GOODBYE: “Hello It’s Me” by Lou Reed and John Cale
with thanks again as ever to O My Soul
(great choice for a song to push I loved this piece for Andy Warhol and a life long Warhol obsessive . . . . . . )
I wasn’t sure about this poster it smacked of AI to me! ? It looked to modern somehow, Newsweek with a Roy Lichtenstein Pop Art rip off !? But hey . . . .until I do more research I will leave it there. Certainly Andy called the band's events as The “Exploding” Plastic Inevitable Show at times with Light Shows and film showings and as to whether they ever played the Sunset Strip I remain unsure so . . . . . . watch this space!
Not often seen and overlooked by many but Jed was Andy’s longest standing boyfriend/partner and they were considered a married couple by many close friends
We’ve lost Andy Warhol’s perhaps greatest collaborator/cinematographer Paul Morrisey and auteur genius master of American cinema verité, the first film I watched of theirs was this - ‘FLESH’ in 1968. A notorious lfelong conservative he managed the Velvet Undergound and collaborated on several Warhol projects. They fell out later and Morrisey again dismissed or misunderstood (as so many did! sic) Warhols ‘inactivity’ for something else but remains important in cinema history despite his rabid right wing views and anti-drug stance and hated being described as Warhol’s collaborator!
As portraits go I think these are genius (he was I reckon!?)
We demand of our artist and painters especially those portraitists that they give us a likeness and I maintain quite clearly these are both extraordinary likenesses of Andy Warhol
Jean-Michel Basquiat, Portrait of Andy Warhol, (detail) 1982
Below: Jean-Michel Basquiat, Brown Spots (Portrait of Andy Warhol as a Banana), 1984
On 3 June 1968, Valerie Solanas shot Andy Warhol and art critic Mario Amaya at Warhol’s studio.
Solanas met Warhol in the mid-60s and wanted him to produce a play she had written. Warhol did not produce the play (in fact, he lost her script) but had her appear in his film I, a Man in 1967.
Solanas became convinced that Warhol (and others) were trying to steal her writing. She then confronted Warhol in his studio, where he was meeting with Amaya.
Amaya was wounded but released from the hospital the same day, Warhol, however, was critically wounded. His chest was opened and his heart manually massaged. His injuries lasted the rest of his life.
Solanas turned herself into the police the day after the shooting and explained the assault by stating “it’s not often that I shoot somebody. I didn’t do it for nothing. Warhol had tied me up, lock, stock, and barrel. He [Warhol] was going to do something to me which would have ruined me.” Solanas was charged with attempted murder, assault, and illegal possession of a gun. She was diagnosed as a paranoid schizophrenic and served a 3-year sentence, which included time in a psychiatric hospital.
I own a copy of her S.C.U.M. Manifesto (The Society for Cutting Up Men) and it is a psychotic read as evidenced by her diagnosis and yet now, much like there are ‘serious’ followers of the unspeakable vainglorious psychopath Charlie Manson, there are people who think she nailed it and that men should be eradicated! The photograph of Andy’s chest (by Richard Avedon) became legendary and yet as implied here the injuries plagued him for the rest of his life and though lucky to survive the shooting it is almost certainly responsible for his dying when he did (too young! at 58)
GOODBYE: “Hello It’s Me” by Lou Reed and John Cale
with thanks again as ever to O My Soul
(great choice for a song to push I loved this piece for Andy Warhol and a life long Warhol obsessive . . . . . . )
Andy Warhol's Velvet Underground - AFTER 50 YEARS of THE BANANA ALBUM - Dangerous Minds
Great article and sad news upon the death of muso Howie Pyro . . . . . . . .
Howie Pyro Obituary - Rolling Stone
Watching the excellent Andy Warhol's America the soundtrack was superb and period specific and you know how sometimes the tracks take you right back to the era and the Eighties was no exception . . . .this kicked me right back and caught my attention, the single track was played somewhat unexpectedly in the brilliant three volume series at the end and here the band are live on TV show "Bliss" August 23rd 1985, filmed in Carlisle.
posted by ScottishTeeVee
BBC iPlayer - Andy Warhol's America 1-3 Life After Death
Speaking of Nico!
Personally my obsessions focussed more on the other members of the Velvet Underground and Andy Warhol himself as their first mentor manager but also the poetic figure of Welsh wizardry that of John Cale singer songwriter iconoclast, viola player and producer collaborator (Eno et al) . . . . . . . here with Nico
Go to him now, he calls you, you can't refuse When you ain't got nothing, you’ve got nothing to lose You're invisible now, you got no secrets to conceal “Like a Rolling Stone” – Bob Dylan
Bob Dylan - Andy Warhol - Edie Sedgwick
"Andy Warhol looks a scream, hang him on my wall . . . . . "
Their first meeting at The Factory in New York did not start well. For one, Andy hated David’s song about him, being extremely self-conscious about the awkward appearance that David referenced in it (”Andy Warhol looks a fright” *sic). David meant the song as a tribute, but to Andy, it felt mocking. Oops. So how did they get through this to become friends?
“It was my shoes that got him,” David said in 2003, shoes which had been given to him by Marc Bolan. “That’s where we found something to talk about. They were these little yellow things with a strap across them, like girls’ shoes. He absolutely adored them. Then I found out that he used to do a lot of shoe designing when he was younger. He had a bit of a shoe fetishism. That kind of broke the ice.”
edit: original photo source here; story source here. Article from Performing Songwriter -
"Andy walking, Andy tired
Andy take a little snooze
Tie him up when he's fast asleep
Send him on a pleasant cruise
When he wakes up on the sea
Sure to think of me and you
He'll think about paint and he'll think about glue
What a jolly boring thing to do
Andy Warhol looks a scream
Hang him on my wall
Andy Warhol, Silver Screen
Can't tell them apart at all"