I Can See You - by Paddy Summerfield c. 1986
Showing posts with label Big O. Show all posts
Showing posts with label Big O. Show all posts

Sunday, February 16, 2025

Silent Way shares a blast from the past and Music blog ezine par excellence BIG O | ANNIE LENNOX BBC 1 Sessions St Luke’s 2009

Annie Lennox - Live St. Luke’s 2009 



Annie Lennox - Live St. Luke’s 2009 
BBC One Sessions
March 7, 2009
London

*Original Notes* 
As a curtain raiser to the release of her greatest hits package, The Annie Lennox Collection (March 9), this Scottish singer/musician, backed by the BBC Concert Orchestra, put on quite a show at St Luke’s in London which was broadcast on TV.
Looking like she’s fully recovered from her back injury (Lennox underwent a spinal surgery in 2008), the singer is fighting fit and with a voice to match. Unlike the iconic figure she conjured up in her music videos - sometimes with extraordinary make-up and costumes, here, she simply let her songs and her voice take over.
While it is the classic hit songs such as No More I Love You’s, Here Comes The Rain Again and Sweet Dreams which fans come to hear, it is no surprise the political activist did a “quiet” version of Sisters Are Doin’ It For Themselves (a modern feminist anthem with Aretha Franklin). Listening to this, it is not difficult to see why Lennox has been dubbed “The Greatest White Soul Singer Alive.” Then there is Ash’s Shining Light, the new song on the compilation.
A partisan review at eurythmics.me.uk stated: “It felt like Annie was performing in our living rooms, the acoustics were incredible, the orchestra and Annie’s band creating the most incredible sound, and Annie’s vocals somehow managing to soar over them all.”


Thanks to bigozine2

Track 01. Intro 
Track 02. Little Bird 
Track 03. Walking On Broken Glass 
Track 04. No More I Love You’s 
Track 05. There Must Be An Angel (Playing With My Heart) 
Track 06. Here Comes The Rain Again 
Track 07. Cold 
Track 08. A Thousand Beautiful Things
Track 09. Sisters Are Doin’ It For Themselves 
Track 10. Ghosts In My Machine 
Track 11. When Tomorrow Comes
Track 12. Shining Light 
Track 13. Thanks to Orchestra & Band 
Track 14. Why
Track 15. Sweet Dreams (Are Made Of This) 

Monday, September 04, 2023

Last message from the guys at Big O!

They will be missed


 


despite what all the truly awful trolls that totally ruined the comments section the chaps in Singapore could have cared less. It certainly wasn’t the reason they stopped posting and blogging. Such narcissistic self centred onanism is hilariously funny most visitors not giving two hoots about the comments but availed themselves of an extraordinary range of music from Brian Eno to Captain Beefheart, Sunday jazz posts to classical concerts, old out of print musics of whatever kind, country to punk, to the latest gigs at Glastonbury Dua Lipa to Elton John, Dolly Parton to Billie Eilish, and much much more besides. If you click on the link to Big O in my labels section you may find something of just one visitors tastes but noting the links don’t work anymore.
So long guys and 

HAPPY TRAILS!




Thursday, August 10, 2023

ROIO website to close :

BIG O to call it a day . . .


After 38 years, BigO will call it a day this month in August 2023. It’s been a rip-roaring ride mainly due to the over 100 talented contributors who gave us their voices and to Editor Stephen Tan, who gave us our name, by calling us BigO, after our original title, Before I Get Old, in 1985. This acronym was promptly adopted by the readers.


thanks to Philip, Stephen and Michael as well as all the many contributors over the years



GUTTED!

THE BAND AT BIG O

 In memoriam to Robbie Robertson, Big O have posted, as something of a swan song for themselves* two wonderful Band concerts
This one . . . . . 

The Band - Live at The Palladium, NEW YORK 1976 - Big O


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Lineup:

Robbie Robertson - guitar

Rick Danko - bass

Garth Hudson - organ

Richard Manuel - piano

Levon Helm - drums


Big O says:

ROBBIE ROBERTSON R.I.P. 1943 - 2023

Robbie Robertson, the Band’s guitarist and primary songwriter who penned “The Weight,” “The Night They Drove Old Dixie Down,” “Up on Cripple Creek,” and many other beloved classics, died on August 9 at age 80.

