Sunday, September 15, 2024
More Beatles | I've Got A Feeling °•°☆°•° The Beatles [GET BACK]
Sunday Mewsics! |The Bhundu Boys - Hupenyu Hwangu (1987) | GUESS I’M DUMB
“My life - the happy and enduring life of a musician” Fantastically joyous and catchy guitar based jit from Zimbabwe. Their incredible LP Shabini was absolutely essential in my appreciation of African music. Rise Kagona’s skittering guitars are a masterclass."
Oh we like the Bhundu Boys!
Love that sound . . . . I worked with guys from Southern Africa who introduced me to a whole range of fine fine music!
JODIE COMER - Modern Weekly [China] Style [IG] June 2024 | Photographer Elizaveta Porodina
Now I am not really given to posting fashion shoots but these shot of a favourite actor showed up on my browsing search and what amazing shots they are. Didn’t know Porodina but am guessing she is a fashionista Great actor Jodie is local to where I was born so a Merseyside lass and master of accents too and wow well just look at these
JODIE COMER ph. Elizaveta Porodina Modern Weekly, China, June 2024
"Photographer Elizaveta Porodina [IG] brings her creative combustion talents to a fashion story for Modern Weekly [China] Style [IG] June 2024, featuring ‘Killing Eve’ actor Jodie Comer.
Kingsley Tao styles the shoot, with set design by Louis Simonon./ Hair by Shon; makeup by Miranda Joyce"
Read on below*
Report on Jodie here!
Film to come on Bikeriders featuring the story of Hells Angels in Middle America!!! Apparently!?!
And more Gilmour!| Classic rock revisited | Pink Floyd / One Of These Days ( David Gilmour ) Live Pompeii 2016
Speaking of ear worms . . . . . not so much one hit wonders more classic pop/rock revisited
David Gilmour & Rick Wright - High Hopes (for Brother Jobe )
Dave Gilmour and Rick Wright - HIGH HOPES
Sunday Special | The Beatles - I’ll Follow Sun (written by Paul aged 16)
Again another nice Beatles post on Facebook this morning . . . . . from
Acəs Ronald de Mɘsa
Saturday, September 14, 2024
ADVERT - NEW ALBUM from Thea Gilmore : CAN YOU HEAR THE GHOSTS SING
THEA GILMORE | |
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Remembering Amy Winehouse (14 September 1983 – 23 July 2011)
Such a stupid tragic loss of life and I cannot listen to Rehab without it causing me pain, hugely irresponsible song and stupid message that did so much harm but if ever there were a cautionary tale this is it!
Super stellar talent that nobody understood including me quite where it came from, the musical styling and the gift of a jazz voice par excellence ruined oh so quickly by drink and drugs so that she had hardly contributed enough to become more than a footnote at aged 28.
“She was this moody, chubby, Jewish-looking teenager,” says Annabel Williams, her singing coach with the NYJO. “She seemed fairly quiet and uninterested. Amy first stood out to me when she was in the centre of all the musicians and started singing. I was just like, Woah, she’s amazing. She absolutely nailed it and I was so impressed.”
From here, Winehouse began performing back room pub sets, facing a crowd with just her voice and acoustic guitar. At the same time, she began guesting with a loose north London collective called The Bolsha Band, through which she met her long-term live keyboard-player Sam Beste.
“She said to me, ‘Do you like Thelonius Monk?’” Beste recalls. “People like Dinah Washington and Ray Charles and Donny Hathaway, she really connected with those musicians on a very deep, emotional, raw level. There was a strange awkwardness about Amy. Even in those early days when we were playing the small clubs, she wasn’t really engaging with an audience in the way that an entertainer would. She was a bit in her own world.”
Mark Ronson still marvels at the memory of watching Winehouse in the moments when she lost herself in songwriting. “The thunderbolt strikes the head, the pen scribbles furiously and that’s the song,” he says. “When she wrote, there was no editing. It came out, like, this is the truth and this is how it’s gonna stay. She never second-guessed that and that’s why those lyrics are from another place.”
by Tom Doyle / Mojo
Photography Phil Knott
From the SEALYMAN! | ARTIST of THE WEEK | ALEJANDRO ESCOVEDO - Castanets - Five Hearts Breaking - TINY DESK concert at NPR
so Sealyman dropped to say "check this out Swapperoonie"! Continuing the shared passion of Texas Rockers or New York/ Texas connection with fellow Chuckster (Prophet that is - where ya bin?) they have played together Sealyman tells me
Alejandro Escovedo - Castanets live (Check the Lou Reed tribute with the opening feedback!)
