portrait of this blog's author - by Stephen Blackman 2008

Saturday, October 07, 2017

Olly Olly Oxen Free . . . . . . just because really


On this day in music history: October 6, 1992 - “Automatic For The People”, the eighth album by R.E.M. is released. Produced by Scott Litt and R.E.M., it is recorded at Bearsville Studios in Bearsville, NY, Criteria Studios in Miami, FL, John Keane Studio in Athens, GA, Kingsway Studios in New Orleans, LA, and Bosstown Studios in Atlanta, GA, from Late 1991 - Mid 1992. Issued as the follow up to the hugely successful “Out Of Time”, much like its predecessor, the overall mood of the album is quiet and subdued, though the lyrical tone of the songs are decidedly darker with many dealing with mortality. The band originally intend for it to be a “harder rocking album”, but does not come out that way, when they are unsatisfied with the thirty songs that are written and demoed. Instead, they take a more unorthodox approach to writing the songs. Instead of playing their usual instruments, drummer Bill Berry plays bass during the writing sessions, with bassist Mike Mills playing organ or piano, and guitarist Peter Buck playing mandolin. Composing songs without the presence of drums, has an overall affect on the feel of the finished product, lending to the record having a mellower feel. The album takes its title from a phrase off of the sign of a soul food restaurant (Weaver D’s Delicious Fine Foods) located in the bands’ hometown of Athens, GA. Though the actual image pictured on the album cover is from the sign in front of the Sinbad Motel in Miami, FL (located near Criteria Studios where much of the album is recorded). It spins off five singles including “Drive” (#1 Modern Rock, #28 Pop), “Man On The Moon” (#4 Modern Rock) and “Everybody Hurts” (Modern Rock #21, #29 Pop). “Automatic” peaks at number two on the Billboard Top 200, and is certified 3x Platinum in the US by the RIAA.

tick tock tick tock . . .


thanks to the most excellent Jeff Harris' blog 'Behind The Grooves  On this day in Music History 



study for a painting . . . . . idea for a new piece



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