Robertson’s management company confirmed the musician’s death. “Robbie was surrounded by his family at the time of his death, including his wife, Janet, his ex-wife, Dominique, her partner Nicholas, and his children Alexandra, Sebastian, Delphine, and Delphine’s partner Kenny,” his longtime manager Jared Levine said in a statement. “In lieu of flowers, the family has asked that donations be made to the Six Nations of the Grand River to support the building of their new cultural centre.”


The Band only lasted eight years after the release of their 1968 debut LP, Music From Big Pink, but during that time they forever changed the pop-culture landscape by releasing brilliant Americana music at the peak of the psychedelic movement. Their first album sent shockwaves through the industry, inspiring Eric Clapton to break up Cream, the Beatles to attempt their own stripped-back project with Let It Be, and a pair of young British songwriters named Elton John and Bernie Taupin to begin writing and recording their own material.


Robertson took on the role as the group’s leader, writing the majority of their songs and pushing them forward when substance abuse issues and infighting threatened their existence. It was also his decision to pull the plug on the group in 1976 when he couldn’t take it anymore, setting the stage for their legendary farewell concert The Last Waltz.


Before the Band began making their own music, Robertson was one of Bob Dylan’s key collaborators, playing guitar on Blonde on Blonde and convincing the songwriter to hire the other members of his group as his backing band. They toured the world in 1965 and 1966, facing a torrent of boos by enraged folk purists. “His friends, his advisors, and everyone told him to blow us off and start from scratch,” Robertson said in 1987. “And it took a tremendous amount of courage for him not to do that.”


By 1976, Rick Danko and Richard Manuel developed severe substance-abuse issues, and Robertson - who had effectively been on the road since 1959 - was burned out. “The road turns you into a meaningless piece of dribble that will complain about shit that doesn’t mean anything to anybody,” he said in 1987. “It got to the point where I couldn’t see the upside.”


Robertson decided that the Band should go out with a bang, so he organised a massive farewell gig at San Francisco’s Winterland Ballroom and invited everyone from Dylan to Neil Young to Muddy Waters and Hawkins to guest. Martin Scorsese filmed the event, which was released in 1978 under the title The Last Waltz.


Keeping the promise of The Last Waltz, Robertson never returned to touring, though he did release five solo albums beginning with 1987’s critically acclaimed Robbie Robertson. In 2016, he published the memoir Testimony, following it up in 2019 with the documentary Once Were Brothers: Robbie Robertson and the Band. At the time of his death, he was working on a second volume of his memoir series. - Andy Greene, rollingstone.com


Robertson had also worked alongside Martin Scorsese as a composer, music supervisor, and music producer starting in 1980 on films including “Raging Bull,” “The King of Comedy,” “The Color of Money,” “Gangs of New York,” “The Departed,” “Shutter Island,” “The Wolf of Wall Street,” “Silence,” “The Irishman” and “Killers of the Flower Moon.”

Scorsese issued a statement on the death of his collaborator and friend obtained by Variety that lauded Robertson’s “effect on the art form” as “profound and lasting”. He said: “Robbie Robertson was one of my closest friends, a constant in my life and my work. I could always go to him as a confidante. A collaborator. An advisor. I tried to be the same for him. Long before we ever met, his music played a central role in my life - me and millions and millions of other people all over this world.”

Neil Diamond tweeted that the “music world lost a great one with the passing of Robbie Robertson. Keep making that Beautiful Noise in the sky, Robbie. I’ll miss you.” Canadian musician Bryan Adams reminisced on “the great hangs” he spent with Robertson, “especially photographing you in LA not so long ago.”


Stevie Van Zandt tweeted: “RIP Robbie Robertson. A good friend and a genius. The Band’s music shocked the excess out of the Renaissance and were an essential part of the final back-to-the-roots trend of ‘60s. He was an underrated brilliant guitar player adding greatly to Bob Dylan’s best tour & best album.”

and this extraordinary set from Watkins Glen SUMMER JAM on this four disc set!


SUMMER JAM - THE BAND at WATKINS GLEN FESTIVAL : Live at the Raceway, New York, July 27, 28, 1973.


