I Can See You - by Paddy Summerfield c. 1986

Wednesday, September 14, 2011

Richard Hamilton 
24 February 1922 – 13 September 2011
© Mark Blower
It is with great sadness I learned yesterday of the passing of artist and 'Father of Pop Art', Richard Hamilton. As a young art student I was fortunate enough to visit him, first with my fellow degree students and lecturers, composer Gavin Bryars and historian Fred Orton, as we had formed a 'Marcel Duchamp' study group and Richard had been a conduit for many things Duchampian, not least having met him and also reconstructed Duchamp's 'Large Glass' work of art -  a tremendous undertaking he and his students at Newcastle took on with Duchamp's blessing.
Richard with a Duchamp 'Readymade' replica


Richard around the time I interviewed him - note Rita over his shoulder
I however wanted to know more about Richard and returned to interview him in 1976 for my final paper and interviewed him at length and with much patience and generosity from him about his work and the existence of something called 'Pop Art'. His then partner and wife to be and artist in her own right, the lovely Rita Donagh, was a gracious host and treated us to possibly too much whisky of the finest kind and my memories of those visits has stayed with me, not least Richard hurtling me back through the London Streets in his beloved Porsche from Highgate to the train station to catch my train back to Leicester where I was at degree college.


Hugh Gaitskill as a Famous Monster of Film Land

Interior


She


Swingeing London

His work had a profound influence on me, even earlier as a younger student about what it was possible to make art from and 'about'. At college I reconstructed several of my own homages to his ideas with a reconstruction of his 'Postcard piece' which astonishingly works remarkably well and I still challenge people to try it. These were probably the inspiration for my last works of my own based on crowd scenes taken from photographs in a similar manner.....
Later on when I worked at Oxford's Museum of Modern Art they were among my very favourite visitors and were always friendly and solicitous of my well being. Rita affectionate and inquisitive of my family and the children, Richard always friendly if more self absorbed somehow but always interested enough to chat and when eventually I had a small exhibition of my own work with the artist Graham Dean in Blackwell's then Paperback Bookshop, they were gracious enough to come to the private view and sign our visitors book. When Rita had a show of her own work at MOMAO (really worth checking out - it's unique and political voice combined with a beauty & style all its own) we had lunch and drinks in the local pubs and they were always fascinating and solicitous of others . Simply two of the loveliest people one would wish to spend time with.
I'm Dreaming of a White Christmas
Richard by Francis Bacon - from 'Polaroid Portraits'

He is of great importance in Modern British art, had a keen eye for Design as Art hence the Porsche, the ubiquitous denim, to Kickers boots and their final collaborative work their home in Northend Oxfordshire which stands as a Hamilton/Donagh work of art in itself. He was central to the Art of the time and possessed a keen sense of the Zeitgeist and what was good and bad about Britain.
Shock and Awe
Kent State

The Citizen

The State

The Apprentice


The piece about the preposterous busting of Mick Jagger for some pot, the Beatles White album cover show him to have a sense of other kinds of 'pop'. That he coined the term 'Pop Art' is well documented from the 1955 catalogue for the exhibition 'This is Tomorrow' that the little collage "Just What Is it that Makes Today's Homes so Appealing" which features the word 'Pop' and in a letter to Peter & Alison Smithson where he is quoted as defining Pop as " popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business" somewhat tongue in cheek for Pop Art itself he felt was a misnomer in terms of the artists we now come to think of as pop as being a movement or singular grouping of artists.
Carrying 'Epiphany'
'Epiphany'

Early books on the subject include Jasper Johns, Jim Dine,  RB Kitaj, David Hockney Larry Rivers, Robert Rauschenberg, and Colin Self for example and none of whom can be considered Pop Artists like Warhol or Roy Lichtenstein who chose modern cultural icons to portray. It is just too simple a term to address the work of Kitaj or Hockney and certainly not Hamilton himself with his cerebral, political and up to the minute sense of the world expanding around us. One of the first to incorporate multi-media and cutting edge technology in his work, His work includes state of the art audio amplifiers as painting, computer work the like of which is years ahead of anyone else working in the area of fine art 'painting'






 Hockney tribute:

Dear Richard, a very fascinating man and artist in my life. He was always part of another art world from the Royal College of Art. He was of course a great friend of Duchamp and a very early promoter of him in England. He was a great stalwart of the old ICA when it was in Dover Street and had a purpose. He would do interviews with young artists and always encouraged them: he introduced Joseph Beuys and Dieter Roth – then "little-known continental artists" – mostly at the ICA but also at his very modern house in north London. He always had very interesting guests. He also seemed to love ambiguity. Once at an ICA discussion, Duchamp was asked for an opinion ... I've even forgotten the subject, but he stood up and we thought he said "Beware ... French painting", a loaded phrase at the time, perhaps an attack on belle peinture. It was Richard who eventually found out that what he had really said was "Beware – fresh paint". All interpretations were interesting to Richard. He taught me a lot, as he did a lot of other artists.                         David Hockney




A great man who will be missed and his place in art history may only come to true light upon his passing. Though I left the 'art world' some 12 years ago now, I shall miss him and my thoughts got out to Rita and his son Roderic.
















