Van Morrison and Chet Baker Send In the Clowns, Live at Ronnie Scott’s Jazz Club, London 1986
Van Morrison and Chet Baker together, doing Stephen Sondheim!!!!!
Who’d a THUNK IT?!
whatever next singing with Lonnie Donegan and the Chris Barber Jazz Band? oh wait a sec . . . .😉
written for Glynnis Johns you know!
which reminds me the first time I ever heard it sung was by Johns on something like the Parkinson show (interview programme in the UK) it took my breath away and whilst I had always loved Glynnis’ work, that it was written FOR her never occurred to me until she had died I don’t think
If I must well I must happy 80th Birthday to the grumpy ole curmudgeon himself . . . back in better times . . . . . one might even say his prime . . . an old favourite and single found in the bargain Ex-Jukebox bins . . . . . for pennies
Paul says: Finally, here's the last BBC album from Van Morrison. It's a BBC concert from 2003.
As I mentioned in previous write-ups, I think Morrison was great in the 1960s and 70s especially, and he even had a musical renaissance in the 1990s in my opinion, but he slowly turned into a reactionary asshole who also was just musically repeating himself, to the point that some of his more recent albums (like "Latest Record Project, Volume 1" in 2021) have to be some of the most critically panned albums by any famous artist, period. So at some point I had to step away from his music, and that point is right around the time of his concert. Mind you, this concert is fine by itself. But I don't have enough interest to post even more BBC material that's out there in the years after this, sorry.
Anyway, in October 2003, Morrison released the studio album "What's Wrong with This Picture?" Many of the songs here are from that. Plus there are some classics from earlier in his career.
I have to just say I couldn’t agree more with Paul here and had pretty much given up listening to him especially anything since the execrable Latest Record Project, Volume 1 : dreadful, truly awful! Phoned in album like so many performances! and I will not listen to any further pontification from the poor old boy. Turning into a laughable old curmudgeon was of course always going to be his destiny but heck its hard to hear. Put on St Dominic’s or Astral Weeks and go down Hyndforthe Street or Cypress Avenue and talk a walk through happier times . . . . . I’m off to clean my windows
This unreleased album is 57 minutes long.
01 talk (Van Morrison) 02 Whining Boy Moan (Van Morrison) 03 Once in a Blue Moon (Van Morrison) 04 What's Wrong with This Picture (Van Morrison) 05 Little Village (Van Morrison) 06 Have I Told You Lately (Van Morrison) 07 Listen to the Lion (Van Morrison) 08 Goldfish Bowl (Van Morrison) 09 Stop Drinking (Van Morrison) 10 It's All in the Game (Van Morrison) 11 Gloria (Van Morrison) 12 talk (Van Morrison)
Paul says: Here's another Van Morrison BBC album. This time, it's a concert from 1997.
I'm not a big fan of Morrison's music in the 1980's, where he leaned more into New Age sounds with more overt Christian messaging. But in my opinion he rebounded in the 1990s, with more of a focus on rootsy R&B and jazz. His renaissance continued with the album "The Healing Game," released in April 1997. A Rolling Stone Magazine article in 2019 listed the album as one of his ten best, the only album on that list from after 1980.
Although this concert took place a couple of months prior to the release of that album, he already was playing songs from it: "Fire in the Belly," "Rough God Goes Riding," "If You Love Me," "Sometimes We Cry," "Burning Ground," and "The Healing Game."
This album has two sources. The first ten songs are from a BBC radio broadcast, which was also filmed and shown on TV. Apparently, it's not just from February 3, 1997. There are some songs from February 2nd, but I don't know which is which. Luckily for us, in the filming of this concert, there were some outtakes that leaked to the public. I found those on YouTube, and added them in as the last four songs. The song order for the whole thing is scrambled compared to the actual order performed in concert, so I just stuck those four at the end.
Overall, the sound quality is excellent. However, one of the extra songs, "Tupelo Honey - Why Must I Always Explain," was suddenly cut off before the song ended. Luckily, the song dropped off to a near end about ten seconds prior to that. Probably it would have built back up before finishing. But I just cut it off at that point, and then added in some cheering from the end of other songs to give it more of a natural sounding ending.