This includes the Sound Check, the two disc concert and then the later Summer Jam with members of the Grateful Dead and the Allman Bros Band . . . .four discs! Enjoy!





Keyboardist Garth Hudson is 86.
Bassist, songwriter, and singer Rick Danko died of heart failure away in 1999. 

He was 55.
Pianist, singer songwriter Richard Manuel committed suicide in 1986. He was 42.
Drummer Levon Helm died from complications of throat cancer in 2012. He was 71.

Saturday, August 05, 2023

NANCI GRIFFITH : Cambridge Folk Festival 1992, Cherry Hinton Hall, Cambridge, UK | Big O

NANCI GRIFFITH - Cambridge Folk Festival 1992 - BIG O

Big O has kindly posted the NANCI GRIFFITH set from Cambridge Folk Festival from 1992 around the time of the release of ‘Intersection’ and in honour of Nanci the month of her passing away from unknown but ‘natural causes’ way back now in 2021. We miss her


So we will have another song of the day ‘Just Another Morning Here'

The Texas Connection sometimes in the 1990s.


The Blue Moon Orchestra includes:

James Hooker - keyboard & vocals

Pat McInerney - percussion

Pete Kennedy - lead guitar & vocals

Peter Gorish - cello & bass

Fran Breen - drums

Lee Satterfield - rhythm guitar & vocals



It’s a truly lovely set well balanced and a fine recording. If you don’t have it and are a fan you really must!


Flyer - Nanci live

Friday, August 04, 2023

boygenius - Coachella Valley Music and Arts Festival. Indio, CA 2023 earlier set - BIG O

boygenius - Coachella, Indio, 2023

Love Phoebe Bridgers many (three and counting?) projects?, bands?, incarnations but how does she DO that? 

Here the trio on fire from Spring this year a different date from the previous posting so enjoy the extra treat! (How long did Coachella go on for?! I thought it was a festival?! Anybody?)

This is the set from April 15th the previous one is dated a week later April 22, 2023 - enjoy!


Big O reports as it did before

Rhian Daly, thefortyfive.com:

Huddled around one microphone, Phoebe Bridgers, Lucy Dacus and Julien Baker sing in beautiful harmony ‘Without You Without Them’, the opening song from their debut album ‘the record’. It’s a moment that sets the tone for the rest of the show - the three musicians always united, even if they’re spread across the stage.

Lyrically, ‘the record’ is full of intense emotions and seeing boygenius bring them to life on stage is all the more impactful; like that punch in the stomach Bridgers sings of in ‘Letter To An Old Poet’. But, instead of leaving you feeling triggered and bereft from your own personal trauma the songs remind you of, the band have a way of making you feel comforted. They barely say a word on stage, but seeing these women turn their own experiences into such a moving, flawless performance is like them throwing their arms around you and letting you lean on them, just like the billboard poster.

When they do take a moment to speak, it’s to deliver an important message – and another kind of support. “I don’t know if you’ve seen the tomfoolery that’s been going on in Florida and Missouri and some of the other places, but trans lives matter, trans kids matter,” Dacus tells the crowd to big cheers. “We’re going to fight it and we’re going to win.”

Before they continue with the music, Bridgers adds an extra point. “And abortion rocks, and fuck [Florida governor] Ron DeSantis.”

A few songs later, ‘Not Strong Enough’ begins, bright guitars spooling through the PA. “I don’t know why, I am/The way I am/Not strong enough to be your man,” they sing as the chorus hits. Tonight, though, boygenius are pillars tough enough for themselves, each other, and all of Coachella, inadvertently forming the best support group around.

