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Showing posts with label Pink Floyd 'Piper At The Gates of Dawn'. Show all posts
Showing posts with label Pink Floyd 'Piper At The Gates of Dawn'. Show all posts

Monday, October 25, 2021

Start the week with Syd and Pink Floyd going to the woods . . . . .

To the Woods? . . . . . . . 

No, not to the woods.

To the Woods?

No, NOT to the woods . . . . . . . . 

To the Woods?

To the woods . . . . . . . . .  

#pink floyd from USE YOUR ILLUSION


#pink floyd from USE YOUR ILLUSION




#Syd Barrett from take me on a trip upon your magic swirling ship





Syd in the Woods


Pow R Toch H


Lucifer Sam

Chapter 24

Bike


The Scarecrow

Arnold Layne

See Emily Play

Sorrow


The sweet smell of a great sorrow lies over the land
Plumes of smoke rise and merge into the leaden sky
A man lies and dreams of green fields and rivers
But awakes to a morning with no reason for waking
He's haunted by the memory of a lost paradise
In his youth or a dream, he can't be precise
He's chained forever to a world that's departed
It's not enough, it's not enough
His blood has frozen and curdled with fright
His knees have trembled and given way in the night
His hand has weakened at the moment of truth
His step has faltered
One world, one soul
Time pass, the river roll
And he talks to the river of lost love and dedication
And silent replies that swirl invitation
Flow dark and troubled to an oily sea
A grim intimation of what is to be
There's an unceasing wind that blows through this night
And there's dust in my eyes, that blinds my sight
And silence that speaks so much louder than words
Of promises broken



https://PinkFloyd.lnk.to/AMomentaryLapse


Posted by Andy Swapp at 12:05 pm No comments:
Labels: Pink Floyd, Pink Floyd 'Bike', Pink Floyd 'Chapter 24', Pink Floyd 'Lucifer Sam', Pink Floyd 'Piper At The Gates of Dawn', Pink Floyd 'Pow R Toch H', Syd Barrett

Friday, October 23, 2020

BEST ALBUMS OF ALL TIME 

Like all lists and top tens, top threes, top thirties etc they change over time (days, weeks, years) and this album has featured in my top three and top ten and always top thirty! It means a lot to me and I have mentioned elsewhere I was primarily a Syd Barrett fan and only after 'Meddle' I think, did I leave Pink Floyd behind. I hated 'Dark Side of The Moon' which is ironic I grant you but it's hokey schtick and cloying cliche riddled melodrama I detested. I couldn't stand The Wall either which was worse and it finally dawned upon me that my previous hero the bass player Waters was probably the cause of my distaste. I had previously thought him a great bass player and yet his song writing was truly awful. "WE don't need no education!"? please! 
David Gilmour however is another matter and I have always admired his musician ship and guitar playing. the rest too Nick and Rick I always enjoyed their musicianship but what WAS the drive to pen "Teacher leave them kids alone"?

I think Piper at The Gates of Dawn is my favourite Floyd album . . . of all time

 




This from joker and the thief weblog:

The first album by  Pink Floyd, The Piper at the Gates of Dawn (1967), was named by former member Syd Barrett after chapter 7 of The Wind in the Willows,which contains a visionary encounter with the god Pan, who plays his pan pipe at dawn. It was one of Barrett’s favourite books, and he often gave friends the impression that he was Pan, that he was the Piper. The moniker was later used in the song Shine On You Crazy Diamond, in which Barrett is called “you Piper”. However, the songs on the album are not directly related to the contents of the book. Barrett came up with the album title The Piper at the Gates of Dawn; the album was originally titled Projection up to as late as July 1967.

 


 themusicismymaster

Lucifer Sam - Pink Floyd (The Piper at the Gates of Dawn, 1967)


 A movement is accomplished in six stages
And the seventh brings return
The seven is the number of the young light
It forms when darkness is increased by one
Change returns success
Going and coming without error
Action brings good fortune
Sunset, sunrise… 
Pink Floyd - Chapter 24                                                                             
The Piper at the Gates of Dawn (1967)





Shine on you crazy diamond . . . . . . . . . 
Posted by Andy Swapp at 3:01 pm No comments:
Labels: Pink Floyd, Pink Floyd 'Piper At The Gates of Dawn'

Friday, October 26, 2018

Pink Floyd

Piper at The Gates of Dawn

Here it is - the peak of Pink Floyd albums in my view and a favourite album regularly in my top ten Bought when it came out I adored this album and still do. It had a profound affect upon my and all of my then burgeoning youthful creativity, I hankered to be one of this band and identified with all of them especially Syd. The glorious centre piece to all of psychedelia so that nothing else quite touches these dizzy heights


