I Can See You - by Paddy Summerfield c. 1986

Friday, June 28, 2024

FLOPPY BOOT STOMP : YES LIVE! BBC RADIO FRIDAY ROCK SHOW FM RADIO BROADCAST from Wembley 1978

Yes - Wembley Arena, London BBC Friday Rock Show



Yes - Wembley Arena
London, UK
October 26, 1978
FM Source @320


Progressive rock band Yes in a live performance at Wembley Arena in London on 10/28/1978. Recorded and broadcast by BBC Radio for their BBC Friday Rock Show series. Yes was on the European portion of their tour to support the release of their 9th studio album Tourmato (Tormato in the US), released the previous month. See the cover of the concert program(me), posted as a .png file.

Yes: Jon Anderson – lead vocals · Steve Howe – guitar, backing vocals; Rick Wakeman – keyboards; Chris Squire – bass, backing vocals; Alan White – drums.



Medley 1978

The Women of Music 1 : Khatia Buniatishvili (pianist) +some Tchaikovsky | FOR SILENT WAY & BROTHER JOBE (mostly!)

 Now the guys over at HQ . . . . FBS and VW from the Boss Silent Way to Jobe and his brethren (they live like monks you know?!) appreciated a fine turned ankle. If you visit them there you will have recognised this so here is the first of a series of lassies from music!!!

Sexist?

Prolly!

We like a  musical lassie don’t we?

So sue me!

She plays piano!

We like her . . . . .  !

Khatia Buniatishvili - Tchaikovsky - Piano Concerto No. 1 in B-flat minor "Allegro con fuoco"

Lucinda Williams : Something About What Happens When We Talk | Le Ramasseur De Mégots

Something About What Happens When We Talk

Le Ramasseur De Mégots



The Beatles - Oh Darling! | The Beatles 'Get Back' the movie

 



It was said John Lennon wanted to sing this song written by Paul. He felt it was more his style, but since McCartney wrote it, it was his decision.
Oh Darling! — The Beatles (1969)

Thursday, June 27, 2024

Don Everly - Eyes of Asia (solo album for Don Everly) | Le Ramasseur De Mégots

Eyes Of Asia

In 1970, three years before the Everly Brothers split, Don Everly released his debut solo effort, simply titled Don Everly. One of three albums released by Don during the 70’s, his self-titled album is a bit of an under appreciated gem. 
Musically, it’s a reflective and confessional singer-songwriter album with cosmic americana/country rock overtones. There’s a gentleness and intangibility to the album, a sense of mystery like an ominous cloud hanging overhead. In some ways (and after a few listens), that sense of foreboding that envelops the album gives tremendous personal insight on the impending break up and ten year silence between the brothers. 
“Eyes of Asia” is one of those longing, reminiscent songs with an obvious sense of heartbreak and love lost, but a bittersweetness and fondness that permeates through Don’s voice:

“Yes it was loving you that drove me from mind, yes it was touching you that made the heartache mine, this time for certain, I’m certain this time, the eyes of Asia are the eyes of an old-fashioned girl.”

Le Ramasseur De Mégots

 


THE MARY WALLOPERS! - The Blarney Stone!

 These fine upstanding (for the moment) handsome young men were on Sunday Brunch last weekend (it was a Sunday as I recall!?) and I enjoyed their marvellous mellifluous voices and their delicate heart wrenching poetry!

The Mary Wallopers!

Someone’s been kissing The Blarney Stone!


It rings in my blood (Irish on my mother’s side, Scottish on my dad’s! It’s a recipe for disaster I tells ya,) TURN IT UP!

How Radio Personality Howard Stern Became An Unlikely Hero To Julian And Cynthia Lennon :


Now I am not much of a fan of Howard Stern (long story and we don’t get him in Europe or the UK) but this? Sheesh painful read from an early hero. Come one Yoko what WERE you thinking!?

"Many Beatles fans might not know about this story, but both Julian and Cynthia Lennon considered legendary radio personality Howard Stern as the instrumental figure in helping Julian to finally receive his long overdue inheritance from Yoko Ono. 


When John Lennon was tragically killed he left a will leaving everything to Yoko Ono’s discretion which meant she could dictate the terms of what to leave Julian, Sean, and even her daughter Kyoko with no interference from anyone else. Up until 1993 Julian was now 30 years old and the only things that Yoko had given John Lennon’s firstborn son was two guitars that really didn’t mean anything to John (Julian had requested another one that he knew was one of his father’s favorites, but was told no and given these two instead while Sean would get to use all of John’s musical equipment,) and a weekly allowance for a short time of $100 a week. 


Once Julian got his record deal Yoko stopped the $100 a week payments and had given him nothing else up to that point in the early 1990s. What was truly shocking even before that was that when John was alive both Cynthia and Julian were living pretty much a middle class lifestyle. Cynthia had made the mistake of just asking for a small settlement plus a trust fund for Julian that in the end didn’t reach the potential it should’ve because John didn’t pay the proper attention to it. 


Plus the fact that once Sean was born the trust money balance was broken in half for both sons.  Cynthia had trusted John to do right by Julian, and had he lived he most likely would’ve. That being said it was still irresponsible of John not to set something up for both Julian and much of his family in Liverpool including his Aunt Mimi who learned after John’s death that the house he bought her was now owned by Yoko. 


Unfortunately while Yoko was out preaching about “peace and love” she was doing nothing for Julian. Not even entertaining the idea of giving him a part of his father’s legacy, estate, or any type of inheritance settlement. Julian was basically living off the money he made off his solo career, but it was nowhere near the money Yoko now had with John’s net worth then estimated at hundreds of millions of dollars. Yoko would basically have to be shamed into doing the right thing. 