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Track 01. Intro/Without You Without Them 1:33
Track 02. $20 3:27
Track 03. Satanist 4:55
Track 04. Emily I’m Sorry 3:34
Track 05. True Blue 5:33
Track 06. Cool About It 3:15
Track 07. Me & My Dog 3:16
Track 08. Leonard Cohen 1:59
Track 09. We’re In Love 6:02
Track 10. Anti-Curse 3:18
Track 11. Letter To An Old Poet 3:18
Track 12. Not Strong Enough 4:09
Track 13. Salt in the Wound 4:55
50 mins

Thursday, July 27, 2023

SINEAD O’CONNOR : Pinkpop, The Netherlands 1988 / Live Salles Des FÄ“tes de Thonex, Geneva Switzerland 2013

 Big O has posted a nice double set of Sinead O’Connor from 1988 at Pinkpop in The Netherlands and another from 2013 in Geneva (Switzerland) 

Great quality and worth listening to  . . . . . . she will be sorely missed


Sinead O’Connor - Big O






Monday, July 17, 2023

Ed Sheeran - Promo gig for SUBTRACT :: Live at Eventim Apollo London 27/03/2023 | Big O

Ed Sheeran - Big O



ED SHEERAN
Live Debut of “Subtract”
London 2023 

Live at the Eventim Apollo, London, UK; March 23, 2023 (broadcast on May 10, 2023). Very good audio (ripped from web stream).

In this intimate live performance at the Eventim Apollo, Ed Sheeran will showcase his brand-new release, - (pronounced “subtract”), in full for the first time alongside a 12-piece band that includes Aaron Dessner of The National, who also produced the album. In this show, Sheeran will hone in on the series of life events that led him to pen the album. [The album was released on May 5, 2023.]

“I’m delighted to share my Subtract album show with you,” Sheeran said. “I was really nervous on the day, as it was my first time performing the new album tracks. The show was brought to life by Aaron and the incredible band, and it was an honor to stand beside them. It was an emotional night, but I’m so pleased we got to document it.”

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Track 01. Boat 3:39
Track 02. Talk 2:33
Track 03. Salt Water 3:48
Track 04. Talk 2:05
Track 05. Eyes Closed 3:32
Track 06. Talk 1:38
Track 07. Life Goes On 3:22
Track 08. Dusty 4:54
Track 09. End Of Youth 5:56
Track 10. Colourblind 3:26
Track 11. Curtains 4:25
Track 12. Borderline 6:39
Track 13. Spark 3:32
Track 14. Talk 1:42
Track 15. Vega 3:38
Track 16. Sycamore 2:48
Track 17. Talk 1:30
Track 18. No Strings 2:56
Track 19. Talk 2:30
Track 20. The Hills of Aberfeldy 4:39
69 mins


Well thanks Big O! This is plain just lovely . . .new songs for the new album and unlike many fickle music fans, I am so loyal to people I like. Not for me the 'when folks get so popular we end up hating them', [what IS that about!?] 


The boy's a master and this is no exception and is superb quality . . . now go buy the album!  


ED SHEERAN

SHEERAN SHOP


Sunday, July 02, 2023

CULTURE CLUB (Boy George) - Live at Schwuz, Berlin, Germany; December 6, 2018 - 2018 | Big O

 


CULTURE CLUB (Boy George) - BERLIN 2018 | Big O

BOY GEORGE & CULTURE CLUB
Berlin 2018
Live at Schwuz, Berlin, Germany; December 6, 2018. Very good audio (ripped from HDTV arte webstream).

Boy George is one of those figures from British music that I guess you either love or detest! I really started to appreciate the strength of his voice and creativity and indeed personality ( he is nobody’s fool and is erudite and sensitive as well as being highly informed and intelligent) somewhat later on and whilst a contemporary of The Sex Pistols and Siouxie and The Banshees the ubiquitous Karma Chamaeleon may have grated after a while so that only later when releasing tracks like Church of The Poisoned mind etc did I realise the ‘boy’ could really sing. This set from Big O from back 2018 show the band at their best. The vocals are mixed back a bit far for me and I don’t think you really get the full appreciation of what I am saying but the set whilst maybe being a tad drum heavy, is highly listenable and George is on top form. 

I LIKE him! Can you tell?

Track 01. Let’s Dance 4:47
Track 02. It’s A Miracle 4:26
Track 03. Let Somebody Love You 5:22
Track 04. Everything I Own 8:14
Track 05. Runaway Train 6:15
Track 06. Do You Really Want To Hurt Me 4:48
Track 07. God & Love 5:39
Track 08. Different Man 4:41
Track 09. Church Of The Poison Mind/I’m Your Man 6:08
Track 10. Karma Chamaeleon 4:18



Wednesday, June 28, 2023

LILY ALLEN LIVE! : Montreux Jazz Festival. Montreux, Switzerland; July 7, 2009. | Big O


erm . . . . . tumblr won’t like this cover . .

