Photo: Govert De Roos | Ian Green on Facebook says : International Musician And Recording World magazine from early 1977
Rory Gallagher: It is, indeed. There’s also a terrible danger – between travel and other things and getting to the gigs and so on, you get little time to play on your own in the hotel, and you can get lazy about playing. So I make a point of playing every day in the hotel room and bring a little cassette player and record what I’m doing, and try and write songs as well, just as a by-product of that. But to keep your sanity, I don’t know, it takes you about twenty years to find out. You know what all the ABC’s are to begin with, but there’s an awful lot of time to wear down the nerves of a musician. It’s just your attitude, really, in terms of traveling and flying, for hotels, for remembering where you are, and trying to keep all that group feeling every night to put on a good show. I mean, every musician has to go through that. You just have to develop a sense of humor and patience and just keep it cool, you know. I think the old cliché of deal with tonight’s gig and not worry about the one next Tuesday or the end of the tour or anything like that.Jas: One day at a time.Rory: Yeah. It’s a classic, but it’s true.Jas: If someone was overhearing what you’re playing in the hotel room, would they be surprised? Are you a closet country player or a bluegrass guy or a flamenco player?Rory: Flamenco, definitely. No, I do actually do some country licks. I’m quite keen on the playing of Roy Nichols, who used to be on Merle Haggard’s records, and some of the players that have worked with Waylon Jennings and Johnny Paycheck.Jas Obrecht Interview
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