I Can See You - by Paddy Summerfield c. 1986

Sunday, November 15, 2026

Flagging Down The Double E Newsletter November 26 | RAY PADGETT

 David Mansfield Remembers Touring with Bob Dylan on Rolling Thunder 1976

“He might have been miserable, but we all got the benefit of it.”

Dylan and Mansfield in Fort Collins. Screenshot from ‘Hard Rain’

Six years ago, David Mansfield was one of the very first musicians I interviewed for this newsletter. Mansfield played pedal steel, mandolin, violin, and a host of other stringed instruments for Bob Dylan during both legs of Rolling Thunder and 1978 too. Joan Baez introduces him as “Little Davy” a couple times on the new box set, and she wasn’t exaggerating—he was only 19 years old at the time, the youngest member of the band by some distance.

Our first interview, though, was exclusively focused on Rolling Thunder 1975, then celebrating its 45th anniversary. So, for my recent MOJO cover story on Rolling Thunder 1976 (still on stands!), I wanted to reconnect with Mansfield to talk about the second leg of Rolling Thunder. I used a half-dozen quotes in that MOJO article, but there was so much great stuff left on the cutting room floor. So here is the extended version of my conversation with Mansfield a few months back.


If you can’t find the new issue of MOJO on a newsstand, you can buy it online here. Read a short sample from it here.

Mojo issue Dec-26

Okay, on to my new interview with Rolling Thunder multi-instrumentalist David Mansfield…

Photo via IMDB
For Ray  . . . mostly
Bob Dylan - A Hard Rain’s A-Gonna Fall (Live 1976)


Jimi Hendrix - Red House Stockholm Sweden 1969 | Don's Tunes

 Don's Tunes


 Jimi Hendrix - Red House Stockholm Sweden 1969

Jimi Hendrix performs Red House live in Stockholm, Sweden 1969. Red House was inspired by blues songs Hendrix was performing early in his career as a sideman. Music critic Charles Shaar Murray describes a song he calls "California Night", which Hendrix performed with Curtis Knight and the Squires, as "a dead ringer, both in structure and mood, for his 1967 perennial 'Red House’


A favourite song I keep returning to there are some blistering perfect versions of Red House out thereand Don’s Tunes is right here

’Tis musical I SWEAR!!! The Lonesome Road 1941: Mable, Winnie, Betti and Olive






MABLE LEE, WINNIE JOHNSON
BETTI MAYS, and OLIVE PRINCE
with LUCKY MILLINDER’S BAND
The Lonesome Road (1941) dir. John Primi

Thought For The Day


In essence the heart of ‘music’?
possibly even the Blues

without the hardships it wouldn't sound so melodic?

 

Saturday, November 14, 2026

Bob Dylan - This Dream Of You Album: Together Through Life (2009) | HERBERG DE KELDER

This Dream Of You


Bob Dylan - This Dream Of You

Album: Together Through Life (2009)

image
HERBERG DE KELDER


and might sign off the day with this somewhat overlooked song from our Bobby . . . a beauty

Emmylou Harris, Linda Ronstadt and Ricky Skaggs with "Gold Watch And Chain” | Skyville Live

Tribute to ‘Mother' Maybelle (Carter that is)


Emmylou Harris, Linda Ronstadt and Ricky Skaggs with "Gold Watch And Chain”





Libby DeCamp - Sunflower River Blues (John Fahey cover)

 One thing I love about the algorithm of Flickennabokk is it throws up really cool artists I don’t know. I have said that before and imaging it has linked because of the John Fahey posts but this lassie is wonderful


A bit of “Sunflower River Blues” on my 1940s Kay Forty archtop


Libby DeCamp

ADVERT BREAK:"A festive folk supergroup" Folk On Foot | WINTERS UNION Tour 2026

 and the algorithms (referenced from Folk On Foot no doubt) throws up local adverts too 

. . . . . . love this one . . . let’s all go!

May be an image of guitar and text



"A festive folk supergroup" Folk On Foot Start the festivities early with the UK's best Xmas music show!

HARWELL HALL OXFORDSHIRE 4th December
2026



Buddy Guy, Jimmy Vaughn & Eric Clapton - ‘Sweet Home Chicago’ Crossroads Guitar Festival in Austin, Texas 2026

 To be fair to Clapton who started his Guitar Festival to fund the Re-hab, Buddy Guy and Stevie Ray’s brother Jimmy is reason enough for this to be outstanding

Buddy Guy, Jimmy Vaughn & Eric Clapton 
At the Crossroads Guitar Festival in Austin, Texas 2026

Thanks to Bucky Mitchell for posting this gem

Cousin Joe Pleasant with Brownie - “Hard Headed Woman” live in Paris 1964 | Blues.In.Colour

 

Cousin Joe Pleasant with Brownie McGhee, Willie Smith Ransom Knowling - “Hard Headed Woman” live in Paris 1964
"What a character!! Cousin Joe filmed in Paris back in 1964 with a great rhythm section of Brownie McGhee on acoustic guitar, Ransom Knowling on bass, and (Muddy’s longtime drummer) Willie “Big Eyes” Smith on drums.
Reviews at the time said that his comedic, natural showmanship—complete with rolling eyes, a distinct chuckle, and a hoarse, expressive vocal delivery—frequently “brought the house down” and stole the spotlight from more widely known headliners.
I don’t make anything colourising and putting these videos together so please support the channel with the link here if you can its greatly appreciated! https://www.paypal.com/paypalme/bluesincolour
The Gospel’s Song episodes were filmed in Paris on the 25th July 2 months after the famous Blues Gospel Train was filmed at Wilbraham Road Station, Manchester. The line up was the same including Otis Spann, Cousin Joe Pleasant, Muddy Waters, Sister Rosetta Tharpe, Reverend Blind Gary Davis and Sonny Terry & Brownie McGhee. This performance was broadcast as part of Episode 3.
Cousin Joe Pleasant: Vocal & Piano
Brownie McGhee: Acoustic Guitar
Ransom Knowling: Bass
Willie ‘Big Eyes’ Smith: Drums
Pleasant Joseph, widely known as Cousin Joe (and sometimes Cousin Joe Pleasant), was a prominent American piano blues and jazz singer. Born on December 20, 1907, he became a central figure in the mid-century New York and New Orleans music scenes, celebrated for his distinct piano style, sharp wit, and satirical lyrics. He passed away on October 2, 1989.
He was born in Wallace, Louisiana, and spent his early childhood working on the Whitney Plantation, where his family had been enslaved for generations. His family relocated to New Orleans when he was 12. Though raised in a strict Baptist household, he quickly became captivated by the jazz and blues filtering out of local clubs.
 He taught himself the ukulele and guitar, performing around the city’s gambling joints, brothels, and riverboats throughout the 1930s” 
Blues.In.Colour