Richard



Update: I have been sent today a great little portrait shot of Richard by local photographer/artist and friend Paddy Summerfield

Richard Hamilton through John Hoole's glasses © Paddy Summerfield

Saturday, September 10, 2011




STONES
Oh, I get it! The greasy greebos are getting pissed at the lack of The Groobin' Stooves......well, here we go you sad bunch of ageing rockers, here's a beginning to TEN ....yes, I repeat ten of the Stones boots and yes, I have everything official from the beginning.....up to about Sticky Fingers.......they haven't really done anything since then have they? No solo albums and nothing to speak of since dancing in the street with David Bowie!?
 So we'll have some of the following (can't promise all this weekend but we should make the bulk of 'em........every one a gem!) We have two concerts from Belgium in 1973, Live at Leeds 1971, a two disc set from Texas in 1972,  Live at The BeeBeeCee '63-'65, Paris in 1970, Outtakes from '68 - '83 and the classic boot 'Gotta Be Worked on ....the usual place......that's the My Back Pages......page!
Now this may lift your spirits...should they need it!.....curiously prophetic ....still!


Friday, September 09, 2011


 
BEATLES
Phase one in which Doris get's her oats is available now over on the My Back Pages ....er, page
first two.......Beatles - Alternative Sgt. Pepper and the Alternative Rubber Soul (one of my very favourite boots and I have been listening to this all this week as I dusted down my crystal set to listen on down in the dungeon - Lovely stuff!)

Thursday, September 08, 2011




  BEATLES
Oh, I'm sorry you were expecting some Beadles!? (No-one's expecting ANYTHING! ED) well watch out over the next coupla days for five... ah, heck let's make it SIX Beatles boots
...dedicated to my daughter, Amy and her boyfriend Rob, Beatles fans par excellence.........
handing the Beatle baton onward..... 
.....we'll have some 
Beatles 'Let It Be' Rehearsals 1969
The Beatles - Revolution - Take Your Knickers Off 
The Beatles - Alternative Sgt. Peppers 
The Beatles - The Sweetest Apples 
The Beatles - As Nature Intended (the Glynn Johns tapes)
The Beatles - Alternative Rubber Soul

Yup, that's FIVE repeat five Beatles boots with another...anytime by the weekend.,..ain't I good to you (who ARE you talking to?! ED)

 Can you dig it? I think so..........

Sunday, September 04, 2011


Now......(well at least that's better than 'So' ED) OK, OK , ....now there is a side of me that loves a ruck and here's a little re-kindling to one that occurred elsewhere.......Now I like the Beatles and I like the Rolling Stones...... but if you start a thread somewhere out in the ether as to which is the best, it is likely to start all kinds of shenanigans & frankly meaningless banter with people extolling the virtues of one against the other. Those feeling that the 'rockers' from public school backgrounds the Groobin' Stooves and those believing the more generally working class Beadles are both wrong of course, the North/South divide is relevant for sure but that one lot are more grubby 'rockers' to others more modeish is a red herring shared largely by those who know nothing about either band in terms of the class origins of all assembled members. It's as sad as thinking that Johnnie was the rocker and Paul the 'sweet' one as much as Mick is from a middle class background and the rest of the Stooves more working class. As far is any intelligent argument is concerned there is much to be admired about BOTH and I love them both regardless of any any pedantic argument as to who is the more 'authentic' musically. They both 'ripped off' black music and did more thah anyone else for spreading the word about so much musical roots........so here's some posting of the both of 'em.


Go over to my back pages and you'll find some gems..........my favourite era of the Stones with Mick Taylor on guitar and my favourite era of the 'Beadles' is undoubtedly the longer and here's some from the White Album and Let It Be era. I should perhaps point out that the Stones in Toronto includes one of my favourite songs of the boys in 'Star Star' and settles an argument for me and is dedicated to all those who kicked me off other sites for using 'sweary' language, to them it is that this track is respectfully (well it's not REALLY respectful is it? ED) well OK but it is dedicated to them -what more do they want?! (well. no profanity and Anglo-Saxon preferably! ED) I know I KNOW! Still you know what Bette Midler says!? FEITCTAJ!

 ;o)
UPDATE! well disaster has struck and in the process have lost half of my 'My Back Pages' page......Am seriously pissed and will correct things a but later I am in no mood to do it now!
Stones and Beatles to follow up there now Beatles - Off White recently posted from Big O and the Stones - Toronto 1997 Babylon rehearsals..........get yer Rocks off ? I think yes you can!..... ....  ...  .. .            more later Swappers :o(

Tuesday, August 30, 2011

Just to cheer me up.......and maybe because elsewhere I was unduly critical of Pete Seeger!
This one's for me.....and him



Night people...............
Still not back up to full speed people (people? ED) so here's a little heads up......Big O (Bless 'em) have posted a lovely Dylan set today of the 1964 Emmett Grogan Acetates......I have been hunting around the Swappers vaults and don't see to have this one......thought I had .......but this is a lovely lovely set of early demos and is great quality.........they are fab
get 'em here...before they all disappear


Big O says......
"BOB DYLAN
Emmett Grogan Acetates [Capricorn CR-2055, 1CD]

Studio outtakes. Very good to excellent soundboard.
This release from the Capricorn label is fully de-clicked. There are outtakes and alternate mixes from the “Another Side Of Bob Dylan album, plus bonus tracks. - Philip Cohen
Bobsboots.com noted:
The material was taken from acetate, but there is little white noise pop to indicate this. The tracks are perfectly quiet. For the most part, the material sounds as if it is the exact mix as on the official release, but the engineer can be heard introducing the songs. All I Really Want To Do has an extra verse, but the gem here is Mr. Tambourine Man. It is a completely different song than what was released. Your Dylan collection has to include this incredible version. It is drawn out with an entirely different laidback feel and different words. Ramblin’ Jack is heard singing along.
Thanks to Phil for sharing the tracks.
Note: A longtime music fan, Philip Cohen was a contributor to the now-defunct ICE Magazine and compiled the boxsets for The Yardbirds, The Small Faces, Humble Pie and Nice."

Mr Cohen is a legend amongst bootleggers and I have gone on about him severally, nuff said....this source is Hot Tamales! 

 Enjoy! I know I am...........