I Can See You - by Paddy Summerfield c. 1986

Friday, April 10, 2026

The Art of The Drum : Anders Poulsen last victim of the Finnmark With Trials | Archaeology & Art (Facebook)

 Culture of The Sámi of Northern Norway

In 1692, an almost 100-year-old Sámi shaman named Anders Poulsen had his drum confiscated and stood trial for witchcraft in Vadsø (Northern Norway).

Before he was convicted, he was murdered in his cell with an axe by a mentally ill person named Villum Gundersen. He became the last victim of the Finnmark witch trials.


Read on

Starting in 1609, owning this drum was a crime punishable by death in the Kingdom of Denmark-Norway. In 1767, while hundreds of them were being thrown into the fire, a Norwegian priest sketched and documented one.

When the Norwegian priest and linguist Knud Leem (1697-1774) arrived in Finnmark (Northern Norway) as a missionary in 1725, he formed a deep bond with the Sámi people.He wore their clothes and learned their language.For years,he observed shamanic sessions and personally drew what he saw.

The engraver O.H.von Lode transferred these drawings onto copper plates. Published in Copenhagen in 1767, the book contained over 600 pages of parallel Danish-Latin text and 100 copperplate engravings. It's the most comprehensive Sámi ethnography published in Northern Europe in the 18th century.

The symbols on the drum's membrane were drawn with a red dye made from alder bark. This color symbolized blood. A single drum could hold up to 150 symbols. The noaidi (shaman) would place a brass ring called a 'vuorbi' on the membrane and beat the drum.The symbol where the ring stopped was the answer to the question asked: the location of a lost reindeer, the luck of a hunt, or which sacrifice to offer...

On Northern Sámi drums, the membrane was divided into three tiers by horizontal lines: the upper tier was the realm of the gods, the middle tier was the human world, and the lower tier was the realm of the dead. In 1692, an almost 100-year-old Sámi shaman named Anders Poulsen had his drum confiscated and stood trial for witchcraft in Vadsø (Northern Norway).

Poulsen played his drum in court. He called out to his gods, asking them not to be afraid of the Norwegians in the courtroom. In his 16-page testimony, he explained every single symbol on the membrane one by one. Before he was convicted, he was murdered in his cell with an axe by a mentally ill person named Villum Gundersen. 

He became the last victim of the Finnmark witch trials.

Missionary Thomas von Westen had about 100 drums collected all by himself. He sent them all to Copenhagen. In the Great Fire of Copenhagen in 1728, 70 of them burned to ashes. Today, only 71 original Sámi drums are preserved worldwide.


Archaeology & Art

a visitor to the page noted this which I thought interesting “Shamanic drumming 220 beats a minute in a small area (of the brain) where it creates a binaural beat and after while you feel different and you start halucinating and then. . .”

Fairport Convention - Fillmore West, San Francisco, CA, USA 31st August 1970 | Albums That Should Exist

 Fairport Convention - Fillmore West, San Francisco, CA, 8-31-1970

Paul says: First off, I have to warn that this concert is not up to the usual song quality of this music blog. It sounds pretty good to me, but not excellent. It's from an audience boot, not a soundboard, and it shows. I'm posting this for two reasons. One, a commenter named Chris repeatedly asked me to improve and post this specific concert. Two, early Fairport Convention is great, and recordings like this need to be preserved, so I decided Chris's idea had merit. 

In the end, I was able to make a lot of sonic improvements. (If you think this sounds rough, you should have heard it before.) There was a lot of muck in this recording. I used a few different audio editing tricks to reduce that, but I couldn't get rid of that entirely. I made a particularly big impact on the banter between songs. Before, that was barely intelligible. Now, most of what they're saying can be understood.

Frankly, there are some other live recordings from 1970 with similar set lists that sound better. But if you're a big fan of the band, especially in their early years, you'll want this one too. Richard Thompson was still in the band. He and violinist Dave Swarbrick had some good instrumental "duels" on some of the songs.

The music here is unreleased. As mentioned above, the sound quality is decent, but not the best. 

This album is an hour and 21 minutes long. 

