo [The Mavericks] - For The Good Times Skyville Live 

John and Beverley Martyn - Would You Believe Me? [Stormbringer] | jt1674

 

https://www.tumblr.com/jt1674/815241993543352320/john-and-beverley-martyn-would-you-believe-me

Birthdays: Remembering Carolyn Cassady on her Birthday!

 


Carolyn Elizabeth Robinson Cassady (April 28, 1923 – September 20, 2013)


"Carolyn was an American writer and associated with the Beat Generation through her marriage to Neal Cassady and her friendships with Jack Kerouac, Allen Ginsberg, and other prominent Beat figures. She became a frequent character in the works of Jack Kerouac."

Beverley Martin dies (79)

 RIP Beverley Martyn: Iconic Voice of Folk Music Passes Away at 79


John and Beverley Martin

John and Beverley Martyn - Go Out And Get It [Stormbringer]

Auntie Aviator - Beverley Martyn

Bush Hall April 29 2014 
Beverley Martyn 
Mark Pavey Acoustic Guitar
Evan Jenkins Drums 
Rex Horan Bass
Michael Watts Electric Guitar

Carter Burwell - Raising Arizona Theme | Zen [fabulous]

 



Gary Numan - “Cars” (1979) Moments in Music August 24th 1979

 




Gary Numan - “Cars” (1979)


 —August 24th, 1979—“Cars,” the solo debut single by Gary Numan from the album The Pleasure Principle, was released. A pioneer of electronic music, complete with an androgynous robotic on-stage persona, Gary Numan’s first solo single was an immediate success. Within a month of its release, the song hit the number one spot on the UK Singles chart. The following year, the song had hit in North America, taking the top spot in Canada and peaking at number 9 in the US. In addition, the song was a top 20 hit in the UK in three successive decades: its initial release in 1979, a remixed version reached number 16 in 1987, and its use in a beer advert led to its charting again at number 17 in 1996

James ‘Stump’ Johnson ‘The Duck’s Ya-Yas | Thanks to Robert Crumb

The Cheap Suit Serenaders


The Duck’s Yas-Yas-Yas · James "Stump" Johnson

James "Stump" Johnson 1929-1964




Bob Dylan - Changing of The Guard [1978]

 

Backstage the Universal Amphitheatre, L.A., CA - Heckel Sugano (1978)

Changing of the Guards


Sixteen years

Sixteen banners united over the field

Where the good shepherd grieves

Desperate men, desperate women divided

Spreading their wings ’neath the falling leaves


Fortune calls

I stepped forth from the shadows, to the marketplace

Merchants and thieves, hungry for power, my last deal gone down

She’s smelling sweet like the meadows where she was born

On midsummer’s eve, near the tower


The cold-blooded moon

The captain waits above the celebration

Sending his thoughts to a beloved maid

Whose ebony face is beyond communication

The captain is down but still believing that his love will be repaid


They shaved her head

She was torn between Jupiter and Apollo

A messenger arrived with a black nightingale

I seen her on the stairs and I couldn’t help but follow

Follow her down past the fountain where they lifted her veil


I stumbled to my feet

I rode past destruction in the ditches

With the stitches still mending ’neath a heart-shaped tattoo

Renegade priests and treacherous young witches

Were handing out the flowers that I’d given to you


The palace of mirrors

Where dog soldiers are reflected

The endless road and the wailing of chimes

The empty rooms where her memory is protected

Where the angels’ voices whisper to the souls of previous times


She wakes him up

Forty-eight hours later, the sun is breaking

Near broken chains, mountain laurel and rolling rocks

She’s begging to know what measures he now will be taking

He’s pulling her down and she’s clutching on to his long golden locks


Gentlemen, he said

I don’t need your organization, I’ve shined your shoes

I’ve moved your mountains and marked your cards

But Eden is burning, either brace yourself for elimination

Or else your hearts must have the courage for the changing of the guards


Peace will come

With tranquillity and splendor on the wheels of fire

But will bring us no reward when her false idols fall

And cruel death surrenders with its pale ghost retreating

Between the King and the Queen of Swords

WRITTEN BY: BOB DYLAN

Copyright © 1978 by Special Rider Music