I Can See You - by Paddy Summerfield c. 1986

Thursday, November 27, 2025

Velvet Underground - Murder Mystery (Lou Reed) [the Third Album The Velvet Underground - note not to be consumed with 'The Velvet Underground and Nico’]

 I don’t think Murder Mystery was ever a favourite track from this album (yes yes bought when it came out and still have my original vinyl) . . . . there were tracks that stuck out much much more (Pale Blue Eyes, I’m Beginning To See The Light, I’m Set Free and but someone posted the lyrics (poem) today and it struck me . . . more obtuse than Tarantula and an early example of stream of consciousness songwriting (Burroughs cut up anyone - junk connections?) . . . so here ’tis!

Read along and join in kiddies?

Candy screen wrappers of silkscreen fantastic, requiring memories both lovely and guilt-free 
(Denigrate obtuse and active verbs, pronouns)

Lurid and lovely with twilight of ages, luscious and lovely and filthy with laughter
 (Skewer the sieve of the optical sewer)

Laconic giggles, ennui for the passions in order to justify most spurious desires
 (Release the handle that holds all the gates up)

Rectify moments most serious and urgent to hail upon the face of most odious time
 (Puncture the eyeballs that seep all the muck up)

Requiring replies most facile and vacuous with words nearly singed with the heartbeat of passions 
(Read all the books and the people worth reading)

Spew forth with the grace of a tart going under, subject of great concern, noble origin 
(And still see the muck on the sky of the ceiling)

Mister moonlight 
(Please raise the flag)

Succulent, smooth and gorgeous 
(Rosy red carpet envy)

Isn't it nice? 
(English used here)

We're number one and so forth 
(This messenger is nervous)

Isn't it sweet
 (It's not fun at all)

Being unique? 
(Out here in the hall)

For screeching and yelling and various offenses, love, lower the Queen and bend her over the tub 
(Relent and obverse and inverse and perverse)

Against the state, the country, the committee, hold her head under the water, please, for an hour 
(And reverse the inverse of perverse and reverse)

For grovelling and spewing and various offences, puncture that bloat with the wing of a sparrow
 (And reverse and reverse and reverse and chop it)

The inverse, the obverse, the converse, the reverse, the sharpening wing of the edge of a sparrow 
(And pluck it and cut it and spit it and sew it)

For suitable reckonings too numerous to mention, as the queen is fat, she is devoured by rats 
(To joy, on the edge of a cyclop and spin it)

There is one way to skin a cat or poison a rat, it is here forth, hear to three, forthrightly stated 
(To rage on the edge of a cylindrical minute)

Put down that rag 
(Dear Mr. Muse)

Simpering, callow and morose 
(Fellow of wit and gentry)

Who let you in?
 (Medieval ruse)

If I knew, then I could get out 
(Filling the shallow and empty)

The murder you see 
(Fools that duel)

Is a mystery to me 
(Duel in pools)

To Rembrandt and Oswald to peanuts and ketchup, sanctimonious sycophants stir in the bushes 
(Tantalize poets with visions of grandeur)

Up to the stand with your foot on the Bible, as king, I must order and constantly arouse 
(Their faces turn blue with the reek of the compost)

If you swear to catch up and throw up and up-up, a king full of virgin and kiss me and spin it 
(As the living try hard to retain what the dead lost)

Excuse me to willow and wander dark wonders, divest me of robes-sutures, Harry and pig meat 
(With double-dead sickness from writing, at what cost?)

The fate of a nation rests hard on your bosoms, the king on his throne puts his hand down his robe 
(And business and business and reverse and reverse)

The torture of inverse and silk screen and Harry and set the tongue squealing, the reverse and inverse
 (And set the brain reeling, the inverse and inverse)

Objections suffice 
(English arcane)

Ape-like and tactile bassoon 
(Tantamount here to frenzy)

Oboe-ing me 
(Passing for me)

Cordon that virus' section 
(Lascivious elder passion)

Off to the left 
(Corpulent filth)

Is what is not right 
(Disguised as silk)

Contempt, contempt and contempt for the boredom, I shall poison the city and sink it with fire 
(With cheap simian melodies, hillbilly out-gush)

For cordless and Harry and ape-pig and scissor, the messenger's wig seems fraught with desire 
(For illiterate ramblings, for cheap understanding)