NPR Says
"When Alejandro Escovedo and his backing band known as Don Antonio set up behind the Tiny Desk, their first sounds were blistering loud. That's when we broke the news: We wouldn't amplify Alejandro's voice. We got a slightly sullen look from the band; but despite the toned-down volume, they were all still amped up. The musician, who once opened for the Sex Pistols, obliged with a smile and seemed to appreciate the difference between being pelted with spit and debris by punk rock fans and being showered with loving appreciation in the NPR Music office. Escovedo pulled the three-song set from The Crossing, the most recent chapter in his ongoing odyssey and a typically hard-rocking, literate saga about two teenagers looking for their American Dream of rock and roll and beat poetry. The close quarters of the Tiny Desk allows for a kind of backstage insight into the musical and visual interplay between Escovedo and the veteran Italian band Don Antonio. Lead guitarist Antonio Gramentieri is the perfect foil for Escovedo, who adds a heavy dose of edginess to the sound with his power strumming. Alejandro Escovedo fans are a close-knit group. We've followed his lead and have been treated to various musical aggregations over the years. But as you see in this video, this setup seems to be working just fine and may be his strongest yet." Set List "Teenage Luggage" "Something Blue" "Sonica USA" Musicians
Alejandro Escovedo: lead vocal, guitar;Antonio Gramentieri: vocals, guitar;Denis Valentini: bass;Matteo Monti: drums;Nicola Peruch: keyboard;Gianni Perinelli: tenor sax;Franz Valtieri: baritone sax
Friday, September 13, 2024
Emmylou Harris - New Victoria Theatre London, England Nov 1975 | Best of the BBC Rock Hour with Brian Matthew | VOODOO WAGON
This is nice and I don’t didn’t have any Emmylou and the Hotband from around the time she wrote Amarillo and such . . . . . some of my favourite tracks!
Emmylou Harris New Victoria Theatre - Voodoo Wagon UK 1975
Emmylou Harris
New Victoria Theatre
London, England
Best of the BBC Rock Hour
recorded on November 15, 1975
01 Brian Matthew - Best of the BBC Rock Hour Intro
02 Emmylou Harris & the Hot Band - Feelin' Single, Seein' Double
03 Emmylou Harris & the Hot Band - Amarillo
04 Emmylou Harris & the Hot Band - Together Again
05 Emmylou Harris & the Hot Band - Return of The Grievous Angel
06 Emmylou Harris & the Hot Band - Bluebird Wine
07 Emmylou Harris & the Hot Band - Band introductions
08 Emmylou Harris & the Hot Band - Wheels
09 Emmylou Harris & the Hot Band - Till I Gain Control Again
10 Emmylou Harris & the Hot Band - Ooh Las Vegas
11 Emmylou Harris & the Hot Band - Boulder To Birmingham
12 Emmylou Harris & the Hot Band - Shop Around
13 Emmylou Harris & the Hot Band - Hickory Wind
14 Brian Matthew - Best of the BBC Rock Hour Outro
Nice one from Draftervoi’s personal tape collection which are always worth it
Emmylou Harris - vocals, guitar; Hank DiVito - pedal steel; James Burton - guitar; Herb Pedersen - banjo; Glen Hardin - piano; Emory Gordy - bass; John Ware - drums
This very early live recording of Emmylou Harris and the Hot Band was made at London's New Victoria Theater, when the budding country-rocker was still an opening act.
Only 26-minutes long, the set is still a very good overview of what Harris and the early "Hots" sounded like. Harris was discovered singing in a Washington bar in 1972 by former Byrd Chris Hillman, who was then fronting The Flying Burrito Brothers. The Burritos had just lost Gram Parson (another ex-Byrd member), who had departed to record a solo album for Warner Brothers. In the end, Hillman referred Harris to Parsons, who immediately hired her for his solo band. She toured with him and made two albums until 1973, when Parson died abruptly from an overdose, the story of which she chronicled in the original song "Boulder To Birmingham," included here.
Upon Parsons' death, Harris met and eventually married record producer Brian Ahern, who encouraged her to do a solo album and form a band. The Hot Band was made up of the best L.A. and Memphis session players (James Burton had played guitar for Elvis), and future members would include Rodney Crowell, Ricky Scaggs and Albert Lee.
This show encompasses a wide variety of material over its short length, including Harris' country remake of the Smokey Robinson and The Miracles classic "Shop Around," The Louvin Brothers' "If Only I Could Win Your Love," her arrangement of Merle Haggard's "The Bottle Let Me Down" and, of course, material written by Gram Parsons.
Albums That Should Exist : VH1 STORYTELLERS series CSNY Santa Monica USA 2000
Speaking of Graham Nash . . . . . [loose link from the Hollies ‘He Ain’t Heavy’], the Storytellers series carries on over at ATSE!
Crosby, Stills, Nash & Young - VH-1 Storytellers, MTV-VH-1 Studios, Santa Monica, CA, 2-18-2000
In 1999, CSNY had one of their occasional reunions, putting out the studio album "Looking Forward." Like most later CSN and CSNY studio albums, it had overproduction issues and song selection issues, so it wasn't nearly as good as it should have been. But all four of them remained talented songwriters just the same. That can be seen by the two songs here from that album, "Dream for Him" and "Seen Enough."
Other than those two, all the songs were classics from the late 1960s and early 1970s. There was a mix of acoustic and full-band performances. This was one of the first concerts for the band's 2000 tour, their first big tour as CSNY since 1974.
