and might close it down for the day there . . . . .
Sunday, September 06, 2026
Norah Jones - Capitol Theatre, Port Chester, NY, 11-8-2015 | ALBUMS THAT SHOULD EXIST
Norah Jones - Capitol Theatre, Port Chester, NY, 11-8-2015
In 2015, Jones didn't really have an album to promote. Her most recent solo studio album at the time was "Little Broken Hearts," released in 2012. She would release "Day Breaks" in 2016. However, only two songs here are from that album ("Flipside" and "And Then There Was You"). So she performed songs from all over her career up until that point.
The music is unreleased. The sound quality is excellent.
This album is an hour and 35 minutes long.
01 What Am I to You
02 Out on the Road
03 I've Got to See You Again
04 Carnival Town
05 talk
06 Black
07 talk
08 It Must Have Been the Roses
09 talk
10 Chasing Pirates
11 Flipside
12 talk
13 Stuck
14 talk
15 Lonestar
16 And Then There Was You
17 Painter
18 Little Broken Hearts
19 talk
20 Don't Know Why
21 Miriam
22 Sinkin' Soon
23 talk
24 Don't Know What It Means
25 talk
26 Come Away with Me
27 talk
28 Sunrise
29 Creepin' In
30 How Many Times Have You Broken My Heart
(all tracks Norah Jones)
Norah Jones - What Am I To You?
Norah Jones - Don’t Know Why
Port Chester 2015 Soundboard （Uxbridge 2827）
Live At Capitol Theatre, Port Chester, NY, USA
08th November 2015
More from James Rigby . . . . THE BUTTERFLY
approaching close of day . . . . .
THE BUTTERFLY - LATEST ORIGINAL BY JAMES RIGBY
TUNED - CGCGCE
Gone Gone Gone (Done Moved On) Robert Plant & Alison Krauss | HERBERG DE KELDER
Gone Gone Gone (Done Moved On)
Robert Plant & Alison Krauss
Don’t think I would ever not re-post this favourite song from these two
HERBERG DE KELDER
Byrne sings Beefheart! [David Byrne — Between the Teeth (1992) ]
David Byrne — Between the Teeth (1992)
🎬 DAVID BYRNE — BETWEEN THE TEETH (1992)
Filmed at the Count Basie Theatre, Red Bank, New Jersey, on Halloween night, 31 October 1992.
Directed by David Byrne and David Wild. Produced by Joel Hinman for Todo Mundo, Ltd.
Released on LaserDisc by Warner Reprise Video (9 38303-6) and never reissued since — no DVD, no Blu-ray, no streaming.
✨ FAN REMASTER 2026
Restored from the original NTSC LaserDisc.
No AI upscaling, no invented detail — a careful transfer, noise reduction and a colour pass that keeps the hard white light exactly as it was shot.
🎵 TRACKLIST / CHAPTERS
0:00 Well (Captain Beefheart)
2:13 (Nothing But) Flowers
6:54 Girls On My Mind
10:49 Mr. Jones
15:32 Something Ain't Right
19:15 Life During Wartime
24:27 Women vs. Men
30:09 Hanging Upside Down
34:38 Lie To Me
40:56 She's Mad
46:55 Blind
52:18 Make Believe Mambo
58:15 And She Was
1:01:54 Buck Naked
1:05:21 Road To Nowhere
✦ 10 CAR PILE-UP
David Byrne — vocals, acoustic and electric guitar
George Porter Jr. — bass
Jonathan Best — keyboards
Oscar Salas — drums
Bobby Allende — congas
Héctor Rosado — timbales
Ángel Fernández — musical director, trumpet
José "Ite" Jerez — trumpet
Lewis Kahn — trombone, violin
Steve Sacks — alto sax
✦ ABOUT THE FILM
The Uh-Oh tour caught Byrne five years out of Talking Heads and deep into Latin and Caribbean music. No rock band: a ten-piece with horns and Latin percussion.
The band wears black — "a bunch of funeral directors", Byrne called them — and every light is white. "It could almost be a black-and-white film," he said. Byrne and Wild planned a different camera treatment for each song, decided in advance which ones not to shoot, and held the audience out of frame until late in the film: "I don't like a film telling me what I'm supposed to be feeling."
Fifteen songs from a set that ran an hour and forty-five. Byrne opens alone and closes alone.
Remembering the great Jimmy Reed (September 6, 1925 – August 29, 1976)
again as a precocious teen I think an early purchase was an EP with Jimmy’s Big Boss Man on it which I loved and thought one of the greatest songs ever written and applied to every job I EVER had! (Still do - True now and true then!)
Remembering the great Jimmy Reed (September 6, 1925 – August 29, 1976)
Keith Richards: I love Jimmy Reed, a unique sound. There are thousands and thousands of Blues players out there and to find a unique sound and a way to play it is an extra touch of genius. Jimmy Reed had it.The list of artists who have recorded Reed’s songs or claimed to be influenced by him is quite staggering. They include Elvis Presley (Big Boss Man, Baby, What You Want Me To Do), The Rolling Stones (Ain’t That Lovin’ You Baby, The Sun Is Shining, Bright Lights, Big City, Shame, Shame, Shame), The Yardbirds, Van Morrison, Grateful Dead, Wishbone Ash, The Steve Miller Band and last but not least, Bob Dylan, who wrote the song Goodbye Jimmy Reed as a tribute to the legendary bluesman.Photo by Michael Ochs Archives
Jimmy Reed with Eddie Taylor - Big Boss Man
Wet Leg - Mangetout (Live on KEXP) | Gary Lucas explores
Wet Leg - Mangetout (Live on KEXP)
as recommenced by Gary Lucas . . . . . the band from the Isle of Wight’s influence is spreading I guess!
Kat Dennings on Tom Hardy joint audition
Now I have not been shy about singing the praises of Kat Dennings and here is her endearing account of a six hour audition with the wonderful Tom Hardy for Mad Max II and how she became a fan of Tom for life
Stories like this abound about Tom and he is always someone who is going to confound and bemuse from his brilliant behaviour!
sorry about the version but the gist is there and I guess there is a better Instagram version but I couldn’t find it!
Petty Sunday - Tom Petty Band - Shady Grove
I didn’t know (or expect!?) Tom to cover classic American folk song Shady Grove - first heard from Doc Watson
Tom Petty Band - Shady Grove
The Fabulous Thunderbirds - Look At That | Live at Austin City Limits 1987
The algorithm threw this up for me! Stone classic!
THE FABULOUS THUNDERBIRDS - LOOK AT THAT!
"Witness a blistering display of Texas blues-rock as the legendary Fabulous Thunderbirds lay down a swaggering rendition of "Look at That."
Recorded live for the iconic television program Austin City Limits in Austin, Texas, and broadcast during the show's 12th season in 1987, this performance captures the band at the absolute peak of their commercial success. Radiating effortless cool, Kim Wilson and Jimmie Vaughan lead the quintet through a masterclass in roadhouse rhythm and blues, making this a standout moment in the program's rich archival history.”
Subscribe to:
Posts (Atom)