For blueberry picnics and pince-nez and magpies, the messenger's skirt, would you please hook it higher? (For mass understanding, the simple, the inverse)

For children and adults, all those under 90, how truly disgusting, would you please put it down? 
(The compost, the reverse, the obtuse and stupid)

A stray in this fray is no condom worth saving, as king, I'm quite just, but it's just quite impossible
 (And business and business and cheap, stupid lyrics)

A robe and a robe and a robe and a bat, no double cress inverse could make lying worth dying 
(And simple mass reverse while the real thing is dying)

Folksy knockwurst
 (Exit the pig)

Peel back the skin of French and 
(Enter the owl and gorgeous)

What do you find?
 (King on the left)

Follicles intertwining 
(It on the right and primping)

Succulent prose
 (Adjusting his nose)

Wrapped up in robes 
(As he reads from his scroll)

Off with his head, take his head from his neck off, requiring memories both lovely and guilt-free (Jumpsuit and pig meat and making his fortune)

Put out his eyes and then cut his nose off, sanctimonious sycophants stir in the bushes 
(While making them happy with the inverse and obverse)

Scoop out his brain, put a string where his ears were, all the King's horses and all the King's men 
(And making them happy and making them happy)

Swing the whole mess at the end of the wire, scratch out his eyes with the tip of a razor 
(With the coy and the stupid, just another dumb lackey)

Let the wire extend from the tip of a rose, Caroline, Caroline, Caroline, oh 
(Who puts out the one thing while singing the other?)

But retain the remnants of what once was a nose, pass me my robe, fill my bath up with water 
(But the real thing's alone and it is no man's brother)

Safety is nice 
(No one knows)

Not an unwise word spoken 
(No nose is good news and senseless)

Scary, bad dreams 
(Extend the wine)

Made safe in lovely songs
 (Drink here, a toast to selfless)

No doom or gloom 
(Ten year old port)

Allowed in this room 
(Is perfect in court)

Casbah and Cascade and Rosehip and Feeling, Cascade and Cyanide, Rachmaninoff, Beethoven 
(Oh, not to be whistled or studied or hummed)

Skull silly wagon and justice and perverse and reverse the inverse and inverse and inverse 
(Or remembered at nights when the eye is alone)

Bluebelly catalog, questionable earnings, hustler's lament and the rest will in due cry 
(But to skewer and ravage and savage and split)

To battle and scramble and browbeat and hurt while chewing on minstrels and choking on dirt 
(With the grace of a diamond, bellicose wit)

Disease please seems the order of the day, please the king, please the king, please the king day 
(To stun and to stagger with words as such stone)

Casbah and Cascade and Rosehip and Feeling, point of order, return the king here to the ceiling 
(That those who do hear cannot again return home)

Razzamatazz 
(Hello to Ray)

There's nothing on my shoulder 
(Hello, Godiva and Angel)

Lust is a must 
(Who let you in?)

Shaving my head's made me bolder 
(Isn't it nice, the party?)

Will you kindly read 
(Aren't the lights)

What it was I brought thee? 
(Pretty at night?)

Sick leaf and sorrow and pincers, net scissors 
(Contempt, contempt, and contempt for the seething)

Regard and refrain from the daughters of marriage 
(For writhing and reeling and two-bit reportage)

Regards for the elders and youngest in carriage 
(For sick with the body and sinister holy)

Regard and regard for the inverse and perverse 
(The drown burst blue babies now dead on the seashore)

And obverse and diverse of reverse and reverse 
(The valorous horsemen who hang from the ceiling)

Regard from the sick, the dumb and the camel 
(The pig on the carpet, the dusty pale jizzom)

From pump's storing water like brain is to marrow 
(That has no effect for the sick with the see-saw)

X-ray and filthy and cutting and then peeling
 (The inverse, obverse, converse, reverse of inverse)

To skin and to skin and to bone and to structure 
(The diverse and converse of reverse and perverse)

To livid and pallid and turgid and structured 
(And sweet pyrotechnics and let's have another)

And structured and structured and structured and structured 
(Of inverse, converse, diverse, perverse and reverse)

And regard and refrain, and regard and refrain 
(Hell's graveyard is damned as they chew on their brains)

The sick and the dumb, inverse, reverse and perverse 
(The slick and the scum, reverse, inverse and perverse)

Plowing while it's done away 
(Sick upon the staircase)