As I've done with most of these, I had to do a lot of editing to fix the flow from song to song. For instance, oftentimes, the applause cut off abruptly, so I'd have to patch in more applause from somewhere else. I made an especially bit edit for the song "Helplessly Hoping," which is why that one has "[Edit]" in its title. As this series usually did, it started part way through the first song. So I found a soundboard version from the band's 2000 tour, and used that to fill in the missing part.
This album is 45 minutes long.
01 Helplessly Hoping [Edit] (Crosby, Stills, Nash & Young)
02 talk (Crosby, Stills, Nash & Young)
03 Our House (Crosby, Stills, Nash & Young)
04 talk (Crosby, Stills, Nash & Young)
05 Only Love Can Break Your Heart (Crosby, Stills, Nash & Young)
06 talk (Crosby, Stills, Nash & Young)
07 Guinnevere (Crosby, Stills, Nash & Young)
08 talk (Crosby, Stills, Nash & Young)
09 Long May You Run (Crosby, Stills, Nash & Young)
10 talk (Crosby, Stills, Nash & Young)
11 Dream for Him (Crosby, Stills, Nash & Young)
12 talk (Crosby, Stills, Nash & Young)
13 After the Goldrush (Crosby, Stills, Nash & Young)
14 talk (Crosby, Stills, Nash & Young)
15 Seen Enough (Crosby, Stills, Nash & Young)
16 talk (Crosby, Stills, Nash & Young)
17 Teach Your Children (Crosby, Stills, Nash & Young)
Earworms (again ones you prolly wish that weren’t!?!) and dance links | Patrick Hernandez - Born to Be Alive (1978)
you dancin’ ? you askin’? I’m asking! I’m dancin’!
The Beatles Interviewed | Backstage At The ABC Cinema, Great Yarmouth UK - 1963 | The Beatles show off their great sense of humour on classic TV, 1964
In their twenties ! The Beatles Interviewed Backstage At ABC Cinema, Great Yarmouth - RAI (Raw Footage) - 30 June 1963
Interview on Ready Steady Go with Cathy McGowan and intro by Keith Fordyce
#thebeatles#johnlennon #paulmccartney #georgeharrison #ringostarr
BEATLES MAGAZINE
Song of the Day | LORRAINE ELLISON - TRY (Just a Little Bit Harder)
Most of us I guess like me will know this great song from the Janis Joplin canon but boy this is worth checking out! Love this . . . . . thanks to
Le Ramasseur De Mégots
Classic pop revisited | Kim Wilde - We’re The Kids in America
Kim Wilde Live - We’re The Kids In America
Speaking of John Martyn | Elbow twofer! | May You Never (John Martyn cover) / Mexican Standoff (Spanish version) |
Another lovely cover by the boys.
We love Elbow and don’t post enough somehow . . . .
Thursday, September 12, 2024
Bob Dylan live in Stanhope New Jersey USA 1988 | so many roads
Bob Dylan - 1988-09-10 - Stanhope NJ (SBD)
Bob Dylan1988-09-10Waterloo VillageStanhope, NJSoundboard Recording
Now I think visitors will know I really stopped posting links to Bob Dylan live sets unless they were special somehow. We have every night seemingly recorded as they happen and some soundboards are really odd in their balance with the vocals down low and the bass quite heavy for reasons best known by anyone who is in charge of the soundboards in the past ten, twenty years (sic!) but here’s a little gem from our Speedy. Highly listenable and whilst warm in places and some songs clipped it is well worth trying. I am listening to nothing else this morning! Check out whoever is on lead guitar (
xx. Subterranean Homesick Blues (missing)xx. It’s All Over Now, Baby Blue (missing)xx. Masters of War (missing)01. Ballad Of A Thin Man02. Shelter From The Storm03. Highway 61 Revisited04. To Ramona (acoustic)05. One Too Many Mornings (acoustic)06. Mr. Tambourine Man (acoustic)07. Girl From The North Country (acoustic)08. Silvio09. I Shall Be Released10. Like A Rolling Stone11. The Times They Are A-Changin' (acoustic)12. It Ain't Me, Babe (acoustic)13. Maggie's Farm14. All Along The Watchtower
Line up:
Bob Dylan (vocal & guitar);
G. E. Smith (guitar);
Kenny Aaronson (bass);
Christopher Parker (drums).
In May 1988, Bob Dylan released Down In The Groove, his 25th studio album. While the disc did not receive good reviews, nor sell particularly well, Dylan launched a summer tour in support of the album. The 1988 tour marked a dramtic shift for Dylan in his live performances. Where in prior years, Dylan’s live shows often featured collaborations with high-profile artists such as Mick Taylor, the Grateful Dead, and Tom Petty, the 1988 run centered around a small, 'garage rock'-type combo, consisting of guitarist G.E. Smith, bassist Kenny Aaronson, and drummer Christopher Parker. Influenced by his time with the Grateful Dead, Dylan’s set list became more adventurous, with song selection varying from show to show. He also began to incorporate more traditional cover songs into the set lists. For Dylan, the 1988 concerts would be the start of what is now known as the Never Ending Tour, which is now over 3 and a half decades and over 3000 shows strong. This soundboard recording captures Dylan during that historic 1988 tour, in Stanhope on September 10, 1988, 3 dozen years ago today.
P.S. Don’t forget