I Can See You - by Paddy Summerfield c. 1986
Showing posts with label Santana 'Abraxas'. Peter Green. Show all posts
Showing posts with label Santana 'Abraxas'. Peter Green. Show all posts

Saturday, September 28, 2024

Rahu Ketu : Oroborous : Abraxas | Carl Jung and Seven Sermons from The Red Book



Carl Jung said : 


"This is a god whom ye knew not, for mankind forgot it. We name it by its name Abraxas. It is more indefinite still than god and devil.” 

- C.G. Jung

Here is an excerpt from Jung's Seven Sermons to the Dead from the Red Book  - why here I hear you ask? Well in my professional practice as a psychotherapist and counsellor I was taught and indeed my professional supervisor for over ten years was a Jungian and he does continue to fascinate but it must be said he was completely bonkers! I think, (sic) it’s why I like him but seriously?         Not so much! 


"Hard to know is the deity of Abraxas. Its power is the greatest, because man perceiveth it not. From the sun he draweth the summum bonum [highest good]; from the devil the infimum malum [lowest evil]; but from Abraxas life, altogether indefinite, the mother of good and evil.

Smaller and weaker life seemeth to be than the summum bonum; wherefore is it also hard to conceive that Abraxas transcendeth even the sun in power, who is himself the radiant source of all the force of life.


Abraxas is the sun, and at the same time the eternally sucking gorge of the void, the belittling and dismembering devil.


The power of Abraxas is twofold; but ye see it not, because for your eyes the warring opposites of this power are extinguished.


"Abraxas is the god whom it is difficult to know. His power is the very greatest, because man does not perceive it at all. He is magnificent even as the lion at the very moment when he strikes his prey down. His beauty is like the beauty of a spring morn.

To see him means blindness; To know him is sickness; To worship him is death; To fear him is wisdom; Not to resist him means liberation … Such is the terrible Abraxas … He is both the radiance and the dark shadow of man. He is deceitful reality.”


Abraxas, sequence of Greek letters considered as a word and formerly inscribed on charms, amulets, and gems in the belief that it possessed magical qualities. In the 2nd century, some Gnostic and other dualistic sects, which viewed matter as evil and the spirit as good and held that salvation came through esoteric knowledge, or gnosis, personified Abraxas and initiated a cult sometimes related to worship of the sun god. 

Basilides of Egypt, an early 2nd-century Gnostic teacher, viewed Abraxas as the supreme deity and the source of divine emanations, the ruler of all the 365 heavens, or circles of creation—one for each day of the year. The number 365 corresponds to the numerical value of the seven Greek letters that form the word ‘abraxas’ C. Jung





File under Weird mystical tosh! 

Thursday, October 25, 2018

SANTANA - ABRAXAS

'Black Magic Woman'


On this day in music history: October 24, 1970 - “Abraxas”, the second album by Santana hits #1 on the Billboard Top 200 for 6 weeks (non-consecutive). Produced by Fred Catero and Carlos Santana, it is recorded at Wally Heider Studios in San Francisco, CA from April 17 - May 2, 1970. Recorded in only two weeks and released just thirteen months after their self-titled debut, it is an even greater success for the San Francisco based rock band. The album takes its title from a line in German author and poet Herman Hesse’s (“Steppenwolf”, “Siddhartha”) book “Demian”, which is quoted on the back of the original LP jacket. The albums’ now iconic cover art features a painting by artist Mati Klarwein (“Bitches Brew”, “Live-Evil”) titled “Annunciation”, painted in 1961. A major critical and commercial success upon its release, it spins off three singles including covers of the Peter Green (Fleetwood Mac) penned “Black Magic Woman” (#4 Pop) and the Tito Puente latin jazz classic “Oye Como Va” (#13 Pop), both becoming FM rock radio staples as well as major pop hits. Sony Music issues a remastered CD of “Abraxas” in 1998 featuring three live bonus tracks. Long a favorite of audiophiles, Mobile Fidelity Sound Lab releases of a limited edition double vinyl LP mastered at 45 RPM in October of 2016, pressed with MFSL’s “one step” pressing method for unsurpassed sound quality. “Abraxas” is certified 5x Platinum in the US by the RIAA, and is inducted into the Grammy Hall Of Fame in 1999.


Of course bought when it came out and I think the first two albums (at least) mark a period of discovery for many British listeners as they were transported by Carlos' wonderful playing and the Latin American beat introduced to a wider audience that may not have understood anything past say Tito Puente in the fifties but Santana broke new ground for sure and this is them at the very peak. It has to go with a mention to the author of 'Black Magic Woman' and us Brits were astonished at Carlos nod of acknowledgement toward one of our own great guitar heroes who we felt we had lost by then but the Fleetwood Mac we adored was both with Peter and Danny to whom I dedicated this entry

Turn it up . . . it deserves to rattle your windows . . . . . . . 


Source: Live at The Boston Tea Party 1970