Interesting press clippings (post Get Back broadcast)
Interesting press clippings (post Get Back broadcast)
Heroes on TOTP with live vocals
This is a guest post by Spencer Kansa, author of Wormwood Star: The Magickal Life of Marjorie Cameron, Zoning and Out There: The Transcendent Life and Art of Burt Shonberg.
https://dangerousminds.net/comments/america_never_deserved_bowie
and as per the David Byrne set here is just plain brilliant. As a main inspirer this is so worth having . . . . Enoch over at Floppy Boot Stomp posted this t'other day and I have been playing the heck out of it since . . . . . . . . . .
DAVID BYRNE - LIVE IN HAMBURG 1994 - Floppy Boot Stomp
SUPERB STUFF!
Beth Orton - Brilliant Bits - 2015 - Voodoo Wagon
Back From The Dead...Originally posted January 15, 2015Here's a contribution from,wacocrimatty - aka Frank
CD1:1. She Cries Your Name(Grosvenor House Hotel, London, England 1997-08-28)2. Best Bit3. She Cries Your Name4. Skimming Stone(Paul Ross Show, BBC-TV Cafe de Paris, London, England 1997-11-28)5. Sugar Boy [*- removed, officially released on KCRW: Morning Becomes Eclectic](Morning Becomes Eclectic)6. River (Joni Mitchell cover)(Jo Whiley Session, BBC Radio One, England 1997-12-19)7. Blood Red River(Later...with Jools Holland Show, BBC-TV London, England 1999)8. Central Reservation(Late Night with David Letterman, CBS-TV New York, NY 1999-05-13)9. Someone's Daughter/Norwegian Wood [*- removed, officially released on Vol. 3-Y100 Sonic Sessions](Live Y100 Sonic Sessions, Philadelphia, PA 1999-06-04)10. So Much More11. Pass in Time12. Thinking About Tomorrow13. She Cries Your Name14. Best Bit(Den Haag, Netherlands 2000-03-27 FM)15. Concrete Sky(Late, Late Show with Craig Kilborn, CBS-TV Burbank, CA 2002-08-23)CD2:1) She Cries Your Name2) Acceptance Speech(Mercury Music Prize, England 1997)3) Best Bit4) Sweetest Decline5) She Cries Your Name [*- removed, officially released on Live at the World Cafe: Volume 8]6) Central Reservation(acoustic "World Cafe," Tongue & Groove Studios, Philadelphia, PA 1999-01-29 FM/sans interviews)7) So Much More8) Stolen Car9) Stars All Seem To Weep10) Best Bit11) Sweetest Decline12) She Cries Your Name13) Devil Song14) Thinking About Tomorrow15) Whenever16) Pass In Time17) Someone's Daughter(Prince of Wales, St Kilda, Melbourne, Australia 2000-01-31 FM)
check it out you won't be disappointed . . . . . . . great collection
Dylan's lyrics have incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the performance style of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored many of the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and swing. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered his songwriting.Unlike his debut - which took only two days in the studio to record - "The Freewheelin' Bob Dylan" finally emerged in May 1963 after some 8 sessions at Columbia Records Studio A, over the course of nearly a year. The time and effort paid off in spades, as he emerged from the studio a fully-formed bona fide songwriter with a legitimate hit on his hands. Obviously, the final album left much material on the cutting room floor and Mr. Suit is pleased to bring some of that rarely heard material back to light. A mix of originals that never made it onto any LP, alternate takes, and cover songs, "Freewheelin' Outtakes: The Columbia Sessions, NYC, 1962" captures America's most important living songwriter at a pivotal moment in his career when he emerged from the Greenwich Village folk scene to become the voice of his generation.