Lily At Montreux Jazz 2009

Track 01. Oh My God/Everything’s Just Wonderful 3:52
Track 02. Him 3:45
Track 03. 22 3:49
Track 04. Who’d Have Known 3:47
Track 05. LDN/Back To The Start 5:50
Track 06. He Wasn’t There 2:54
Track 07. Littlest Things 3:24
Track 08. Smile 3:24
Track 09. The Fear (Day And Night) 3:59
Track 10. Womanizer 4:52
Track 11. Fuck You 4:38
Track 12. Not Fair 6:05
LILY ALLEN
Montreux 2009 

Montreux Jazz Festival. Montreux, Switzerland; July 7, 2009. Very good audio (ripped from HDTV broadcast). 


We love Lily round’ our way and this is really worth checking out and going and buying all her stuff as she performs now in theatre productions and continues to expand and explore her multitalented approach and skill set never forget she was first and foremost a sassy sharp and witty songwriter with a rapier like delivery. Acid Rock? Pin back your lugholes!

Gal’s a Renaissance woman and no mistake! 

And you can dance to her music!

Monday, June 26, 2023

UPDATE | ELTON says Goodbye Yellow Brick Road via GLASTONBURY 2023 | Big O

ELTON JOHN BIDS FAREWELL

Sir Elton John performs on stage during Day 5 of Glastonbury Festival 2023 Glastonbury, England. (Photo by Kate Green/Getty Images)

Mark Savage Music correspondent for the BBC said
"In the audience next to me, a fan hollered their encouragement: "Go on, you old sausage.

THE BITCH IS BACK!

 Surprised to really REALLY enjoy Elton John's closing show last night (9-11.00pm) on BBC at Glastonbury. Saying Good Night to the old queen was a fitting way to celebrate his final show in the UK (we’ll see eh Elton? Chequebooks are already being cracked back open!) but the music! THE MUSIC! 

Not quite 'all killer and no filler' but adding youngsters nobody ‘our’ generation had heard of was no small thing despite allowing one such to sing his own song (Stephen Sanchez) amongst the great back catalogue was merely a well chosen mistake I guess! More pop pap to these ears and the choir with Jacob Lusk I could have done without but Brandon Flowers more than made up for the lack of the much vaunted mega ‘guests’ Four were mooted, Sir Paul the Macca hisself (who notably spent the entire time in the wings enjoying the Old Queen, Britney flew in allegedly - no sign, Dua Lipa was covered in Cold Heart (really well actually) but an apology for not being with us made me feel she had died!, a duet for Don’t Go Breaking with current hit machine Sawyama was well er, okay I guess and if Piers Morgan couldn't forgive him casting a sideways glance at the lyric sheet well tough, you do all your punditry from idiot boards and cards anyway! and as for hints of anyone else more famous? . . . . Meh!?

What did affect me where the songs! To open with 'Pinball Wizard' a stroke of genius ( a song he hasn’t played live in decades I think) and then whilst never a staunch fan it had taken my wife to turn me onto Elton in the first place so early songs seem to hit the hardest somehow. ‘Daniel' for obvious reasons reminds me of the loss of my dear brother and always raises a tear. 'Goodbye Yellow Brick Road'. 'Sad Songs', Call it The Blues, Candle for MM always a favourite. The 'Your Song's, the 'Saturday Night', the 'Tiny Dancer's, the ‘Rocketman' to close. Genius!

The voice stood up remarkably well (he is 77 and Piers Morgan can go check in with his narcissistic warbling critical tosh time to find out who you really are Piers because you are coming across like an old fogey) but fans know what is happening here. Ask Sir Paul! He seems to walk about the stage really badly but in  his late seventies is anyone really surprised he is past piano jumping and humping time? There were shaky vocal moments of course there were and occasionally the phrasing leaves him and yet not a stumble or a falter in tone or volume and I definitely have heard him sing worse! This man is a consummate professional and the closing cadenza with the Davey on lead guitar was little short of ecstatic! Beautiful finale by a band that has been with him since the beginning of time itself. The drummer (one of three!) Nigel Ollson looking like even my Uncle (!) the ubiquitous master of percusion the much adored Ray Cooper and Davy Johnstone on lead guitar. All consumate professionals and closing with a bang AND a whimper is fine by me! He didn’t seem to want to go home!

