I Can See You - by Paddy Summerfield c. 1986

Sunday, April 05, 2026

Frida Kahlo : First Love : MARIA POPOVA | The Marginalian

The Courage of Vulnerability: Teenage Frida Kahlo’s Moving Letters to Her First Love

and again I don't know why I don't post more links to The Marginalian as I read it so frequently and am always by turn intrigued, fascinated, filled with awe at Maria’s breadth of research and taste . . .we so often cross paths . . . . . 

From the outset, her letters command and caress at the same time. “Write to me often and long, the longer the better,” she urges him in one. “On Saturday I’ll bring your sweater, your books and a lot of violets,” she tells him in another. She takes love as seriously as it ought to be taken but also knows it dies without play: “Sorry about constantly repeating the word ‘love’ five times in a row, but it’s just that I’m very silly.” She signs herself “your pretty girl (monkey face),” “your girl, buddy, woman or whatever you like,” “your sister (girlfriend, buddy, wife).” (It starts so early, that trembling gamble of the heart by which a person tries to discern what they mean to another.) Over and over, she offers glimpses into her uncommon inner world. In a letter penned the summer she turned seventeen, after some arrangements for how they can see each other — Frida’s parents disapproved of the relationship — she writes:
Now I’m going to read Salambo until half past 10, it’s 8 o’clock now, and then the Bible in three volumes and, finally, think for a while about huge scientific problems and then go to bed, and sleep until half past 7 in the morning, eh? Until tomorrow, may we have a good night and may we both think that great friends must love each other very, very much, much, much, much, much, mucho . . . with “m” for music or for “mundo.”


A month later, she offers that lovely unasked assurance that makes a fragile young love feel safe and solid:
My Alex, since I won’t see you for two days and I miss you so much, I’m writing you this so that you will start to believe something that you don’t believe, but which is very true.

And then, beneath a drawing, she adds:
Please forgive me for not writing any more but I started to draw the doll at 9 and it took me an astronomical three quarters of an hour to draw and another half hour to write, so it’s about 10 now and you know that makes me sleepy like the hens, but I’ll keep writing this letter in my dreams and you know that I would write enough to fill at least a thousand pages.

I love you very much.

Your pretty girl (monkey face)
The Courage of Vulnerability: Teenage Frida Kahlo’s Moving Letters to Her First Love
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