Sunday, September 13, 2026
Mike Heron and Rose Simpson discuss the making of Smiling Men With Bad Reputations
Sunday? So we’ll ease gently into the day for those of a delicate disposition!
BRIAN ENO
The Captain Beefheart & The Magic Band Appreciation Society | Tom Waits on Captain Beefheart
“He drew in the air with a burnt stick “ Tom Waits, one of the best description of Don’s work both audio and painterly perhaps!?
![May be an image of text that says "FAROUT OUT "He was like the scout on a wagon train. He was the one who goes ahead and shows the way. He was a demanding bandleader, α transcendental composer, up there with Ornette [Coleman], Sun Ra and Miles [Davis]. He drew in the air with α burnt stick. He described the indescribable." " -Tom Waits on Captain Beefheart"](https://scontent-lhr6-1.xx.fbcdn.net/v/t39.99422-6/800826290_1493224716184599_813250602053368599_n.png?stp=dst-jpg_tt6&cstp=mx1080x1350&ctp=s1080x1350&_nc_cat=102&ccb=1-7&_nc_sid=127cfc&_nc_ohc=gBtunfSPRasQ7kNvwGWsQnT&_nc_oc=AdqWq80KkJDMdli2W-Eey-Ehwxjr6Rhi-ERd4TGZJoo-TIg3llwUS_Yg9zZg1Xn5FnHVU2fMJXZwOHhh9Hw9jIPS&_nc_zt=14&_nc_ht=scontent-lhr6-1.xx&_nc_gid=2-40-NvO_rz4ImJQHVJUyQ&_nc_ss=7922e&oh=00_AQJ3XqCN2aD9okzPto-vFIokRnGk9cl4phoOa00LKgGPEQ&oe=6AAB6D5E)
The Captain Beefheart & The Magic Band Appreciation Society
A Message for our American pals over there . . . . . . . .
Saturday, September 12, 2026
Dave Mason & Jim Krueger - Aquatennial (aka the Mississipi Riverbank Club) Minneapolis, MN 7/25/1986 | Voodoo Wagon - XRay
Dave Mason & Jim Krueger - Aquatennial (aka the Mississipi Riverbank Club) Minneapolis, MN 7/25/1986
Dave Mason & Jim Krueger
Here is a concert broadcast from the Aquatennial (aka the Mississipi Riverbank Club)
in Minneapolis, MN on 7/25/1986.
Recorded and broadcast by KTCZ “The Cities” 97.1 in Minneapolis/St. Paul, MN.
For this concert, Jim Krueger accompanied Dave Mason on guitar and vocals.
No other band members were listed.
Dave Mason - Vocals, Guitar
Jim Krueger - Guitar, Vocals
01. Tuning, talk 0.33
02. Feelin’ Alright (Mason) 4.38
03. World in Changes (Mason) 4.12
04. Every Woman (Mason) 2:48
05. Sad and Deep As You (Mason) 3:37
06. Instrumental (Mason/Krueger) 2:10
07. The Words (Krueger) 3.40
08. Not Fade Away (Petty/Hardin) 4.29
09. Let It Go, Let It Flow (Mason) 4.57
10. Shouldn’t Have Took More Than You Gave (Mason) 2.27
11. Dear Prudence (Lennon/McCartney) 3.01
12. Bird On The Wind (Mason) 3-46
13. We Just Disagree (Krueger) 3.49
14. Maybe (Mason) 3.32
15. Dust My Broom (James) 4.13
16. All Shook Up (Blavkwell/Presley) 3-04
17. Bring It On Home To Me (Cooke) 5.44
18. Dear Mr. Fantasy (Winwood/Wood/Capaldi) 3.09
19. All Along The Watchtower (Dylan) 11.06
20. Take It To The Limit (Meisner/Henley/Frey) 4.08
The Fall - Iceland (1982) | Route
Not intentionally dwelling on the negative but been meaning to address this for a while largely because Route obviously love The Fall. I don’t get it? Over their history some 66 members and always fronted by the same man the tragic alcoholic Mark E Smith the mannered slurring ‘poet’ front man. I met many drunken intellectuals at art school who thought it big and clever to drink more than anyone else and considered it superior to say and mean nothing over those trying to say something deeper and more meaningful but hey . . . . the mannered singing style largely influenced by drink [who can spin three syllables to the word WIRED!?] and his magic adoration clear amongst The Fall fans you only have to see the comments on YouTube on something like Totally Wired. I mean Maxine Peak’s a fan and starred in the Women of The Fall for the blokey band par excellence but here is ‘ICELAND' improvised on the spur of the moment whilst recording there. I just don’t get it and it always sounded awful to these ears . . . . .

Wilson Pickett 'Hey Jude' (Feat. Duane Allman)
Wilson Pickett 'Hey Jude' (Feat. Duane Allman
Duane Allman and Wilson Pickett quickly hit it off and Allman suggested they record the just released ‘Hey Jude’ which was climbing the charts and rapidly becoming one of The Beatles’ biggest hits. They recorded ‘Hey Jude’ on the first take and it seems Allman’s conviction that the track would work and become a hit in its own right was correct.
The 'Hey Jude’ session catapulted Allman into the limelight such that Eric Clapton upon hearing the track demanded to know who the guitarist was.
He said “I remember hearing Wilson Pickett’s 'Hey Jude’ and just being astounded by the lead break at the end. I had to know who that was immediately - right now.”
From there Allman went on to record with Derek & the Dominos playing alongside Clapton on the definitive 'Layla’ -Clapton’s paen of unrequited love to George Harrison’s ex-wife Patti Boyd.
I don’t hear it for one but what do you think? Sounds really quite ordinary to me . . . .repetitive and a little dull to be honest
Gentle Giant: Discography Part 2 (1975 - 1980) 6 more albums | Urbanaspirines
Well I mean you KNEW it was coming right?
Gentle Giant: Discography Part 2 (1975 - 1980)
07. Free Hand (1975)
08. Interview (1976)
09. The Missing Piece (1977)
10. Playing The Fool (Live) (1977)
11. Giant for a Day! (1978)
12. Civilian (1980)
Kostas says:
Free Hand is perhaps Gentle Giant's most realized effort. After the excellent In a Glass House, the group further developed its Renaissance-medieval approach, producing one of the most creative and complexrecordings in progressive rock history. Their vocal approach to the four-part fugue "On Reflection" was revolutionary for its time and is looked upon as one of the genre's defining moments. Despite the complexity of the arrangements, the music never sounds academic and in fact is very accessible thanks to several melodic hooks. The combination of superb musicianship, dry wit, and creative compositions make this an essential and historical recording.