On this day in music history: October 26, 1967 - “The Piper At The Gates Of Dawn”, the debut album by Pink Floyd is released. Produced by Norman Smith, it is recorded at EMI Abbey Road Studios in London from February 21 - May 21, 1967. Formed by Roger Waters (bass) and Nick Mason (drums) and Richard Wright (keyboards, guitar), they are joined by Syd Barrett (vocals, guitar) in mid 1965. It is Barrett that comes up with the name Pink Floyd, after blues musicians Pink Anderson and Floyd Council. Originally playing more R&B influenced music, their sound begins to evolve. They become the talk of London’s underground music scene, with record labels courting the band. They’re signed to EMI Records’ Columbia label by former Abbey Road engineer Norman Smith. They record their first single “Arnold Layne” b/w “Candy And A Currant Bun” (#20 UK) during January and February, and is issued in March of 1967. Prior to its release, the band record their debut album with Syd Barrett as the driving creative force. The tracks include “Interstellar Overdrive”, an early staple of Pink Floyd’s live shows along with “Astronomy Domine”. The now iconic “kaleidoscopic” cover photo is taken by photographer Vic Singh. Released in the UK first in early August of 1967 (mono mix, followed by the stereo version in September), “Piper” quickly establishes them as leaders of the British psychedelic rock movement. Soon after, Syd Barrett’s mental state deteriorates, fueled his increasing intake of LSD. Held back in the US until October to coincide with their first tour, it is released on Capitol’s Tower Records imprint. The US version contains nine songs instead of eleven, dropping “Domine”, “Bike” and “Flaming”, adding the single “See Emily Play”. Shortly after making their US debut at the Winterland Ballroom on November 4, 1967, the tour is aborted when Barrett’s condition worsens. Making a now infamous appearance on singer Pat Boone’s TV show, Syd stares blankly into the camera instead of lip synching to the song “Apples And Oranges”. The band return home, and guitarist David Gilmour is added as a back up for Barrett. It marks the beginning of the end of Syd Barrett’s tenure in the band, leaving in mid 1968. Reissued many times including a three CD set, it is most recently remastered and reissued on CD in 2011. A 180 gram vinyl LP (stereo mix) is released in 2016. The original mono mix, is reissued as a limited edition 180 gram LP for Record Store Day in April Of 2018. It comes housed in a psychedelic, gold embossed outer sleeve and is packaged with a poster. The LP sleeve replicates the original UK tab back cover. Other than a brief European reissue in 1997, it marks the first time the mono mix has been available since 1968. “The Piper At The Gates Of Dawn” peaks at number six on the UK album chart, number one hundred thirty one on the Billboard Top 200, and is certified Gold in the US by the RIAA.

thanks to Jeff Harris' wonderful blog Behind The Grooves
Posted by Andy Swapp at 9:01 pm No comments:
Labels: Pink Floyd 'Piper At The Gates of Dawn'

Wednesday, July 11, 2018


Dedicated to my daughter's cat 'George' (after Harrison of course) and he was only with us for 5 years but he had a profound affect upon me and we had a good relationship . . . . . . . "that cat's something I can't explain" . . . . . . yes I bought 'Piper . . . . ' when it came out and remains my favourite Pink Floyd album


I loved this song . . . . . . .

Posted by Andy Swapp at 11:09 am No comments:
Labels: Pink Floyd 'Lucifer Sam', Pink Floyd 'Piper At The Gates of Dawn'

Friday, October 27, 2017

and perhaps my favourite Pink Floyd album of all . . . . and yes bought when it came out and still have it somewhere . . . . . . down in the vaults past the dungeon and down beyond the ha-ha . . . . in a box somewhere . . . . . . with my collection of bicycle bells


