Andy's Chest

THE DAILY PIC (#1510): This little-known photo, taken by Robert Levin in May of 1981, illustrates two important things about Andy Warhol: The extent of his injuries from the shooting that nearly killed him in June of 1968, and the fact that he managed to survive and overcome them. His survival was almost completely due to an Italian-American surgeon named Giuseppe Rossi, who I’m sad to report died last Monday in Naples, Florida. He was born in 1928 – the same year as his most famous patient.
I had the wonderful luck to speak to Dr. Rossi a little while ago, in the company of the thoracic surgeon and medical historian John Ryan. We learned precious details about Warhol’s injuries (misreported in many accounts), about the touch-and-go course of the operation and about Rossi’s role in saving his patient’s life. Ryan – who knows infinitely more about such things than this art critic does – describes the operation as “one of the great saves in surgical history. The one bullet went through the right chest, the abdomen, and then the left chest, injuring nine organs in the process. Warhol was pronounced dead in the emergency room at Columbus Hospital, but Dr. Rossi got him to the operating room, saved his life, and fixed every problem.“ And he did that thinking that Warhol was some Union Square homeless person, not, as has been claimed, because he’d been warned about the importance of his patient.
One tidbit from Rossi’s account of the operation that gives an idea of Warhol’s parlous state at the time: His organs were so full of holes that, over the course of the surgery, 12 units of blood had to be transfused into him. A normal male body without any leaks only holds about 10.
Today’s Pic shows the leak-free body that was Rossi’s gift to Warhol – and to all the art lovers who have profited from the two decades’ worth of “late” work that the artist went on to produce.
The Daily Pic also appears at Artnet News. For a full survey of past Daily Pics visit blakegopnik.com/archive.

Personally I was shocked and devastated when Andy was shot by Valerie Solanas and yet wanted to know her motivations. I have a first edition of her manifesto for The Society For Cutting Up Men and it is a grim read. I remain a life long fan of Andy's work and although I think he was actually quite dysfunctional socially and may have contributed through bystander apathy to the deaths of several folk not least the only woman he might have actually married (albeit for some camp type joke) in Edie Sedgwick, he cannot be blamed for the not taking of any action merely judged morally perhaps. He remains one of the greatest artists of the Pop Art movement and thus the 20th Century. 
The other thing that fascinates me about this picture is that it illustrates another extraordinary anomaly and dualistic enigma about him and that is whilst he was prepared to have photos taken of his chest post shooting (there are several besides this rarer one) he has never from what I can tell been photographed without his wig. He is shown in early shots clearly balding early and as a younger man he effected a severe combover yet after he gained some notoriety as an artist he was never seen with out his enormous variety of wigs. I can find none