I Can See You - by Paddy Summerfield c. 1986

Sunday, April 28, 2024

EXTREME RECORD COLLECTING: CONFESSIONS OF AN ANALOG VINYL SNOB | DANGEROUS MINDS

 Now this is one of my favourite subjects from the always brilliant Richard Metzger at Dangerous Minds

Richard says : "Sorry, but this is not going to be one of those analog vs. digital rants that goofball audiophile types like to indulge in at the drop of a hat. In fact I probably should have just called it something like “Why you should never buy new vinyl versions of classic albums.” 

Actually I like digital audio just fine. In fact, until four years ago, I’d have told you that I preferred it. SACDs, HDCDs, High Fidelity Pure Audio Blu-Rays, 24-bit HD master audio files, 5.1 surround sound, DSD files—I have a large amount of this kind of material, both on physical media and with another ten terabytes on a computer drive. I like streaming audio very much. Roon is the bomb! Let me be clear, I’ve got no problem with digital audio. Even if I did, 99.9% of all music made these days is produced on a computer, so there’s really no practical way to avoid it. Analog and digital audio are two very separate things and each has its own pluses and minuses. I like them both for different reasons.

Please allow me to state the obvious right here at the outset: Most people WILL NOT GIVE A SHIT about what follows. One out of a hundred maybe, no, make that one out of a thousand. Almost none of you who have read this far will care about this stuff. If you are that one in a thousand person, read on, this was written especially for you. 

Everyone else, I won’t blame you a bit if you want to bail". . . . . . .continues here

extreme vinyl collecting . . . .



Sunday Musics! | The Buffalo Springfield - For What It's Worth (Live At Monterey Pop Festival 1967)

Peter Tork (The Monkees) introduces his “favourite” band The Buffalo Springfield “Nobody’s right if everyone’s wrong . . . . . . “ at Monterey Pop  “ FOR WHAT IT’S WORTH’ 



we were right as someone on Facebook mentioned (Danny Calloway!) KENT STATE and every death from counter culture and wars everywhere . . . . . . 

Saturday, April 27, 2024

Muireann Bradley - "Shake Sugaree" - McNally Guitars Session |

 So I will bid you Good Night with this . . . I know we have posted two version of Elizabeth ‘Libba’ Cotton's Shake Sugaree and noted it has been covered by loads of folk (including the last version shared with her very own granddaughter, Brenda Evans) to Bob Dylan and The Grateful Dead but here’s an absolute cracker of a version by this youngster which restores my faith in humanity  . . . . . . . . . . . . . . . . enjoy and Night all!


and yes I know its an advert for the guitars but hey . . . . . . let’s all go buy one would be my best advice!

"Shake Sugaree" by Muireann Bradley
playing her new custom McNally Guitars S model

The Bevis Frond (Nick Salmon) - Maybe We Got It Wrong | Guess I’m Dumb


The Bevis Frond The Bevis Frond is guitarist and songwriter Nick Salmon, who has put out somewhere near to 30 LPs since the early 80s. While some people are drawn to his wild psych guitar playing, I’ve always been more partial to his jangly melodic tunes, like this one from his most recent LP Focus on Nature. Not miles away from Teenage Fanclub (who have covered a Bevis Frond song)


guessimdumb

Aquarium Drunkard | John Martyn | One World | AD now Pay per View!

John Martyn :: One World

It is perhaps at the peak of his unhinged behavior in the mid-70s that Martyn stumbled into his creative apex. Solid Air confirmed that the chops were there, but it was with One World that the artist cemented his potential for crafting masterworks that transcend the folk-singer moniker.


*Please note Aquarium Drunkard is now Membership of $10 per week or $100 a year to read on so note but I will be linking fewer articles as a result . . . .shame really but these are the times we live in!  

GEORGE THOROGOOD (and The Destroyers) - History of the band PART TWO (6 albums worth!) | URBANASPIRINES


George Thorogood And The Destroyers: Blues To The Bone

 Part 2.

So Kostas over at Urbanaspirines cones his history of George Thorgood and The Destroyers with his second part and features  a further 6 albums (count’ em) so that’s 16 albums in toto . . . . . now there’s a couple of live albums and an Anthology but none the worse for that it includes studio albums Haircut, Rocking My Life away, Half a Boy/ And Half A Man too . . . . . enjoy and keep on a' rocking!










The Allman Brothers Band Hammersmith Odeon London, UK 1991| VOODOO WAGON

Allman Brothers Band - London, 1991



Allman Brothers Band 
Hammersmith Odeon
June 25, 1991
London, England

Soundboard  & FLAC


This from the Guvnor, Silent Way, over at HQ!


  Set List:


01. Don't Want You No More                       02:12
02. It's Not My Cross To Bear                    05:22
03. Statesboro Blues                             06:31
04. Blue Sky                                     06:34
05. Low Down Dirty Mean                          06:42
06. End Of The Line                              04:15
07. Loaded Dice                                  03:59
08. Southbound                                   07:53
09. Jessica                                      14:08
10. Good Clean Fun                               05:39
11. Gambler's Roll                               09:02
12. In Memory Of Elizabeth Reed                  13:46
13. One Way Out                                  13:54
14. Kind Of Bird                                 02:47
15. Whipping Post                                12:32

                                              ________
        Total                                      01:55:16
 

RIP ~ Dickey Betts

to make up for my wittering on about not enjoying the working of keyboardist Greg Allman and mourning the loss of Duane to the band and poor Dickey Betts who we lost earlier on (who made the band for me!)