On this day in music history: October 26, 1967 - “The Piper At The Gates Of Dawn”, the debut album by Pink Floyd is released. Produced by Norman Smith, it is recorded at EMI Abbey Road Studios in London from February 21 - May 21, 1967. Formed by Roger Waters (bass) and Nick Mason (drums) and Richard Wright (keyboards, guitar), they are joined by Syd Barrett (vocals, guitar) in mid 1965 after numerous line up and name changes. It is Barrett that comes up with the name Pink Floyd, after blues musicians Pink Anderson and Floyd Council. Originally playing more rhythm & blues influenced music, their sound begins to evolve, largely due to Barrett’s guidance. They become the talk of London’s underground music scene, with record companies courting the band. They’re signed to EMI Records’ Columbia label by former Abbey Road engineer Norman Smith (The Beatles). Recording their first single “Arnold Layne” b/w “Candy And A Currant Bun” (#20 UK) with Smith during January and February, it is issued in March of 1967. Prior to its release, Pink Floyd begin recording their debut album with Syd Barrett as the driving creative force. The song “Interstellar Overdrive”, an early staple of Pink Floyd’s live shows becomes one of the album’s centerpieces along Barrett’s “Astronomy Domine”. The album’s now iconic “kaleidoscopic” cover photo is taken by photographer Vic Singh. Released in the UK first in early August of 1967 (mono mix, followed by the stereo version in September), “Piper” quickly establishes them as leaders of the British psychedelic rock movement. Soon after, Syd Barrett begins to display erratic behavior brought on his deteriorating mental state, and his increasing intake of LSD. Held back in the US until October of 1967 to coincide with Pink Floyd’s first American tour, it is released on Capitol’s Tower Records imprint. The US version contains nine songs instead of eleven, dropping “Astronomy Domine”, “Bike” and “Flaming”, adding the single “See Emily Play”. Shortly after making their US debut at the Winterland Ballroom on November 4, 1967, the tour is aborted when Barrett’s condition worsens. Making a now infamous appearance on singer Pat Boone’s TV show, Syd stares blankly into the camera instead of lip synching to the song “Apples And Oranges” as had been previously rehearsed. The band return home, and guitarist David Gilmour is added to act as a back up for Barrett. It marks the beginning of the end of Syd Barrett’s tenure in the band, leaving in mid 1968. In time, “Piper” is regarded a masterpiece and a definitive psychedelic rock album. Reissued numerous times over the years including a three CD set, it is most recently remastered and reissued on CD in 2011, with a 180 gram vinyl LP (stereo mix) released in 2016. “The Piper At The Gates Of Dawn” peaks at number six on the UK album chart, number one hundred thirty one on the Billboard Top 200, and is certified Gold in the US by the RIAA.

The title comes from a favourite book Chapter VII of Kenneth 'Wind In The Willows'

"The Willow-Wren was twittering his thin little song, hidden himself in the dark selvedge of the river bank. Though it was past ten o'clock at night, the sky still clung to and retained some lingering skirts of light from the departed day; and the sullen heats of the torrid afternoon broke up and rolled away at the dispersing touch of the cool fingers of the short midsummer night. Mole lay stretched on the bank, still panting from the stress of the fierce day that had been cloudless from dawn to late sunset, and waited for his friend to return"


thanks to the most excellent Jeff Harris' blog 'Behind The Grooves  On this day in Music History 
Posted by Andy Swapp at 10:57 am No comments:
Labels: Pink Floyd, Pink Floyd 'Piper At The Gates of Dawn'
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Andy Swapp
These pages are where since 2006 I come to largely share some musical references to the blogosphere (other music bloggers). I search a large number of sources daily for ROIOs and what we used to call bootlegs, (not official albums faked by charlatans to sell but live recording and concerts that would not be published anywhere else) and I post links to an eclectic bunch of musicians so that I hope it has broad appeal. I do NOT feature sites that charge money for any of this and if these change ever please let me know and I will delete them. It is not my intention to do anything other than share links to sites featuring ROIOs and I do not house any files myself here, This is my idea of musical fun and to relieve the stresses of daily life I also share links to articles, pictures, art or photography as was my background and training and first degree (Fine Art). Those that I have enjoyed or mean something to me and interspersed with occasional general ramblings on the world around me!
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  • ►  2008 (5)
    • ►  October (3)
    • ►  September (1)
    • ►  August (1)
  • ►  2006 (1)
    • ►  November (1)

LINKS:

  • Floppy Boot Stomp - Music site ROIOs etc
  • Voodoo Wagon - favourite music blogs
  • Urban Aspirines
  • Zero G Sounds - really cool weblog
  • John Callaway Photography
  • So Many Roads
  • Albums That Should Exist
  • TWILIGHT ZONE - Ride Your Pony!
  • tripping mantras
  • The New JDP
  • David Byrne - Journal
  • BBChronicles
  • Sloth Unleashed - visual arts master blog
  • Captain Beefheart [Top music site]
  • UPDATED: Check my review/photos of The Magic Band at Oxford's Zodiac
  • UPDATED: My Review of The Magic Band's 'Back to The Front' album at the Wonderful Beefheart.com
  • Theme Time Radio Hour
  • Flaggin Down The Double Es - RAY PADGET
  • Hunny Jinckes- my dear friend and fine FINE guitarist Johnny Connell-Hinckes
  • Sintra Blogue Cintia

Portrait of this blogs author by Stephen Blackman 2008

what time is it . . . . ?

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