Dumb and ready pig meat 
(Sick upon the pulpit)

Sick upon the carpet 
(Blood upon the pillow)

Climb into the casket 
(Climb into the parapet)

Safe within the parapet 
(See the church bells gleaming)

Sack is in the parapet 
(Knife that scrapes a sick plate)

Pigs are out and growling 
(Dentures full of air holes)

Slaughter by the seashore 
(The tailor couldn't mend straight)

See the lifeguard drowning 
(Shoot her full of air holes)

Sea is full of fishes 
(Climbing up the casket)

Fishes full of china 
(Take me to the casket)

China plates are falling 
(Teeth upon her red throat)

All fall down
 (Screw me in the daisies)

Sick and shimy carpet
 (Rip upon her holler)

Lies before my eyes-eyes 
(Snip the seas fantastic)

Lead me to the ceiling 
(Treat her like a sailor)

Walk upon the wall-wall 
(Full and free and nervous)

Tender as the green grass 
(Out to make his fortune)

Drink the whisky horror 
(Either this or that way)

See the young girls dancing 
(Sickly or in good health)

Flies upon the beaches 
(Piss upon a building)

Beaches are for sailors 
(Like a dog in training)

Nuns across the sea-wall 
(Teach to heel or holler)

Black hood horseman raging 
(Yodel on a sing song)

Swordsman eating fire 
(Down upon the carpet)

Fire on the carpet
 (Tickle polyester)

Set the house a-blazing 
(Sick within the parapet)

Seize and bring it flaming 
(Screwing for a dollar)

Gently to the ground-ground 
(Sucking on a fire-hose)

Dizzy Bell Miss Fortune 
(Chewing on a rubber line)

Fat and full of love-juice 
(Tied to chairs and rarebits)

Drip it on the carpet 
(Pay another player)

Down below the fire hose 
(Oh, you're such a good lad)

Weep and whisky fortune 
(Here's another dollar)

Sail me to the moon, dear
 (Tie him to the bedpost)

Drunken dungeon sailors 
(Sick with witches' covens)

Headless Roman horsemen 
(Craving for a raw meat)

The king and queen are empty 
(Bones upon the metal)

Their heads are in the outhouse
 (Sick upon the circle)

Fish upon the water 
(Down upon the carpet)

Bowl upon the savior
 (Down below the parapet)

Toothless wigged Laureate 
(Waiting for your bidding)

Plain and full of fancy
 (Pig upon the carpet)

Name upon a letterhead 
(Luminescent railroad)

Impressing all the wheat germ 
(Neuro-anesthesia analog)

Love you for a nickel 
(Ready for a good look)

Maul you for a quarter 
(Drooling at the birches)

Set the casket flaming 
(Swinging from the birches)

Do not go gentle blazing 
(Succulent Nebraska)

Lou always cited Sister Ray as companion piece and perhaps for obvious reason this was never performed live with the alternating lyrics being spoken by Lou and Sterling and the other band members joining in on a ‘chorus’ of sorts . . . . I always recall the phrase "Relent and obverse and inverse and perverse and for some reason "Sick upon the circle, down  upon the carpet!

- - Lou Reed

Kelly Eldridge Boesch bids ‘Good Morning’ and creates accidentally!

 Kelly says morning!


I am beginning to not know what’s going on in the world



I LIKE this

Kelly Eldridge Boesch



Kelly says: Just some beautiful scenes today and a few minutes of peace



 . . . . then she posted this as a “bonusMade by ACCIDENT!?!?!?


she says: 
Bonus video today. I made these images in #Midjourney by accident yesterday playing with style ref codes  and was curious to see how #VEO3 would animate them. Did a pretty good job. The hard part was just thinking of stuff for them to do. It follows the prompting really well. And getting the sound is just amazing. Adding sound to just one clip used to take so long. I love it. Song made using @sunomusic 
my emphasis above!

Astonishing . . . .
where is she? Can I go study with her? . . . . . . I like these . . . have I said?

