portrait of this blog's author - by Stephen Blackman 2008

Wednesday, October 07, 2020

From Big O's READING ROOM

JOHN LENNON AT 80: ONE MAN AGAINST THE 'MONSTER'





"You gotta remember, establishment, it's just a name for evil. The monster doesn't care whether it kills all the students or whether there's a revolution. It's not thinking logically, it's out of control."
- John Lennon (1969)

By John W Whitehead

Long before Julian Assange, Edward Snowden and Chelsea Manning were being castigated for blowing the whistle on the government's war crimes and the National Security Agency's abuse of its surveillance powers, it was John Lennon who was being singled out for daring to speak truth to power about the government's warmongering.

Years after Lennon's assassination it would be revealed that the FBI had collected 281 pages of files on him, including song lyrics. J Edgar Hoover, head of the FBI at the time, directed the agency to spy on the musician. There were also various written orders calling on government agents to frame Lennon for a drug bust. "The FBI's files on Lennon... read like the writings of a paranoid goody-two-shoes," observed reporter Jonathan Curiel.

As the New York Times notes, "Critics of today's domestic surveillance object largely on privacy grounds. They have focused far less on how easily government surveillance can become an instrument for the people in power to try to hold on to power. 'The US vs John Lennon'... is the story not only of one man being harassed, but of a democracy being undermined."

(T)he US government was obsessed with Lennon, who had learned early on that rock music could serve a political end by proclaiming a radical message. More importantly, Lennon saw that his music could mobilize the public and help to bring about change. Lennon believed in the power of the people. Unfortunately, as Lennon recognized: "The trouble with government as it is, is that it doesn't represent the people. It controls them."

However, as Martin Lewis writing for Time notes: "John Lennon was not God. But he earned the love and admiration of his generation by creating a huge body of work that inspired and led. The appreciation for him deepened because he then instinctively decided to use his celebrity as a bully pulpit for causes greater than his own enrichment or self-aggrandizement."

For instance, in December 1971 at a concert in Ann Arbor, Michigan, Lennon took to the stage and, in his usual confrontational style, belted out "John Sinclair," a song he had written about a man sentenced to 10 years in prison for possessing two marijuana cigarettes. Within days of Lennon's call for action, the Michigan Supreme Court ordered Sinclair released.

What Lennon did not know at the time was that government officials had been keeping strict tabs on the ex-Beatle they referred to as "Mr Lennon." Incredibly, FBI agents were in the audience at the Ann Arbor concert, "taking notes on everything from the attendance (15,000) to the artistic merits of his new song."

By March 1971, when his "Power to the People" single was released, it was clear where Lennon stood. Having moved to New York City that same year, Lennon was ready to participate in political activism against the US government, the "monster" that was financing the war in Vietnam.




The release of Lennon's Sometime in New York City album, which contained a radical anti-government message in virtually every song and depicted President Richard Nixon and Chinese Chairman Mao Tse-tung dancing together nude on the cover, only fanned the flames of the conflict to come.

The official US war against Lennon began in earnest in 1972 after rumors surfaced that Lennon planned to embark on a US concert tour that would combine rock music with antiwar organizing and voter registration. Nixon, fearing Lennon's influence on about 11 million new voters (1972 was the first year that 18-year-olds could vote), had the ex-Beatle served with deportation orders "in an effort to silence him as a voice of the peace movement."

Left-wing activists who were on government watch lists and who shared an interest in bringing down the Nixon Administration had been congregating at Lennon's New York apartment. But when they revealed that they were planning to cause a riot, Lennon balked. As he recounted in a 1980 interview, "We said, We ain't buying this. We're not going to draw children into a situation to create violence so you can overthrow what? And replace it with what?... It was all based on this illusion, that you can create violence and overthrow what is, and get communism or get some right-wing lunatic or a left-wing lunatic. They're all lunatics."

Despite the fact that Lennon was not part of the "lunatic" plot, the government persisted in its efforts to have him deported. Equally determined to resist, Lennon dug in and fought back. Every time he was ordered out of the country, his lawyers delayed the process by filing an appeal. Finally, in 1976, Lennon won the battle to stay in the country when he was granted a green card. As he said afterwards, "I have a love for this country... This is where the action is. I think we'll just go home, open a tea bag, and look at each other."

Lennon's time of repose didn't last long, however. By 1980, he had re-emerged with a new album and plans to become politically active again.

The Deep State has a way of dealing with troublemakers, unfortunately. On December 8, 1980, Mark David Chapman was waiting in the shadows when Lennon returned to his New York apartment building. As Lennon stepped outside the car to greet the fans congregating outside, Chapman, in an eerie echo of the FBI's moniker for Lennon, called out, "Mr Lennon!"

Lennon turned and was met with a barrage of gunfire as Chapman - dropping into a two-handed combat stance - emptied his .38-caliber pistol and pumped four hollow-point bullets into his back and left arm. Lennon stumbled, staggered forward and, with blood pouring from his mouth and chest, collapsed to the ground.

John Lennon was pronounced dead on arrival at the hospital. He had finally been "neutralized."

Sadly, not much has changed for the better in the world since Lennon walked among us. Peace remains out of reach. Activism and whistleblowers continue to be prosecuted for challenging the government's authority. Militarism is on the rise, with local police dressed like the military, all the while the governmental war machine continues to wreak havoc on innocent lives across the globe.

For those of us who joined with John Lennon to imagine a world of peace, it's getting harder to reconcile that dream with the reality of the American police state.

Read the full essay here.

Note: Constitutional attorney and author John W Whitehead is founder and president of The Rutherford Institute. His new book Battlefield America: The War on the American People is available at www.amazon.com. Whitehead can be contacted at johnw@rutherford.org.















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