I Can See You - by Paddy Summerfield c. 1986
Showing posts with label Toots and The Maytals. Show all posts
Showing posts with label Toots and The Maytals. Show all posts

Tuesday, March 19, 2024

What we need is more TOOTS! | Albums That Should Exist : Toots and The Metals Jamaica World Music Festival 1982

Jamaica World Music Festival, Montego Bay, Jamaica, 11-25-1982, Part 1: Toots & the Maytals

Paul say: It's time for me to post another big rock festival. This is a particularly big one - 18 hours of music! The 1982 Jamaica World Music Festival is fairly unique when it comes to such festivals, due to the sheer diversity of the musical acts involved. Fuck star Rick James, who played at the festival, commented during his set, "This is one of the weirdest, strangest, fuckin' combinations of groups ever!" But he also called it "One of the greatest festivals ever in the world."

I couldn't find out a whole lot about the festival, as it mostly seems to have been forgotten. But it was meant to be the first of an annual tradition. It was timed to take place near Christmas, so people from other countries, especially the United States, could come to Jamaica to attend and generally have a vacation while they were there (and hopefully spend a lot of money and help the economy). However, apparently it wasn't planned sufficiently in advance, and many people who wanted to attend were unable to, due to the fact that the plane flights were all full. As a result, attendance was below expectations. Somewhere between 20,000 and 50,000 people attended, with the numbers rising and falling over the course of three evenings of concerts. Because ticket sales were disappointing, it was written off as a failed experiment and never repeated.

But what matters for us the most is that virtually the whole festival was professionally recorded and somehow leaked to the public as bootlegs. Only a few of the acts aren't included here: Rita Marley, the Wailers, Yellowman, and Ronnie Milsap. I purposely didn't include Rita Marley and the Wailers, because in my opinion they were very poor substitutes for having Bob Marley there. Marley died of cancer the year before, and having his wife Rita and/or only his backing band doesn't cut it for me, because they didn't really have successful musical careers out of his shadow. I couldn't find the Yellowman and Ronnie Milsap sets. Furthermore, Jimmy Buffett was on the bill and was supposed to play, but he cancelled for some reason.

That still leaves 17 albums I'll be posting, one album for each of the musical acts over the three days of the festival. None of it has been officially released as far as I know, but all of it has excellent sound quality. I'd rather the names of the acts be surprises as I post them, but suffice to say there were a lot of great acts from rock, pop, soul, reggae, and even country. Due to the festival taking place in Jamaica, the home of reggae music, there was a particular large reggae representation compared to most festivals like this.

That brings me to this particular set, the first one of the first night of the concert. Toots and the Maytals are one of the greatest reggae acts of all time, in my opinion. Unfortunately, they didn't play some of their best known songs, such as "Funky Kingston," "Monkey Man," "Sweet and Dandy," and so on, and "Get Up, Stand Up" is not the Bob Marley and the Wailers classic, but an original with the same name. Still, it's a fine set just the same. (It's also possible that this isn't the complete set, I'm not sure, but the beginning of the next act's set wasn't recorded.)

On a different note, I should mention that I felt obliged to remix not only every single song in this album, but every single song from the entire festival! That's because while the bootleg recordings are all soundboards, it looks like nobody ever bothered to mix them. The main problem was that the vocals were significantly quieter than the instruments in all the songs. So even if you've had some or all of the sets from this festival, these versions I'll be posting sound better than any prior known version, in my opinion.

This album is 46 minutes long.

01 Pressure Drop 
02 Get Up, Stand Up 
03 Beautiful Woman
04 Never Get Weary Yet 
05 Going Away
06 All the Time
07 You Don't Know
08 Reggae Got Soul 
09 talk (Toots)

Wednesday, May 04, 2022

Toots & The Maytals LIVE in Piercy CA 1992 - Voodoo Wagon!

what we need is some  . . . . . . . . 

 TOOTS!


and THE MAYTALS!



 Toots & The Maytals

Reggae On The River At French's Camp
Piercy CA
1992-08-02 
Digital Soundboard @320


01. Introduction
02. Hard To Handle
03. Pressure Drop
04. The Way You Love Me
05. Get Up, Stand Up
06. Take Me Home, Country Roads
07. You Make Me Feel Irie
08. Monkey Man
09. Never Get Weary
10. Time Tough
11. Funky Kingston (Cuts In)
12. Bam Bam
13. Reggae Got Soul---Encore Break
14. 54-46 Was My Number


This is clear as crystal and what we need right now is the James Brown of REGGAE, The King
Mr Frederick “Toots” Hibbert and his band

Thanks Enoch! 




on Later with Jools!

Saturday, September 12, 2020

 TOOTS!

In London 1974

It is a hard day to hear 'Toots' Hibbert has died after recent news of his ill health and being tested for coronavirus although no announcement has come as to cause of death as yet. He was only 77 and it feels like he was always with us.  He spoke to the media only last month to say "Stay Tough" against the health challenges people faced with the virus. Later we heard he had been rushed into intensive care. 

I heard Toots first on a compilation album that included Sweet and Dandy and always adopted it as it sounds like my name! Loved that song and it is a comic legend. His back catalogue is a list of anthems for many '54-46 That's My Number' 'Funky Kingston' and 'Monkey Man' and 'Time Tough', latterly 'Irie' and it was 'The Harder They Come' soundtrack we first took him to our hearts. But he could ring the changes on classic from pop and even country (Take Me Home Country Roads!). He and The Maytals released a new album only last month!

His label tweeted the following:

The master at work:

Sweet and Dandy acoustic

Pressure Drop

Live at Glastonbury (full concert)



Sunsplash [Full Concert] 2017 Spain (better quality than the Glastonbury clip)

Toots on the Jools Holland Hootenanny!

Irie


54-46 That's My Number

Toots and the Maytals - Got To Be Tough (Animated Video) August 2020

Rest easy now Toots! We will miss you

Take me Home . . . . 

Saturday, March 24, 2018


I know I'm sorry, not enough reggae on here right? . . . . . . here's a favourite


Saturday, July 08, 2017

again from sounds bought when they came out this soundtrack although we couldn't or didn't get to see the film for a while the soundtrack went around school like a dose of salts! The Melodians and Jimmy Cliff and Desmond Dekker and Toots stayed with me throughout my life . . . . . .reggae don't get any better . . . . . 

On this day in music history: July 7, 1972 - “The Harder They Come - Original Motion Picture Soundtrack” is released. Produced by Jimmy Cliff, Derrick Harriot, Leslie Kong, Byron Lee, Guilly Bright and Bunny Lee, it is recorded in Various Studios from 1967 - 1972. The album serves as the soundtrack to the cult classic film starring reggae singer Jimmy Cliff. The film co-written and directed by Perry Henzell is about a Jamaican man turned reggae singer who turns to a life of crime after being taken advantage of by an unscrupulous record label owner. The soundtrack features original songs by Cliff as well as previously released singles by prominent reggae artists such as Desmond Dekker, Toots & The Maytals, DJ Scotty, and The Melodians. The film becomes an underground classic and the album (originally issued on Island Records’ Mango imprint in the US) helps to popularize and broaden the audience for reggae music in the US and around the world. In 2003, Universal Music Group releases a double CD Deluxe Edition of the album with one disc containing a remastered version of the original soundtrack, with the second disc consisting of numerous classic reggae singles recorded during the same era. “The Harder They Come” peaks at number one hundred forty on the Billboard Top 200.

with thanks to Jeff Harris' wonderful blog 'Behind The Grooves  On this day in Music History