Wednesday, November 26, 2025

Kelly Eldridge Boesch on Dreams

 As she says this one is about dreams (aren’t they all but?) we will close the day with this one from Kelly Eldridge Boesch

Kelly says:

This one is about dreams. Those strange kind of dreams where you wake up and say what was that all about. The song lyrics personify a dream as if it was a person. I’ve made songs like this before, Change and Life, You Bastard. Using personification to describe how these things can make you feel. I love strange visuals that make you think but are also oddly calming. My workflow for this was #midjourney for the images, #VEO3 for the animation, @Suno for the song. I edited it using Premiere Pro but then dumped it in CapCutt to add a filter

Advert Break | POST MODERN JUKEBOX TOUR

 


UK & Europe PMJ fans: we’re coming to see you with a brand new show in the Spring!  Come join us for a World’s Fair of classic style & phenomenal talent - tix at www.pmjtour.com


Let’s go! I think we should . . . . 

Dylan in Ireland | Flagging Down The Double E Newsletter - RAY PADGETT

 Last Night in Dublin (by Laura Tenschert)

2025-11-25, 3Arena, Dublin, Ireland


Last night, Bob Dylan concluded his year of touring—85 shows total—in Dublin. It was the final night of the latest leg of the Rough and Rowdy Ways tour, which he’s already teased will continue on next spring.

If you’ve been following the fall tour, you know that after the setlist not changing one iota for weeks, in the final days finally there were some surprises. Going Down to Bangor” in Belfast“Lakes of Pontchartrain” in Killarney. And last night in Dublin?

To tell us all about it is Laura Tenschert. Tenschert is the host of the essential podcast Definitely Dylan. This time last year, I was on the program talking about the Rough and Rowdy Ways tour coming to an end. Whoops. But it’s a great show and usually her guests don’t put their foot in their mouth as much as I did.

Here’s Laura Tenschert reporting in on the final night of the latest leg of what I will continue to call the Never Ending Rough and Rowdy Ways Tour:

read on here . . . . . .


and signing off with Rainy Night In Soho for our Shane!

Jimmy Cliff - Wolf Lake Memorial Park Pavilion - Hammond USA 2014 | Albums That Should Exist

 

Jimmy Cliff - Wolf Lake Memorial Park Pavilion, Hammond, IN, 7-16-2014

Paul says: Yesterday (November 24, 2025), the world lost another musical great, Jimmy Cliff. He was 81 years old. I wanted to post something to pay tribute to his musical legacy. I looked around, and to my pleasant surprise, discovered this concert. Someone posted it at a bootleg sharing site for the first time just yesterday, also to pay tribute to him. So you haven't heard this before.

This comes from a soundboard, and the sound quality is excellent. However, there was one problem with the recording: it captured what was heard on stage great, but there was almost no sound of the audience. So I ran every song through the MVSEP program, splitting the crowd noise from everything else. Then I greatly (and I do mean greatly) boosted the crowd noise at the ends of songs and other appropriate places, like during singalongs. So this version sounds even better than the one that first appeared just yesterday.

Cliff put out a lot of classic reggae music in the late 1960s and early to mid 1970s. But then he put out mere okay albums for a long time. However, in 2012, he had an excellent comeback album appropriately titled "Rebirth." It won a Grammy for the best reggae album of the year, and Rolling Stone Magazine named it one of the best 50 albums of 2012. Even though this concert took place well over a year after the release of that album, he was still touring to support it. Four songs here come from that album: "Rebel Rebel," "World Upside Down," "One More," and "Children's Bread."

This is a fairly long concert, which gave Cliff time to play most of his best known songs. He also managed to weave in a kind of personal musical history, which included him performing some of his earliest songs, like "King of Kings" and "Miss Jamaica" from the early 1960s, but also some cover songs that were influences on him, like "Honor Your Mother and Father," "Judge Not" (written by Bob Marley before he was famous), "Hold Me Tight," and "Cupid." All in all, this is a great concert recording to remember him by.

This album is an hour and 58 minutes long.

01 Bongo Man - Rivers of Babylon 
02 talk 
03 King of Kings 
04 Miss Jamaica
05 talk 
06 Hard Road to Travel 
07 You Can Get It If You Really Want
08 Wild World 
09 Rebel Rebel 
10 Under the Sun, Moon and Stars 
11 talk 
12 Vietnam
13 World Upside Down
14 Treat the Youths Right
15 Rub-A-Dub Partner - Reggae Movement
16 Many Rivers to Cross 
17 talk
18 Honor Your Mother and Father 
19 talk 
20 Judge Not 
21 talk
22 Hold Me Tight
23 talk
24 Cupid 
25 talk
26 The Harder They Come
27 I Can See Clearly Now
28 Reggae Night (
29 talk
30 One More
31 talk 
32 Welcome Home 
33 Wonderful World, Beautiful People
34 talk 
35 Sitting in Limbo 
36 talk 
37 Children's Bread
38 talk 

all tracks Jimmy Cliff 

Whatever happened to Licorice Mckechnie? The disappearance of an Incredible String Band starlet | DANGEROUS MINDS

Read on here . . .