Sir Elton John performs on stage during Day 5 of Glastonbury Festival 2023 in Glastonbury, England. (Photo by Harry Durrant/Getty Images)

https://www.bbc.co.uk/iplayer/episode/m001n9qh

Elton Glastonbury play list


Pinball Wizard

The Bitch Is Back

Bennie & The Jets

Daniel

Goodbye Yellow Brick Road

I Guess That's Why They Call It The Blues

Philadelphia Freedom

Are You Ready For Love? (With Jacob Lusk and the London Community Gospel Choir)? Is that a gay thing?! 

Sad Songs Say So Much

Someone Saved My Life Tonight

Until I Found You (with Stephen Sanchez)? All killer no filler!? Dreadful ordinary pop!

Your Song - back to the classics

Candle In The Wind

Tiny Dancer (with Brandon Flowers)

Don't Got Breaking My Heart (with Rina Sawyama)?

Crocodile Rock

Saturday Night's Alright For Fighting

I'm Still Standing

Cold Heart (Rocket Man Dua Lipa mix version, announced she couldn’t be there?!)

Don't Let The Sun Go Down On Me (for George  - whose 60th birthday it would have been

Rocket Man - great closer with Davey Johnstone on guitar

Don’t Go Breaking My Concentration!
Sir Elton John and Rina Sawayama perform on stage during Day 5 of Glastonbury Festival 2023  (Photo by Harry Durrant/Getty Images)

All good here! 


Big O has it HERE . . . . . .



Wednesday, June 21, 2023

DAVID BYRNE - Austin City Limits Music Festival TEXAS USA 2018 | Big O

 

This is nice and a fine quality broadcast from Big O this morning.  (Usual terms apply - don’t read the comments section - its full of schoolboy Merkin Trolls!) 


Big O reports from the Austin Chronicle this:

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Doug Freeman, austinchronicle.com [October 6, 2018]:

Emerging quietly and alone on the massive ACL main stage set up with only a small table and wooden chair, the 'Talking Head' sat down and held up a model of man’s center of intellect: “Here is a region of abundant details. Here is a region that is seldom used.”

Then he launched his Friday afternoon set behind “Here,” closing track to this year’s American Utopia. Byrne, 66, followed with an hourlong dive into the subconscious behind primal, percussive rhythms and his cerebral, almost absurdist lyrics. Even as the band swelled to eight members on “Lazy” and then 12 with “I Zimbra,” the show remained minimal and precise, all instruments strapped to the players as they marched around the stage in free-flow formations.

The 13-song set rested heavily on Talking Heads favorites, revving midway with “This Must Be the Place (Naive Melody)” and “Once in a Lifetime” as the band sweat through their matching gray suits and the funky, stripped-down, New Wave rhythms increasingly entranced behind Byrne’s charmingly awkward vogues. Likewise, the double shot of “Road to Nowhere” and “Burning Down the House” sent the crowd into a dancing frenzy.

Yet Byrne saved his most powerful statement for last – a cover of Janelle Monáe’s “Hell You Talmbout.” The full band shouted a litany of names of African-Americans slain by police, demanding recognition and atonement as Byrne shifted focus from the subconscious to collective conscience.

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Track 01. Here 4:36
Track 02. Lazy 4:25
Track 03. I Zimbra 3:11
Track 04. Slippery People 5:29
Track 05. Everybody’s Coming to My House 3:45
Track 06. This Must Be the Place 4:57
Track 07. Once in a Lifetime 6:15
Track 08. Toe Jam 3:43
Track 09. I Dance Like This 4:43
Track 10. Everyday Is A Miracle 5:15
Track 11. Road to Nowhere 4:18
Track 12. Burning Down the House 4:31
Track 13. Hell You Talmbout (Janelle Monáe cover) 6:18
62 mins

Austin City Limits Music Festival. American Express Stage, Zilker Park, Austin, Texas; October 5, 2018. Very good audio (ripped from HDTV webcast). So very good quality


David Byrne - Big O