This album is an hour and 18 minutes long.
01 Days like This 02 Fire in the Belly 03 Rough God Goes Riding 04 Into the Mystic 05 Sometimes We Cry 06 Enlightenment 07 It Once Was My Life 08 If You Love Me 09 The Healing Game 10 See Me Through - Soldier of Fortune - Burning Ground 11 The Waiting Game 12 Ain't That Lovin' You, Baby 13 Vanlose Stairway 14 Tupelo Honey - Why Must I Always Explain
largely because I so agree with Paul here and didn’t enjoy the Christian messaging in his eighties work but here . . . . . .the return to form echoes those of our Bobby’s recovery from a time when those took advantage of the vulnerable . . . . like they so often do!
Enjoy!
Van Morrison Pro Footage Outtake part 1, Vanlose Stairway Belfast, Feb 1997
2 shows were filmed at the Waterfront Hall , Belfast on 2nd and 3rd February 1997 , for use as a Promotional film for Van`s latest album The Healing Game.
A film was released called Back On The Corner, featuring a mix of songs from the two nights.
This is one of a series of Outtakes, not used in the final cut.
Van Morrison – vocals, acoustic guitar, harmonica
Haji Ahkba – flugelhorn
Robin Aspland – piano
Alec Dankworth – double bass
Geoff Dunn – drums, percussion
Pee Wee Ellis – soprano and baritone saxophones, background vocals
Paul says : Before I post more BBC albums by Van Morrison, I have to post this concert. I just found it, and I'm very glad I did, because the sound quality is exceptional, especially for the time period.
As for the performance, the fact that it's from 1974 should tell you all you need to know. Morrison was on fire in concert during that era. Here's what Wikipedia had to say about a live album he recorded a year earlier: "Frequently named as one of the best live albums ever, 'It's Too Late to Stop Now' was recorded during what has often been said to be the singer's greatest phase as a live performer." He was still in that groove in 1974.
This is from an FM radio broadcast. One can tell by the introduction by a DJ named Tom Donahue. No doubt, that explains the sound quality. I made a few subtle audio editing tricks to improve the sound quality a little more.
Also, most versions of this bootleg have appeared without the last song, "Gloria." But I managed to track that down from a different source of the same show and add it in.
In terms of song selection, this is pretty similar to "It's Too Late to Stop Now" and some other live stuff I've posted from him from this time period. But see above about how he was at his performing peak around this time. Note that this concert took place a few months before the release of his 1974 album "Veedon Fleece," so there are no songs here from that.
This album is an hour and 16 minutes long.
01 talk by Tom Donahue 02 Heathrow Shuffle [Instrumental] 03 Ain't Nothing You Can Do 04 Warm Love 05 Snow in Anselmo 06 Help Me 07 Into the Mystic 08 I Believe to My Soul 09 Moondance 10 Foggy Mountain Top 11 Street Choir 12 Listen to the Lion 13 I've Been Working 14 I Just Want to Make Love to You 15 Gloria
Now I haven’t been posting much Van Morrison lately since his mad cap diatribes and anti-vaxxer stance and throwaway rubbish recent albums and yet. . . I still hold that my favourite live album of all time is prolly Too Late To Stop Now and as Paul says this is as good a quality as that so here goes . . .
Happy birthday to the ole grumpy curmudgeon hisself! Born as George Ivan Morrison in Belfast on this day in 1945
"I'm doing stuff that I like. I've been successful as a singer and songwriter for a long time, six decades or something. So I'm just doing stuff that I like to do now, because I think that, to me, that was the whole point of being successful, is doing what you want to do. I mean, that was the whole point, yeah."
so right about now your face should wear a smile . . . . .
Steve Baltin / Forbes Interview
as frequent visitor Dell posts out my dates are wrong and Van the Man is of course 79 this day and born in 31 August 1945 Belfast City
"I just saw the NY Times obituary for Mary Martin, who died at age 85: "Turned unknown acts into musical legends" and "A Grammy winner who introduced Bob Dylan to the Band”
I forgot that Bob mentioned her in Chronicles, how she was relentless in getting Bob to hire the Hawks as the polished band he needed (she was not impressed with his backing at the '65 Newport Folk Festival).