01 talk
02 Walk Awhile 
03 talk
04 Dirty Linen [Instrumental] 
05 talk
06 Staines Morris 
07 talk 
08 The Lark in the Morning [Instrumental]
09 talk 
10 Now Be Thankful 
11 talk 
12 Matty Groves 
13 talk
14 The Banks of the Sweet Primroses 
15 talk 
16 Drums [Instrumental] 
17 Flatback Caper 
18 talk 
19 Sloth
20 talk 
21 Instrumental 
22 talk 
23 Tam Lin
24 talk
25 Sir Patrick Spens

Now as regulars will know I don’t post audience recordings (any longer) so spoilt am I but if Paul has done an engineering job on this recording for a fan/visitor it has to be worth checking out . . . . I couldn’t fdownload it here so will leave it to you guys until I can get the VPN up and running

Teddy Thompson - Baby I’m Yours [ADVERT BREAK!]


 

Baby I’m Yours
[Never Be The Same]


Teddy Thompson

The Rezillos ‘(My Baby Does) Good Sculptures’ - OGWT

 Bought when it came out (well I was at Art School!) 

actually I was employed by then at The Museum of Modern Art [Oxford]!

(My baby does) good sculptures

THE REZILLOS

The Rezillos performing '(My Baby Does) Good Sculptures' live on The Old Grey Whistle Test! (September 1978)


Apparently they are working on a new tour!!!

The Beat on ‘OTT’ “Save It For Later” 1982

 #OnThisDay 43 years ago, 2nd April 1982, The Beat released 'Save It For Later' b/w 'What's Your Best Thing' on Go-Feet Records.

The Beat feat. Ranking Jr. are live at the 'My Generation Weekender' in January 2027 👉 tinyurl.com/MyGeneration2027
This video is taken from the 'OTT' programme on ITV where THE BEAT perform the song live on 3rd April 1982 on the last ever episode. It was a CHILDREN’S programme

 

 

 In memory of Rankin’ Rodger

OMC - How Bizarre : Top Of The Pops 08 02 1996

 Ear worm resurfaces . . . . 

OMC - How Bizarre - TOTP - 02 08 1996

Captain Beefheart And The Magic Band - The Buggy Boogie Woogie [Lick My Decals Off, Baby]

 Captain Beefheart And The Magic Band - The Buggy Boogie Woogie 

 [Lick My Decals Off, Baby]


Art of The Day : Don Van Vliet : Red Cloud Monkey 1985 | via Gary Lucas

 



"Red Cloud Monkey"
1985
oil on canvas

Thursday, April 09, 2026

Cluster - Zum Wohl [Sowiesoso] | jt1674

  . . . . this is lovely #cluster [track of the day] . . . might sign off for the day with this . . . . .

#dieter moebius#hans joachim roedelius
https://www.tumblr.com/jt1674/813365577441787904/cluster-zum-wohl

Going Underground - 66 Smash New Wave Hits [2011] (3 x CDs) | Butterboy

 VA - Going Underground - 66 Smash New Wave Hits [2011] (3 x CDs)

This is a fun collection and I have pretty much all of these but as Butterboy excels at this the compiling is enough for me to want it. Grteat stuff and the HITS just keep right on coming

NEW WAVE


A set like Going Underground 66 Smash New Wave Hits doesn’t really begin at track one. It starts somewhere in the middle of a feeling, like switching on a late-seventies radio and catching whatever happens to be playing. 

Three discs, sixty six tracks, and a wide spread of bands that once shared chart space for a brief, restless stretch of time. 

The sequencing leans into that restlessness. Short, punchy songs arrive in quick succession, rarely staying long enough to settle. A wiry guitar intro, a clipped vocal, a chorus that lands and disappears, then something slightly colder or more melodic takes its place. 

The set moves quickly, but not randomly. 

There is a quiet sense of balance between the sharper edges of early new wave and the more polished pop that followed close behind.Names drift in and out without ceremony.  

The Jam bring urgency and precision, Blondie shift the tone toward something lighter on its feet, and Elvis Costello adds a more deliberate phrasing that sits somewhere between punk energy and classic songwriting. None of them dominate for long. The compilation keeps moving. 

What becomes noticeable over time is how varied the term new wave actually was. 

Some tracks lean close to punk in their directness, others carry traces of earlier pop or rhythm and blues, and a few hint at the synthesiser driven sound that would take hold in the early eighties.  