QUIZ = ANSWER!

 For all the people who responded to my quiz t’other day as to who’s on the drums (well it was TWO! - ED) well it’s for my REGULAR VISITORS Gman and SteVe so there!

the answer is


STANLEY KUBRICK!!

Once a fine stills photographer and later one of the worlds greatest ever Film Directors
quite what he was doing here with The George Lewis Ragtime Jazz Band of New Orleans in 1950 is anyone’s guess . . . . playing the  drums would be my best guess!?!

Photo by fellow LOOK Magazine staff photographer Janet Mevi. Stanley and Janet worked for Look magazine at this time and it seems they were down to do a profile piece on the Jazz musicians of New Orleans.





Morning Musics - NICK DRAKE : NORTHERN SKIES (1971)

BBC Radio 4 - ‘Soul Music’ Nick Drake:Northern Sky

 

so I walked down stairs to the kitchen to find my wife listening to the radio and this was playing . , . , . , . great programme and interviews with other singers and players as well as Joe Boyd the legendary producer . . . . . . . . . great account of playing it for John Cale and his getting excited to hear Nick for the first time . . . . . . . . may it get Bryter Layter



I never felt magic crazy as thisI never saw moons, knew the meaning of the seaI never held emotion in the palm of my handOr felt sweet breezes in the top of a treeBut now you're hereBrighten my northern sky
I've been a long time that I'm waitingBeen a long that I'm blownI've been a long time that I've wanderedThrough the people I have knownOh, if you would and you couldStraighten my new mind's eye
Would you love me for my money?Would you love me for my head?Would you love me through the winter?Would you love me 'til I'm dead?Oh, if you would and you couldCome blow your horn on high
I never felt magic crazy as thisI never saw moons, knew the meaning of the seaI never held emotion in the palm of my handOr felt sweet breezes in the top of a treeBut now you're hereBrighten my northern sky

 

Albums That Should Exist | Richard Thompson (feat Zara Phillips) Home Concerts the last one

Richard Thompson - The Fairport Convention Era - Home Concert, London, Britain, 9-27-2020

Paul says : In 2020, the worst year of the Covid pandemic, Richard Thompson performed a few home concerts that were broadcast over the Internet. I could be wrong, but I believe I've already posted all but one of them at this blog. Here, finally, is the last one. 

Richard Thompson was a member of Fairport Convention from 1967 to 1971, the most celebrated years of the band's long musical history. For this solo acoustic home concert, he decided to perform just songs from his Fairport Convention era. I'm not aware of any other concert where he had this exclusive focus, this this is a special treat for both Richard Thompson solo and Fairport Convention fans.

The reason I've never posted this before is because when the concert happened, it was one of those "pay to view" deals. I don't want to deny Thompson of a revenue stream, especially considering it's become increasingly hard for musicians to make a living. But I figure enough time has passed, and I checked the download page for this, and it's defunct. There's no way to pay for it. (By the way, if anyone has any more of these types of "pay to view" shows from artists that are also expired, please let me know so I can help share them.) 

Thompson performed the concert with just his acoustic guitar. Because it was in his home, there was no audience. However, his girlfriend Zara Phillips, who is a talented musician in her own right, joined him near the end of the concert to sing song harmony vocals. He largely played the songs in chronological order of the years the songs were recorded. However, he saved up some harmony one for the end with Phillips.

This concert is especially interesting because Thompson only sang on a minority of songs when he was in Fairport Convention, since the band had other sings, especially Sandy Denny. But in this concert, he sang some songs in public for the very first time that were sang by Denny and others, in order to show off a full picture of the band in that era. He also played a few songs from his first solo album, "Henry the Human Fly" from 1972, apparently since he linked that with the Fairport years in his mind.

There's a lot of interesting banter between songs. In recent years especially, Thompson has an annoying habit of coughing quite a lot when he's on stage. (I'm guessing this is related to a stuttering problem he's had his whole life.) So I edited out most of the coughs.

This album is an hour and 28 minutes long.

01 talk 
02 Jack O'Diamonds
03 talk 
04 One Sure Thing
05 talk (Richard Thompson)
06 She Moves through the Fair 
07 talk 
08 Who Knows Where the Time Goes 
09 talk 
10 Reynardine
11 talk 
12 Matty Groves
13 talk 
14 The Deserter
15 talk 
16 Crazy Man Michael
17 talk
18 Sir Patrick Spens
19 talk
20 Sloth 
21 talk
22 Now Be Thankful 
23 talk 
24 Roll Over Vaughan Williams
25 talk
26 The Poor Ditching Boy 
27 talk (Richard Thompson with Zara Phillips)
28 I Still Miss Someone (Richard Thompson with Zara Phillips)
29 talk (Richard Thompson with Zara Phillips)
30 Gone, Gone, Gone (Richard Thompson with Zara Phillips)
31 talk (Richard Thompson with Zara Phillips)
32 Poor Will and the Jolly Hangman (Richard Thompson with Zara Phillips)
33 talk (Richard Thompson with Zara Phillips)
34 Genesis Hall (Richard Thompson with Zara Phillips)
35 talk (Richard Thompson with Zara Phillips)
36 Meet on the Ledge (Richard Thompson with Zara Phillips)
37 talk (Richard Thompson with Zara Phillips)


I paid for mine but as Paul explains it is now unavailable so we figure it’s fair game