And I learned some new things in the obituary. That Mary lost to Bob in a swimming race up in Woodstock, and as consolation, Albert Grossman gave her his cat, "Lord Growing" --the same cat Bob holds on the cover of "Bringing It All Back Home.”
She also signed Van Morrison and guided him to "Moondance."
The NY Times obit is behind a pay-wall, there are others . . . .
Van Morrison - Into The Mystic - 2/2/1974 - Winterland,
San Francisco, CA
And someone else asked them for some Van The Man . . . . . . pre meltdown brain fade! Still what WAS Into The Mystic all about? Still made more sense than he does know! Gov Don’t Allow ha ha ha ha ha dumb as soup!
Did you get your shots Ivan!? Better watch out for that outbreak of Whooping Cough eh?
Van Morrison released his seventh studio album, Hard Nose the Highway, in October 1973 through Warner Bros Records. His first fully self-produced album, it was the product of two batches of sessions, one during August and the other during October 1972. Well received critically, it saw the release of fan favorites such as "Warm Love", "Wild Children" and "Snow in San Anselmo", and odd song choices such as a cover of Kermit the Frog's "Bein' Green" and the traditional "Purple Heather". It didn't sell as well as some of its predecessors, as it didn't feature a clear-cut hit single as something like Moondance did, but it charted relatively well and kept Morrison on the good run of albums he was on in the mid-70s. However, immediately after finishing Hard Nose the Highway, he returned to the studio in November 1972, staying until March 1973 and recording seven new songs, nearly enough for a brand new studio album. With those songs in the can, he then spent most of 1973 touring the United States and Europe with the Caledonia Soul Orchestra, something immortalized on the It's Too Late to Stop Now live album. By the time October 1973 rolled around, those songs hadn't yet been released and Van already had a brand new batch of songs, inspired by a trip to his native Ireland. Feeling that it was the strongest collection of songs of the two, he scrapped the late '72 material and released what became known as Veedon Fleece instead, ending up with one of his most revered albums in the process.
Van recorded an entire album's worth of songs in between the sessions for Hard Nose the Highway and Veedon Fleece which never saw the light of day. These "lost" November 1972/March 1973 sessions carried the same high quality as the great albums Van released during the 1970s, with several of their songs becoming live staples of his, which makes us wonder: why did he not release this album? To right this wrong, we will take all seven songs he recorded in those sessions, alongside others from other sessions in the same time period, and make a brand new album. Hard Nose the Highway outtakes are fair game, as they hail from only a couple of months prior, but anything before that is too early for inclusion. That, unfortunately, means "Wonderful Remark", from the Tupelo Honey sessions of 1971, won't make this reconstruction, but there are three other songs in the compilation that qualify, coming from September 1972. As far as what doesn't make the cut, the great "Sweet Sixteen" cannot be included, as it comes from a standalone April 1973 session after the parameters of this reconstruction, and features Jackie DeShannon on lead vocals, with songwriter Van relegated to backup. The same goes for two songs that were only performed live between May/June 1973: "I Paid the Price" and "No Way", from the It's Too Late to Stop Now box set, two very good songs but that came much too late for us, and thus cannot be included. With that out of the way, here's what our album looks like:
Not Supposed to Break Down (The Philosopher's Stone)
Laughing in the Wind (The Philosopher's Stone)
Madame Joy (The Philosopher's Stone)
Contemplation Rose (The Philosopher's Stone)
Don't Worry About Tomorrow (The Philosopher's Stone)
Another in the series continuing to look at Van Morrison’s output comes to another favourite album and one, whilst I haven’t played it in a while, contains some of the great songs covered by Van from the Irish [and Northern] songbook (I used to sing the ditty I’ll Tell Me Ma as a child) of course the influence of Paddy and the boys of The Chieftains should not be underestimated and they serve as much more than a back up band here. Some glorious heartfelt stuff . . . . . . .