. . . I have mentioned my tutor at college several times and that composer Gavin Bryars held the somewhat unusual post in a Fine Art (Painting) Dept of a polytechnic in Leicester (now De Montfort University) alongside renowned historian Fred Orton and they arranged for Brian Eno to come visit as an outside lecturer. I also I mention perhaps less frequently that Gavin knew the equally extraordinary composer Michael Nyman and he visited as an external lecturer too.
Thus began life long interests in all three composers and Fred too had an indelible effect upon me through the study group on the iconic avant garde artist Marcel Duchamp. I wrote papers on Francic Picabia and Man Ray also. A life long interest in Richard Hamilton followed for the so called Pop Art master was an authority on Marcel Duchamp (and recreator of the Large Glass) and Eno and of course through Michael’s beautiful work engendered a lifelong interest in iconoclastic filmmaker Peter Greenaway too.
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