portrait of this blog's author - by Stephen Blackman 2008

Thursday, September 21, 2017



One of my favourite soul hits of the time and only bought by yours truly on the This Is Soul compilation album of '68 Dance in your pants! You know you want to!

On this day in music history: September 17, 1966 - “Land Of 1,000 Dances” by Wilson Pickett hits #1 on the Billboard R&B singles chart for 1 week, also peaking at #6 on the Hot 100 on September 10, 1966. Written by Chris Kenner, it is the third chart topping single for the R&B vocal icon from Prattville, AL. After less than a year of working successfully with musicians at Stax Studios in Memphis, Wilson Pickett has a major falling out with the studios house band and label co-founder Jim Stewart. As a result, Stewart tells Atlantic Records executive and producer Jerry Wexler that he is banning all non-Stax recording artists from working at the labels Memphis studio. Wexler instead sends Pickett to work with producer Rick Hall at his FAME Studios in Muscle Shoals, Alabama. While deciding on material to record, one of the songs chosen is “Land Of 1,000 Dances”. Written and originally recorded by New Orleans born singer Chris Kenner (“I Like It Like That”) in 1963 (#77 Pop), the song becomes a party anthem and is covered numerous times including versions by Thee Midniters (#67 Pop) and Cannibal & The Headhunters (#30 Pop), the latter being the most successful version to date. Wilson Pickett records his version of the song on May 11, 1966 with members of the Muscle Shoals rhythm section including Roger Hawkins (drums), Spooner Oldham (keyboards), Junior Lowe (bass), Jimmy Johnson (guitar) along with Memphis based musicians Chips Moman (guitar), and horn players Charlie Chalmers, Andrew Love (tenor sax), Wayne Jackson (trumpet) and Floyd Newman (baritone sax). As soon as recording is completed, all agree that they have a hit on their hands. Released in late July of 1966, Pickett’s high octane version of “Land Of 1,000 Dances” quickly rises up the R&B and pop singles charts simultaneously, becoming one of Wilson Pickett’s signature songs, and a highlight of his frenetic live performances.


thanks to the most excellent Jeff Harris' blog 'Behind The Grooves  On this day in Music History

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