Now speaking of antipodeans! . . . . David Bridie?

David Bridie - A Box of David Bridie, A Musical Journey Across Soundscapes [1983 - 2021] (27 x CDs)

Now I should say I don’t know this guy at all . . . . . . but Butterboy has featured this when I was checking out Emily Barker’s new single and we had featured Men At Work ‘Down Under’ although Hay was/is a Scott he qualifies as an honorary Aussie and thought it behoved us to feature this!? I am ashamed to say I had never heard of him . . . . . .twenty seven CDs!? Yikes!!

Butterboy says:

In the tapestry of Australian music, few artists have woven together genres, cultures, and emotions as seamlessly as David Bridie. A composer, musician, and advocate for Indigenous and Melanesian artists, Bridie’s career is a masterclass in artistic evolution. From the atmospheric soundscapes of Not Drowning, Waving to the evocative storytelling of My Friend the Chocolate Cake and his deeply immersive solo work, Bridie’s music invites listeners on a journey, one that is both thought-provoking and profoundly beautiful. David Bridie’s musical style is a rich fusion of ambient, alternative, world music, and chamber pop influences. His work is characterized by atmospheric soundscapes, evocative storytelling, and a deep connection to cultural and environmental themes.

David bridie work can be followed through these stages of evolution.

Echoes of Innovation: Not Drowning, Waving [1983–1994]

Bridie’s first major step into the music world was with Not Drowning, Waving, a band he co-founded in 1983. While the group started as a duo between Bridie and guitarist John Phillips, it quickly expanded into a full ensemble, crafting music that blurred the boundaries between rock, ambient, and world influences. Their albums, such as Claim [1989] and Circus [1993], created sonic landscapes that could transport listeners to distant lands; deep forests, misty waters, and far-flung island communities.

Not Drowning, Waving became renowned for their collaborations with Melanesian musicians, particularly through their groundbreaking album Tabaran [1990], which highlighted the musical richness of Papua New Guinea. This project was not just an artistic endeavor but a cultural bridge, introducing Australian audiences to the sounds and traditions of their Pacific neighbors.

A Chamber Pop Delight: My Friend the Chocolate Cake [1990–Present]

In parallel with Not Drowning, Waving, Bridie explored a more introspective, intimate musical direction with My Friend the Chocolate Cake. Formed in 1989 with cellist Helen Mountfort, the group traded in the sweeping atmospheres of Bridie’s previous work for richly textured, chamber-pop arrangements. Their music, led by grand pianos, strings, and reflective lyrics, provided comfort and contemplation in equal measure.

Albums such as Brood [1994] and Home Improvements [2007] became staples for fans who sought depth in their music. The band’s ability to balance melancholic themes with a sense of warmth made them uniquely compelling—music that was just as suited for solo reflection as it was for shared appreciation.

Stepping Into the Spotlight: Solo Career & Film Scores (2000–Present)

By the late 1990s, Bridie had expanded his musical vision further by stepping into the role of a solo artist. His debut album, Act of Free Choice [2000], introduced a refined, deeply personal style, combining political themes with ethereal arrangements. Subsequent albums such as Hotel Radio [2003] and Wake [2013] continued this exploration, drawing listeners into Bridie’s poetic storytelling.

Parallel to his solo career, Bridie became a sought-after film composer, scoring over 100 projects. His work on films like Proof [1991] and In a Savage Land [1999] showcased his talent for crafting music that heightened emotions and immersed audiences into cinematic worlds. His ability to tell a story through music made him a favorite among directors looking for soundscapes that linger long after the credits roll.

Beyond creating music, Bridie has championed Indigenous Australian and Melanesian artists, ensuring their voices reach wider audiences. His Wantok Musik Foundation, a not-for-profit label, has been pivotal in supporting culturally significant artists such as George Telek and Frank Yamma. Bridie’s dedication to musical storytelling extends beyond his own work; he strives to amplify others whose stories deserve to be heard.

David Bridie’s career is not just a collection of albums or performances, it is a journey, an exploration of sound, identity, and the human experience. He has remained committed to artistic integrity while embracing collaboration, cultural exchange, and innovation. His music doesn’t demand attention; it invites listeners in, like a conversation with an old friend, layered, reflective, and deeply rewarding. A Lasting Legacy

If you haven’t yet ventured into the world of David Bridie, now is the time. Dive into his solo albums, explore the haunting beauty of Not Drowning, Waving, or revel in the delicate warmth of My Friend the Chocolate Cake. His music has been waiting for you, waiting to unfold, resonate, and become part of your own story.  (Butterboy)

all of which sounds interesting to these ears but 27 CDs!? Wow don’t hold your breath and I will get back to you but meanwhile if this intrigues enough check him out yourselves following the links above