.................................the blog nobody reads

A memory .. . .. . . ..

Fairport Convention took the Dylan song "If You Gotta Go, Go Now" into the charts, albeit in an unusual fashion: the group translated the song into French (partially, retaining the English "...you gotta stay all night" as the end of a line beginning in French for comic effect) as "Si Tu Dois Partir". Recorded for the ‘Unhalfbricking’ album, the song coming from a game of 'Ghosts' that Sandy Denny won with, the song was issued as a single in 1969. I was 16 and yet to hear ‘The Great White Wonder’ Dylan bootleg that I would buy in Holland years later which featured him singing his own song but we had heard another charted ‘pop’ version. This version of Bob Dylan's "If you gotta go, go now" was the band's only charting single, reaching number 21 and staying in the British Chart for nine weeks. When it came out and everyone I knew was playing it, I thought why are they getting excited about a pidgin French Cajun version of a Manfred Mann song!? We gathered regularly round a friends house round the corner from where my parent’s lived and listened to records, drank coffee and smoked cigarettes encouraged by their parents to be there rather than hanging out on the streets. Rumour has it that Fairport played a gig in which they asked members of the audience to translate Dylan’s song which made it’s pidgin Cajun French more explicable!

Si Tu Dois Partir

C'est pas que je te demande

Que faire que tu ne jamais fais

C'est seulement qu'il fait trop tard

Et il fait trop noir pour trouver la porte

Mais si tu dois partir, va t'en

Si non, tu dois rester la nuit

C'est pas que je te demande

De prendre part dans ce jeu

C'est seulement je n'ai pas de montre

Comme toujours faire le par contre

Mais si tu dois partir, va t'en

Si non, tu dois rester la nuit

Tu sais j'aurais des cauchemars

Et aussi mauvaise conscience

Si je t'empeche de faire

Ce que vraiment tu espère

Mais si tu dois partir, va t'en

Si non, tu dois rester la nuit

I didn't 'get it' but friends bought 'Unhalfbricking" the album from whence the track came on the strength of it which contained the heartbreaking Sandy Denny track " Who Knows Where the Time Goes" which was more my speed and it has haunted me ever since, I just didn't get the jokey French song when they could have released that one! Why it even included breaking glass bottles as percussion. The album also contained a further two Dylan titles though I don’t recall being aware of this at the time. The Convention had been invited to Bob Dylan's London music publishers to hear then unreleased tracks from The Basement Tapes sessions. The band's bassist, Ashley Hutchings, said "We loved it all. We would have covered all the songs if we could." In the event, versions of "Percy's Song", "Million Dollar Bash" and "Si Tu Dois Partir" were used on the album. Nor did we know the heartbreak and sorrow behind this album’s release only later to discover that just months before ‘Unhalfbricking’ had come out, Richard’s girlfriend, Jeannie Franklyn, and Fairport drummer Martin Lamble, who was a mere 19 years old, were both killed in a car crash.(*) This made the unfettered jollity of the Bob Dylan pastiche more confusing to me.
(* Simon Nichol's moving account of the terrible van crash on the M1)

Unhalfbricking

In an attempt to educate myself as to what was going on, I bought the Island budget-price sampler, ‘You Can All Join In’, which had a profound affect upon me and I have stuck with many of the bands I heard therein, not dissimilar to the other sampler of the era 'Rock Machine Turns You on" an American version if you will of the same idea and I stuck with many of the bands on that album too. 'You Can All Join In' included Jethro Tull, Spooky Tooth, Free, John Martyn, Traffic with the titular track and of course Fairport Convention.

Liking the Fairports' sampler track, ‘Meet on the Ledge’ the chart success and jolly sound of Si Tu Dois Partir confused me as to why everyone thought it such a blast. 'Meet on The Ledge' also haunted me forever and seemed a much more serious and relevant song.

What ledge? Why would we meet there and didn't I want to jump off? Or were we all just clinging on? Huddled together, holding on against the wind. Too many friends indeed blown off this mountain side. True now as it was then……

"The song's title comes from a large, low hanging tree limb on which Richard Thompson used to play as a child, and which he and his friends had dubbed "The Ledge". Richard Thompson acknowledged that some people interpret "the ledge" as some sort of code for the afterlife and that it is popular at funerals. In an interview with Mojo magazine March 2011 Richard Thompson said: "The hardest thing about being a 17-year-old songwriter is that you're embarrassed - you're never going to write a song saying, 'These are my feelings, I love you.' So I was trying to find some semi-veiled language that conveyed something to somebody somehow but which didn't really say anything up front. It's a slightly naïve song, a little obscure. I don't even know what it means." Thompson added: "I had to sing it at my own mother's funeral. It was in her will. That's about the hardest thing I've ever done".

MEET ON THE LEDGE

We used to say

That come the day

We'd all be making songs

Or finding better words

These ideas never lasted long

The way is up

Along the road

The air is growing thin

Too many friends who tried

Were blown off this mountain with the wind

Meet on the ledge

We're gonna meet on the ledge

When my time is up I'm gonna see all my friends

Meet on the ledge

We're gonna meet on the ledge

If you really mean it, it all comes round again

Yet now I see

I'm all alone

But that's the only way to be

You'll have your chance again

Then you can do the work for me

Meet on the ledge

We're gonna meet on the ledge

When my time is up I'm gonna see all my friends

Meet on the ledge

We're gonna meet on the ledge

If you really mean it, it all comes round again

Meet on the ledge

We're gonna meet on the ledge

When my time is up I'm gonna see all my friends

Meet on the ledge

We're gonna meet on the ledge

If you really mean it, it all comes round again

As a consequence of my not ’getting’ the song ‘Si Tu Dois . . . ‘ I chose to sulk and not go when the guys heard that Fairport were up the road at the Manor, Richard Branson’s recording studio, and imagine my chagrin when they duly returned later that day with tales of being asked in and playing in the garden on a beautiful English sunny summer day and one of the boys returned with Sandy having signed his plastercast where he broken his arm replete also with signed copies of the single too to add insult to injury as it were! It didn’t seem much later but in fact it was to be nearly ten years later that reports came down that Sandy had died in an ‘accident at home by falling down the stairs’ but in reality she had left Fairport in 1969 to pursue solo efforts and formed 'Fotheringay' but also by the seventies had begun to use drugs and drink heavily and had banged her head on concrete several days before then subsequently prescribed 'distalgesic' by an ill informed doctor not understanding the fatal consequence of this drug when combined with alcohol. Sandy had by then stopped caring for herself or her child by that stage and that angelic ethereal yet all too human & troubled voice was lost forever to us.