Whatever happened to Licorice Mckechnie?


Keen fan of Dangerous Minds that I am, this is a disappointingly poor profile of the Licorice McKechnie story and tells us nothing new. 

a few paragraphs from author  and odd uses of terminology, referring to her as “starlet” (sic) and describing her contribution as a member of The Incredible String Band as “support” when she was clearly a full member of the band from 1968 - 1974!

Yes she joined Scientology and the guys flirted with this so called ‘religion' too and yet it is only Licorice who seems to have stayed the course (it is one centred on training in control of emotional responses via E-Meter usage until one becomes ‘clear’) and this may (or may not) have to do with her lack of social or media profile and also her ultimate disappearance 

The myth has it that she was last seen walking off into the desert is a romantic notion and yet leads us ultimately nowhere. There have been reports since and this are easily verified and well documented else where so this cursory look at her disappearance tells us nothing we didn’t already know

The ‘dangerous mind’ here is Lafayette Ron Hubbard former Sc-Fi pulp fiction writer author of Dianetics and found of the batshit crazy thought control system Scientology and the connection is worthy of more serious exploration than this - A.S.


Lightning Hopkins - Walking The Streets | jt1674

 

https://www.tumblr.com/jt1674/801195426611134464/lightnin-hopkins-walkin-the-streets

The Undertones - Paradiso, Amsterdam, The Netherlands 1980 | soundaboard

 The Undertones - Paradiso, Amsterdam, The Netherlands 1980

From Derry, Northern Ireland come The Undertones, often cataloged as a Punk Rock band but their music has many elements of Pop and New Wave.
This is from their performance at the Paradiso in Amsterdam on March 15, 1980, during their first European Tour.
Most of the setlist is comprised by tracks from the first album, released in May 1979.
Trivia: Teenage Kicks was legendary radio DJ John Peel's favourite ever song to the point that words from the song's chorus was engraved on his tombstone:
"Teenage dreams, so hard to beat."


Sound Quality: 9+

Source: FM Broadcast

Track List:
01 Male Model
02 Tearproof
03 Teenage Kicks
04 Jimmy Jimmy
05 The Way Girls Talk
06 There Goes Norman
07 Get Over You
08 Whizz Kids
09 Family Entertainment
10 True Confessions
11 Here Comes The Summer
12 She's A Runaround
13 Girls Don't Like It
14 Rock And Roll

Mo’ Mississippi . . . . (John Hurt that is) | ZERO G SOUND

 

Mississippi John Hurt - Worried Blues 1963

Zero hat gesagt: Together with 1963's "Avalon Blues" (as opposed to the similarly titled compendium of 1928 recordings), “Worried Blues "represents the best of Mississippi John Hurt's later work, following his rediscovery in the early 1960s.

As much a folk musician as a bluesman, Hurt included traditional and devotional music as well as blues in his oeuvre. His wide-ranging repertoire here is highlighted by "Farther Along" and "Oh Mary, Don't You Weep." Accompanied only by his guitar, Hurt is a compelling, engaging performer who eschews gimmickry. The ease with which he plays creates a peacefulness at the center of this music that's undeniably appealing. 
--Genevieve Williams

Tracklist:


1 Lazy Blues 3:20

2 Farther Along 3:51

3 Sliding Delta 5:09

4 Nobody Cares For Me 3:38

5 Cow Hooking Blues No. 2 3:46

6 Talkin' Casey 4:51

7 Weeping And Wailing 4:11

8 Worried Blues 4:43

9 Oh Mary Don't You Weep 3:26

10 I Been Cryin' Since You Been Gone 3:09




 an absolute favourite of my beloved brother Steve’s . . . . . I well recall him coming home with a Mississippi John album and I was hooked, mesmerised . . . . . that . . .  .lovin' spoonful  . . hmm that Maxwell house! I’m satisfied but these are EARLY! ☕️