The set does not separate these strands, it lets them sit together as they once did.

Heard straight through, the collection feels like a compressed version of a changing scene. 

 Styles overlap, moods shift, and the edges between genres blur without needing explanation.

 It does not try to define new wave, it simply places the records side by side and lets the shape appear gradually.

Leave it running and the energy holds, quick, bright, and slightly unpredictable, 

just long enough to suggest how that moment sounded while it was still unfolding. 

Track lists

CD1

01 Jam - Going Underground 2:54

02 Siouxsie & The Banshees - Hong Kong Garden 2:53

03 Buzzcocks - Ever Fallen in Love (With Someone you Shouldn't've?) 2:40

04 Elvis Costello & The Attractions - Pump it Up 3:17

05 Dexy's Midnight Runners - Geno 3:26

06 Vapours - Turning Japanese 3:43

07 Cars - My Best Friend's Girl 3:41

08 Plastic Bertrand - Ca Plane Pour Moi 2:56

09 Adam & The Ants - Dog Eat Dog 3:13

10 Lene Lovich - Lucky Number 2:46

11 Motors - Airport 4:28

12 Patti Smith Group - Because The Night 3:20

13 Boomtown Rats - Rat Trap 4:55

14 Stranglers - No More Heroes 3:27

15 Only Ones - Another Girl Another Planet 3:00

16 Eddie & The Hot Rods - Do Anything You Wanna Do 4:02

17 XTC - Making Plans for Nigel 4:11

18 Flying Lizards - Money 2:29

19 Jilted John - Jilted John 2:53

20 Undertones - Jimmy Jimmy 2:41

21 Dickies - Banana Splits 1:54

22 Sham 69 - If The Kids Are United 3:45


CD2

01 Blondie - Hanging on The Telephone 2:20

02 Knack - My Sharona 4:01

03 Joe Jackson - Is She Really Going Out With Him? 3:34

04 Squeeze - Up The Junction 3:10

05 Ian Dury & The Blockheads - Sex & Drugs & Rock & Roll 3:04

06 Jags - Back of My Hand 3:19

07 Split Enz - I Got You 3:25

08 B-52's - Rock Lobster 4:53

09 Buggles - Video Killed The Radio Start 3:18

10 Pretenders - Stop The Sobbing 2:37

11 Tom Robinson Band - 2-4-6-8 Motorway 3:15

12 Skids - Into The Valley 3:09

13 Members - Sound of The Suburbs 3:15

14 Ramones - Sheena is A Punk Rocker 2:46

15 Dr Feelgood - Milk & Alcohol 2:46

16 Generation X - King Rocker 2:16

17 Tubes - Prime Time 3:15

18 Devo - Whip It! 2:37

19 Rezillos - Top of The Pops 3:14

20 Ruts - Babylon's Burning 2:34

21 Public Image Limited - Public Image 2:55

22 Wire - I Am The Fly 3:08


CD3

01 Cure - Boys Don't Cry 2:35

02 Joy Division - Love Will Tear Us Apart 3:25

03 Psychedelic Furs - Pretty in Pink 3:58

04 Kim Wilde - Kids in America 3:24

05 Kirsty MacColl - They Don't Know 3:00

06 Teardrop Explodes - Reward 2:41

07 Tenpole Tudor - Swords of A Thousand Men 2:55

08 Hazel O'Connor - Eighth Day 3:09

09 Slits - I Heard it Through The Grapevine 3:58

10 Jonathan Richman & The Modern Lovers - Egyptian Reggae 2:36

11 Specials - Gangsters 2:46

12 Selecter - On My Radio 3:01

13 Grace Jones - Private Life 5:11

14 Tom Tom Club - Genius of Love 3:28

15 Marianne Faithfull - Broken English 4:35

16 X Ray Spex - Germ Free Adolescents 3:11

17 Passions - I'm in Love With A German Film Star 3:57

18 Sparks - The No 1 Song in Heaven 3:29

19 Human League - Being Boiled 4:16

20 Japan - Life in Tokyo (Part 1) 4:01

21 Go-Go's - We Got The Beat 2:30

22 Bow Wow Wow - C30 C60 C90 Go! 3:03

(Butterboy)