Listed below in the comments section is a 1993 interview Julian Lennon gave to Howard Stern. It’s a “must listen” as Howard goes nuclear on Yoko and calls out her hypocrisy, asking over and over why Julian hasn’t received his rightful inheritance as John’s son. 


It shouldn’t be surprising that soon after this interview which was heard by millions of people and the beating Yoko took in the press that she finally (almost 15 years after John’s death) gave Julian some money. Julian was vocal at the time that the amount wasn’t anything fair to what John’s net worth was, but it was at least a start. Even to this day Julian has absolutely no say in his father’s estate . 


The fact of the matter is that it should’ve never come to this. Howard Stern should not have had to shame Yoko into giving Julian his “rightful” inheritance, but instead for reasons only known to her she selfishly handled the matter. 


Take a listen to the interview in the comments section below. No matter what you think of Howard Stern he’s a hero when it comes to how he stood up for Julian here. Giving him the biggest platform possible to tell millions of people the truth about how Yoko had shunned him from his rightful birthright inheritance . 


***One more thing. Writing about “proven facts” that show Yoko Ono in a negative light is not Yoko bashing. Had she done right by Julian this story never would exist. She has no one to blame but herself. ***"


Sean, Yoko, Cyn and Julian

 

The Beach Boys And Beatles 101 : The Bands The Music The History



John Sebastian at WOODSTOCK 1994! | Albums That Should Exist!

Woodstock '94, Winston Farm, Saugerties, NY, 8-12-1994 to 8-14-1994 - Day 3, Part 1: John Sebastian

Paul Says The first act of Day Three of the Woodstock ‘94 Festival was John Sebastian. He was one of the stars of the 1969 Woodstock Festival. My guess is that he was invited to this festival to help provide a link to the original festival. In terms of his musical career, he didn’t have much success after having a number one song in 1976 with “Welcome Back,” the theme from the “Welcome Back Kotter” TV show. He often went many years between albums, which came out on minor record labels. He had many hits in the 1960s as the leader of the band the Lovin’ Spoonful. However, he chose to only play one well-known song by that band, “Daydream.”

This album is 15 minutes long.

01 Harmonica Solo [Instrumental] (John Sebastian)
02 Mornin' Blues (John Sebastian)
03 Mobile Line [Gonna Carry Me Away from the Bull Frog Blues] (John Sebastian)
04 I Want My Roots (John Sebastian)
05 Daydream (John Sebastian)
06 talk (John Sebastian)

Being an ole hippy there’s this from ATSE!

You know what to do . . . . .a fine fine harp player and composer of the ubiquitous Summer hit Summer in The City and of course DayDream this is nice to see . . . . . . collectable? well maybe not but for Lovin’ Spoonful fans like me

Indispensable!

This . . . . . ha ha ha ha ha . . . . . . from Robert Plant!

 


‘She Said, She Said’ -The Beatles : REVOLVER


This week, June 21, back in 1966, working at Abbey Road studios in London, The Beatles recorded from start to finish, a new John Lennon song ‘She Said She Said’. The song was reportedly based on a bizarre conversation during The Beatles stay in LA during the summer of 1965 that Lennon had with Peter Fonda while John and George Harrison were tripping on LSD. While Starr agreed to try the drug, McCartney refused to partake. Credited to Lennon–McCartney, it was written by John Lennon with assistance from George Harrison. Lennon described it as "an 'acidy' song". "She Said She Said" was the last track recorded for Revolver. Due to an argument over the song's musical arrangement, Paul McCartney walked out of the studio and did not contribute to the recording.


In late August 1965, Brian Epstein had rented a house at 2850 Benedict Canyon Drive in Beverly Hills, California for the Beatles' six-day respite from their US tour. The police department detailed a tactical squad of officers to protect the band and the house. The Beatles found it impossible to leave and instead invited guests, including folk singer Joan Baez. On August 24, they hosted Jim McGuinn and David Crosby of the Byrds and actor Peter Fonda.


Fonda brought up his nearly fatal self-inflicted childhood gunshot accident, saying that he knew what it was like to be dead, since he had technically died in the operating theatre. Lennon urged him to drop the subject. Lennon explained in a 1980 interview: "We didn't want to hear about that! We were on an acid trip and the sun was shining and the girls were dancing and the whole thing was beautiful and Sixties, and this guy – who I really didn't know; he hadn't made Easy Rider or anything – kept coming over, wearing shades, saying, "I know what it's like to be dead," and we kept leaving him because he was so boring! ... It was scary. You know ... when you're flying high and [whispers] "I know what it's like to be dead, man."


Lennon began working on "She Said She Said" in March 1966, shortly before the Beatles started recording Revolver. On the home recordings he made at this time, the song was titled "He Said" and performed on acoustic guitar. Lennon said that the episode with Fonda had stuck with him, and when writing the song, "I changed it to 'she' instead of 'he.'" Harrison recalled helping Lennon construct the song from "maybe three" separate segments that Lennon had. Harrison described the process as "a real weld". In his 2017 book Who Wrote the Beatle Songs?, author Todd Compton credits Lennon and Harrison as the song's true composers.


"She Said, She Said" was the final track recorded during the Revolver sessions. It was also the first composition that Lennon had brought to the band in almost two months, since "I'm Only Sleeping". Because of Lennon's lack of productivity, Harrison was afforded a rare opportunity to have a third song, "I Want to Tell You", included on a Beatles album.The session took place on 21 June 1966, two days before the Beatles had to leave for West Germany to begin the first leg of their 1966 world tour. It took nine hours to rehearse and record, complete with overdubs, making it the only song on Revolver to be made in a single session. After the subsequent mixing session, the Beatles' producer, George Martin, said: "All right, boys, I'm just going for a lie-down."


Lennon later called the song a throwaway track and thought little of it.


more from Klaus Voorman